| Henry V: Shakespeare Scenario (Walton Edition) Orchestra [Score] Oxford University Press
By Walton. For Full Orchestra Score (Cloth). WE23. Published by Oxford Universit...(+)
By Walton. For Full Orchestra Score (Cloth). WE23. Published by Oxford University Press.
$312.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Suite Pastorale Orchestra SATB, Orchestra [Score] Lemoine, Henry
Orchestra SKU: LM.29269 Composed by Gerard Pesson. Classical: 20th Centur...(+)
Orchestra SKU: LM.29269 Composed by Gerard Pesson. Classical: 20th Century (Contemporary). Score. Editions Henry Lemoine #29269. Published by Editions Henry Lemoine (LM.29269). ISBN 9790230992695. Fanfare - Ouverture - Choral (sur le ruban) - Musette - Precipitoso - Sommeil de Celadon - Interlude en foret - Chanson d'Hylas - Branle du Poitou - Sommeil d'Alexis - Eden machine. $86.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lullaby for Kendall String Orchestra [Score and Parts] Imagine Music
Composed by Gary Edwards. For string orchestra. Pathways Series. Score and s...(+)
Composed by Gary Edwards. For
string orchestra. Pathways
Series. Score and set of
parts. Published by Imagine
Music
$35.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Nuttin' for Christmas Choral 3-part SSA Alfred Publishing
Composed by Roy C. Bennett and Sid Tepper. Arranged by Gary Fry. Choir Secular. ...(+)
Composed by Roy C. Bennett and Sid Tepper. Arranged by Gary Fry. Choir Secular. For Chamber Orchestra (Women's Choir). Choral Octavo. Archive Edition. Christmas; Novelty; Secular; Winter. 12 pages. Published by Alfred Music
$2.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jesus Shall Reign: Orchestra Orchestra MorningStar Music Publishers
Composed by Duane Funderburk. For full orchestra. General, Easter. Moderately Ea...(+)
Composed by Duane Funderburk. For full orchestra. General, Easter. Moderately Easy. Published by MorningStar Music Publishers
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Timbres, Space, Movement (orchestra) Orchestra Heugel
Orchestra (Orchestra) SKU: HL.48188488 Composed by Henri Dutilleux. Leduc...(+)
Orchestra (Orchestra) SKU: HL.48188488 Composed by Henri Dutilleux. Leduc. Classical. Softcover. 104 pages. Heugel & Cie #HE32608. Published by Heugel & Cie (HL.48188488). UPC: 888680866952. 8.5x11.75x0.543 inches. “Composed in 1978 by Henri Dutilleux, Timbres, Space, Movement is a work for Orchestra, also named ?The starry night? after a painting by Van Gogh. It was commisioned by Mstislav Rostropovich for the National Symphony Orchestra of Washington and is dedicated to Charles Münch. This great orchestral work lasts approximately 20 minutes and depicts the content of the painting. It is written for a full orchestra without Violins or Violas. A sketch of the placement of the instruments is given in the book as its disposition differs from a full orchestra: The Cellos placed in a half-circle in front of the conductor. The Cellos represents the space with twirling solos and more stagnant sections while the lack of Violins and Violas is for the quiet and motionless part of the painting. The solo of the Winds and Drums characterizes the clouds and the light of the moon and the stars. It is divided in two parts: 1. Nébuleuse (Nebula) and 2.Constellations, which are divided by a Cello interlude. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers, amongst many others. His work also includes a Piano sonata, two symphonies, the Violin concerto 'L'arbre des songes' (The tree of dreams) and the Cello concerto 'Tout un monde lointain' (A whole distant word).â€. $85.80 - See more - Buy online | | |
| Sussex Carol Orchestra SATB, Piano [Octavo] Oxford University Press
By Mack Wilberg (1955-). For SATB choir and piano 4 hands/full orchestra (piccol...(+)
By Mack Wilberg (1955-). For SATB choir and piano 4 hands/full orchestra (piccolo, 2 flutes, 2 oboes, 2 clarinets, 2 bassoon, 4 horn, 3 trumpet, 3 trombone, tuba, 2 percussion, timpani, handbell (optional), harp, organ (optional), strings). Mixed Voices. Christmas, Choral Leaflet. Vocal score. 16 pages. Duration 3'. Published by Oxford University Press
$4.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nine Orchestral Interlude Orchestra Seesaw Music Corp
Orchestra SKU: SU.50029470 For Orchestra. Composed by Larry Sitsky...(+)
Orchestra SKU: SU.50029470 For Orchestra. Composed by Larry Sitsky. Orchestra. Study Score. Seesaw Music Corp #50029470. Published by Seesaw Music Corp (SU.50029470). From the opera The GolemPublished by: Seesaw Music. $110.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Harwichport Interlude Orchestra Seesaw Music Corp
Orchestra SKU: SU.50014420 For Orchestra. Composed by Peter Hazzar...(+)
Orchestra SKU: SU.50014420 For Orchestra. Composed by Peter Hazzard. Orchestra. Study Score. Seesaw Music Corp #50014420. Published by Seesaw Music Corp (SU.50014420). Op. 23Copyright 1971. Published by: Seesaw Music. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Interlude dans le soir Op.14, for Orchestra Orchestra [Score and Parts] Da Vinci Publishing
Orchestra SKU: BT.DV-11155 Composed by Nadir Garofalo. Contemporary Music...(+)
Orchestra SKU: BT.DV-11155 Composed by Nadir Garofalo. Contemporary Music. Set (Score & Parts). 80 pages. Da Vinci Publishing #DV 11155. Published by Da Vinci Publishing (BT.DV-11155). French-English. $33.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| March, Interlude & Jig (Complete Set) Orchestra [Set of Parts] Schirmer
By David Stone. For Orchestra. Orchestra. Published by E.C. Schirmer Publishing....(+)
By David Stone. For Orchestra. Orchestra. Published by E.C. Schirmer Publishing.
$30.70 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Interludes (from Rose in Flames) Orchestra Subito Music
Orchestra SKU: SU.32000155 For Orchestra. Composed by Randall Shin...(+)
Orchestra SKU: SU.32000155 For Orchestra. Composed by Randall Shinn. Orchestra. Study Score. Subito Music Corporation #32000155. Published by Subito Music Corporation (SU.32000155). A collection of interludes from the opera Rose in Flames. May be played whole or in part. 2121; 2210; 1perc; stgs Composed: 2016 Published by: Distributed Composer Performance materials available on rental only:. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fanfare from Fanfare, Interlude, and Finale Lauren Keiser Music Publishing
Full Score SKU: HL.326717 For Orchestra Full Score. Composed by Gw...(+)
Full Score SKU: HL.326717 For Orchestra Full Score. Composed by Gwyneth W. Walker. LKM Music. Softcover. Lauren Keiser Music Publishing #X077611. Published by Lauren Keiser Music Publishing (HL.326717). ISBN 9781540080790. UPC: 888680988357. 11.0x14.0x0.436 inches. The FANFARE was commissioned and premiered by the Washington Festival Orchestra in 1978. Other orchestras which performed the FANFARE requested additional movements, resulting in the addition of the INTERLUDE and FINALE a few years later, premiered by the Twin Cities Symphony in 1983. This short fanfare has a lively theme in mixed meters (often juxtaposing 2/2 and 3/8) with a slow middle section which leads back to a return of the theme. FANFARE, INTERLUDE AND FINALE was the first orchestral work composed by Gwyneth Walker after her years of conservatory training, and a spirit of freshness and enthusiasm of a composer starting her professional career can be heard in her approach. $32.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Karel Husa: Trumpet Concertos CD only [Listening CD] Mark Custom Music
By Syracuse University. By Karel Husa (1921-). Classical. Performance CD. Publis...(+)
By Syracuse University. By Karel Husa (1921-). Classical. Performance CD. Published by Mark Custom Music
$14.99 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Elgar Book 2 Piano solo Forsyth Publications
Piano SKU: FP.FSS09 Composed by Cyril Dalmaine and Edward Elgar. Publishe...(+)
Piano SKU: FP.FSS09 Composed by Cyril Dalmaine and Edward Elgar. Published by Forsyths Publications (FP.FSS09). ISBN 979-0-57050-285-1. The albums in Forsyth's Silhouette Series are widely acknowledged to provide as some of the finest piano arrangements of the works of the great composers available to the player of intermediate ability. These albums provide excellent teaching material, as well as superb recreational pieces for the adult player. $9.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Brahms Interlude (from Rhapsody In B Minor, Op. 79, No. 1) Orchestra [Score and Parts] - Easy Kendor Music Inc.
String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3) ...(+)
String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3) - Grade 2.5 SKU: KN.8938 (from Rhapsody In B Minor, Op. 79, No. 1). Composed by Johannes Brahms. Arranged by Deborah Baker Monday. Voyager String Orchestra. Score and set of parts. Duration 3 minutes. Kendor Music Inc #8938. Published by Kendor Music Inc (KN.8938). UPC: 822795089387. Young string players do not get the opportunity to play Brahms often because much of his greatest music is written for piano and other works are too complex. But embedded in the fiery Rhapsody In B Minor (Op. 79, No. 1) is a beautiful interlude which takes on a form of its own. Simple melodies are passed among all instruments and harmonized in parallel 3rds and 6ths. Simple repeated 8th-note patterns with some ties create the undulating current in the accompaniment which drives the piece to its dynamic extremes. Duration 3:00. Available in SmartMusic. $52.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Timbres Espaces Mouvements Ou Orchestra [Score] Heugel
Orchestra SKU: BT.ALHE32608 Composed by Henri Dutilleux. Classical. Score...(+)
Orchestra SKU: BT.ALHE32608 Composed by Henri Dutilleux. Classical. Score Only. Heugel & Cie #ALHE32608. Published by Heugel & Cie (BT.ALHE32608). French. Composed in 1978 by Henri Dutilleux, Timbres, Espace, Mouvement Ou La Nuit Etoileé is a work for Orchestra, also named “The Starry Night†after the painting by Van Gogh. It was commissioned by Mstislav Rostropovich for the National Symphony Orchestraof Washington and is dedicated to Charles Münch.This work for Orchestra lasts approximately 20 minutes and depicts the content of the painting. It is scored for a full Orchestra without Violins or Violas. The Cellos serve to represent space, with swirling solos alongside calmer sections, while thelack of Violins and Violas epitomises for the quiet and motionless sections of the painting. The solo of the Wind instruments and Drums characterizes the clouds and the light of the moon and stars.It is divided into two parts: 1. Nébuleuse (Nebula) and 2.Constellations, which are divided by a Cello interlude. $85.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Serenade Choral SATB SATB, Orchestra MorningStar Music Publishers
Composed by Gerald Near (1942-). For SATB choir divisi, string quintet or string...(+)
Composed by Gerald Near (1942-). For SATB choir divisi, string quintet or string orchestra, piano obbligato. Moderately Difficult. Choral score. Duration 30 minutes. Published by MorningStar Music Publishers
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Prelude a l'apres-midi d'un faune Orchestra EMB (Editio Musica Budapest)
Orchestra SKU: BT.EMBZ40015 By Gabor Darvas. By Claude Debussy. EMB Study...(+)
Orchestra SKU: BT.EMBZ40015 By Gabor Darvas. By Claude Debussy. EMB Study Scores. Book Only. Composed 1982. 40 pages. Editio Musica Budapest #EMBZ40015. Published by Editio Musica Budapest (BT.EMBZ40015). Debussy decided in 1892, at the age of thirty, to compose a work for orchestra after Mallarmé's poem, L'aprés-midi d'un faune. Originally he had thought of writing three movements (Prélude - Interlude - Paraphrase) but when the first movement was completed in September 1894 he came to the conclusion that the continuation would be superfluous.The Prélude was first performed in Paris with Gustave Doret as conductor on 22 December of the same year yet, as it achieved immediate succes it had to be repeated. Source for the present edition was the first printed score (1895) which had been revised by the composer. Debussy's original, French expressions and markings have been retained. $10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Contextures: Riots - Decade '60 Orchestra Theodore Presser Co.
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Scor...(+)
Orchestra SKU: PR.11641867L Composed by William Kraft. Spiral. Large Score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867L. Published by Theodore Presser Company (PR.11641867L). UPC: 680160683215. Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death. $105.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Contextures: Riots - Decade '60 Orchestra [Score] Theodore Presser Co.
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Durati...(+)
Orchestra SKU: PR.11641867S Composed by William Kraft. Full score. Duration 16 minutes, 25 seconds. Theodore Presser Company #116-41867S. Published by Theodore Presser Company (PR.11641867S). UPC: 680160683208. Contextures: Riots -Decade '60 was commissioned by Zubin Mehta and the Southern California Symphony Association after the successful premiere of the Concerto for Four Percussion Soloists and Orchestra. It was written during the spring and summer months of 1967. Riots stemming from resentment against the racial situation in the United States and the war in Vietnam were occurring throughout the country and inevitably invaded the composer's creative subconscious. Contextures, as the title implies, was intended to exploit various and varying textures. As the work progressed the correspondence between the fabric of music and the fabric of society became apparent and the allegory grew in significance. So I found myself translating social aspects into musical techniques. Social stratification became a polymetric situation where disparate groups function together. The conflict between the forces of expansion and the forces of containment is expressed through and opposition of tonal fluidity vs. rigidity. This is epitomized in the fourth movement, where the brass is divided into two groups - a muted group, encircled by the unmuted one, which does its utmost to keep the first group within a restricted pitch area. The playful jazzy bits (one between the first and second movements and one at the end of the piece) are simply saying that somehow in this age of turmoil and anxiety ways of having fun are found even though that fun may seem inappropriate. The piece is in five movements, with an interlude between the first and second movements. It is scored for a large orchestra, supplemented by six groups of percussion, including newly created roto-toms (small tunable drums) and some original devices, such as muted gongs and muted vibraphone. There is also an offstage jazz quartet: bass, drums, soprano saxophone and trumpet. The first movement begins with a solo by the first clarinetist which is interrupted by intermittent heckling from his colleagues leading to a configuration of large disparate elements. The interlude of solo violin and snare-drum follows without pause. The second movement, Prestissimo, is a display piece of virtuosity for the entire orchestra. The third movement marks a period of repose and reflection and calls for some expressive solos, particularly by the horn and alto saxophone. The fourth movement opens with a rather lengthy oboe solo, which is threatened by large blocks of sound from the orchestra, against an underlying current of agitated energy in the piano and percussion. This leads to a section in which large orchestral forces oppose one another, ultimately bringing the work to a climax, if not to a denouement. Various thematic elements are strewn all over the orchestra, resulting in the formation of a general haze of sound. A transition leads to the fifth movement without pause. The musical haze is pierced gently by the offstage jazz group as if they were attempting to ignore and even dispel the gloom, but a legato bell sound enters and hovers over both the jazz group and the orchestra, the latter making statements of disquieting finality. Two films were conceived to accompany portions of Contextures. The first done by Herbert Kosowar, was a chemography film (painting directly into the film using dyes and various implements) with fast clips of riot photographs. The second was a film collage made by photographically abstracting details from paintings of Reginald Pollack. The purpose was to invoke a non-specific response - as in music - but at the same time to define the subject matter of the piece. The films were constructed to correspond with certain developments in the piece and in no way affect the independence and musical flow of the piece, having been made after the piece was completed. Contextures: Riots - Decade '60 is dedicated to Mehta, the Southern California Symphony Association and the Los Angeles Philharmonic Orchestra. The news of the assassination of Dr. Martin Luther King came the afternoon of the premiere, April 4, 1968. That evening's performances, and also the succeeding ones, were dedicated to him and a special dedication to Dr. King has been inserted into he score. All the music that follows the jazz group - beginning with the legato bell sound playing the first 2 notes to We shall overcome constitutes a new ending to commemorate Dr. King's death. $43.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Serenade #5 Orchestra [Score] Theodore Presser Co.
By Vincent Persichetti. Orchestra. For Flute I, Flute II, Oboe I, Oboe II, Clari...(+)
By Vincent Persichetti. Orchestra. For Flute I, Flute II, Oboe I, Oboe II, Clarinet I, Clarinet II, Bassoon I, Bassoon II, Horn I, Horn II, Horn III, Horn IV, Trumpet in C I, Trumpet in C II, Tenor I, Tenor II, Tenor III, Tuba, Timpani, Violin I, Violin II, Viola, Cello, Double Bass, Flute, Oboe, Clarinet, Bassoon, Horn, Trumpet, Tenor, Tuba, Timpani, Violin I, Violin II, Viola, Cello, Contrabass. This edition: study score. First performed by the Louisville Orchestra on November. Classical. Full Score - Study. 76 pages. Published by Theodore Presser Company.
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Legacy String Orchestra [Score and Parts] - Intermediate Alfred Publishing
Celebrating the past, while creating the future. Composed by Bob Phillips. Per...(+)
Celebrating the past, while
creating the future. Composed
by Bob Phillips. Performance
Music Ensemble; Single
Titles; String Orchestra.
Highland/Etling String
Orchestra. Score and Parts.
124 pages. Alfred Music #00-
47472. Published by Alfred
Music
$56.00 $53.2 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Armed Forces- the Pride of America! Choral TTBB Carl Fischer
(For TTBB Voices with Keyboard). Composed by Capt. Francis Saltus Van Boskerck C...(+)
(For TTBB Voices with Keyboard). Composed by Capt. Francis Saltus Van Boskerck Charles A. Zimmerman. Arranged by Greg Gilpin Larry Clark. Male chorus. For Tenor I, Tenor II, Bass I, Bass II, Keyboard. Choral. Piano reduction/vocal score. Standard notation. 24 pages. Published by Carl Fischer
$3.25 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mystical Quest - Score String Orchestra [Score] - Easy Kjos Music Company
Orchestra string orchestra - Grade 2 SKU: KJ.SO267F Composed by Jeremy Wo...(+)
Orchestra string orchestra - Grade 2 SKU: KJ.SO267F Composed by Jeremy Woolstenhulme. String Tracks. Score. Neil A. Kjos Music Company #SO267F. Published by Neil A. Kjos Music Company (KJ.SO267F). A stirring musical description of a hero's quest, this work will surely become one of your students' favorites. The selection, which is in E minor and stays in 1st position, features lyrical melodic activity and a tender interlude. Performed at the 2008 Midwest Clinic. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Renaissance Concerto Orchestra [Score] Carl Fischer
By Lukas Foss. Orchestra. First performance: Buffalo, NY by Carol Wincenc, fluti...(+)
By Lukas Foss. Orchestra. First performance: Buffalo, NY by Carol Wincenc, flutist, and the Buffalo Philharmonic, Lukas Foss, conductor, May 10, 1986. Full Score - Study. 124 pages. Published by Carl Fischer.
$75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Festival March Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5 SKU: CF.SPS78 Composed by Victor Herbert. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 3+12+12+6+6+3+12+24+24+6+6+8+8+6+6+9+18+18+27+8+8+8+8+9+9+9+9+12+3+6+6+40+6 pages. Duration 7:37. Carl Fischer Music #SPS78. Published by Carl Fischer Music (CF.SPS78). ISBN 9781491152553. UPC: 680160910052. Key: Bb major. Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic. Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  . $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Festival March Concert band [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5 SKU: CF.SPS78F Composed by Victor Herbert. Symphonic Band (SPS). Full score. With Standard notation. 40 pages. Carl Fischer Music #SPS78F. Published by Carl Fischer Music (CF.SPS78F). ISBN 9781491153239. UPC: 680160910731. Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic. About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  . $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mellanspel Orchestra [Score] Gehrmans Musikforlag
(ur kantaten Sangen Op. 44). Composed by Wilhelm Stenhammar. For orchestra (3344...(+)
(ur kantaten Sangen Op. 44). Composed by Wilhelm Stenhammar. For orchestra (3344-4331-10-0-strings). Interlude from the cantata The Song Op. 44. Score. From Op. 44. 16 pages. Duration 6 minutes. Published by Gehrmans Musikforlag
$41.14 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Concertino for Woodwind Quartet and Orchestra Carl Fischer
Orchestra Bassoon, Clarinet, Contrabass, Flute, Horn 1, Horn 2, Oboe, Percussion...(+)
Orchestra Bassoon, Clarinet, Contrabass, Flute, Horn 1, Horn 2, Oboe, Percussion, Timpani, Trumpet 1, Trumpet 2, Viola, Violin 1, Violin 2, Violoncello SKU: CF.C448F Composed by Máximo Flügelman. Study Score. 60 pages. Duration 14 minutes. Carl Fischer Music #C448F. Published by Carl Fischer Music (CF.C448F). UPC: 680160920778. $37.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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