SKU: BR.SMV-60005
ISBN 9790004571453. 0 x 0 inches. English.
Volume 1: Werke aus England William Byrd (Praludium, A Gigg) John Bull (Praludium, Dr. Bull's Juell) Giles Farnaby (Tower Hill) Henry Purcell (Praludium C, A Ground in Gamur) Werke aus Holland Jan Sweelinck (Variationen uber das Lied ,, Est-ce Mars) Werke aus Italien Girolamo Frescobaldi (Ballettto mit Corrente) Alessandro Poglietti (Capriccio ,, uber dass Hennergeschrey) Bernardo Pasquini (Tre Arie) Werke aus Frankreich Jacques Champion de Chambonnieres (Drei Tanzstucke) Louis Couperin (Drei Tanzstucke) Nicolas Antoine Le Begue (Gavotte mit Double) Werke aus Deutschland Johann Jakob Froberger (Suite C ,,Lamento) Georg Muffat (Passacaglia g) Johann Pachelbel (Ciacona f) Ferdinand Tobias Richter (Toccatina d) Johann Krieger (Partita G) Johann Kaspar Ferdinand Fischer (Praludium D, Chaconne G) Johann Kuhnau (Biblische Historie Nr. 4) Matthias Weckmann (Toccata e) Jan A. Reinken (Fuge g) Dietrich Buxtehude (Suite uber den Choral ,,Auf meinen lieben Gott) Georg Bohm (Praludium, Fuge und Postludium) Volume 2: Domenico Scarlatti (10 Sonaten) Francois Couperin (Les Gastes da la grande et ancienne Mxnxstrxndxsx, Passacaille, Les Baricades Misterieuses, Les Moissoneurs) Jean Philippe Rameau (Musette en Rondeau, Gavotte, 2 Menuette, La Poule, L'Egiptienne, L'Enharmonique) Louis Claude Daquin (Le Coucou) Jean Francois Dandrieu (Le Gemissante) Georg Philipp Telemann (Fantasien E-dur und e-moll) Gottlieb Muffat (6. Suite aus den Componimenti musicali d-moll) Volume 3: B. Galuppi (Sonate) Padre Martini (Praludium und Fuge, Gavotte) P. D. Paradisi (Sonate) Etienne Nicolas Mehul (Menuett) Georg Christoph Wagenseil (Divertimento) Johann Schobert (Sonate) W. Friedemann Bach (Fuga, Fuga, Polonaise) Ph. E. Bach (Sonate, Rondo, Fantasia, Rondo, Fantasia) Johann Christian Bach (Sonate op. 17 Nr. 2) Georg Benda (Largo, Presto) Johann Wilhelm Hassler (Grande Gigue op. 31).
SKU: GI.G-6605
UPC: 785147660507. English. Text by William McComb. Scripture: John 15:5.
The piece begins with an F minor unison tune, the next verse is a 2-part canon, finally, the last verse is in 6 parts. The parts may be sung by any combination of mixed voices. The keyboard has attractive interludes between the verses. This edition is a six-part canon.
SKU: SU.YR3S13
Words by William H.M. AitkenSATB & piano Composed: 2008 Published by: Barton Rhodes Press Minimum order quantity: 8 copies. To order quantities fewer than 8, please email customer service at sales@subitomusic.com.
SKU: HL.1189996
ISBN 9781705192443. UPC: 196288131649.
“Based on the motion picture A Wedding by Robert Altman and John Considine, premiered at Lyric Opera of Chicago. Libretto by Arnold Weinstein and Robert Altman....there is no reason to resist this rarest of creations: a meaningful American comic opera.†-Mark Swed, LA Times.
SKU: HL.49018675
ISBN 9790220132599. 9.0x12.0x0.068 inches.
The title of this work is a reference to the poem Ode to a Nightingale by John Keats. Important images from the poem are freely connected to suggest musical gestures and contours. Such phrases as perilous seas and plaintive anthem placed musically alongside each other give the work a continuity not suggested by the original poem. The topography in the last verse of the poem also finds its way into the work: Past the near meadows, over the still stream, Up the hill-side; and now 'tis buried deep The resulting work therefore utilises an organic and associative musical form, one that is dramatic and often capricious in nature. The work evaporates at its close - at Keats' instigation - through the words Fled is that music:- do I wake or sleep?. Through Magic Casements was written for William Cale on the occasion of his final recital at the Royal College of Music. 2009 KH.
SKU: ST.B667
ISBN 9780852496671.
The first volume in a series telling in depth the life stories of some great hymnwriters. The stories can easily be turned into occasional performances of hymns with interspersed readings. There are numerous quotations helpful to this end. The volume covers Thomas Ken, Reginald Heber, John Ellerton and William Walsham How. The book is full of the unexpected and makes a delightful gift. Quotations from hymns, letters and diaries, together with photographs, illustrate the text fully. This is a fascinating book, and those with a talent for dramatisation would find this an ideal starting-point for creating a play. We have come to associate a special combination of lively style and meticulous research with the writings of Bernard Braley. In this first volume on hymnwriters we are not disappointed. (The Local Preachers' Magazine) Mr Braley's biographical method is highly original - so far as I know unique - but carefully contrived to suite the nature of his subjects. His unorthodox method helps to make these men new to us, and powerfully to promote in us a sense of fellowship with them. (The Hymn Society Bulletin).
SKU: PR.41641391L
UPC: 680160593033. 11x17 inches.
SKU: GI.G-10452
ISBN 9781622775576.
Contributors: Jill Gagliardi, Elise Hackl, Meghan Hickey, Mary Jensen, Jessica Kwasny, Andrew M. Ladendorf, Brandon Larsen, Sandra Lewis, Darlene Machacon, Rachel Manchur, Bobby Olson, Michael J. West, and William Winters This book showcases the inspiring stories and innovative ideas of music educators who are implementing Social Emotional Learning (SEL) instruction with intentionality in their classrooms at the elementary, middle, and high school levels. By utilizing and adapting materials in Scott N. Edgar’s pioneering first book, Music Education and Social Emotional Learning, these teachers—representing all areas of music education—share their real-world challenges and triumphs with SEL instruction, along with many tips, activities, lesson plans, and suggestions for embedding SEL in a way that is musical, intentional, and meaningful. Importantly, Portraits of Music Education and Social Emotional Learning approaches SEL from a culturally relevant and equitable lens, accounting for the ways in which SEL instruction interacts with culture, race, background, and uniqueness, therefore making it a powerful tool for embracing social justice and student empowerment. At its core, SEL gives students the ability to have difficult conversations, cope with stress, and navigate challenges. And while each teacher presents their unique approach to SEL, they come to the same conclusion: SEL is critical to the success of their students and programs. Scott N. Edgar is Associate Professor of Music at Lake Forest College. He is the author of Music Education and Social Emotional Learning: The Heart of Teaching Music and is an internationally sought-after clinician on the topic. Dr. Edgar serves as Director of Practice and Research for The Center for Arts Education and Social Emotional Learning (www.artsedsel.org). Dr. Edgar is a Music for All Educational Consultant, a Conn-Selmer Educational Clinician, and VH1 Save the Music Foundation Educational Consultant.  Finally, the go-to book for music educators who have intuitively and intentionally created classrooms where music and Social Emotional Learning (SEL) are seamlessly aligned. These practical ideas of how to teach music at all levels, grounded in the practices of SEL, will inspire all educators to not only teach from the heart, but to lead with empathy and compassion. —Pamela Randall-Garner, Ed.D.   Senior Staff Advisor   CASEL: Collaborative for Academic, Social, and Emotional Learning  This book is a must-read as well as a compelling study. Wisely, Dr. Scott Edgar brought together an amazing group of remarkable educators who share their own experiences as they avail their students to the immeasurable value of the Social Emotional Learning landscape. Be prepared to be challenged, educated, and enlightened. You have in your hands a rare gift bearing benefits to everyone traversing the educational highway. We are all indebted to this great team of first-class authors and educators. BRAVO! —Tim Lautzenheiser In this new publication, Scott Edgar continues to provide teachers with rich insights and practical suggestions for understanding and implementing Social Emotional Learning (SEL) into music education classes, from elementary through high school grades. Practicing music educators share pragmatic ideas for successful embedding of SEL into their teaching. A must-read for any music teacher wishing to better understand and promote well-being in their students. —John M. Feierabend.
SKU: HL.14042028
Based on poetry by John Keats.
SKU: HL.29812001
UPC: 073999120011. 8.5x11.0x0.071 inches.
SKU: M7.NOR-6610246-82
ISBN 9790661024682.
The author of the words was John Newton (1725-1807), the self-proclaimed wretch who once was lost but then was found, saved by amazing grace. He was, as his father, the captain of a slave ship, but he renounced his profession, became a minister, and joined William Wilberforce in the fight against slavery. With another text, even if the melody is from Ireland, the Cherokee tribe of Native Americans consider it as their national anthem. In the first part of the arrangement, it is important to focus on the balance and secure the accompaniment to float. Make the staccatos short in the jazzy parts to make some small holes and contrasts into the arrangement.1. Stimme: Klarinette in B oder Es 2. Stimme: Klarinette, Flügelhorn 3. Stimme: Trompete, Flöte 4. Stimme: Trompete, Horn, Altsaxophon 5. Stimme: Posaune, Horn, Saxophon 6. Stimme: Euphonium, Posaune, Tenorsaxophon 7. Stimme: Tuba, Baritonsaxophon, Bass-Klarinette Rhythmusgruppe: Kontrabass (mit Akkordsymbolen), Schlagzeug, Perkussion und Stabspiele Zusätzlich sind sogenannte Superparts (Stimmen für Anfänger in C, B, Es, F und Bassschlüssel) im Set enthalten.
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