India.Arie. For Piano/Vocal/Chords. This edition: Piano/Vocal/Chords. Personality Book. Pop; R&B; Urban. Book. 104 pages. Published by Alfred Publishing.

(2+1.2.2.2/2.0.0.0,timp,perc,hp,str)

SKU: TM.06536SET

Composed by Edward Elgar. Arranged by Edward Elgar. Set Type: D. Set of parts. Lucks Music Library #A7240. Published by Lucks Music Library (TM.06536SET).

Arr. by the composer.

(2+1.2.2.2/2.0.0.0,timp,perc,hp,str)

SKU: TM.06536SC

Composed by Edward Elgar. Arranged by Edward Elgar. Score. Lucks Music Library #A7240. Published by Lucks Music Library (TM.06536SC).

Arr. by the composer.

Basso (cello/double bass) (solo: hn - 0.2.0.2. - 0.0.0.0. - str)

SKU: BR.OB-5557-26

Original Version and Revised Version by Mozart completed by Robert D. Levin - Urtext. Composed by Wolfgang Amadeus Mozart. Edited by Robert D. Levin. Stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Classical. Part. 12 pages. Duration 12'. Breitkopf and Haertel #OB 5557-26. Published by Breitkopf and Haertel (BR.OB-5557-26).

ISBN 9790004341148. 10 x 12.5 inches.

The two-movement, incompletely transmitted Horn Concerto in D major K. 412 was long considered as Mozarts first horn concerto; it is, however, his last, and was written between March and December 1791. Mozart undertook revisions in the autograph which contains the most important orchestral parts next to the entire solo horn part in order to adjust the work to the modest technical abilities of the planned soloist Joseph Leutgeb. Mozart revised and completed the first movement, eliminated lower notes in the solo part, rewrote difficult passages and expanded orchestral interludes to give Leutgeb additional breath rests. Mozart also made similar simplifications in the second movement as well, but his early death prevented the completion of the work.Robert D. Levin reconstructed both versions of the concerto on the basis of the autograph. Next to the version revised by Mozart (post correcturam), he now presents the original version (ante correcturam) for the first time in a musical text revised and supplemented according to rigorous philological criteria.

SKU: GI.G-017336

Composed by Marshall S. Barnhouse, III. Sacred. GIA Publications #017336. Published by GIA Publications (GI.G-017336).

[Category].

A collection of well-known and beloved hymn tune accompaniments for all pianists called upon to play traditional hymns. Barnhouse, a respected concert pianist and teacher, is known for his ability to create and perform works that bring an artistic level of expression to the churchand concert stage. He does just that in this collection crafting creative introductions for each accompaniment with optional interludes between verses. Ideal for intermediate-level pianists, most of these hymn tunes have both a simpler and a slightly more difficult accompaniment plus arrangements in lower and higher keys. A perfect resource to introduce student pianists to accompanying traditional hymns.

Edited by C. H. Trevor. Organ solo book for organ solo. With standard notation. Published by Oxford University Press.

Arranged by Diane Bish. For Organ accompaniment. (SATB, Narrator). Chapel Hill Music, Inc. Sacred, Concert. Level: Medium Adult. 110 pages. Duration 40 min. Published by Hinshaw Music Inc.

Chamber Ensemble

SKU: BT.MUSM570366507

The Rosegarden Of Light. Composed by Sadie Harrison. Score Only. 20 pages. University of York Music Press #MUSM570366507. Published by University of York Music Press (BT.MUSM570366507).

English.

Sadie Harrison 's Gulistan-e Nur (The Rosegarden of Light): Three Interludes . Afghan songs and dances, for mixed youth/amateur ensemble of 5 open instrumentation parts (3 treble, 1 alto, 1 bass instruments). Interlude I - Bahar-e nastaran-bihag (Radio Piece) Interlude II - Shirin dokhtar-e maldar (Sweet Nomad Girl) Interlude III -Watan Jan (My Homeland) Duration: c. 10 minutes.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 3

SKU: CF.CPS216

Composed by Michael J. Miller. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+2+4+2+8+16+16+4+4+4+4+4+4+8+8+8+4+4+6+6+6+8+6+2+2+4+10+36+4 pages. Duration 3 minutes, 3 seconds. Carl Fischer Music #CPS216. Published by Carl Fischer Music (CF.CPS216).

ISBN 9781491152423. UPC: 680160909926.

Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections.  This fanfare composition would be perfect for opening a concert. It has bold brass fanfare figures over textural woodwinds to start and then takes the listener on a sonic journey through a variation of harmonic colors, tambural and textural shifts.
Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. The first, a rather celebratory and triumphant fanfare in Bb major begins with the upper woodwinds and percussion creating a sound-screen, that is a busy texture consisting of a flurry of repeated notes over which the horns and alto saxophones present the opening theme. The sound-screen should be carefully balanced and give way to the melody at m. 5, which should be played extremely marcato. The timpani solo beginning in m. 11 must not be understated. A brief percussion interlude separates a restatement of the opening theme, this time with the addition of the trumpet, tenor saxophone, and euphonium, and a counter melody by the low winds. The percussion interlude is playful, light, but full of vigor and energy. An Ab in the low winds pulls the harmony towards G minor in m. 40 to start the second section, a more serious fanfare. Here, the marimba repeats an ostinato that is complemented by the bass drum and woodblock. The upper woodwinds with the xylophone and snare drum dance over the stern secondary fanfare. A longing call lead by the trombones, interrupted by a subtle snare drum beckons to the clarinets and horn who begin the third section of the piece at m. 68. This haunting melody in C minor is legato, and starkly contrasts all which came before it. A relentless concert tom-tom played with hard mallets keeps the momentum persistent, and a heartbeat-like pulse is felt from the tuba and baritone saxophone. The melody rises towards m. 84 when the brass harken back to the fanfare style before fading back into another lush woodwind strain.A recapitulation of the low winds’ call is heard at m. 100 which in this occasion intensifies into an emphatic statement by the battery percussion instruments. Now in Eb major, the opening fanfare theme is heard again once more before fading into the beginning of the piece’s conclusion.To end, the counter melody from the opening section duels with chromatic tension above before swelling to an arrival in the original key of Bb major. The full ensemble celebrates the piece’s resolution, and after a few crunchy power chords the journey is completed.

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe 1, Oboe 2, Percussion 1 and more. - Grade 3

SKU: CF.CPS216F

Composed by Michael J. Miller. Concert Band (CPS). Full score. With Standard notation. 36 pages. Carl Fischer Music #CPS216F. Published by Carl Fischer Music (CF.CPS216F).

ISBN 9781491153109. UPC: 680160910601.

Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections.  This fanfare composition would be perfect for opening a concert. It has bold brass fanfare figures over textural woodwinds to start and then takes the listener on a sonic journey through a variation of harmonic colors, tambural and textural shifts.
Cosmic Expedition takes performers on a musical journey far across the galaxy via three main sections. The first, a rather celebratory and triumphant fanfare in Bb major begins with the upper woodwinds and percussion creating a sound-screen, that is a busy texture consisting of a flurry of repeated notes over which the horns and alto saxophones present the opening theme. The sound-screen should be carefully balanced and give way to the melody at m. 5, which should be played extremely marcato. The timpani solo beginning in m. 11 must not be understated. A brief percussion interlude separates a restatement of the opening theme, this time with the addition of the trumpet, tenor saxophone, and euphonium, and a counter melody by the low winds. The percussion interlude is playful, light, but full of vigor and energy. An Ab in the low winds pulls the harmony towards G minor in m. 40 to start the second section, a more serious fanfare. Here, the marimba repeats an ostinato that is complemented by the bass drum and woodblock. The upper woodwinds with the xylophone and snare drum dance over the stern secondary fanfare. A longing call lead by the trombones, interrupted by a subtle snare drum beckons to the clarinets and horn who begin the third section of the piece at m. 68. This haunting melody in C minor is legato, and starkly contrasts all which came before it. A relentless concert tom-tom played with hard mallets keeps the momentum persistent, and a heartbeat-like pulse is felt from the tuba and baritone saxophone. The melody rises towards m. 84 when the brass harken back to the fanfare style before fading back into another lush woodwind strain.A recapitulation of the low winds’ call is heard at m. 100 which in this occasion intensifies into an emphatic statement by the battery percussion instruments. Now in Eb major, the opening fanfare theme is heard again once more before fading into the beginning of the piece’s conclusion.To end, the counter melody from the opening section duels with chromatic tension above before swelling to an arrival in the original key of Bb major. The full ensemble celebrates the piece’s resolution, and after a few crunchy power chords the journey is completed.

Handbells 3-6 octave handbell choir with optional 3-4 octave handchimes - Level 3

SKU: HP.2253

Arranged by Susan T. Nelson. General Worship, Sacred. Handbell score. 12 pages. Hope Publishing Company #2253. Published by Hope Publishing Company (HP.2253).

UPC: 763628122539. 1 Thessalonians 4:16-18, John 19:37, Job 19:25, Jude 14, Philippians 2:9-11, Revelation 1:7, Revelation 11:15, Revelation 20:6, Revelation 22:20, Revelation 4:4-10, Zechariah 12:10.

Classic hymn tune A faithful interpretation of a classic hymn with an original introduction, interlude, and coda. A faithful interpretation of a classic hymn with an original introduction, interlude, and coda.