SKU: HL.1152901

ISBN 9781705186824. UPC: 196288119586. 9.5x12.0x0.365 inches.

This book will help you to: â?¢ Expand your vocabulary based on the most popular rhythms in Western music. â?¢ Learn hundreds of fill variations based on a logical system and apply them in multiple styles â?¢ Fill more fluidly and phrase more musically Hear outside of what you play. â?¢ Solidify your timing â?¢ Exercise your creativity Book is spiral bound for easy use and features access to online audio demos. Dave DiCenso has performed and or recorded with a diverse array of renowned artists including Josh Groban, Duran Duran, Hiromi, John Petrucci (Dream Theater), Steve Morse Band, Gary Cherone (Van Halen/Extreme), Johnny A, Two Ton Shoe, Cro-Mags, Shelter, and Carole King, among many others. An equally skilled educator, Dave has personally mentored hundreds of drummers, many of whom have achieved world-wide recognition. He is a Professor of Percussion at Berklee College of Music, and the author of the method books Rhythm and Drumming Demystifled and Universal Rhythms for Drum Set.

SKU: YM.GTP01100339

ISBN 9784636102369. 8.5 x 12 inches.

12 complete transcriptions of Hiromi's own original works and The Tom and Jerry Show + 4 Easy or arranged Version based on her original. You will chase her Speed on this book!

SKU: BT.MUSM570207749

English.

Commissioned by the Shizuoka City Foundation of Cultural Promotion, Japan. First performance: 16th March 2003 in Shizuoka, Japan, by Tomoko Kato (vln), Yashiko Kawamoto (vla), Tsuyoshi Tsutsumi (vc) and Hiromi Okada (pno).

SKU: BA.BA08362-01

ISBN 9790006496471. 27.5 x 20 cm inches.

Georg Anton Benda's melodrama ,,Medea(1775) was one of the most successful German musical theatre works of the late 18th century. With a libretto by Friedrich Wilhelm Gotter, the work soon became a great influence within the melodrama genre. For several decades, it was performed all over central Europe, developing an impressive reception history. Between 1775 and about 1790, the melodrama was considered an extremely popular (albeit controversial) part of musical theatre, in particular in German-speaking regions. Consequently, Benda's ,,Medeawas at the center of many heated debates.

Unlike opera, the melodrama does not present the libretto in sung form, but rather, the text is spoken and combined with orchestral music and scenes. The traditional opera forms (aria, recitative, ensemble, chorus) are dissolved and replaced by a new interplay of music, speech, and scenes. A focus on a single protagonist and the quick, delicate alternation between spoken text and music allows for the development of conflicting and contradictory psychological profiles with a heightened intensity within the melodrama.

Near the end of his life, Benda revised the work significantly, drawing from his experience of real performances and their effectiveness. The changes leading to the new version of his ,,Medeamusic were quite extensive, affecting almost every single measure: numerous details of the part writing (tempi, voice leading, rhythms, accompanying figures etc.) were revised, the instrumentation was changed, middle voices were led in a more lively manner, and the music as a whole was shortened and effectively compressed. The composer regarded the latter, modified ,,Medeaas the authorized version of the work. The premiere took place in 1784 in Mannheim, however, the altered work received little attention since then and has become tangible again for the first time with the OPERA Edition. All previous editions of the work - and along with them, all previous recordings - are based on the earlier version of 1775.

The third volume of the OPERA seriesMedeacontains a linen-bound book and the edirom on a USB stick in credit card format. The number of users permitted to simultaneously use the digital content of the edition is not limited.

For further information regarding the work and the OPERA series, please visit www.opera-edition.com and Takte online

SKU: HL.609286

ISBN 9781705167618. UPC: 196288078616. 9.0x12.0x0.595 inches.

In the new Steve Smith Legends, you get a brand new 40-page interview which covers Steve's entire career and virtually every band and recording in which he's played as a sideman or a leader including: Jean-Luc Ponty, Ronnie Montrose, Steps Ahead, Vital Information, Mike Stern, Hiromi, the many editions of the band Electric Miles, the tribute gigs playing The Music of Coltrane and The Music of Ornette Coleman. We discuss what it means to be a professional drummer and musician, the history of jazz and fusion drumming, the music business, and being an eternal student of the drums and music. To help you study how Steve interprets music and creates drum parts, he gave us eight of his own handwritten drum charts from the Journey and Mike Stern gigs. The reader also gets an in-depth step-by-step lesson on Indian rhythms and drumming. LEGENDS also comes with a free download component of Steve's drum solo recording The Fabric of Rhythm (a $200 value) with exclusive in-depth explanations of each solo. For the gear obsessed drummers, Steve gives us a complete rundown of every drum set that he has owned, recorded, and toured with, and hundreds of never-before-seen pictures from his own archive. You will also get over 50 brand new transcriptions. However, LEGENDS transcriptions are not just the notes and rests. LEGENDS also includes Steve's thoughts on what makes the transcribed parts and recordings special and unique. Along with the detailed transcriptions, we discuss WHAT and WHY he played what he did. Plus, you get all six of Steve's past Modern Drummer cover feature interviews. There are a lot of surprises in every LEGENDS book, and there is a mountain of useful information inside the over 248 pages! This is not just another drum book or magazine, it's Modern Drummer LEGENDS.

SKU: NR.99589

Maichyk, Ivan Ivanovich, ed, Za Sybirom sontse skhodyt', Oi popid hai zelenen'kyi, Reve ta stohne Dnipr shyrokyi, Khto zh mi bude luchku kosyv, Poletiv by-m na krai svita, Dibrovo zelena, Oi spivanochky moi, Oi tam kolo mlyna, Oi ne tsvity buinym tsvitom, Koman'cha, Tam de Iatran' kruto v'et'sia, Chornii brovy karii ochi, Oi ziidy ziidy iasen misiatsiu, Pishov Ivan v polonynu kosyty, Hrytsiu Hrytsiu do roboty, Ne zhenysia synu, Oi kum do kumy zalytsiavsia, Udovytsiu ia liubyv, U susida khata bila.