| Frohlocket, ihr Volker, und jauchzet, ihr Heiden Breitkopf & Härtel
Violin 2 (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-16 ...(+)
Violin 2 (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-16 Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 8 pages. Duration 25'. Breitkopf and Haertel #OB 32120-16. Published by Breitkopf and Haertel (BR.OB-32120-16). ISBN 9790004350485. 10 x 12.5 inches. This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Frohlocket, ihr Volker, und jauchzet, ihr Heiden Breitkopf & Härtel
Chorus (with soloists) and piano (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) (+)
Chorus (with soloists) and piano (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.EB-32120 Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 40 pages. Duration 25'. Breitkopf and Haertel #EB 32120. Published by Breitkopf and Haertel (BR.EB-32120). ISBN 9790004187272. 7.5 x 10.5 inches. This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas. $21.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Frohlocket, ihr Volker, und jauchzet, ihr Heiden Breitkopf & Härtel
Violin 1 (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-15 ...(+)
Violin 1 (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-15 Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 12 pages. Duration 25'. Breitkopf and Haertel #OB 32120-15. Published by Breitkopf and Haertel (BR.OB-32120-15). ISBN 9790004350478. 10 x 12.5 inches. This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Frohlocket, ihr Volker, und jauchzet, ihr Heiden Breitkopf & Härtel
Chorus (with soloists) and orchestra (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc...(+)
Chorus (with soloists) and orchestra (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.PB-32120 Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Sheet Music. 76 pages. Duration 25'. Breitkopf and Haertel #PB 32120. Published by Breitkopf and Haertel (BR.PB-32120). ISBN 9790004215869. 10 x 12.5 inches. This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas. $60.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) S...(+)
Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-19 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-19. Published by Breitkopf and Haertel (BR.OB-32034-19). ISBN 9790004350911. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Frohlocket, ihr Volker, und jauchzet, ihr Heiden Breitkopf & Härtel
Organ (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-11 (+)
Organ (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-11 Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 24 pages. Duration 25'. Breitkopf and Haertel #OB 32120-11. Published by Breitkopf and Haertel (BR.OB-32120-11). ISBN 9790004350461. 10 x 12.5 inches. This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas. $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Frohlocket, ihr Volker, und jauchzet, ihr Heiden Breitkopf & Härtel
Wind parts (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-30(+)
Wind parts (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-30 Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; Folder. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 16 pages. Duration 25'. Breitkopf and Haertel #OB 32120-30. Published by Breitkopf and Haertel (BR.OB-32120-30). ISBN 9790004350522. 10 x 12.5 inches. This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas. $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Violin 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) ...(+)
Violin 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-15 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-15. Published by Breitkopf and Haertel (BR.OB-32034-15). ISBN 9790004350898. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Frohlocket, ihr Volker, und jauchzet, ihr Heiden Breitkopf & Härtel
Viola (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-19 (+)
Viola (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-19 Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 8 pages. Duration 25'. Breitkopf and Haertel #OB 32120-19. Published by Breitkopf and Haertel (BR.OB-32120-19). ISBN 9790004350508. 10 x 12.5 inches. This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 corn...(+)
Chorus (with soloists) and orchestra (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.PB-32034 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Full score. Duration 9'. Breitkopf and Haertel #PB 32034. Published by Breitkopf and Haertel (BR.PB-32034). ISBN 9790004215678. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $33.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Organ (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU...(+)
Organ (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-11 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-11. Published by Breitkopf and Haertel (BR.OB-32034-11). ISBN 9790004350881. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Frohlocket, ihr Volker, und jauchzet, ihr Heiden Breitkopf & Härtel
Violin 3 (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-17 ...(+)
Violin 3 (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-17 Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 8 pages. Duration 25'. Breitkopf and Haertel #OB 32120-17. Published by Breitkopf and Haertel (BR.OB-32120-17). ISBN 9790004350492. 10 x 12.5 inches. This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) S...(+)
Viola 1 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-20 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-20. Published by Breitkopf and Haertel (BR.OB-32034-20). ISBN 9790004350928. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Basso (cello/double bass) (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib...(+)
Basso (cello/double bass) (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-26 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-26. Published by Breitkopf and Haertel (BR.OB-32034-26). ISBN 9790004350935. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Chorus and piano (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str -...(+)
Chorus and piano (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.EB-32034 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. Duration 9'. Breitkopf and Haertel #EB 32034. Published by Breitkopf and Haertel (BR.EB-32034). ISBN 9790004186398. 7.5 x 10.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
Violin 2 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) ...(+)
Violin 2 (solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-16 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-16. Published by Breitkopf and Haertel (BR.OB-32034-16). ISBN 9790004350904. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
(solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.O...(+)
(solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-54 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-54. Published by Breitkopf and Haertel (BR.OB-32034-54). ISBN 9790004350966. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Frohlocket, ihr Volker, und jauchzet, ihr Heiden Breitkopf & Härtel
Basso (cello/double bass) (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: B...(+)
Basso (cello/double bass) (SATB - 0.0.0.0 - 3.0.0.0 - timp - str - bc) SKU: BR.OB-32120-26 Cantata for Christmas Day - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. 12 pages. Duration 25'. Breitkopf and Haertel #OB 32120-26. Published by Breitkopf and Haertel (BR.OB-32120-26). ISBN 9790004350515. 10 x 12.5 inches. This cantata is a composition by Kuhnau for the first of the Christmas holidays [Christmas Day] and one of his most extensive works. It is underlaid with the free poetry of a hitherto anonymous author, not including any Bible or chorale texts. Though the dating has not yet been clarified, the structure - two recitative-aria pairings, framed by two magnificent tutti movements - indicates a genesis period within the last years of the composer's tenure as St. Thomas cantor in Leipzig. Additional indications are the triple use of the da capo form as well as the four-part vocal setting, partly differentiated in solo and tutti, taking the individual parts to the limits of their ambitus as was later customary with Johann Sebastian Bach.Particularly noteworthy are two details of the instrumentation: Firstly, there are three violin parts in the score, the first of which has to master an exceptionally virtuoso solo part. Secondly, in the third movement, Kuhnau expressly notates an obbligato organ solo part, not to be found in any of his other extant compositions. This virtuosic part also already foreshadows the later and far more famous obbligato organ parts in various Bach cantatas. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Christ Lay by Death Enshrouded Breitkopf & Härtel
(solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.O...(+)
(solos: SATB - 0.0.0.0. - 0.0.0.0. - 2 cornetts ad lib. - str - bc) SKU: BR.OB-32034-53 Cantata for Easter - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 9'. Breitkopf and Haertel #OB 32034-53. Published by Breitkopf and Haertel (BR.OB-32034-53). ISBN 9790004350959. 10 x 12.5 inches. The cantata Christ lag in Todes-Banden is a mixed chorale cantata that sets the first and last verses of the corresponding Luther chorale verbatim, but the other movements in free poetry based on the content of the chorale. The time of composition cannot be clearly determined, but at the end of the copy that serves as the basis for the edition, there is a date of January 1693. According to this, the composition was written before 1693 and thus well before Johann Kuhnau took up his post as Thomaskantor in Leipzig (1701). The use of two cornetti is also a parallel to the cantata Lobe den Herren, meine Seele(PB 32091), whose composition can be linked to Kuhnau's stay in Zittau. The two parts marked Cornett are only in the first two movements of the cantata; in the further course, a collaparte lead would be possible, but cannot be proven. In principle, according to the source, the two cornett parts can also be played by violins. The title page also notes the possibility of adding ripieno singers, i.e. a choir, in the non-soloistic movements.The cantata, according to its text intended for Easter, is very well suited for use in church services with its small size and flexible scoring. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Four choral movements for Christmas. Also insert movements for the Magnificat. First edition (Johann Schelle: Vier weihnachtliche Chorsatze in C. Auch zur Einlage in das Magnificat. Erstausgabe) Carus Verlag
SKU: CA.1002600 Composed by Johann Schelle. Edited by Arne Thielemann. We...(+)
SKU: CA.1002600 Composed by Johann Schelle. Edited by Arne Thielemann. Weihnachtl. Einlagesatze Zum Magnificat. Sacred vocal music, Christmas. Full score. 24 pages. Carus Verlag #CV 10.026/00. Published by Carus Verlag (CA.1002600). ISBN 9790007186869. In the period around 1700, numerous settings of the Magnificat were performed in the main Leipzig churches. Works by composers such as J. Kuhnau and G. P. Telemann survive; however, the best-known examples are undoubtedly the Magnificat BWV 243 and 243a by J. S. Bach, the 'extra' movements for the latter which exist in Bach's own hand. Following a long-established Leipzig tradition, the vocal settings of Vom Himmel hoch, Freut euch und jubiliert, Gloria in excelsis and Virga Jesse floruit (known as the Kindl-Wiegen) could be inserted between the verses of the Magnificat at Christmas. Some of these are scored for festive forces. These extra movements in C major published here for the first time, and attributed to Johann Schelle, can be performed either together with a Magnificat setting in a suitable key (e.g. by Kuhnau, Telemann) or independently. $31.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Complete Works For Keyboard Urtext Piano solo G. Henle
Piano SKU: HU.HN956 Composed by Johann Kuhnau. Edited by Norbert Muellemann. Pi...(+)
Piano
SKU: HU.HN956
Composed by Johann Kuhnau. Edited by Norbert Muellemann. Piano Solo, Piano and Keyboard, Repertoire, Collections. Complete Works for Keyboard. Baroque, Classical. Softcover Book. 236 pages. G. Henle #HN956. Published by G. Henle (HU.HN956).
12.2 x 9.3 x 0.6 inches.
Johann Kuhnau, who preceded Johann Sebastian Bach as Thomas Cantor in Leipzig, left a wealth of works, including pivotal compositions for keyboard instruments. Now for the first time all of these works are appearing in one volume. Peter Wollny, an Early Music specialist, supervised the volume from a scholarly point of view. Ornaments that are no longer usualtoday have been explained so that especially musicians who are more at home on a modern piano or grand piano lose their fear of this music and can embark on an exciting voyage of discovery.
$104.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Lobe den Herren, meine Seele Breitkopf & Härtel
Wind parts (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-320...(+)
Wind parts (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091-30 Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-30. Published by Breitkopf and Haertel (BR.OB-32091-30). ISBN 9790004351277. 0 x 0 inches. The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo. $34.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lobe den Herren, meine Seele Breitkopf & Härtel
Violin 1 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091...(+)
Violin 1 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091-15 Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-15. Published by Breitkopf and Haertel (BR.OB-32091-15). ISBN 9790004351222. 0 x 0 inches. The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lobe den Herren, meine Seele Breitkopf & Härtel
Chorus and piano (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR....(+)
Chorus and piano (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.EB-32091 Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Edition Breitkopf. Cantata; Baroque. Piano/Vocal Score. 20 pages. Duration 15'. Breitkopf and Haertel #EB 32091. Published by Breitkopf and Haertel (BR.EB-32091). ISBN 9790004186695. 7.5 x 10.5 inches. The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo. $18.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lobe den Herren, meine Seele Breitkopf & Härtel
Violin 2 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091...(+)
Violin 2 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091-16 Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-16. Published by Breitkopf and Haertel (BR.OB-32091-16). ISBN 9790004351239. 0 x 0 inches. The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lobe den Herren, meine Seele Breitkopf & Härtel
Chorus (with soloists) and orchestra (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - s...(+)
Chorus (with soloists) and orchestra (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.PB-32091 Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by David Erler. Choir; stapled. Partitur-Bibliothek (Score Library). Cantata; Baroque. Full score. 52 pages. Duration 15'. Breitkopf and Haertel #PB 32091. Published by Breitkopf and Haertel (BR.PB-32091). ISBN 9790004215777. 9.5 x 12 inches. The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo. $40.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lobe den Herren, meine Seele Breitkopf & Härtel
Basso (cello/double bass) (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) (+)
Basso (cello/double bass) (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091-26 Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-26. Published by Breitkopf and Haertel (BR.OB-32091-26). ISBN 9790004351260. 0 x 0 inches. The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lobe den Herren, meine Seele Breitkopf & Härtel
Viola 2 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091-...(+)
Viola 2 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091-20 Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-20. Published by Breitkopf and Haertel (BR.OB-32091-20). 0 x 0 inches. The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lobe den Herren, meine Seele Breitkopf & Härtel
Organ (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091-11...(+)
Organ (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091-11 Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-11. Published by Breitkopf and Haertel (BR.OB-32091-11). ISBN 9790004351215. 0 x 0 inches. The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo. $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lobe den Herren, meine Seele Breitkopf & Härtel
Viola 1 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091-...(+)
Viola 1 (solos: SSATB - 0.0.0.1 - 2(corn).0.3.0 - str - bc) SKU: BR.OB-32091-19 Cantata based on Psalm 103 - Urtext. Composed by Johann Kuhnau. Edited by Vorname Nachname. Choir. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Sheet Music. Duration 15'. Breitkopf and Haertel #OB 32091-19. Published by Breitkopf and Haertel (BR.OB-32091-19). ISBN 9790004351246. 0 x 0 inches. The date of composition of the cantata Lobe den Herren, meine Seele can only be conjectured. However, several indications suggest an early composition, possibly during Kuhnau's stay in Zittau. The work is one of only two known cantatas by Kuhnau in which cornetti are scored - the second work is the cantata Christ lag in Todes-Banden (PB 32034) -, even so in combination with three trombones as an early baroque wind section. In addition, the musical texture of the introductory Sonata can certainly be understood as a reminiscence of the polychorality known from the Renaissance and early Baroque as well as their connection with the basso continuo era, since four strings and bassoon on the one side and five wind instruments on the other side face each other over a continuous continuo part. The text of the cantata is a selection of a few verses from Psalm 103. This is the larger scored cantata with this textual basis; parallel to it exists a smaller scored one for alto, bass, violin, oboe d'amore and continuo. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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