| James Brown : I Got You (I Feel Good) Concert band [Score and Parts] - Intermediate Hal Leonard
By James Brown. By James Brown. Arranged by Michael Brown. For Concert Band (Sco...(+)
By James Brown. By James Brown. Arranged by Michael Brown. For Concert Band (Score and Parts). Young Concert Band. Grade 3. Published by Hal Leonard
$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Papa's Got a Brand New Bag Marching band [Score and Parts] - Intermediate Alfred Publishing
As Recorded by James Brown. Composed by James Brown. Arranged by Victor L...(+)
As Recorded by James Brown. Composed by James Brown. Arranged by Victor Lopez. Marching Band; Part(s); Score. Mega Sounds for Marching Band. Funk. 110 pages. Published by Alfred Music (AP.43906).
$58.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Out of Sight Marching band [Score and Parts] - Easy Alfred Publishing
(As Recorded by James Brown). Composed by James Brown. Arranged by Jerry Burns. ...(+)
(As Recorded by James Brown). Composed by James Brown. Arranged by Jerry Burns. Marching Band. Marching Band; Part(s); Score. Very Easy Pops for Marching Band. Funk. Grade 2. 86 pages. Published by Alfred Music
$48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| James Brown Bass guitar [Sheet music + CD] Hal Leonard
(A Step-by-Step Breakdown of the Styles and Techniques of James Brown's Bassists...(+)
(A Step-by-Step Breakdown of the Styles and Techniques of James Brown's Bassists). By Bootsy Collins and James Brown. Signature Licks Bass. Softcover with CD. 32 pages
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| James Brown (Guitar Play-Along Volume 171) Guitar notes and tablatures [Sheet music + CD] Hal Leonard
(Guitar Play-Along Volume 171). By James Brown. For Guitar. Guitar Play-Along....(+)
(Guitar Play-Along Volume
171). By James Brown. For
Guitar. Guitar Play-Along.
Softcover with CD. Guitar
tablature. 80 pages.
Published by Hal Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| James Brown - The Ultimate Collection Piano, Vocal and Guitar Hal Leonard
By James Brown. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Artist Songbook. Soft...(+)
By James Brown. For Piano/Vocal/Guitar. Piano/Vocal/Guitar Artist Songbook. Softcover. 112 pages. Published by Hal Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tower of Power - Diggin' On James Brown Jazz Ensemble [Score and Parts] Cherry Lane
Performed by Tower Of Power. Jazz Combo. Size 9x12 inches. Published by Cherry L...(+)
Performed by Tower Of Power. Jazz Combo. Size 9x12 inches. Published by Cherry Lane Music.
(2)$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Three Hundred And Seventy Exercices For The Oboe Oboe Leduc, Alphonse
Composed by James Brown. Leduc. Classical. Softcover. 12 pages. Alphonse Leduc...(+)
Composed by James Brown.
Leduc. Classical. Softcover.
12 pages. Alphonse Leduc
#AL23554. Published by
Alphonse Leduc
$25.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| James Brown Drums [Sheet music + Audio access] Hal Leonard
Drum Play-Along Volume 33. By James Brown. Drum Play-Along. RandB, Soul. Softcov...(+)
Drum Play-Along Volume 33. By James Brown. Drum Play-Along. RandB, Soul. Softcover Audio Online. 56 pages. Published by Hal Leonard
$22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| James Brown - 20 All-Time Greatest Hits! Yamaha
Smart PianoSoft. Performed by James Brown. Pianosoft Sync. Floppy disk. Size 5x5...(+)
Smart PianoSoft. Performed by James Brown. Pianosoft Sync. Floppy disk. Size 5x5 inches. Published by Yamaha.
$29.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| James Brown (Bass Play-Along Volume 48) Bass guitar [Sheet music + CD] Hal Leonard
(Bass Play-Along Volume 48). By James Brown. For Bass. Bass Play-Along. Soft...(+)
(Bass Play-Along Volume 48).
By James Brown. For Bass.
Bass Play-Along. Softcover
with CD. Guitar tablature.
80 pages. Published by Hal
Leonard
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Music of James Bond Concert band - Intermediate Hal Leonard
Composed by Various. Arranged by Michael Brown. Flex-Band Grade 3. Movies. Sof...(+)
Composed by Various. Arranged
by Michael Brown. Flex-Band
Grade 3. Movies. Softcover.
Duration 330 seconds.
Published by Hal Leonard
$65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The One Alfred Publishing
SKU: AP.74-1592407422 The Life and Music of James Brown. Composed ...(+)
SKU: AP.74-1592407422 The Life and Music of James Brown. Composed by James Brown, R. J. Smith. Artist/Personality; Reference Textbooks; Textbook - General. Funk. Book. Alfred Music #74-1592407422. Published by Alfred Music (AP.74-1592407422). ISBN 9781592407422. English. [James Brown] By R. J. Smith. The definitive biography of James Brown, the Godfather of Soul, with fascinating findings on his life as a Civil Rights activist, an entrepreneur, and the most innovative musician of our time. Playing 350 shows a year at his peak, with more than forty Billboard hits, James Brown was a dazzling showman who transformed American music. His life offstage was just as vibrant, and until now no biographer has delivered a complete profile. The One draws on interviews with more than 100 people who knew Brown personally or played with him professionally. Using these sources, award-winning writer RJ Smith draws a portrait of a man whose twisted and amazing life helps us to understand the music he made. At the heart of The One is Brown's musical genius. He had crucial influence as an artist during at least three decades; he inspires pity, awe, and revulsion. As Smith traces the legend's reinvention of funk, soul, R&B, and pop, he gives this history a melody all its own. $18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stylistic Etudes for Trombone Carl Fischer
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety o...(+)
Chamber Music trombone SKU: CF.WF231 20 Original Etudes in a Variety of Styles. Composed by Tom Brantley. Collection - Performance. With Standard notation. 48 pages. Carl Fischer Music #WF231. Published by Carl Fischer Music (CF.WF231). ISBN 9781491153314. UPC: 680160910816. Stylistic Etudes for Trombone was written for intermediateto advanced level trombonists, seeking to meet thedemands of the modern marketplace for performers. AsI often tell my students, it’s simply not enough to mastera single style and fake the rest. To make a living as aperformer, trombonists are expected to play many, manydifferent styles authentically. Classical performers studyhard and devote themselves to mastering the stylisticnuances of various eras, various composers, variousforms; jazz musicians seek to accurately reflect the stylesof everything from bar-room burlesque to Coltrane; hornbands in the funk, rock, ska and hip-hop idioms mustreflect attention to the details of their influences even asthey create new paths through popular music.This etude collection is an attempt to help studentsand their teachers work on the details associated withmastering each of these various styles.In order to perform with the correct feel, articulationand sound, trombonists must first get these concepts intheir head through diligent listening and then disciplinedpractice playing in every single style. The same wayorchestral players study the symphonic literature andexcerpts, or the way a professional jazz musician mightwork on chord changes in excruciating detail, a wellroundedtrombone player must master styles by listeningto and playing with great recordings. Most of the etudesin this book are based on styles from specific orchestralliterature, jazz standards and other styles such as NewOrleans’ funk music (Meters) or the music of JamesBrown and Tower of Power.One final note: some of these are hard. On purpose. Theseare not warm-ups that you can play through mindlesslyto get your face going. These are “study pieces†in the oldfashionedsense. They are designed to challenge you asa player, to make you a little uncomfortable. Some aretougher than others, of course, but none of them are easy.If you can play through each of these well, with greatmusicianship and impeccable technique, you will be anincredibly versatile instrumentalist and be able to secureperformance opportunities that are outside the comfortzone of many trombonists.Thanks for buying this book. I hope you enjoy workingthrough these, whether you’re a teacher, student,performer, or weekend warrior. I learned a lot by puttingthese together and I hope you find them useful and helpful. Stylistic Etudes for Trombone was written for intermediate to advanced level trombonists, seeking to meet the demands of the modern marketplace for performers. As I often tell my students, it’s simply not enough to master a single style and fake the rest. To make a living as a performer, trombonists are expected to play many, many different styles authentically. Classical performers study hard and devote themselves to mastering the stylistic nuances of various eras, various composers, various forms; jazz musicians seek to accurately reflect the styles of everything from bar-room burlesque to Coltrane; horn bands in the funk, rock, ska and hip-hop idioms must reflect attention to the details of their influences even as they create new paths through popular music.This etude collection is an attempt to help students and their teachers work on the details associated with mastering each of these various styles.In order to perform with the correct feel, articulation and sound, trombonists must first get these concepts in their head through diligent listening and then disciplined practice playing in every single style. The same way orchestral players study the symphonic literature and excerpts, or the way a professional jazz musician might work on chord changes in excruciating detail, a well-rounded trombone player must master styles by listening to and playing with great recordings. Most of the etudes in this book are based on styles from specific orchestral literature, jazz standards and other styles such as New Orleans’ funk music (Meters) or the music of James Brown and Tower of Power.How these etudes were conceived, composed and transcribed: The style or concept of the etude was thought out in my head and ear. I then improvised in that style and concept on my trombone, recording my efforts until I was satisfied with the etude. All along, my goal was to play the range of the instrument while emphasizing certain articulations, rhythms, range and, fundamentally, the intended style of the etude. The resulting etude was then transcribed by a terrific graduate student named Zach Bornheimer, who also works with many other classical and jazz composers as a copyist/arranger.Tips for working on the etudes: Seek out professional recordings that match the style of each etude to get a good idea of what the etude should sound like musically. My recording of each of these etudes is available for download and can be purchased online for a modest fee. Search for “Brantley Etudes†at either iTunes or CDBaby. Practice each etude very slowly and in segments as needed, using a metronome. Record yourself and listen for good technique, musicianship and authenticity of style with your sound, feel and articulations. Compare your own efforts to the sounds you’ve heard on recordings. Would you fit in that ensemble or band? If range is an issue, take certain notes or passages down or up an octave. Work on your fundamentals every day, including the techniques and skills needed for these etudes. Be patient! Small improvements every day result in big success over time. Always play with a wide dynamic range. Always play with line and direction. Always play with impeccable time as well as rhythm. Use a metronome to help with this. Always play in tune. You can work on this with a tuner as well as with drones. Play these for teachers, friends, peers and colleagues not only for their feedback but also for the experience of informal performance. An audience changes everything. Make music, listen to music, record yourself, play in public and have fun!One final note: some of these are hard. On purpose. These are not warm-ups that you can play through mindlessly to get your face going. These are “study pieces†in the old-fashioned sense. They are designed to challenge you as a player, to make you a little uncomfortable. Some are tougher than others, of course, but none of them are easy. If you can play through each of these well, with great musicianship and impeccable technique, you will be an incredibly versatile instrumentalist and be able to secure performance opportunities that are outside the comfort zone of many trombonists.Thanks for buying this book. I hope you enjoy working through these, whether you’re a teacher, student, performer, or weekend warrior. I learned a lot by putting these together and I hope you find them useful and helpful.Best wishes,—Tom Brantley. $18.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| New Orleans Funk Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 4 SKU: BT.DHP-1216332-215 Comp...(+)
Concert Band/Harmonie/Fanfare Band - Grade 4 SKU: BT.DHP-1216332-215 Composed by Peter Kleine Schaars. Peter's Compact Collection. Original Light Music. Score Only. Composed 2021. 22 pages. De Haske Publications #DHP 1216332-215. Published by De Haske Publications (BT.DHP-1216332-215). English-German-French-Dutch. Funk is a very rhythmic music style that finds its origin in the 1960s. The American artist James Brown and the New Orleans-based group The Meters are considered the founders of this genre. Funk is characterized by an independentbass line that emphasizes each first beat of the bar (the one), as well as by a rhythmic combination of syncopated melodies and accompaniments with lots of harmonic additions. This style-conscious composition by Peter KleineSchaars contains a healthy blend of the harmonic ingredients as well as the rhythmic challenges of funk music. On the one hand, New Orleans Funk is an educational exercise with the rhythmic cells 9,10, 14, 15 and 16: on the otherhand, it is a funky highlight of your rehearsal or concert!
Funk is een sterk ritmische muziekstijl die in de jaren zestig van de vorige eeuw is ontstaan. De Amerikaanse muzikant James Brown en de uit New Orleans afkomstige groep The Meters worden beschouwd als de grondleggers van ditgenre. Naast een zelfstandige baslijn die elke eerste tel van de maat (the one) stevig benadrukt, wordt funk gekenmerkt door een ritmisch samenspel tussen syncopische melodieën en begeleidingen met veel harmonische toevoegingen.Deze stijlbewuste compositie van Peter Kleine Schaars bevat zowel de harmonische ingrediënten als de ritmische uitdagingen die erbij horen. Enerzijds is New Orleans Funk een pedagogische oefening met de ritmische cellen 9,10, 14,15 en 16, anderzijds is het werk een funky hoogtepunt van uw repetitie of concert!
Funk ist ein sehr rhythmischer Musikstil, der seinen Ursprung in den 1960er Jahren hatte. Der amerikanische Künstler James Brown und die aus New Orleans stammende Band The Meters gelten als die Begründer dieses Genres. Funkzeichnet sich durch eine unabhängige Basslinie aus, die jeden ersten Taktschlag (the one“) betont, sowie durch eine rhythmische Kombination von synkopierten Melodien und Begleitungen mit zahlreichen harmonischen Ergänzungen.Diese stilkonforme Komposition von Peter Kleine Schaars enthält eine gute Mischung aus harmonischen Zutaten sowie rhythmischen Herausforderungen der Funkmusik. Einerseits ist New Orleans Funk ein pädagogisches Übungsstück aus denRhythmus-Einheiten 9, 10, 14, 15 und 16, andererseits ist es auch ein funkiges Highlight für Proben oder Konzerte!
Né dans les années 1960, le funk est un style musical très rythmé. Le chanteur américain James Brown et un groupe de la Nouvelle-Orléans, The Meters, sont considérés comme les fondateurs de ce genre. Le funk se caractérise par uneligne de basse indépendante qui souligne le premier temps de la mesure, ainsi que par une combinaison rythmique de mélodies syncopées et d’accompagnements chargés d’adjonctions harmoniques. Adoptant pleinement ce style, lacomposition de Peter Kleine Shaars est l’heureuse fusion des ingrédients harmoniques, mais aussi des difficultés de la musique funk. D'une part, les cellules rythmiques 9, 10, 14, 15 et 16 font de New Orleans Funk un exercicepédagogique : d’autre part, cette pièce apportera une belle ambiance funky vos répétitions et vos concerts ! $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Guitar Collection -- Rhythm and Blues Guitar notes and tablatures Alfred Publishing
(65 Soul, Blues, and Funk Classics). Composed by various artists and composer...(+)
(65 Soul, Blues, and Funk
Classics). Composed by
various artists and
composers. For Guitar. This
edition: Guitar TAB Edition.
Artist/Personality; Book;
Guitar Mixed Folio; Guitar
TAB. The Guitar Collection.
Blues; Funk. 256 pages.
Published by Alfred Music
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mother Popcorn Revisited Piano Trio: piano, violin, cello Carl Fischer
Composed by Lee Hyla. Folio. Set of performace parts and score. Carl Fischer #...(+)
Composed by Lee Hyla. Folio.
Set of performace parts and
score. Carl Fischer #MXE111.
Published by Carl Fischer
$40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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