| E-Z Play Today #394 - The Best Gospel Songs Ever Easy Piano [Sheet music] - Easy Hal Leonard
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and...(+)
E-Z Play Today (Easy big-note right-hand-only arrangements for piano, organ, and electronic keyboard). Size 9x12 inches. 152 pages. Published by Hal Leonard.
(3)$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Arthur Honegger's King David Choral CD [Listening CD] Mark Custom Music
By West Chester University of Pennsylvania Concert Choir; West Chester Universit...(+)
By West Chester University of Pennsylvania Concert Choir; West Chester University of Pennsylvania Mastersingers; West Chester University of Pennsylvania Chamber Ensemble. Release date: 2015. Mark Records. Listening CD. Published by Mark Custom Music (MK.51849-MCD).
$14.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| His Eye Is on the Sparrow Piano solo - Intermediate/advanced Lillenas Publishing Co.
(Songs of Faith for the Piano Soloist). Composed by Kathy Smith. For piano. ...(+)
(Songs of Faith for the Piano
Soloist). Composed by Kathy
Smith. For piano. Sacred.
Moderately advanced. Published
by Lillenas Publishing Company
$26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sing We Now Merrily Choral Boosey and Hawkes
A Collection of Elizabethan Rounds from Ravenscroft. (COLLECTION). Boosey and H...(+)
A Collection of Elizabethan Rounds from Ravenscroft. (COLLECTION). Boosey and Hawkes Secular Choral. Book only. 96 pages. Published by Boosey & Hawkes.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Voluntaries for Manuals: 14 Hymn-based Preludes and Postludes Organ - Intermediate MorningStar Music Publishers
Composed by Charles E. Callahan Jr. (1951-). Manuals Only, Offertories, Prelud...(+)
Composed by Charles E.
Callahan Jr. (1951-). Manuals
Only, Offertories, Preludes,
Postludes. 21st Century.
MorningStar Music Publishers
#10-456. Published by
MorningStar Music Publishers
$20.50 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Hallelujah! What a Savior! Violin and Piano [Sheet music + CD] Lorenz Publishing Company
(Hymn Arrangements for Solo Violin and Piano). By Kristin Campbell. String ensem...(+)
(Hymn Arrangements for Solo Violin and Piano). By Kristin Campbell. String ensemble. For handchimes (3 octaves). Sacred instrumental. Published by Lorenz Publishing Company
$32.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Flute 1, Flute 2, Oboe 1, Oboe 2, Piccolo, alto Saxophone, soprano Saxophone, tenor Saxophone SKU: PR.165001000 Hymns for Wind Ensemble. Composed by Dan Welcher. Folio. Set of Score and Parts. 4+24+24+16+8+4+4+24+12+12+8+4+4+4+4+8+8+8+8+4+4+4+4+8+8+8+8+8+8+8+8+4+16+4+8+4+8+8+4+4+4+48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100. Published by Theodore Presser Company (PR.165001000). ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Mystic Harmony [Score] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more. SKU: PR.16500100F Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F). ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Traditional Hymns Level 4 Piano solo - Intermediate Hal Leonard
Hal Leonard Student Piano Library. Arranged by Phillip Gordon, Fred Kern, Mona R...(+)
Hal Leonard Student Piano Library. Arranged by Phillip Gordon, Fred Kern, Mona Rejino. Educational Piano Library. Size 9x12 inches. 32 pages. Published by Hal Leonard.
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Preludes and Offertories for Piano Solo Piano solo - Intermediate Mel Bay
Composed by Gail Smith. Squareback saddle stitch, Featured Products. Litur...(+)
Composed by Gail Smith.
Squareback saddle stitch,
Featured Products.
Liturgical. Book. Mel Bay
Publications, Inc #30896.
Published by Mel Bay
Publications, Inc
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Easy Children's Fake Book
C Instruments [Fake Book] Hal Leonard
(100 Songs in the Key of C). By Various. For C Instruments. Easy Fake Book. Soft...(+)
(100 Songs in the Key of C). By Various. For C Instruments. Easy Fake Book. Softcover. 144 pages. Published by Hal Leonard
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| String Stylings Violin and Piano [Sheet music] Hope Publishing Company
Arranged by Derousse, Cathy. For Piano, Violin. Sacred. Print Music Collection (...(+)
Arranged by Derousse, Cathy. For Piano, Violin. Sacred. Print Music Collection (Book). Published by Hope Publishing Company. Level: (Moderate).
(1)$26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| String Stylings Violin [Book + CD] Hope Publishing Company
Arranged by Derousse, Cathy. For Violin. Sacred. Level: (Moderate). Print Music...(+)
Arranged by Derousse, Cathy. For Violin. Sacred. Level: (Moderate). Print Music Collection (Book w/Accomp. CD). 72 pages. Published by Hope Publishing Company.
$34.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| HMP Trak Pak 13 Fall 1992 SOS - Accompaniment CD [Accompaniment CD] Heritage Music Press | | |
| The Pick-Up Organ Book, Vol. 1 Organ [Sheet music] Lorenz Publishing Company
By Geoffrey R. Lorenz. For organ. Level: 2-staff. Sacred Organ. Published by Lor...(+)
By Geoffrey R. Lorenz. For organ. Level: 2-staff. Sacred Organ. Published by Lorenz Publishing Company.
$42.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Easy Hymn Accompaniments Handbells - Easy Choristers Guild
Reproducible Accompanimsents for Twelve Familiar Hymns. Arranged by Marga...(+)
Reproducible Accompanimsents for Twelve Familiar Hymns. Arranged by Margaret R Tucker. General, Lent, Holy Trinity, Thanksgiving, Reformation. Reproducible handbell collection. Published by Chorister's Guild (LO.CGB995).
$54.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| WOW Hymns Piano, Vocal and Guitar [Sheet music] Word Music | | |
| Randy Travis - Worship & Faith Piano, Vocal and Guitar [Sheet music] Word Music
Performed by Randy Travis. Piano/Vocal/Chords Songbook (Arrangements for piano a...(+)
Performed by Randy Travis. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 128 pages. Published by Word Music.
$25.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hymn Enhancements for Piano: 30 Introductions, Interludes, and Reharmonizations Piano solo - Intermediate MorningStar Music Publishers
Composed by Anna Laura Page. Accompaniments/Intros. 21st Century. Published by...(+)
Composed by Anna Laura Page.
Accompaniments/Intros. 21st
Century. Published by
MorningStar Music Publishers
$23.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Interpretations, Book VI Organ [Set of Parts] Sacred Music Press
By David M. Cherwien. For Organ. Sacred: General, Hymn-based Collection. 3-staff...(+)
By David M. Cherwien. For Organ. Sacred: General, Hymn-based Collection. 3-staff. Parts. Published by Sacred Music Press
$25.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Thee Will I Praise (Full Score) Choral SATB SATB Schirmer
By Craig Phillips. For SATB Choir, organ, brass quintet (Mixed Voices). General,...(+)
By Craig Phillips. For SATB Choir, organ, brass quintet (Mixed Voices). General, Psalm. Psalm 138, paraphrase. Choral. 24 pages
$16.70 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| American Folk Hymn Suite, Set 2 Piano solo Concordia Publishing House | | |
1 ... 211 241 Next page 271 |