By Paul McCartney. Piano/Vocal/Guitar Artist Songbook. Pop, Rock. Softcover. 104 pages. Published by Hal Leonard

Bass Guitar

SKU: HL.14047688

CARISCH - MUSIC SALES. General Merchandise. Play Music Italy #ML3787. Published by Play Music Italy (HL.14047688).

ISBN 9788850730292. Italian.

This method is aimed at beginners who want have fun while developing their Bass Guitar technique. 50 Linee Di Basso Per Principianti contains no less than 50 Bass lines that are simple and accessible to beginners. The Bass lines in this book draw influence from some of the best known artists of all time, including The Beatles, AC / DC, Bob Marley, Deep Purple, Eric Clapton, Elvis Presley, The Police, ZZ Top, James Brown, Jimi Hendrix, Otis Redding, U2, Led Zeppelin, The Rolling Stones and more. Each Bass line is accompanied by an explanation to help you overcome any technical, rhythmic or theoretical difficulties you might experience and the DVD Video allows you to listen to theBass lines at a normal, then reduced, speed, giving you the chance to learn how to make the correct gestures and choose the most suitable fingerings. The MP3 CD includes the featured lines played at two different speeds: the first is normal - i.e. the speed to be achieved, while the second has been reduced to help with study. Backing tracks are also included, of 3-4 minutes each, allowing you the opportunity to practice in as many different conditions as possible. More than 7 hours of music is included in total.

By Geraldine Cotter (Arranger). For Pennywhistle. Irish, Traditional, Folk, Celtic. 104 pages. Published by Ossian Publications.

SKU: HL.1215597

Pioneer DJ. DJ Gear. Duration 153 seconds. Hal Leonard #DJM-A9. Published by Hal Leonard (HL.1215597).

UPC: 841300102281. 19.0x23.0x9.0 inches.

The DJM-A9 raises the bar for club standard, professional mixers with stunningly clear sound quality, enhanced playability and connectivity, and a host of new features to take performances to the next level. The DJM-A9's new layout design makes it more instinctive and comfortable to play. Spacing was added around the EQ knobs. The channel faders and the MAGVEL FADER crossfader are slicker than those on the DJM-900NXS2, to enable performers to mix and scratch more efficiently. And the Sound Color FX include the world's first Center Lock feature, to ensure artists don't accidentally cross over between the hi/low parameters. Beat FX are more instinctive to use on the DJM-A9 thanks to the new color display and revamped X-Pad, which is now arranged horizontally for simple, sideways finger sliding. The Beat FX channel selector is now a dedicated button, enabling quicker effect routing, and the Multi I/O section has been upgraded to offer true send capabilities. In total, there are 14 Beat FX to play with, including 3 new ones. Through fine-tuning and improved construction with carefully selected components, the microphone section of the DJM-A9brings new possibilities when streaming or MCing. Artists can connect a condenser mic directly to the DJM-A9 for the best possible vocal sound quality thanks to the phantom power supply to the mic input, which is an industry-first feature on a DJ mixer. To dynamically change the sound of the artist's voice, there are 3 different mic effects plus a dedicated reverb to play with. Changing DJs or playing back-to-back is a breeze on the DJM-A9 thanks to the dual sets of USB Type-B and Type-C ports, which enable artists to connect two PCs/Macs running either rekordboxor Serato DJ Pro. And the mixer's expanded connectivity opens up new possibilities for artists performances. If an artist wants to play tracks from a mobile device, Bluetooth®/MDinput makes it easy on the DJM-A9. The audio can be routed to any channel, and an artist can use all the mixer's effects to change the sound.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Keyboard, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, String Bass, Suspended Cymbal, Timpani, Tom-tom, Trombone, Trumpet and more. - Grade 2.5

SKU: CF.XPS14

Composed by Peter Terry. Flexible Band (XPS). Set of Score and Parts. With Standard notation. 16+8+4+8+4+6+6+2+4+4+4+4+6+4+4+4+4+4+8+2+6+4+2+4+4+4+24 pages. Carl Fischer Music #XPS14. Published by Carl Fischer Music (CF.XPS14).

ISBN 9781491152607. UPC: 680160910106.

Peter Terry's Unleashed makes for an impressive concert opener that is the musical equivalent of unleashing a caged animal. The piece is exciting from start to finish, with energetic and bold material that students will love to play. Directors will also love the instrumentation flexibility that this new version offers.
Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun.The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the opening theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.​​​​​​​​​Peter Terry, 2018.

Flute duo

SKU: P2.10021

Composed by Cornelius Boots. Chamber music, 20th century. Published by Potenza Music (P2.10021).

The second part of the Chthonic Flute Suite commissioned by Areon Flutes in 2012. This suite has two main inspirations: ideologically it draws guidance from the book The Dream and the Underworld (1979) by James Hillman (1926-2011) and musically it explores the textural possibilities of a flute ensemble within the context of the heavy chamber music style I have developed with Edmund Welles: the bass clarinet quartet since 1996. This style draws virtuosic precision from the classical realm; innovation and texture from jazz; and power, rhythm and overall perspective from rock and metal. The term chthonic [thon-ik] generally means underworld. However, Hillman thoroughly elaborates that its true meaning extends below the earth and beyond it into invisible, non-physical and far distant psychic realms: the deeper mysteries of the invisible. The duo is divided into two sections: Nekyia and Hypnoia. Each of these is a Greek myth-nerd term for some key aspect of an archetypal descent into the underworld. In fact, nekyia is a term that specifically means archetypal descent as one finds in myths across the ages from Dante to the Greeks and beyond. Hillman sees a lack of sufficient nekyia myths in our modern culture, yet our popular heroes in films and music are shady underworld characters. Dante's underworld was our culture's last, and it was imagined even before the Renaissance had properly begun. Our ethnic roots reach back to great underworld configurations: the Celtic Dagda or Cerunos, the Germanic Hel, and the Biblical Sheol. All have faded... (p.64) Hyponoia is a more subtle term used by Plato that refers to an undersense or a deeper meaning. The search for undersense is what we express in common speech as the desire to understand. We want to get below what is going on and see its basis, its fundamentals, how and where it is grounded. (p. 137) This deeper understanding is one of the motivations and constant characteristics of the underworld descent: but the discoveries made and experiences experienced are not always as they seem to be. Hillman recommends over and over that we see and see into each thing for what it is, and not force a dayworld perspective onto dream images and occurrences. As a duo movement, the term enantiodromia (counter enantio, and running dromia) is particularly appropriate as it is a grounding principle by which Jung understands the regulative function of opposites. As Hillman tends to turn things on their metaphorical heads, he fleshes out dualism and oppositionalism in such a way that in the underworld this actually becomes a unifying principle: If you go far enough with any one movement, a countermovement will set in...The way up and the way down are one and the same: the manifestation of one power by opposite forces. (p. 76) This implies a union of the two opposites, a conjunction as contrasted with an opposition. There are two voices but they are both flutes; there are two contrasting halves to the piece, yet they balance each other even in their differences.

(Easy Piano). Arranged by Dan Coates. For Piano. This edition: Easy Piano. Book; Piano - Easy Piano Collection. The Giant Book of Sheet Music. Movie; TV. Easy Piano. 168 pages. Published by Alfred Music

Performed by Jim Brickman. For solo piano. Format: piano solo book. With chord names and color photos. New age. 70 pages. 9x12 inches. Published by Warner Brothers.

Orchestral Score. Composed by Alan Menken. This edition: Paperback/Softcover. Sheet music. Study score. Composed 2010. Omni Music Publishing #OMNI 50796. Published by Omni Music Publishing