| Carl Fischer Progressive Duets, Volume 1 - for Violin 2 Violins (duet) [Solo Part] Carl Fischer
Volume 1: Easy to Medium. By Anton Rubinstein; Bedrich Smetana; Francois Couperi...(+)
Volume 1: Easy to Medium. By Anton Rubinstein; Bedrich Smetana; Francois Couperin; Franz Schubert; Georg Philipp Telemann; George Frideric Handel; Ignaz Joseph Pleyel; J.J. Mouret; Jacques Offenbach; Jan Ladislav Dussek; Jean Baptiste Duvernoy; Johann Friedrich Reichardt. Arranged by Doris Gazda; Larry Clark. For Violin I, Violin II. Solo part. 32 pages. Published by Carl Fischer.
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Carl Fischer Progressive Duets Volume I Double Bass [Solo Part] Carl Fischer
For Bass - Volume 1: Easy to Medium. By Anton Rubinstein; Bedrich Smetana; Franc...(+)
For Bass - Volume 1: Easy to Medium. By Anton Rubinstein; Bedrich Smetana; Francois Couperin; Franz Schubert; Georg Philipp Telemann; George Frideric Handel; Ignaz Joseph Pleyel; J.J. Mouret; Jacques Offenbach; Jan Ladislav Dussek; Jean Baptiste Duvernoy; Johann Friedrich Reichardt. Arranged by Doris Gazda, Larry Clark. For Contrabass I, Contrabass II. Solo part. 32 pages. Published by Carl Fischer.
$9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Time Cycle [Score] Carl Fischer | | |
| Viola Repertoire 5 Viola - Intermediate The Frederick Harris Music Company
Viola - Intermediate SKU: FH.VA5 Viola Series, 2013 Edition. Compo...(+)
Viola - Intermediate SKU: FH.VA5 Viola Series, 2013 Edition. Composed by The Royal Conservatory. Viola Series, 2013 Edition. Book/CD. The Frederick Harris Music Company #VA5. Published by The Frederick Harris Music Company (FH.VA5). ISBN 978-1-55440-567-1. This groundbreaking series for viola offers a sound and progressive collection of Repertoire, Recordings, Etudes, Technique, and Orchestral Excerpts for the aspiring virtuoso. Representing all major style periods and a variety of genres, Viola Series, 2013 Edition offers all the music and tools needed to support a comprehensive course of study from the beginner to advanced levels. A rich and varied selection of music in each of these nine progressive volumes of repertoire appeals to violists of all ages. From the Preparatory Level through Level 8, students will be exposed to quality selections originally written for viola, fun arrangements of traditional fiddle and folk tunes, as well as contemporary pieces by notable composers such as Violet Archer, Carey Cheney, and Fritz Kriesler. Concertos and Concertinos: Concerto in C Minor, op. 12, no. 3 - Seitz, Friedrich - First Movement Concerto in G Major, TWV 51:G9 - Telemann, Georg Philipp - Third Movement - Fourth Movement Concerto in D Minor, op. 3, no. 6, RV 356 - Vivaldi, Antonio arr. Christine Donkin - Third Movement Sonatas and Sonatinas: Sonata in E flat Major - Dittersdorf, Carl Ditters von Sonata - Cerha, Friedrich - First Movement - Second Movement Sonata in G Major, op. 2, no. 6 - Flackton, William arr. Harold Birston - Second Movement - Third Movement Concert Repertoire: Langsam, op. 102, no. 2 - Schumann, Robert La Provencale - Marais, Marin arr. May Mukle Arioso - Bach, Johann Sebastian arr. Mark Mrozinski Tambourin - d'Hervelois, Louis de Caix arr. Paul Doktor Gypsy Pavan - Mozetich, Marjan Space Dance - Mozetich, Marjan Nocturne, op. 186, no. 2 - Kalliwoda, Johann Wenzel Cradle Song - Bridge, Frank. $39.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Time Cycle Timpani, Cello, Xylophone, Vibraphone, Percussion, Clarinet, Piano [Score and Parts] Carl Fischer
(Parts (Score)). By Lukas Foss (1922-). Chamber ensemble. For Soprano, Clarinet,...(+)
(Parts (Score)). By Lukas Foss (1922-). Chamber ensemble. For Soprano, Clarinet, Cello, Percussion, Piano, Celesta, Soprano, Clarinet, Cello, Piano, Celesta, Timpani, Vibraphone, Xylophone, Chimes, Antique Cymbal, Wood Blocks, Temple Blocks, Suspended Cymbal, Gong, Tambourine, Bongos, Snare Drum, Bass Drum, Triangle. Premiered July 10, 1961 - Berkshire Musical Festival. Score and parts. Standard notation. 38 pages
$65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| La Clarinette classique Vol. C Clarinet and Piano [Score] Combre
By Jacques Lancelot/Henri Classens. For clarinet and piano. Classical. Score. 38...(+)
By Jacques Lancelot/Henri Classens. For clarinet and piano. Classical. Score. 38 16 pages. Published by Editions Combre
$33.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Zum Uben und Vorspielen, Heft 3 Trumpet, Piano - Easy Hofmeister Musikverlag
Trumpet, piano - Level 2 SKU: HF.FH-2050 Kleine Stucke alter Meister(+)
Trumpet, piano - Level 2 SKU: HF.FH-2050 Kleine Stucke alter Meister. Arranged by Philipp. Sheet music. Friedrich Hofmeister Musikverlag #FH 2050. Published by Friedrich Hofmeister Musikverlag (HF.FH-2050). ISBN 9790203420507. 9 x 12 inches. 1. Marsch (Carl Philipp Emanuel Bach); 2. Allegro (W. Babell); 3. Minuetto (Joseph Haydn); 4. Menuett (Johann Sebastian Bach); 5. Bourree (J. d. Saint-Luc); 6. Menuett (Wolfgang Amadeus Mozart); 7. Walzer - Menuett (Wolfgang Amadeus Mozart); 8. Bourree (J. Christoph Graupner); 9. Allemande (Jospeh Haydn); 10. Bourree (Johann Ludwig Krebs); 11. Sarabande (J. B. Lully); 12. Tanz und Nachtanz (Anonymus); 13. Menuett (Johann Ludwig Krebs); 14. Allegretto (Jan Baptist Vanhal); 15. Marsch (D. G. Turk); 16. Gavotte (Georg Friedrich Handel); 17. Allegro (Georg Philipp Telemann); 18. Allegretto (Henry Purcell); 19. Cibel (J. B. Loeillet); 20. Contredanse (Anonymus); 21. Rondo e Saltarello (Tilman Susato); 22. Andante (P. I. Tschaikowski); 23. Sarabande (Arcangelo Corelli); 24. Bourree (Johann Philipp Krieger). $24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Werkinterpretation Im Musikunterric Schott
SKU: HL.49006765 Eine kommentierte Bibliographie von Unterrichtsbeispi...(+)
SKU: HL.49006765 Eine kommentierte Bibliographie von Unterrichtsbeispielen und Analysen. Composed by Wolfgang Schmidt-Brunner. This edition: Paperback/Soft Cover. Book. Edition Schott. Classical. 120 pages. Schott Music #ED 6885. Published by Schott Music (HL.49006765). ISBN 9783795729530. German. Dieses Repertoire, das Werke von 70 Komponisten: Josquin des Pres bis John Cage umfasst, soll dem Schulmusiker die Orientierung in der Fulle der musikpadagogischen Unterrichtsliteratur erleichtern und ihm eine Hilfe bei der Unterrichtsvorbereitung sein.Zugleich mag es dem Studierenden erste Anregungen bei der Unterrichtsplanung vermitteln und des weiteren einer kunftigen systematischen Aufarbeitung der (von Michael Alt) sogenannten 'Praktikerliteratur' als bibliographische Grundlage dienen. Die Zusammenstellung enthalt Hinweise auf im allgemeinen leicht erreichbare Veroffentlichungen, in denen Musikwerke unter didaktischem Aspekt analysiert bzw. daruber hinaus in Unterrichtssequenzen mit methodischen Empfehlungen versehen sind. $23.95 - See more - Buy online | | |
| Your Favorite Solos Piano solo [Sheet music] Theodore Presser Co.
By C.S. Morrison; Carl Koelling; Ella Ketterer; Ethelbert Nevin; Frederic Groton...(+)
By C.S. Morrison; Carl Koelling; Ella Ketterer; Ethelbert Nevin; Frederic Groton; Frederick Keats; Frederick Williams; George Hamer; Hans Engelmann; Ignace Jan Paderewski; John Philip Sousa; Karl Bechter; Marie Crosby; Richard Krentzlin. Edited by George Walter Anthony. Arranged by G.W. Anthony. Solo piano. For piano. Classical. Soft Cover. 70 pages. Published by Theodore Presser Company.
(4)$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Sonatinas, Book 4 Piano solo FJH
Piano (Solo Piano) - Intermediate; Late Intermediate SKU: FJ.FJH2204 4...(+)
Piano (Solo Piano) - Intermediate; Late Intermediate SKU: FJ.FJH2204 4. Composed by Edited by Helen Marlais. Edited by Helen Marlais. Masterworks; Piano Collection; Piano Supplemental. Succeeding with the Masters & The Festival Collection. Masterwork. Book. The FJH Music Company Inc #98-FJH2204. Published by The FJH Music Company Inc (FJ.FJH2204). ISBN 9781619281530. UPC: 241444363898. English. Book 4 spotlights nine sonatinas from both the Classical and Romantic periods with works by Beethoven, Benda, Dussek, Reinecke, Biehl, Lynes, Köhler, Kuhlau, and Lichner. Every sonatina is in its original, complete form in this 84-page book. Each volume contains interesting historical information, a thematic index, a music dictionary, and information About the Pieces and Composers that can be used in program notes. About The Festival Collection The Festival Collection is an eight-volume series consisting of exceptional repertoire from the Baroque, Classical, Romantic, and Twentieth/Twenty-First Centuries. This series is carefully leveled from elementary through advanced repertoire, with each level covering the gamut of your repertoire needs. The Festival Collection is a companion series to the Succeeding with the Masters series, expanding upon the repertoire selections with no duplication of repertoire between the two series. Each book includes a CD recording of all the corresponding works to guide students in their interpretation. The Festival Collection will provide teachers and students with a wide range of works that are carefully chosen for their pedagogical merit. They will be a key component for your students' success in their studies of the works by the masters! $12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Missa sancta No. 1 E-flat major - Easy Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb - Level 2 SKU: CA.2709705 Composed by Carl Maria von Weber. Edited by Karin Wollschlager. Sacred vocal music, Masses, Latin. Choral Score. WeV A.2. 32 pages. Duration 40 minutes. Carus Verlag #CV 27.097/05. Published by Carus Verlag (CA.2709705). ISBN 9790007188962. Key: E flat major. Latin. Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time. $17.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major [Score] - Easy Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb - Level 2 SKU: CA.2709700 Composed by Carl Maria von Weber. Edited by Karin Wollschlager. Sacred vocal music, Masses, Latin. Full Score. WeV A.2. Duration 40 minutes. Carus Verlag #CV 27.097/00. Published by Carus Verlag (CA.2709700). ISBN 9790007188948. Key: E flat major. Latin. Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time. $113.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Easy Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb - Level 2 SKU: CA.2709703 Composed by Carl Maria von Weber. Edited by Karin Wollschlager. Sacred vocal music, Masses, Latin. Vocal score. WeV A.2. Duration 40 minutes. Carus Verlag #CV 27.097/03. Published by Carus Verlag (CA.2709703). ISBN 9790007188955. Key: E flat major. Latin. Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time. $35.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Easy Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb - Level 2 SKU: CA.2709713 Composed by Carl Maria von Weber. Edited by Karin Wollschlager. Viola. Sacred vocal music, Masses, Latin. Part. WeV A.2. Duration 40 minutes. Carus Verlag #CV 27.097/13. Published by Carus Verlag (CA.2709713). ISBN 9790007261764. Key: E flat major. Latin. Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Easy Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb - Level 2 SKU: CA.2709709 Composed by Carl Maria von Weber. Edited by Karin Wollschlager. 1x 27.097/21 flute 1, 1x 27.097/22 flute 2, 1x 27.097/23 oboe 1, 1x 27.097/24 oboe 2, 1x 27.097/25 clarinet 1, 1x 27.097/26 clarinet 2, 1x 27.097/27 bassoon 1, 1x 27.097/28 bassoon 2, 1x 27.097/31 horn 1, 1x 27.097/32 horn 2, 1x 27.097/33 trumpet 1, 1x 27. Harmony parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. WeV A.2. Duration 40 minutes. Carus Verlag #CV 27.097/09. Published by Carus Verlag (CA.2709709). ISBN 9790007255114. Key: E flat major. Latin. Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time. $136.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Easy Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb - Level 2 SKU: CA.2709714 Composed by Carl Maria von Weber. Edited by Karin Wollschlager. Violoncello/double bass. Sacred vocal music, Masses, Latin. Part. WeV A.2. Duration 40 minutes. Carus Verlag #CV 27.097/14. Published by Carus Verlag (CA.2709714). ISBN 9790007261771. Key: E flat major. Latin. Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Easy Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb - Level 2 SKU: CA.2709711 Composed by Carl Maria von Weber. Edited by Karin Wollschlager. Violin 1. Sacred vocal music, Masses, Latin. Part. WeV A.2. Duration 40 minutes. Carus Verlag #CV 27.097/11. Published by Carus Verlag (CA.2709711). ISBN 9790007261740. Key: E flat major. Latin. Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Easy Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb - Level 2 SKU: CA.2709719 Composed by Carl Maria von Weber. Edited by Karin Wollschlager. Complete orchestral parts. Sacred vocal music, Masses, Latin. Set of Orchestra Parts. WeV A.2. Duration 40 minutes. Carus Verlag #CV 27.097/19. Published by Carus Verlag (CA.2709719). ISBN 9790007253363. Key: E flat major. Latin. Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time. $472.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Missa sancta No. 1 E-flat major - Easy Carus Verlag
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl...(+)
Orchestra Soli SATB, Coro SATB, 2 Fl, 2 Ob, 2 Clt, 2 Fg, 2 Cor, 2 Tr, Timp, 2 Vl, Va, Vc, Cb - Level 2 SKU: CA.2709712 Composed by Carl Maria von Weber. Edited by Karin Wollschlager. Violin 2. Sacred vocal music, Masses, Latin. Part. WeV A.2. Duration 40 minutes. Carus Verlag #CV 27.097/12. Published by Carus Verlag (CA.2709712). ISBN 9790007261757. Key: E flat major. Latin. Carl Maria von Weber wrote his Missa sancta no. 1 in E flat major in just two months, despite his heavy workload as Kapellmeister at the Dresden court. The work acquired the nickname Freischutz Mass because the composer interrupted work on his opera of the same name in January and February 1818 to compose the mass. And so Weber presented himself to his new employer King Friedrich August I of Saxony as a versatile composer, for as well as his main task of developing a German opera alongside the existing Italian opera at court, his duties also included writing church music. In the Mass Weber responded to the local conditions in a particular way: he took into account liturgical practice at the Dresden court by adding an Offertorium to the sections of the mass ordinary, setting this as a bravura aria specially written for the Dresden star soprano Filippo Sassaroli. Because of the reverberant acoustics in the Hofkirche, he avoided rapid changes of harmony. Although the Mass was perceived as too operatic by critics, it was very well received by audiences and also pleased the King. * Practically oriented edition based on the sources, performance material available on sale for the first time * Easy to medium difficulty level * Text of the Mass includes an Offertorium in accordance with liturgical practice at the Dresden court at the time. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Erzgebirgisches Chorbuch, Band 2: Hofmeister Musikverlag
Xxx - Level 2-3 SKU: HF.FH-3857 Erzgebirgslieder zum Jahreskreis und B...(+)
Xxx - Level 2-3 SKU: HF.FH-3857 Erzgebirgslieder zum Jahreskreis und Bergmannslieder. Edited by Stange. Sheet music. Friedrich Hofmeister Musikverlag #FH 3857. Published by Friedrich Hofmeister Musikverlag (HF.FH-3857). ISBN 9790203438571. 8.3 x 11.7 inches. 1. Wenn de Vugelbeer bluht (Anton Gunther/Manfred Stange); 2. Arzgebirger-Marsch (Stephan Dietrich/Manfred Stange); 3. Arzgebirg, mei Arzgebirg (Edwin Bauersachs/Manfred Stange); 4. Wannerlied (Anton Gunther/Manfred Stange); 5. Feierobnd (Anton Gunther/Manfred Stange); 6. Bild dir nischt ei! (Anton Gunther/Manfred Stange); 7. Bild dir nischt ei! (Anton Gunther/Manfred Stange); 8. Himmelschlussele, bluh! (Anton Gunther/Manfred Stange); 9. Vergass dei Haamit net (Anton Gunther/Manfred Stange); 10. Wu de Walder haamlich rauschen (Anton Gunther/Manfred Stange); 11. Arzgebirg, wie bist du schie! (Anton Gunther) 12. Wenn de Lerich singt (Anton Gunther/Manfred Stange); 13. Gruss dich Gott, mei Arzgebirg! (Anton Gunther/Manfred Stange); 14. Gruss dich Gott, mei Arzgebirg! (Anton Gunther/Manfred Stange); 15. Klippellied (Anton Gunther/Manfred Stange); 16. 's gebirgische Maadel (Carl Friedrich Dohnel/Manfred Stange); 17. Deitsch un frei wolln mer sei! (Anton Gunther/Manfred Stange); 18. Morgnlied (Anton Gunther/Manfred Stange); 19. Viel tausend Vogle singe (Hans Siegert/Theodor Goldberg/Manfred Stange); 20. In Fruhgahr (Anton Gunther/Manfred Stange); 21. Mei Haamit lasst mich grussen (Hans Soph/Manfred Stange); 22. Ein neues Fest (Karl Gerok, Alfred Guido Dost/Manfred Stange); 23. Mei Grussmutterla (Anton Gunther/Manfred Stange); 24. Der Kuckuck (Anton Gunther/Manfred Stange); 25. De zwaa Finken (Anton Gunther/Manfred Stange); 26. Der Rutschwanz (Hans Soph/Manfred Stange); 27. Der Vugelbeerbaam (August Max Schreyer/Manfred Stange); 28. Der Vugelbeerbaam - fur Mannerchor (August Max Schreyer/Manfred Stange); 29. Gieh mer mol ruber (Manfred Stange); 30. Wenn de Blumle nimmer bluhe (Anton Gunther/Manfred Stange); 31. Spatsommer (Stephan Dietrich/Manfred Stange); 32. In der Hammerschenk (Friedrich Emil Krauss/Rudolf Krauss/Manfred Stange); 33. In der Hammerschenk - fur Mannerchor (Friedrich Emil Krauss/Rudolf Krauss/Manfred Stange); 34. Guck nauf ze de Sterle! (Anton Gunther/Manfred Stange); 35. Haamitland, mei Arzgebirg (Stephan Dietrich/Manfred Stange); 36. Wie der Schnabel stieht (Anton Gunther/Manfred Stange); 37. Der Frohnaaer Hammer (Alfred Kaden/Manfred Stange); 38. E Liedel aus der Haamit (Anton Gunther/Manfred Stange); 39. Wiegnlied (Stephanie Maas/Manfred Stange); 40. E Mensch uhne Glaubn (Anton Gunther/Manfred Stange); 41. Freue dich, Schneeberg (Manfred Stange); 42. Wenn schwarze Kittel scharenweis (D. Seeburg/Manfred Stange); 43. Frisch auf, ihr Bergleut, auf (Manfred Stange); 44. Frisch auf, ihr Bergleut jung und alt (Gustav Bruno Dost/Manfred Stange); 45. Gluckauf, ihr Bergleut jung und alt (Manfred Stange); 46.Bergmanns Hoffnung (Manfred Stange); 47. Bergmanns Hoffnung (Manfred Stange); 48 's Afahrn (Christian Gottlob Wild/Manfred Stange); 49. Wenn das Glocklein drei tut lauten (Manfred Stange); 50. Herr, der du meine Pfade lenkst (Manfred Stange); 51. Wir Bergleute hauen fein (Franz Wilhelm/Freiherr von Ditfurth/Manfred Stange); 52. Gluckauf, der Steiger kommt (Manfred Stange); 53. Gluckauf, der Steiger kommt (Manfred Stange); 54. Gluckauf, der Steiger kommt ( mitgeteilt von Felix Geithner/Manfred Stange); 55. Nun Gluckauf ruft froh ihr Bruder (Manfred Stange); 56. Auf, gesamte Knappschaftsschar (Gustav Bruno Dost/Manfred Stange); 57. Gluckauf ist unser Bergmannsgruss (J. Korner/Manfred Stange); 58. Gluckauf ist unser Bergmannsgruss (J. Korner/Manfred Stange); 59. Auf, gesamte Knappschaftsbruder (Manfred Stange); 60. Kommet her, ihr Bergleut alle (Gustav Bruno Dost/Manfred Stange); 61. Gluckauf! Du alter Bargmannsgruss (Max Nacke/Manfred Stange); 62. Kommet, lasset uns doch schauen (Manfred Stange); 63. Lasst uns das Bergwerk recht betrachten (Manfred Stange); 64. Die Bergleut sind ein edle Zier (Karl Gustav Wolf/Walther Hensel/Manfred Stange); 65. Frohlich ist des Bergmanns Leben (Fr. Muller/Manfred Stange); 66. Gluckauf, ihr Bruder (Gustav Bruno Dost/Manfred Stange); 67. Der Bergknabe (Manfred Stange); 68. Wir wollen frohlich heben an (Manfred Stange); 69. Bergmannisches Trinklied (Manfred Stange); 70. De Steiger-Kirmes (Friedrich Emil Krauss/Rudolf Krauss/Manfred Stange); 71. Joachimsthaler Bergknappenlied - Weise aus dem Jahre 1571 ; 72. Das Zscharpertaschel (Gottlob Adolph Ernst von Nostitz und Jankendorf, genannt Arthur von Nordstern); 73. Doch deckt dich auch der Erde Schoss (Moritz Wilhelm Doring/August Ferdinand Anacker/Manfred Stange); 74. Gluckauf! Der Silberzweig (Friedrich Emil Krauss/Richard Wagner-Buchholz); 75. Gott sei mit dir, mein Sachsenland - Sachsenhymne (Max Hallbauer/Ernst Julius Otto); 76. Die Heimfahrt (Moritz Wilhelm Doring/Alfred Guido Dost/Manfred Stange); 77. Zum Bergmann hab ich mich geweiht (Manfred Stange). $26.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Ruzicka P Musik Fuer Die Insel Schott
(BR) SKU: HL.49041713 Was Prominente mit in die Abgeschiedenheit nehme...(+)
(BR) SKU: HL.49041713 Was Prominente mit in die Abgeschiedenheit nehmen. Composed by Peter Ruzicka. Edited by Peter Ruzicka. This edition: Paperback/Soft Cover. Paperback. Serie Musik. 112 pages. Schott Music #SEM 8364. Published by Schott Music (HL.49041713). ISBN 9783254083647. German. Wem ist sie noch nie gestellt worden, jene beruhmte Frage nach der Musik, die man mit in die - fiktive - Gegend fern aller Zivilisation nehmen wurde? Die Wahl ist schwierig: Nach welchem Kriterium soll man seine Musik aussuchen? Nach ihrer Tiefe, ihrem emotionalen, moralischen, philosophischen Anspruch oder gar schlicht nach ihrer Dauer - hie ein Choralvorspiel von Bach, da die Matthauspassion? Soll die Musik aufheitern oder die innere Einkehr verstarken? Welche Interpretation transportiert die eigene Vorstellung am besten? Lesen Sie die Antworten prominenter Zeitgenossen, darunter Helmut Schmidt und Walter Jens, Marcel Reich-Ranicki und Gyorgy Ligeti, und stellen Sie den interessanten Vergleich mit Ihrer eigenen Entscheidung an. $7.95 - See more - Buy online | | |
| Programmusik Schott
SKU: HL.49007730 Analytische Untersuchungen und didaktische Empfehlung...(+)
SKU: HL.49007730 Analytische Untersuchungen und didaktische Empfehlungen fur den Musikunterricht in der Sekundarstufe. Edited by Albrecht Goebel. This edition: Hardback/Hard Cover. Book. Edition Schott. Classical. 312 pages. Schott Music #ED 8031. Published by Schott Music (HL.49007730). ISBN 9783795702373. German. Will der Schulmusiker seine Schuler in Erfullung des 'Lehrplansolls' mit der Gattung 'Programmusik' bekannt machen, so wird er bei der Materialsuche in Lehrbuchern und Fachliteratur immer wieder auf Beschreibungen derselben Kompositionen stossen: Smetana's 'Moldau', R. Strauss' 'Till Eulenspiegel' usw. Der Herausgeber hat sich im Zusammenwirken mit den in diesem Sammelband vertretenen Autoren deshalb auf die Suche nach Werken hoher Qualitat, aber teilweise geringeren Bekanntheitsgrades begeben und prasentiert fur den Musikunterricht in der Sekundarstufe analytische Untersuchungen, didaktische Empfehlungen und historische Hintergrundinformationen zu 21 Werken des 17. bis 20. Jahrhunderts. Die Spannweite reicht von Vivaldi bis Beethoven, von Berlioz bis Cesar Franck, von C. M. von Weber bis Max Reger, von den grossen slawischen Meistern bis hin zu Honegger und Schonberg, um nur einige zu nennen. Eingeleitet wird das Buch durch eine Einfuhrung in die Asthetik der Programmmusik im 19. Jahrhundert von Albrecht Riethmuller. Eine Fundgrube fur die Gestaltung eines abwechslungsreichen und damit interessanten Unterrichts. $70.00 - See more - Buy online | | |
| Complete Letters, Volume 10 Barenreiter
SKU: BA.BVK02310 January 1844 to June 1845. Composed by Felix Bart...(+)
SKU: BA.BVK02310 January 1844 to June 1845. Composed by Felix Bartholdy Mendelssohn. Edited by Helmut Loos, Uta Wald, and Wilhelm Seidel. Linen. Felix Mendelssohn Bartholdy. Samtliche Briefe in 12 Banden. Book. Baerenreiter Verlag #BVK02310_00. Published by Baerenreiter Verlag (BA.BVK02310). ISBN 9783761823101. 23.7 x 16.5 cm inches. Preface: Seidel, Wilhelm. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Complete Letters, Volume 5 Barenreiter
SKU: BA.BVK02305 July 1836 to January 1838. Composed by Felix Bart...(+)
SKU: BA.BVK02305 July 1836 to January 1838. Composed by Felix Bartholdy Mendelssohn. Edited by Helmut Loos, Thomas Kauba, Uta Wald, and Wilhelm Seidel. Linen. Samtliche Briefe in 12 Banden. Only available as a full subscription to ISBN 978-3-7618-2300-2. Book. With Language: German. Baerenreiter Verlag #BVK02305_00. Published by Baerenreiter Verlag (BA.BVK02305). ISBN 9783761823057. 23.5 x 16 cm inches. Preface: Helmut Loos. Felix Mendelssohn Bartholdy as letter-writer: at the heart of 19th century European culture
As one of the most important letter-writers of the 19th century, Felix Mendelssohn Bartholdy maintained an extensive correspondence. With great style and eloquence he wrote letters to friends and family, letters from his travels and he also wrote to leading composers, musicians, artists as well as publishers. He corresponded with famous contemporaries such as Robert Schumann, Franz Liszt and Richard Wagner as well as Johann Wolfgang von Goethe, Carl Friedrich Zelter and Alexander von Humboldt.
The correspondence begins in 1816 and ends in 1847 with the composer’s death. These letters are invaluable documents shedding light not only on the genesis, publication and revision of his musical works, but also on a period when relations between Christians and Jews still had a chance to become harmonious, as Moses Mendelssohn, the imminent scholar and grandfather of the composer had advocated.
This edition will therefore be of great interest far beyond the circles of musicologists and music specialists. It will appeal to those who are interested in the history of culture and ideas and to those who perceive Mendelssohn and his family as representatives of a unique, diverse cultural epoch. The complete correspondence shows that Mendelssohn not only went on to become one of the leading figures of German musical culture in the 1840s, but that he also maintained a network of musical contacts throughout Europe.
The edition of the complete letters This scholarly-critical complete edition comprises 5,855 letters by Felix Mendelssohn Bartholdy. Previously only a small part of his correspondence had been published and made accessible to the public. The complete edition is based on Mendelssohn letters which have been compiled over decades by Rudolf Elvers as well as on international research carried out by an academic workgroup in Leipzig spearheaded by chief editors Helmut Loos and Wilhelm Seidel. They determined 500 additional letters hitherto unknown. Versions of the letter texts have been compiled from a scholarly-critical analysis of the sources, their historical context has been discussed and comments on all points in need of explanation have been made.
This edition of the complete letters consists of 12 volumes and a CD-ROM. Each volume contains indices of mentioned individuals and institutions, compositions by Felix Mendelssohn Bartholdy and Fanny Hensel as well as a register of place names and currencies. In this way one obtains an all-encompassing view of this unique historical cosmos.
The Complete edition has been produced to the highest standards in terms of layout, cover and binding. It is an ideal collector’s item for bibliophiles, providing an excellent means for studying the composer and the period in which he lived.
The CD-ROM forms a valuable addition to the printed volumes. It offers the complete printed edition in the form of pdf. files, thereby making its approximately 9,500 pages digitally accessible and enabling letters and the corresponding commentary to be read in parallel. All terms can be located quickly and conveniently via a full text search. (The 12 volumes as well as the CD-ROM can only be purchased complete).
- German text only
The Editors Helmut Loos is Professor of Musicology at the University of Leipzig. He specialises in the music of the 19th and 20th centuries, in particular the reception of Beethoven, sacred music and links between Germany and Central and Eastern Europe. Wilhelm Seidel was professor at the universities of Heidelberg, Marburg and Leipzig. His publications are devoted to the temporal structure of music, music aesthetics in the 18th and 19th centuries and music of the 16th to 20th centuries, currently on Mozart and Mendelssohn.
$250.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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