SATB Choir and Piano

SKU: HL.14021021

Composed by Sir Peter Maxwell Davies. Music Sales America. Choral. Part. Composed 1999. 86 pages. Chester Music #CH61481. Published by Chester Music (HL.14021021).

ISBN 9780711975187. UPC: 884088440541. 9x12 inches.

A work for SATB soli, SATB chorus and orchestra, using a variety of texts, selected by Alistair Grant, who commissioned the work to commemorate the 250th anniversary of the Jacobite rising (1745-6). It was first performed in October 1997 in Glasgow by Lisa Tyrrell (soprano), Margaret McDonald (mezzo soprano), Neil Mackie (tenor) and David Wilson-Johnson (baritone), the Scottish Chamber Orchestra Chorus (chorus master Ben Parry) and the Scottish Chamber Orchestra, conducted by the composer. Vocal score with piano reduction of the instrumental score. Duration c. 40mins.

Soprano, Alto, Tenor, Bass Voice, SATB, Orchestra

SKU: HL.14021020

Composed by Sir Peter Maxwell Davies. Music Sales America. 20th Century, Choral. Studyscore. Composed 2001. 128 pages. Chester Music #CH61643. Published by Chester Music (HL.14021020).

ISBN 9780711978188. 7.0x10.0x0.381 inches.

This work was commissioned by Alistair Grant to commemorate the 250th anniversary of the second Jacobite rising (1745-6). It was first performed on 15th October 1997 at the City Halls, Glasgow, conducted by Peter Maxwell Davies. Scored for Soprano, Alto, Tenor and Bass solo, Chorus and orchestra. Duration c.40 minutes. Vocal score on sale, Conductor's score and orchestral parts on hire.

The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3

In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3

The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3

En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3

The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,” which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.” In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.” His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,” and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,” they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.” Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252

Choir

SKU: BT.ALHE31660

Composed by Darius Milhaud. Classical. Book Only. 20 pages. Heugel & Cie #ALHE31660. Published by Heugel & Cie (BT.ALHE31660).

French.

French composer and teacher, Darius Milhaud (1892-1974) was a prolific composer of the 20th century as a member of 'Les Six'. His compositions remain highly regarded, Jacob's Dreams being no exception. Milhaud's compositions areinfluenced by jazz and polytonality, as exemplified in Jacob's Dreams. Composed in 1949, Jacob's Dreams is a dance suite, written for Oboe, Violin, Viola, Cello and Double Bass. It is an alternative, exciting suite, based on thedreams of Jacob in the Bible and made up of five movements - 1) Jacob's Pillow, 2) The first dream (the angel's ladder), 3) Prophecy, 4) Second dream (fight with the dark angel and benediction), and 5) Israel (Hymn). Milhaud makesuse of variation in articulation, complex rhythms, chromaticism, accidentals, harmonics, altering tempos, variation in dynamics and a wide tessitura, amongst other aspects. Milhaud's Jacob's Dream is essential to all advancedensembles seeking modern and exciting repertoire.

Orchestra

SKU: SU.27020085

For Orchestra. Composed by Graham Gordon Ramsay. Orchestra. Study Score. Subito Music Corporation #27020085. Published by Subito Music Corporation (SU.27020085).

Jacob vs. Angel is a piece about crisis of conscience, ambiguity, and misinterpretation expressed through the depiction of a major battle, the goal of which is never made entirely clear. Based on the biblical story, the work is highly programmatic, with each of the six movements reflecting a corresponding stanza from the titular poem by Alice Weaver Flaherty. The piece was originally composed as a vehicle for virtuoso organist Heinrich Christensen, and later orchestrated. The first movement introduces the main musical material--a five note motive, the intervals of which are reorganized to create melodic and harmonic development throughout the piece. The second, third, and fourth movements depict the brutal fight between Jacob and the angel, and lead one to the next without pause. The fifth movement is about the post-battle scene, and the final movement is an epilogue, reframing the ideas from the previous movements. The music elucidates various actions from the Flaherty poem—sand skittering across the desert, aggressive acts of violence and sensuality between the protagonists, the beating of wings, feathers blowing in the wind, etc. But beyond the music's more literal elements, the work is designed to express an abstract state of mind, a sense of unease, and anticipation of what is yet to come. —Graham Gordon Ramsay2(2) 1,1 2 2; 2221; 7perc, hp, cel; stgs Duration: 24'Composed: 2023 Published by: Distributed Composer Jacob vs Angel was composed originally as a solo concert organ work in 2007; the orchestral version was completed in 2023. A live performance of the organ version can be seen at. Performance materials available on rental:.

Trumpet Play-Along Book/CD Pack. Composed by Jacob De Haan. Arranged by Jacob De Haan. De Haske Play-Along Book. Play Along. Book with CD. Composed 2004. 28 pages. De Haske Publications #DHP 1043696-400. Published by De Haske Publications (HL.44004915).

Clarinet and Piano - intermediate

SKU: HL.14016417

Composed by Gordon Jacob. Music Sales America. Classical. Book [Softcover]. 30 pages. Music Sales #NOV12006901. Published by Music Sales (HL.14016417).

8.25x11.75x0.108 inches.

Gordon Jacob's Sonatina For Viola And Piano, arranged for Clarinet and Piano.

Choral (Highlights)

SKU: HL.48188247

3 Madrigaux A. Composed by Jacques (Jacob) Arcadelt. Leduc. Softcover. Heugel & Cie #HE32314. Published by Heugel & Cie (HL.48188247).

Arcadelt Jacob Agnel Duos Trios Renaissance Pj310 3 Madrigaux A 3 Part.

Keyboard and Organ Works from Copied Sources Partitas and Partita Movements, Part 2. By Froberger, Johann Jacob. Edited by Rampe, Siegbert. For Organ, Piano, Harpsichord. Johann Jacob Froberger: Neue Ausgabe samtlicher Werke,Bd.4.1. Playing Score; Urtext Edition (paperbound). Published by Baerenreiter-Ausgaben (German import). ISBN M006488360.

After John Jacob Niles. By Vincent Persichetti. Arranged by John Jacob Niles. For piano, 4-hands. Duration 7:30. Published by Theodore Presser Company.

Composed by John Jacob Niles (1892-1980). For high voice solo and piano accompaniment. Format: vocal/piano songbook. With vocal melody, lyrics, piano accompaniment and introductory text. Americana and Folk. 102 pages. 9x12 inches. Published by G. Schirmer, Inc.

Piano

SKU: HL.14017973

Composed by Jacob Gade. Music Sales America. TV-Film-Musical-Show. Book [Softcover]. Composed 2005. 28 pages. Edition Wilhelm Hansen #WH18850. Published by Edition Wilhelm Hansen (HL.14017973).

ISBN 9788759858936.

Kino-Musik - Haefte I by Jacob Gade , for Piano solo.

By Marshmello and Bastille. By Dan Smith, Marshmello, and Steve Mac. Arranged by Jacob Narverud. Shawnee Press. Pop. Octavo. 24 pages. Published by Shawnee Press

Original Sheet Music Edition from Teen Titans Go! To the Movies. Composed by Jared Faber, Peter Rida Michail, and Jacob Jeffries. This edition: Piano/Vocal/Guitar. Piano/Vocal/Chords; Sheet; Solo. Original Sheet Music Edition. Movie; Pop; TV. Sheet. 8 pages. Alfred Music #00-47760. Published by Alfred Music