| Hosanna Choral 2-part H.T. FitzSimons Company
Composed by Christian Gregor. Arranged by James Christian Pfohl. For Choral (2-P...(+)
Composed by Christian Gregor. Arranged by James Christian Pfohl. For Choral (2-Part any combination). Fred Bock Publications. 4 pages. H.T. FitzSimons Company #F2370. Published by H.T. FitzSimons Company
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| Come, Ye Children of the Lord Choral SATB SATB [Octavo] - Intermediate Jackman Music Corporation
By Benjamin Carr (Adapted). Arranged by Mack Wilberg. Text: James H. Wallis. For...(+)
By Benjamin Carr (Adapted). Arranged by Mack Wilberg. Text: James H. Wallis. For SATB Choir. Duration 3:00. Published by Jackman Music Corporation. Level: Medium.
(1)$1.40 $1.33 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| True Wisdom Brings Peace Choral SATB SATB H.T. FitzSimons Company
By Allan Robert Petker. (SATB). This edition: F2347. H.T. Fitzsimons Co. 10 pag...(+)
By Allan Robert Petker. (SATB). This edition: F2347. H.T. Fitzsimons Co. 10 pages. Published by H.T. FitzSimons Company.
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Lift Up Your Hearts: 5 Pieces for Solo Instrument and Organ MorningStar Music Publishers
Composed by Gaston M. Dethier; Edward Elgar; Arthur Foote; John Ireland; James H...(+)
Composed by Gaston M. Dethier; Edward Elgar; Arthur Foote; John Ireland; James H. Rogers. Arranged by Charles E. Callahan Jr. Instrumental Solo, Flexible Instrumental Solo Collection, Classical Transcription. Classical. Published by MorningStar Music Publishers (MN.20-630).
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| Readings in African American Church Music and Worship - Volume 2 GIA Publications
SKU: GI.G-8462 Composed by James Abbington. Edited by James Abbington. Af...(+)
SKU: GI.G-8462 Composed by James Abbington. Edited by James Abbington. African American Church Music Series. Sacred. Book. 824 pages. GIA Publications #8462. Published by GIA Publications (GI.G-8462). ISBN 9781622771004. English. The volume you are holding is a vivid testimony …to the value of examining this variety and dynamism from multiple, overlapping points of view …to the value of both realist and idealist voices …to the value of articulating wisdom. From the foreword by John D. Witvliet, Calvin Institute of Christian Worship Since the publication of the first volume of Readings in African American Church Music and Worship, public and academic interest in the music and worship in black churches has significantly increased. This second volume makes available the most recent scholarship on twenty-first-century developments and trends, through a representative number of articles, essays, and chapters written by brilliant musicians, authors, and theologians of our time. The list of contributors includes some of the finest emerging scholars, whose voices we will be hearing for years to come, as well as offerings from seasoned authors, whose research and writings are well regarded by peers and the worshiping community at large. The significant contributions—from names new and familiar—greatly broaden the field of study. The 43 chapters of this volume are divided into 7 categories: Worship and Liturgical Practices Perspectives on Praise and Worship Liturgical Theologies Hip Hop and/in the Church Proclamation of the Word Perspectives on Women and Gender Hymnody: Sound and Sense Insightful, thought-provoking, challenging, hopeful—this volume will be a source of knowledge, a stimulus for discussion, and a call to (re)consider the many and varied viewpoints of the African American church. Featuring the writings of: James Abbington, LaTrese Adkins, Sandra L. Barnes, Tuere A. Bowles, Ruthlyn Bradshaw, Michael Joseph Brown, Melvin L. Butler, James H. Cone, David Douglas Daniels III, Robert Darden, Leo H. Davis Jr., Valerie Bridgeman Davis, Michael Fox, Kenyatta R. Gilbert, Daniel White Hodge, Birgitta J. Johnson, Alisha Jones, Tammy L. Kernodle, S T Kimbrough, Jr., Cheryl A. Kirk-Duggan, Cleophus J. LaRue, Monica T. Leach, Tamura Lomax, Pamela P. Martin, Marvin A. McMickle, Monica R. Miller, Stephanie Y. Mitchem, Thomasina Neely-Chandler, Deborah S. Pollard, Luke A. Powery, Samuel D. Proctor, Teresa L. Reed, Braxton D. Shelley, Martha Simmons, Josef Sorett, Rodney A. Teal, Frank Thomas, Kathleen S. Turner, Kenneth C. Ulmer, Gayle Wald, James Melvin Washington, Ralph C. Watkins, Lisa M. Weaver, Melinda E. Weekes, Christina Zanfagna James Abbington is Associate Professor of Church Music and Worship, Candler School of Theology, Emory University, Atlanta, Georgia. He also serves as Executive Editor of the African American Church Music Series, published by GIA Publications, Inc. $49.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Play Along Christmas Flute [Sheet music + CD] - Easy Carl Fischer
27 Christmas Favorites - Includes A Play-Along CD in Today's Musical Styles (Flu...(+)
27 Christmas Favorites - Includes A Play-Along CD in Today's Musical Styles (Flute Book). By Benjamin R. Hanby; Felix Mendelssohn Bartholdy; Franz Gruber; George Frideric Handel; James Pierpont; James R. Murray; John Francis Wade; John Henry Hopkins; Lewis Redner; Richard Storrs Willis; Theodoricus Petrus Of Nyland; Thomas Helmore. Arranged by Sandy Feldstein. Text: Charles Wesley; Edmund H. Sears; John Francis Wade; John Mason Neale; Joseph Mohr; Phillips Brooks. For Flute. Score and Audio CD. 32 pages. Published by Carl Fischer. (O5543)
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| We Three Kings Choral SATB SATB, Keyboard Augsburg Fortress
SATB choir, keyboard accompaniment, violin, and finger cymbals SKU: AU.978080...(+)
SATB choir, keyboard accompaniment, violin, and finger cymbals SKU: AU.9780800664183 Composed by James H. Laster. Arranged by James H. Laster. Augsburg Choral Library. Sacred, Christmas. Octavo. Published by Augsburg Fortress (AU.9780800664183). ISBN 9780800664183. The mystery of the Orient infuses this striking arrangement of a familiar Christmas carol. Under James Laster's masterful treatment, each verse is carried with decorum. The listener will be drawn in with unexpected harmonies and musical distinction that refreshes and compliments this well-known text. $1.90 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Flight of the Bumblebee Trumpet, Piano [Score] Breitkopf & Härtel
Trumpet, piano SKU: BR.EB-8622 Arrangements from The Tale of Tsar Salt...(+)
Trumpet, piano SKU: BR.EB-8622 Arrangements from The Tale of Tsar Saltan. Composed by Nikolaj A Rimskij-Korsakow. Edited by H. James. Arranged by H. James. Solo instruments; stapled. Edition Breitkopf. Practically no one knows that this bravura piece comes from the opera The Tale of Czar Saltan by Nikolay Rimsky-Korsakov. It did not take long before the Flight of the Bumblebee began showing up in many arrangements for solo instruments. Romantic period. Score. 12 pages. Breitkopf and Haertel #EB 8622. Published by Breitkopf and Haertel (BR.EB-8622). ISBN 9790004179703. 9 x 12 inches. Nikolay Rimsky-Korsakovs Flight of the Bumblebee is one of those little orchestral interludes from operas, excerpts that have long since become immortal even while denying their origins; in this particular case, practically no one knows that this bravura piece comes from the opera The Tale of Czar Saltan. It did not take long before the Flight of the Bumblebee began showing up in many arrangements for solo instruments.
Practically no one knows that this bravura piece comes from the opera The Tale of Czar Saltan by Nikolay Rimsky-Korsakov. It did not take long before the Flight of the Bumblebee began showing up in many arrangements for solo instruments. $12.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Play Along Christmas Alto Saxophone [Sheet music + CD] Carl Fischer
27 Christmas Favorites (Alto Sax Book - Includes CD). By Benjamin R. Hanby; Feli...(+)
27 Christmas Favorites (Alto Sax Book - Includes CD). By Benjamin R. Hanby; Felix Mendelssohn Bartholdy; Franz Gruber; George Frideric Handel; James Pierpont; James R. Murray; John Francis Wade; John Henry Hopkins; Lewis Redner; Richard Storrs Willis; Theodoricus Petrus Of Nyland; Thomas Helmore. Arranged by Sandy Feldstein. Text: Charles Wesley; Edward H. Sears; John Francis Wade; John Mason Neale; William Sandy. For Alto Saxophone. Score and Audio CD. 32 pages. Published by Carl Fischer.
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stories of Jesus Medley Choral SATB SATB, Piano [Octavo] - Intermediate Jackman Music Corporation
By F.A. Challinor / Leah Ashton Lloyd / Joseph Ballantyne. Arranged by David Len...(+)
By F.A. Challinor / Leah Ashton Lloyd / Joseph Ballantyne. Arranged by David Len Allen. Text: W.H. Parker/Jemima Luke/James R. Murray. For SATB Choir. Level: Medium / Medium-Difficult (accompaniment). Duration 3:00. Published by Jackman Music Corporation.
$1.60 $1.52 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Star Wars Medley Concert band [Score] - Intermediate Alfred Publishing
Arranged by James H. Burden. Arr. James H. Burden. For Concert Band. Concert Ban...(+)
Arranged by James H. Burden. Arr. James H. Burden. For Concert Band. Concert Band. Pop Symphonic Band. Movie. Level: grade IV. Conductor Score. 64 pages. Published by Alfred Publishing.
$15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Springer Mountain Morning (based on versions of "Bonny James Campbell") [Score and Parts] - Easy Kendor Music Inc.
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and pi...(+)
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and piano - Grade 2 SKU: KN.36820 (based on versions of Bonny James Campbell). Composed by Traditional. Arranged by Andrew H. Dabczynski. Solo or Ensemble. Voyager String Orchestra. Score and parts. Kendor Music Inc #36820. Published by Kendor Music Inc (KN.36820). UPC: 822795368208. Both serenity and eager anticipation of a day on the Appalachian Trail are reflected in this piece. Based on the old Appalachian ballad/fiddle tune Bonny James Campbell, each orchestra section enjoys opportunities to play melodies, rich harmonies, and driving rhythms. Creative doubling and repetition make it approachable, yet appropriately challenging for grade 2 groups. Duration 3:20. $52.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Springer Mountain Morning (based on versions of "Bonny James Campbell") (Full Score) - Easy Kendor Music Inc.
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and pi...(+)
String Orchestra string orchestra (88555) with opt. 3rd Violin/Viola TC 3 and piano - Grade 2 SKU: KN.36820S (based on versions of Bonny James Campbell). Composed by Traditional. Arranged by Andrew H. Dabczynski. Solo or Ensemble. Voyager String Orchestra. Kendor Music Inc #36820S. Published by Kendor Music Inc (KN.36820S). UPC: 822795368208. Both serenity and eager anticipation of a day on the Appalachian Trail is reflected in this piece based on the old Appalachian ballad/fiddle tune Bonny James Campbell. Each orchestra section enjoys opportunities to play melodies, rich harmonies, and driving rhythms. Duration 3:20. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jingle Bell Rhapsody Organ [Softcover] H.T. FitzSimons Company
Composed by James Pierpont (1822-1893). Arranged by Grimoaldo Macchia. For Organ...(+)
Composed by James Pierpont (1822-1893). Arranged by Grimoaldo Macchia. For Organ (Organ Solo). H.T. Fitzsimons Co. Softcover. H.T. FitzSimons Company #F0672. Published by H.T. FitzSimons Company
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| An Old English Prayer Choral SATB SATB A Cappella H.T. FitzSimons Company
Composed by James Gossler. For Choral (SATB a cappella). H.T. Fitzsimons Co. 4 p...(+)
Composed by James Gossler. For Choral (SATB a cappella). H.T. Fitzsimons Co. 4 pages. H.T. FitzSimons Company #F2372. Published by H.T. FitzSimons Company
$1.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serious Sax Alto Saxophone [Sheet music + CD] - Intermediate De Haske Publications
Alto Saxophone - intermediate SKU: BT.DHP-1145554-400 Altsaxophonschul...(+)
Alto Saxophone - intermediate SKU: BT.DHP-1145554-400 Altsaxophonschule für Fortgeschrittene. Composed by Jaap Kastelein and Karl Veen. Book with CD. Composed 2014. 144 pages. De Haske Publications #DHP 1145554-400. Published by De Haske Publications (BT.DHP-1145554-400). ISBN 9789043135641. 9x12 inches. German. SERIOUS SAX ist als Aufbaumethode im Anschluss an ein Anfängerlehrbuch, wie zum Beispiel EASY STEPS oder H�REN, LESEN and SPIELEN, gedacht. Anhand von eigens komponierten Stücken in verschiedenen Stilrichtungen werden in 16 Lektionen alle wichtigenSaxophontechniken behandelt und geübt. Die CD enthält Begleitungen zu den Stücken; eine CD-Rom bietet neben mp3-Tracks zusätzliche Etüden, Quartette und mehr. $42.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Dialogues, Volume 2: Weston Noble, Charles Bruffy, James Jordan [CD] GIA Publications
Conversations between Musicians. Composed by Weston H. Noble / James Jord...(+)
Conversations between Musicians. Composed by Weston H. Noble / James Jordan. Evoking Sound Series. Music Education. CD. Published by GIA Publications (GI.G-CD-792).
$29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Partch H Settings From Finnegans Wake2 Schott
Voice Part (Sopran) and 2 Flutes (Voice And Ensemble) - difficult SKU: HL.490...(+)
Voice Part (Sopran) and 2 Flutes (Voice And Ensemble) - difficult SKU: HL.49033024 Text by James Joyce. Composed by Harry Partch. This edition: Saddle stitching. Sheet music. Edition Schott. Performance score, Faksimile-Edition. Composed 1944. 14 pages. Duration 3'. Schott Music #ED9346. Published by Schott Music (HL.49033024). ISBN 9790001130479. UPC: 841886029453. 8.5x11.75x0.075 inches. English. Harry Partch met soprano Ethel Luening in 1942 and two years later composed this work for her. Initial performances featured Luening as soprano with Partch playing his kithara, and composer Henry Brant playing double flageolet; Partch would eventually replace the double flageolet with two flutes. The use of the complex text from James Joyce's Finnegan's Wake contrasts strongly with Partch's other works at the time, which used texts from Partch's experiences as a transient or from authors like Thomas Wolfe. $11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| James singt für Kinder Music Distribution Services
SKU: M7.SCHV-1001 Die Jahreszeitenreise. Composed by Uwe Schuh. CD...(+)
SKU: M7.SCHV-1001 Die Jahreszeitenreise. Composed by Uwe Schuh. CD. MDS (Music Distribution Services) #SCHV 1001. Published by MDS (Music Distribution Services) (M7.SCHV-1001). ISBN 9783931862657. Einfühlsam und stimmungsvoll präsentiert der Sänger und Gitarrist James Geier seine erste Kinderlieder-CD. Eine bezaubernde Jahreszeitenreise für Kinder mit liebevollen Arrangements und vielen musikalischen Überraschungen ? ein besonderes Hörvergnügen! $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Sing Joyfully to God!: Go Forth into the World! Choral SATB SATB, Organ [Octavo] - Easy MorningStar Music Publishers
Composed by William H. Walter. Arranged by James Chepponis. For SATB choir, cong...(+)
Composed by William H. Walter. Arranged by James Chepponis. For SATB choir, congregation, organ, brass quartet, timpani. Year C: Holy Trinity. Holy Trinity, Ascension, General, Good Shepherd Sunday, Thanksgiving, Building Dedication, Confirmation, Benediction/Sending, Commitment/Discipleship, Gathering/Processional, Missions/Outreach, 21st Century. Moderately Easy. Octavo. Scripture: Psalms 100;Matthew 28:19-20; Text Language: English. Published by MorningStar Music Publishers
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| Denn wiederkommen String Quartet: 2 violins, viola, cello Breitkopf & Härtel
String Quartet (2vl - va - vc - Sp) SKU: BR.KM-2432 Holderlin lesen II...(+)
String Quartet (2vl - va - vc - Sp) SKU: BR.KM-2432 Holderlin lesen III. Composed by Hans Zender. Chamber music; stapled. Kammermusik-Bibliothek (Chamber Music Library). World premiere: Museum Island Hombroich, May 31, 1992. Music post-1945; New music (post-2000). Performance score. Composed 1991. 36 pages. Duration 24'. Breitkopf and Haertel #KM 2432. Published by Breitkopf and Haertel (BR.KM-2432). ISBN 9790004502020. 10 x 15 inches. In den alten Kulturen war das, was wir heute ,,Musik und ,,Dichtung nennen, eine Einheit. Denken wir nur an die lotrijgn<' [musike] der Griechen, oder an Beschreibungen, die wir in den klassischen chinesischen Schriften finden. Aber naturlich: Kulturgeschichte ist ein Differenzierungsprozess, und so finden wir zur Zeit unserer europaischen Klassiker den Vorstoss der Musik zu ihrer ,,Autonomie - ihrer offiziellen Scheidung von dem Metier der Dichter. (Noch 1739 hatte Mattheson in seinem Vollkommenen Capellmeister von jedem Musiker ,,Gewandtheit in der Dicht-Kunst und genaueste Kenntnis der Verslehre verlangt.)Seit dieser Scheidung sind nun die Musiker sehr eifrig damit beschaftigt, eine autonome Grammatik und Syntax der ,,Tonkunst, wie die Musik jetzt genannt wird, zu entwickeln, wahrend in der Dichtung - besonders naturlich in der experimentellen, von Jean Paul und Mallarme bis zu Joyce und Celan - gerade das ,,Musikalische in der Poesie gesucht wird. Hierunter ist oft der Wunsch verborgen, die Verhartung, welche die Wortsprache durch ihre begriffliche Fixierung - extrem in der Wissenschaft! - erfahrt, wieder aufzuheben und sie in einen ,,musikalischen Zustand von Unbestimmtheit, von Offenheit zuruck zu versetzen.Oberflachlich betrachtet entwickeln sich die beiden Kunste in der Moderne also auseinander; eine Beruhrung zwischen ihnen wird immer schwieriger. Zu gross die Gefahr, dass die muhsam errungene Autonomie der einen wieder der Ubermacht der andern geopfert wird! Entweder wird die Musik, wenn sie schwach ist, zu blosser Illustration und Stimmungskulisse; oder sie verschlingt in ihrer klanglichen und zeitlichen Ausformung den eigenen Klang und Rhythmus der Dichtung.Manche Musiker haben in den letzten Jahrzehnten dieses Problem noch verinnerlicht und eine Art Bilderverbot auch innerhalb der Musik aufgestellt: Gestik, Expressivitat, Assoziationsfahigkeit der musikalischen Strukturen wurden unterdruckt. Ich halte das fur ein neurotisches Verhalten und ausserdem fur irrefuhrend. Es gibt schon seit jeher auch eine musikalische Semantik - das vergessen manche vor lauter Syntax und Grammatik; und es ist kein Grund einzusehen, warum in der Situation der Autonomie nicht musikalische und sprachliche Semantik in eine neue Art von Verhaltnis treten konnten. In der Bach-Kantate, im Schubert-Lied, in der Wagnerischen Leitmotivik waren das 1:1-Losungen; aber schon Wagner hat gezeigt, dass man diese Identitat auch dialektisch aufsprengen kann.Und wie erst in der Vielsprachigkeit der heutigen Moderne! In meiner Oper Stephen Climax habe ich den Hauptpersonen des Ulysses von James Joyce bestimmte - historisch ortbare - Musiksprachen zugeteilt (welche jeweils wieder bestimmte intervallische und rhythmische Struktureigenschaften zeigen, welche ihrerseits wieder seriell oder statistisch geordnet sind - es geht bis ins kleinste Detail ganz ,,autonom zu!!); der Kosmos unserer europaischen Musikgeschichte wird sowohl dem Kosmos der Joyceschen Figuren (ihrerseits ,,geschichtstrachtig!) wie auch dem aktuellen musikalischen Bewusstsein zugeordnet, aber eben oft auch uber Kreuz, paradox, mehrschichtig, mehrdeutig ... Die Tatsache, dass diese spezifische Moglichkeit einer neuartigen Einheit von Sprache und Musik von den berufenen Musikologen noch kaum bemerkt worden ist, zeigt nicht nur deren Langsamkeit, sondern auch die Dominanz des ,,bildlosen Denkens in der - jetzt abgelaufenen - Phase der Neuen Musik.In meinen Holderlin lesen-Stucken ging es mir darum, Wege zu finden, die gewaltigen Sprachstrukturen Holderlins so in die zeitliche Form der Musik zu integrieren, dass sie Funktionen der musikalischen Form ubernehmen, ohne in ihrer Eigenkraft (sowohl akustisch wie auch im Sinne expressiver ,,Deutung) im geringsten geschmalert zu werden. Das hiess zunachst: Sprechen, nicht singen! - Aber das wurde nur bedeuten, dass es nicht um die Musikalisierung von Text geht; ebenso wichtig ist es, dass es auch nicht um melodramatisch ,,erzahlende Musik geht. Sondern: Zwei autonome Kunste durchdringen sich auf diaphane Weise, ohne sich zu uberformen oder auszuloschen; es handelt sich um einen Dialog, nicht um eine Vereinnahmung durch Hierarchisierung.Ein weiteres Thema, das in der musikalischen Diskussion der letzten Jahrzehnte zu kurz gekommen ist und deswegen jetzt neu am Horizont erscheint, ist die Rhetorik. Inwieweit kann musikalische Form nicht nur logisch bzw. syntaktisch, sondern auch rhetorisch verstanden werden? Rhetorik und Satztechnik z.B. hangen zusammen. Ich kann diese Problematik (die ich in meinem vierteiligen, abendfullenden Shir Hashirim ,,auskomponiert habe) hier nur andeuten.Musik steht zwischen Zahl und Wort; sie hat an beidem teil. So konnte sie das Zentrum der ,,Sieben Freien Kunste in alten Zeiten bilden ... (Heinrich Schutz sagte, dass sie zu diesen - also zu den mathematisch-astronomischen und den literarischen Kunsten - wie die ,,Sonne zu den Planeten sich verhalte.) Mir scheint, dass wir die Komposition seit 50 Jahren zu einseitig nur von der Zahl her definieren; sie hat geschichtlich ebenso viel mit Sprachstruktur zu tun. Wir konnen Neuland gewinnen, wenn wir als heutige Musiker dies neu durchdenken.Es handelt sich hier um meinen dritten Versuch einer Annaherung an das Problem einer ,,Verzeitlichung der Holderlinschen Texte d.h. einer Moglichkeit, diese Texte in einer Performance darzustellen: da die Musik das eigentliche Element der zeitlichen Darstellung ist, werden die Holderlinschen Worte mit Tonen konfrontiert.Im Fall von denn wiederkommen geht es um neun Zeilen aus Holderlins Patmos-Hymne. Je eine solche Zeile wird einem Formabschnitt der Musik zugeordnet (das Stuck ist also, wie meine Lo-Shu-Stucke, neunteilig). Die betreffende Zeile erklingt nicht nur einmal, sondern wird, in der gleichen Weise wie auch das musikalische Material, nach einem chaotischen Repetitionsprinzip mehrfach wiederholt.Auffallig ist ferner, dass fur jeden der neun Teile ein von einem der vier Quartettspieler festgehaltener ,,Grundton gewahlt wurde; durch diese orgelpunktartige Wirkung wird jeder der neun Teile zusammengehalten, und der Horer kann die langsame Bewegung der Grossform im unmittelbaren Horprozess mitvollziehen.Die neun Satze von Holderlin lauten:1. Furchtlos gehen die Sohne der Alpen uber den Abgrund weg auf leicht gebaueten Brucken...2. Sie horen ihn und liebend tont es wieder von den Klagen des Manns...3. Im goldenen Rauche bluhte schnell aufgewachsen mit Schritten der Sonne, mit tausend Gipfeln duftend, mir Asia auf, und geblendet...4. Gegangen mit dem Sohne des Hochsten, unzertrennlich, denn es liebte der Gewittertragende die Einfalt des Jungers...5. Wenn aber stirbt alsdenn, an dem am meisten die Schonheit hing...6. Eingetrieben war wie Feuer in Eisen das, und ihnen ging zur Seite der Schatten des Lieben. Drum sandt er ihnen den Geist und freilich bebte das Haus und die Wetter Gottes rollten ferndonnernd...7. Uber die Berge zu gehn allein, wo zwiefach erkannt, war einstimmig und gegenwartig der Geist...8. Und hier ist der Stab des Gesanges, niederwinkend, denn nichts ist gemein. Die Toten wecket er auf...9. Denn wiederkommen sollt es, zu rechter Zeit. Nicht war es gut gewesen, spater, und schroff abbrechend...(Hans Zender)CD:Salome Kammer (voice), Arditti String QuartetCD Montaigne MO 782094Bibliography:Nyffeler, Max: Fluchtpunkt Patmos. Hans Zenders Komposition ,,Denn wiederkommen. Holderlin lesen III, in: Neue Zeitschrift fur Musik 180 (2019), Heft 1, S. 44-47.ders.: Lesen, Schreiben, Horen. Zum Verhaltnis von Musik und Sprache bei Hans Zender, dargestellt an der Komposition ,,,denn wiederkommen`. Holderlin lesen III, in: ,,Ein Zeichen sind wir, deutungslos. Holderlin lesen, Ikkyu Sojun horen, Musik denken, hrsg. von Violetta L. Waibel, Gottingen: Wallstein 2020, S. 299-329Waibel, Violetta L.: Holderlin Lesen, Ikkyu Sojun Horen, Musik Denken, in: Festivalkatalog Wien Modern 29 (2016), Essays, pp. 196-198.Zenck, Martin: Holderlin lesen - seiner ,,Stimme zuhoren. Holderlin-Lekturen von Klaus Michael Gruber, Hans Zender und Bruno Ganz, in: Neue Zeitschrift fur Musik 172 (2011), Heft 6, pp. 25-29.Zender, Hans: Zu meinem Zyklus ,,Holderlin lesen, in: Mnemosyne. Zeit und Gedachtnis in der europaischen Musik des ausgehenden 20. Jahrhunderts, hrsg. von Dorothea Redepenning und Joachim Steinheuer, Saarbrucken: Pfau 2006, pp. 26-40.
World premiere: Museum Island Hombroich, May 31, 1992. $70.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Singable Songs High voice [Vocal Score] Theodore Presser Co.
For Studio and Recital, Thirty Songs for High Voice. By Alexander Gretchaninoff;...(+)
For Studio and Recital, Thirty Songs for High Voice. By Alexander Gretchaninoff; Anton Rubinstein; Charles Huerter; Charles W. Cadman; Clara Edwards; Earl Cranston Sharp; Edvard Grieg; Frank Laforge; Gustav Klemm; Harvey B. Gaul; Jacques Offenbach; James H. Rogers; Johannes Brahms; John A. Carpenter. Edited by Heinrich Kiehl; Martin Mason. Text: Charles O. Roos; Dorothy Dickinson; H.J. Pearl; Hans Christian Andersen; Heinrich Heine; Helen Oushman Mitchell; Helge Rode; Hermann Hagedorn; Jessica Hawley Lowell; Karl Simrock; Katherine Howard; Lermontoff; Paul Verlaine; Pearl G. Curran; Shega Obata. For high voice, piano. Piano/Vocal Score. 94 pages. Published by Theodore Presser Company.
$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Two Regal Settings by English Composers - Parry/Davies) Organ - Intermediate MorningStar Music Publishers
By James Welch. For organ. Organ Music. Level: Medium. Published by MorningStar ...(+)
By James Welch. For organ. Organ Music. Level: Medium. Published by MorningStar Music Publishers.
$6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Meadow Lark Trumpet, Piano [Set of Parts] Eighth Note Publications
By James Brockenshire. Arranged by H.M. Lewis. For Trumpet and Keyboard. Brass -...(+)
By James Brockenshire. Arranged by H.M. Lewis. For Trumpet and Keyboard. Brass - B-Flat Cornet (Trumpet) Solo; Solo. Heritage of the Cornet. 20th Century. Part(s). Duration 00:02:35
$6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Festival of Hymns Violin, Orchestra [Sheet music] Alfred Publishing
Arranged by Paul Severson and James D. Ployhar. For 3rd Violin. Full Orchestra C...(+)
Arranged by Paul Severson and James D. Ployhar. For 3rd Violin. Full Orchestra Collection. Book. 20 pages. Published by Alfred Publishing.
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| Sing of Mary, Pure and Lowly Choral SATB SATB, Organ [Octavo] Augsburg Fortress
By James H. Laster. For SATB choir and organ. Advent. Augsburg Choral Library. A...(+)
By James H. Laster. For SATB choir and organ. Advent. Augsburg Choral Library. Anthem. Published by Augsburg Fortress.
$1.60 $1.52 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Piano in D minor Op. 13 Piano and Orchestra [Score] Breitkopf & Härtel
Piano/harpsichord and orchestra (solo: pno- 2.2.2.2 - 4.2.3.0 - timp - str) S...(+)
Piano/harpsichord and orchestra (solo: pno- 2.2.2.2 - 4.2.3.0 - timp - str) SKU: BR.PB-32026 Urtext. Composed by Eduard Franck. Edited by James Tocco. Orchestra; Softbound. Partitur-Bibliothek (Score Library). Have a look into PB 32026. Solo concerto; Romantic. Full score. 120 pages. Duration 30'. Breitkopf and Haertel #PB 32026. Published by Breitkopf and Haertel (BR.PB-32026). ISBN 9790004215142. 10 x 12.5 inches. Finally performable again Eduard Franck's Piano Concerto in D minor Op. 13 is the first major orchestral work by this Mendelssohn pupil. The pianist, already celebrated at a young age, had early plans for the piano concerto that he completed at the latest in 1846. Contemporary critics emphasized the catchy motives and the balanced relationship of solo instrument to the orchestra. Ignaz Moscheles was impressed by the noble manner, the poetic ideas, and the orchestration. Thanks to the kind support of the Accademia di Santa Cecilia, in whose library the orchestral parts, once thought to be lost, are preserved, the work can be introduced for the first time in the present edition. $106.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Seek Him That Maketh the Seven Stars [Reduction] Theodore Presser Co.
S.A.T.B., with Soprano Solo. Composed by James H. Rogers. Choir Loft Chor...(+)
S.A.T.B., with Soprano Solo. Composed by James H. Rogers. Choir Loft Choral Series. Choral. Piano reduction/vocal score. With Standard notation. 7 pages. Theodore Presser Company #332-12733. Published by Theodore Presser Company (PR.332127330).
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