| Scots Guards Standard Settings Of Pipe Music Volume 2 Bagpipe - Intermediate Paterson Ltd
For Bagpipes. Traditional. Level: Intermediate. Sheet Music. 210 pages. Publishe...(+)
For Bagpipes. Traditional. Level: Intermediate. Sheet Music. 210 pages. Published by Paterson Ltd.
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| Classical Piano Masters - Upper Elementary Level Piano solo - Easy Hal Leonard
A Four-Book Series Organized by Difficulty Level. Composed by Various. Piano. ...(+)
A Four-Book Series Organized
by Difficulty Level. Composed
by Various. Piano. Classical.
Softcover. Published by Hal
Leonard
$8.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Suite Movements and Single Pieces Piano solo [Score] Breitkopf & Härtel
Piano SKU: BR.EB-8033 Piano Lessons by Jean-Philippe Rameau. Compo...(+)
Piano SKU: BR.EB-8033 Piano Lessons by Jean-Philippe Rameau. Composed by Jean-Philippe Rameau. Edited by Heinz Walter. Solo instruments; stapled. Edition Breitkopf. Suite; Dances/marches; Baroque. Score. 20 pages. Breitkopf and Haertel #EB 8033. Published by Breitkopf and Haertel (BR.EB-8033). ISBN 9790004174364. 9 x 12 inches. This series of easy piano music for teaching purposes presents pupils in the lower and lower middle grades with a carefully chosen selection of well-known and lesser-known compositions by important masters. The volumes are deliberately kept small in extant, since it is more stimulating for children to change the teaching material frequently. Jean-Philippe Rameau (1683-1764) is the second great keyboard master of the Baroque Age next to Couperin. His works are as unknown to pianists, with few exceptions, as they are famous among harpsichord players. The virtuosity and imaginativeness of his works lend themselves especially well to the sound of harpsichord, which is why the piano interpretation of works by Couperin, Rameau, Scarlatti and other composers of that time has been categorically rejected. But, after all, the works of Bach and Handel were written for the harpsichord and clavichord, and no one would dare question their interpretation on the pianoforte. In order to introduce these Impressionists of the Baroque Era to piano instructions, the editor has added to this series a folio of both Couperin's (EB 8029) and Rameau's music. The selection of the pieces is based on two criteria: 1. relatively modest demands made on technique, 2. various musical forms of expression. Baroque dance forms and graceful character pieces (LaJoyeuse, L'Indifferente) are typical ofRameau's work. Simplifications to a small extent of the harpsichord setting and also of the omamentation in the original version were required, based on the teaching experience of the editor. The indications for phrasing and articulation are those of the editor. The Minuet on page 6 has been precisely elaborated on in this respect to serve as a model, whereas the remaining pieces contain only suggestions. As in other folios of this series: what is here to be stressed, is the importance of working out independently the phrasing and the dynamics. Directions for this are given by the espective footnotes; these directions, however, are not obligatory. Indications pertaining to dynamics and tempo have been omitted completely; the clearly recognizable character of the individual pieces should be direction enough. The tonal possibilities of the piano should in any case by used subtly. The very precise fingerings have been adapted to the suggested phrasings and to the corresponding realisation of trills (according to the table). Heinz Walter, Salzburg, Spring 1980. $15.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Je Débute la Guitare 2 Guitar [Sheet music + CD] Hit Diffusion
Guitar SKU: BT.HITPCDEBGUI02 Composed by Philippe Heuvelinne. Method. Boo...(+)
Guitar SKU: BT.HITPCDEBGUI02 Composed by Philippe Heuvelinne. Method. Book with CD. Composed 2009. Hit Diffusion #HITPCDEBGUI02. Published by Hit Diffusion (BT.HITPCDEBGUI02). French. Après l’énorme succès de la méthode Je débute la guitare volume 1, Philippe Heuvelinne, avec ce nouveau volume, propose tous les guitaristes de poursuivre l’apprentissage de leur instrument. Gr ce au volume 1 de la méthode, les débutants ont appris toutes les bases techniques et musicales de la guitare. Avec ce volume 2, ils pourront continuer leur progression travers de nouveaux morceaux. La particularité de ce volume 2 est un chapitre dédié la découverte de nombreux styles guitaristiques : picking, folk, jazz, classique, rock, blues... Important : ce volume 2 peut être acheté par des guitaristes n’ayant pas utilisé le volume 1 mais possédant les premières bases. $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Tinikling Handbells Beckenhorst Press
(The Rice Bird Dance). Arranged by Lonnie J. Dorgan. For handbell choir (4-6 oct...(+)
(The Rice Bird Dance). Arranged by Lonnie J. Dorgan. For handbell choir (4-6 octaves). Handbell Choir Music. Level 3. Handbell score. 9 pages. Published by Beckenhorst Press
$5.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Music Teacher's Guide to Engaging English Language Learners GIA Publications
SKU: GI.G-10665 Composed by Angela Ammerman. Classical. 204 pages. GIA Pu...(+)
SKU: GI.G-10665 Composed by Angela Ammerman. Classical. 204 pages. GIA Publications #10665. Published by GIA Publications (GI.G-10665). ISBN 9781574635379. Contributors: Jaimie Abney-Giraldo • Angela Ammerman • Han Sol Chang • Charles R. Ciorba • Jeanne Crowley • Vivian Gonzalez • Monica Guido • Kristina Hamester • Essel Linton • Linda Apple Monson • Marcia Neel • Tony Sauza • Ida Steadman Very few music teachers are prepared to address the needs of the rapidly growing population of English Language Learners (ELLs). Whether you have just one ELL in your classroom or 50, this book provides discipline-specific tips, strategies, examples, classroom management recommendations and much more. Written by experienced music educators with backgrounds in concert band, modern band, chorus, orchestra, mariachi, special education, higher education, general music and administration, this highly interactive text will guide you to reach optimal engagement with ALL students while addressing communication barriers. Being in orchestra made me feel safe and welcome because we all speak the same language: music. —Janine   Manila, Philippines After music, I feel changed. I don’t feel sleepy and worrying, and also I’m not afraid of mistakes. I am wanting to play again. —Somsak   Chiang Mai, Thailand It was like playing with others with no words. No words, yet we were able to understand what we wanted by looking at each other’s eyes, body motion, and listening to each other. —Da Hoen   Seoul, South Korea Music brings people together. Music is about seeing myself in another and letting another see themselves in me. —Larisa Brasov   Romania Last year, I missed 150 days of school. I just didn’t go to school. This year, I haven’t missed a day… The only difference in my life is this program right here. This program has saved my life, and now, I am going to graduate. —Maria   Mexico. $24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Renaissance and Baroque Guitar Duets. 2 guitars 2 Guitars (duet) Classical guitar [Sheet music + CD] Music Minus One
For Guitar. Classical (chamber). Includes a high-quality printed music score wit...(+)
For Guitar. Classical (chamber). Includes a high-quality printed music score with both primo and secondo guitar parts; and a compact disc containing a complete performance with secondo guitar on the left channel, and primo guitar on the right channel. Either can be easily removed for your performance pleasure. Published by Music Minus One.
(2)$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Missa Brevis [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Co...(+)
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Composed by Jacob De Haan. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033337-015. Published by De Haske Publications (BT.DHP-1033337-015). 9x12 inches. Missa Brevis, written for choir and wind band, was commissioned by the Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX’sbirth in Éguisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to BassClarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. allbrass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band. Choral parts available separately.
Missa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk: 1. clarinet choir (van Es-klarinet tot basklarinet) 2. clarinet choir + saxofoons 3. zacht koper (bugels, hoorns, euphoniums, bassen) 4. scherp koper (2 trompetten / 2 trombones) 5. dubbelrieten (eventueel + fluit, eventueel + contrabas) 6. tutti 7. alle hout 8. alle koper In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) + brassband.Koorpartijen apart verkrijgbaar.
Missa Brevis, geschrieben für Chor und Blasorchester entstand im Auftrag des Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (Frankreich), anlässlich des tausendjährigen Jubiläumsder Geburt von Papst Leo IX in Éguisheim. Der Komponist dirigierte die Uraufführung am 23. Juni 2002. Sie wurde live vom französischen Fernsehen France 2 übertragen. Die Messesätze Kyrie, Gloria, Credo, Sanctus, Benedictus und Agnus Deieignen sich ausgezeichnet sowohl für die katholische als auch die protestantische Liturgie. Diese Messe kann in diversen variablen Spielstärken aufgeführt werden. Eine Instrumentalaufführung ist möglich, wenn das Blech die Chorstimme übernimmt.Um der Idee von zwei Chören in dieser Variante möglichst gerecht zu werden, empfiehlt es sich, das Blechregister getrennt vom Rest des Blasorchesters aufzustellen (beispielsweise auf einer Galerie). In einer Aufführung mit einem großen Chor kann dasBlechregister sehr gut als Unterstützung dienen. In diesem Fall sollten die Dynamikangaben der Blechbläser etwas angepasst werden, da sie ja eigentlich für eine Instrumentalaufführung gedacht sind. Man kann zugunsten des Chors auch völlig auf dasBlech verzichten. Zur Begleitung kleinerer Chöre können Sie ein kleines Ensemble aus dem Blasorchester wählen. Dies könnte auch ein Quartett in beliebiger Zusammensetzung sein. Für die Aufführung dieser Messe bietet sich eine der oben genanntenVarianten an. Eine Kombination dieser Wahlmöglichkeiten (vokal/instrumental) ist jedoch auch möglich und das nicht nur vom künstlerischen Standpunkt aus betrachtet (zur Abwechslung), sondern auch aus praktischen Erwägungen beispielsweise, wennder Chor nur zwei Sätze einstudiert hat. In voller Besetzung kann der Dirigent die Instrumentierung nach Belieben variieren. Dann können die Blechbläser auch eine Rolle in der Begleitung übernehmen (anstatt den Chor zu unterstützen). Die folgendenKombinationen sind möglich: 1. Klarinettenchor (von Klarinette in Es bis Bassklarinette) 2. Klarinettenchor + Saxophone 3. Blech (Flügelhorn, Horn, Euphonium, Bassregister) 4. Blech (2 Trompeten / 2 Posaunen) 5. Doppelrohrblattinstrumente (wahlweise + Flöte, wahlweise + Kontrabass) 6. Tutti 7. Alle Holzbläser 8. Alle Blechbläser In einer Aufführung mit Brass Band und Chor ist es gewöhnlich ratsam, nicht die erste Option (Chor + Blech + Blasorchester) zu wählen. Der Chor singt unabhängig, begleitet von einer vollständigen Brass Band. In einer Instrumentalaufführung könnenSie sich für ein kombiniertes Quartett (zwei Kornette und zwei Posaunen) + Brass Band entscheiden. Chorstimmen separat erhältlich.
Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’écart de la formation (sur une estrade, par exemple) de façon reproduire l’idée dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’interprétation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie), il peut varier l’instrumentation selon ses préférences. ce moment-l , il peut confier un rôle d’accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées : 1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse) 2. Choeur de Clarinettes + Saxophones 3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses) 4. Cuivres (2 Trompettes / 2 Trombones) 5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles) 6. Tutti 7. Tous les Bois 8. Tous les Cuivres Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur + Cuivres + Orchestre d’Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.
Parti per coro disponibili a parte. $327.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Violoncello Concerto in B flat major Wq 171 Cello, Orchestra [Score] Breitkopf & Härtel
Cello and orchestra SKU: BR.PB-5509 Urtext. Composed by Carl Phili...(+)
Cello and orchestra SKU: BR.PB-5509 Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. Orchestra; stapled. Partitur-Bibliothek (Score Library). The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. Solo concerto; Early classical. Full score. 52 pages. Duration 27'. Breitkopf and Haertel #PB 5509. Published by Breitkopf and Haertel (BR.PB-5509). ISBN 9790004211694. 9 x 12 inches. The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts. $50.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violoncello Concerto in B flat major Wq 171 Double Bass Breitkopf & Härtel
Double bass SKU: BR.OB-5509-27 Urtext. Composed by Carl Philipp Em...(+)
Double bass SKU: BR.OB-5509-27 Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: double bass part. Stapled. Orchester-Bibliothek (Orchestral Library). The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-27. Published by Breitkopf and Haertel (BR.OB-5509-27). ISBN 9790004338506. 9 x 12 inches. The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| First Lessons Violin Duets Violin [Sheet music + Audio access] - Beginner Mel Bay
Violin - Beginning SKU: MB.30932M Duets and Ensemble, Saddle-stitched. Ke...(+)
Violin - Beginning SKU: MB.30932M Duets and Ensemble, Saddle-stitched. Keyboard Accompaniment. Book/insert/online audio. 72 pages. Mel Bay Publications, Inc #30932M. Published by Mel Bay Publications, Inc (MB.30932M). ISBN 9781513466255. 8.75x11.75 inches. First Lessons Violin Duets contains 47 violin duets for beginning through easy level performance. Duet violin parts and a piano accompaniment part for all the tunes presented in Mel Bay?s First Lessons Violin are included. This versatile duet book works hand in hand with First Lessons Violin, Suzuki and other violin methods. It is useful for violin classes, ensembles, recitals, and performances.This book has accompanying online audio of the duets. The two violin parts are split right and left so that the violinist may perform either part with the recording by changing the stereo balance. Includes access to online audio. $17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Clair Flambeau (choral-mixed A Cappella) Leduc, Alphonse
SKU: HL.48182645 Composed by Jean-Philippe Rameau. Robert King. Baroque. ...(+)
SKU: HL.48182645 Composed by Jean-Philippe Rameau. Robert King. Baroque. Softcover. Alphonse Leduc #AL24059. Published by Alphonse Leduc (HL.48182645). From 'Indes galantes' (SATB chorus). $1.70 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Violoncello Concerto in B flat major Wq 171 Cello Breitkopf & Härtel
Violoncello SKU: BR.OB-5509-23 Urtext. Composed by Carl Philipp Em...(+)
Violoncello SKU: BR.OB-5509-23 Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: cello part. Stapled. Orchester-Bibliothek (Orchestral Library). The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. Solo concerto; Early classical. Part. 12 pages. Duration 27'. Breitkopf and Haertel #OB 5509-23. Published by Breitkopf and Haertel (BR.OB-5509-23). ISBN 9790004338490. 9 x 12 inches. The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violoncello Concerto in B flat major Wq 171 Piano solo Breitkopf & Härtel
Harpsichord/piano SKU: BR.OB-5509-12 Urtext. Composed by Carl Phil...(+)
Harpsichord/piano SKU: BR.OB-5509-12 Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: harpsichord/piano part. Stapled. Orchester-Bibliothek (Orchestral Library). The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. Solo concerto; Early classical. Part. 16 pages. Duration 27'. Breitkopf and Haertel #OB 5509-12. Published by Breitkopf and Haertel (BR.OB-5509-12). ISBN 9790004338452. 9 x 12 inches. The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts. $17.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violoncello Concerto in B flat major Wq 171 Breitkopf & Härtel
Violin 2 SKU: BR.OB-5509-16 Urtext. Composed by Carl Philipp Emanu...(+)
Violin 2 SKU: BR.OB-5509-16 Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: violin 2 part. Stapled. Orchester-Bibliothek (Orchestral Library). The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-16. Published by Breitkopf and Haertel (BR.OB-5509-16). ISBN 9790004338476. 9 x 12 inches. The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Lame Sonore - Etude Methodique [Score] Lemoine, Henry
Percussion SKU: LM.23479 Composed by Jacques Keller. Method, studies. Sco...(+)
Percussion SKU: LM.23479 Composed by Jacques Keller. Method, studies. Score. Editions Henry Lemoine #23479. Published by Editions Henry Lemoine (LM.23479). ISBN 9790230934794. Reves d'or (Berceuse anglaise) - Lou me pay (Air bearnais) - O miracoulous (Cantique basque) - Stille Nacht (Noel allemand) - O mon beau sapin (Air populaire) - HAENDEL Georg Friedrich : God save the king - Izar ederra (La belle etoile, Air basque de Garat) - Irulia (La fileuse, Air basque de Garat) - O sanctissima (Cantique) - Les anges dans nos campagnes (Noel ancien) - O filii et filiae - Adoto te devote - CORELLI Arcangelo : Grave - HAENDEL Georg Friedrich : Sarabande du concerto en Sol min. pour htb - RAMEAU Jean-Philippe : Hymne a la nuit - SCHUMANN Robert : Lotus mystique - WAGNER Richard : Romance de l'etoile (Tannhauser) - SATIE Erik : 3e Gymnopedie - DUPARC Henri : Extase - RAVEL Maurice : Pavane de la Belle au bois dormant (Ma Mere l'Oye) - FAURE Gabriel : Pie Jesu - HONEGGER Arthur : Marche au supplice (Antigone) - KOECHLIN Charles : Monodie - BORCHARD Adolphe : Ave Maria - FAURE Gabriel : Adieu Op. 21 No. 3 (Poeme d'un jour) - SAINT-AULAIRE Roland de : Sommeil de la Belle au bois dormant - SAINT-AULAIRE Roland de : Reves d'or - SAINT-AULAIRE Roland de : Lou me pay - KOECHLIN Charles : Melodie pour lame sonore - CANTELOUBE Joseph : Chant bearnais - SAUGUET Henri : Plainte - LACAZE Andre : J'irai la voir un jour - LACAZE Andre : Je vous salue, Marie - DUBOSCQ Claude : Cantique a Ste Agathe - DUBOSCQ Claude : Domine non sum dignus (Cantique pour la Communion) - DUBOSCQ Claude : Salutation angelique - JACOB Dom Clement : Eloge de la Paix. $40.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Tryptique (percussion(s) & Piano) Leduc, Alphonse
Percussion (Percussion Parts) SKU: HL.48182681 Composed by Philippe Sagni...(+)
Percussion (Percussion Parts) SKU: HL.48182681 Composed by Philippe Sagnier. Robert King. Classical. Softcover. Alphonse Leduc #AL24191. Published by Alphonse Leduc (HL.48182681). for timpani, vibraphone and drum kit. $42.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Daphnis et Églé RCT 34 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra Barenreiter
Soloists, Choir, Orchestra SKU: BA.BA08862-90 Pastorale héroïque...(+)
Soloists, Choir, Orchestra SKU: BA.BA08862-90 Pastorale héroïque in one act. Composed by Jean-Philippe Rameau. Edited by �rik Kocevar. Arranged by François Saint-Yves. This edition: urtext edition. Paperback. Vocal Score. Duration 3 hours. Baerenreiter Verlag #BA08862_90. Published by Baerenreiter Verlag (BA.BA08862-90). ISBN 9790006558223. 27 x 19 cm inches. Text Language: French. Preface: Kocevar, �rik. Text: Charles Colle. The heroic pastoral Daphnis et Egle was performed only once, on 29 October 1753, for the entertainment of King Louis XV at Fontainebleau and remained unpublished until today.
This edition is based on Rameau's autograph manuscript, a copy of the separate parts, and the libretto published by Ballard in 1753. A comparison of the sources reveals two versions of the work: the original version and the one revised for Fontainebleau, whereby the differences lie mainly in the final divertissement. This edition recommends the Fontainebleau version--which is actually more complete in its musical form, in particular with its overture and two ariettas--but also reconstructs the original state of the final divertissement (presented in the appendix) before it was revised.
$30.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| First Lessons Violin (Book/CD) Violin [Sheet music + CD] - Beginner Mel Bay
by Craig Duncan. First Lessons. Level: Beginning. Book/CD Set. Size 8.75x11.75. ...(+)
by Craig Duncan. First Lessons. Level: Beginning. Book/CD Set. Size 8.75x11.75. 32 pages. Published by Mel Bay Pub., Inc.
(4)$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Violoncello Concerto in B flat major Wq 171 Viola Breitkopf & Härtel
Viola SKU: BR.OB-5509-19 Urtext. Composed by Carl Philipp Emanuel ...(+)
Viola SKU: BR.OB-5509-19 Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: viola part. Stapled. Orchester-Bibliothek (Orchestral Library). The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-19. Published by Breitkopf and Haertel (BR.OB-5509-19). ISBN 9790004338483. 9 x 12 inches. The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Violoncello Concerto in B flat major Wq 171 Breitkopf & Härtel
Violin 1 SKU: BR.OB-5509-15 Urtext. Composed by Carl Philipp Emanu...(+)
Violin 1 SKU: BR.OB-5509-15 Urtext. Composed by Carl Philipp Emanuel Bach. Edited by Ulrich Leisinger. This edition: violin 1 part. Stapled. Orchester-Bibliothek (Orchestral Library). The concertos in A minor and B flat major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. Solo concerto; Early classical. Part. 8 pages. Duration 27'. Breitkopf and Haertel #OB 5509-15. Published by Breitkopf and Haertel (BR.OB-5509-15). ISBN 9790004338469. 9 x 12 inches. The concertos in A minor, B flat major and A major were first written as violoncello concertos between 1750 and 1753. They thus rank among the very first concertos for solo cello in Germany. The A minor Concerto, composed in 1750, is performed quite frequently today. C. P. E. Bach most likely wrote the Concerto in B flat major Wq. 171 as the last of the little work group in 1753 in Potsdam, at the court of King Frederick the Great. He reworked the composition for flute and harpsichord shortly thereafter. Various sources prove that copies of the work had made it known quite extensively in the second half of the 18th century. In his new Urtext edition, Ulrich Leisinger bases himself on two reliable manuscripts. $7.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Preparatory Clarinet Repertoire Clarinet The Frederick Harris Music Company
Clarinet - Preparatory SKU: FH.WC0 Clarinet Series, 2013 Edition. ...(+)
Clarinet - Preparatory SKU: FH.WC0 Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 24/8 pages. The Frederick Harris Music Company #WC0. Published by The Frederick Harris Music Company (FH.WC0). ISBN 978-1-55440-576-3. This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques. Technical Repertoire: Gigue - Georg Philipp Telemann, arr. Jason Noble Bouree anglaise - George Frideric Handel, arr. Stephen Chatman Computer Game - Paul Harris Wolsey's Wilde - William Byrd, arr. Jason Noble Mairi's Wedding (Lewis Bridal Song) - Traditional Gaelic melody, arr. Christine Donkin Polka-dot Rag - Jazz standard, arr. Paul Harris The King's March, T 432 - Jeremiah Clarke, arr. Jason Noble Lyrical Repertoire: Austrian Hymn (Gott erhalte Franz den Kaiser), Hob. XXVIa: 43 - Franz Joseph Haydn, arr. Jason Noble The Huron Carol - 16th-century French, arr. Martin van de Ven Air, from The Double Dealer - Henry Purcell, arr. James Rae Reverie - Claude Debussy, arr. Jason Noble Ode to Newfoundland - Hubert Parry, arr. Christine Donkin Londonderry Air - Irish folk song, arr. Harold Birston Tumbalalaika - Jewish folk song, arr. Martin van de Ven and Christine Donkin. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Les Fêtes de l'Hymen et de l'Amour RCT 38 Choral SATB Barenreiter
Solo voices, choir, orchestra (6Soprano Voice Solo, 2 Mezzo Voice Solo, 5Alto Vo...(+)
Solo voices, choir, orchestra (6Soprano Voice Solo, 2 Mezzo Voice Solo, 5Alto Voice Solo, 4Bass Voice Solo, SATB Choir, ballet, Fl-picc, Fl, Musette, Trp, V, Fid, Va, timpani, bassoon, Vc, double bass, Continuo) SKU: BA.BA08858 Ballet héroïque in a prologue and 3 acts. Composed by Jean-Philippe Rameau. Edited by Thomas Soury. This edition: complete edition, urtext edition. Linen. Jean-Philippe Rameau. Opera Omnia (OOR) IV/14. Complete edition, Score. Duration 2 hours. Baerenreiter Verlag #BA08858_00. Published by Baerenreiter Verlag (BA.BA08858). ISBN 9790006523368. 33.5 x 25.5 cm inches. Text Language: French. Preface: Sylvie Bouissou. Louis de Cahusac. Rameau's “Les Fêtes de l'Hymen et de l'Amour†was long considered second-rate because its première was associated with a political event. Yet this ballet abounds in novel dramaturgical effects that foreshadow his later operas, such as “Zaïsâ€, “Zoroastre†and “Les Boradesâ€. Working together with his librettist Cahusac, Rameau sought to weave the dance numbers, choruses and stage machinery more tightly into the main plot. He also experimented with stylistic devices unique to this work, the most famous being unquestionably the scene in which the Nile overflows its banks (an impressive ten-voice double chorus with solo voices and orchestra) and the sextet from “Arurisâ€, a scoring found nowhere else in his uvre.
For the first time, this scholarly-critical edition of “Les Fêtes de l'Hymen et de l'Amour†presents a reference version of the work that is based on all the major sources for both the libretto and the music, including two recent musical discoveries. As most of the performance material for the première has vanished, our edition is based on the version prepared for the Acadmie Royale de Musique in 1748.
About Barenreiter Urtext What can I expect from a Barenreiter Urtext edition? MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
$553.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Doble Concert de la Porta Ferrada Editorial de Musica Boileau
Violin, cello and set of chamber instruments SKU: BO.B.3338 Composed by X...(+)
Violin, cello and set of chamber instruments SKU: BO.B.3338 Composed by Xavier Benguerel. Instrumental Sets. Duration 15:00. Published by Editorial de Musica Boileau (BO.B.3338). English comments: I finished writing the Porta Ferrada Double Concerto at the beginning of 2004. I was commissioned to write it for the Porta Ferrada International Music Festival (in Sant Feliu de Guixols).This double concerto for violin, cello and chamber ensemble represents the start of a period in which the pieces that I am working on are all for small ensembles: Davallament, for soprano and piano; Quinteto de la sala de Levante, for clarinet and string quartet; Palau d'hivern, for soprano, clarinet and string quartet; and Concertino Geminis for solo violin and 15 string instruments.Having written large-scale works, I have now gone back to writing chamber music. We can see how, throughout my career, the sinfonia concertante form is omnipresent in almost all my earlier periods. I still haven't found a satisfactory answer to why I choose a dialogue between a soloist and an instrumental group so often. I would perhaps say that with a solo instrument it seems as if my music has to flow more effortlessly, allowing me to work more easily. Having a main character in the piece's discourse greatly helps me to develop the idea I have about the piece I want to write. In this case there are two string soloists, the violin and the cello, which of course play a major part, but without this becoming a virtuosic. As for its form, the piece is based on three parts that meet without interruption.It was first performed on 10 August 2005 at the Teatre Auditori Municipal in Sant Feliu de Guixols as part of the 43rd edition of the Porta Ferrada International Festival, by the Porta Ferrada Simfonietta orchestra and the soloists Melodie Giot and Manon Philippe, conducted by Daniel Tosi. Comentarios del Espanol: Acabe de escribir el Doble Concierto de la Porta Ferrada a principios del ano 2004. Nace como un encargo del Festival Internacional de Musica de la Porta Ferrada (Sant Feliu de Guixols).Este doble concierto, para violin, violonchelo y un conjunto de camara, abre un periodo en el que las obras que trabajo son todas para pequenos conjuntos: Davallament, para soprano y piano; Quinteto de la sala de Levante, para clarinete y cuarteto de cuerda; Palau d'hivern, para soprano, clarinete y cuarteto de cuerda; Concertino Geminis para violin solista y 15 instrumentos de cuerda.Despues de haber escrito obras de gran formato, ahora vuelvo a la musica de camara. Podemos ver como la forma concertante, a lo largo de toda mi produccion, es omnipresente en casi todas las epocas precedentes. No he encontrado una respuesta satisfactoria al porque de elegir tan a menudo el dialogo entre un solista y un grupo instrumental. Como aproximacion, diria que con un instrumento solista parece ser que mi musica tenga que fluir mas facilmente y que pueda trabajar con mas comodidad. El hecho de tener un personaje principal en el discurso de la partitura me ayuda mucho a desarrollar la idea que tengo sobre la obra que quiero escribir. En este caso se trata de dos solistas de cuerda, el violin y el violonchelo, que, como es natural, toman un papel primordial sin que, sin embargo, lleguen a alcanzar una parte virtuosistica. La obra, formalmente, se basa en tres partes que se tocan sin interrupcion. El estreno tuvo lugar el 10 de agosto de 2005 en el Teatre Auditori Municipal de Sant Feliu de Guixols, en el marco del 43 Festival Internacional de la Porta Ferrada, por la orquesta Simfonietta Porta Ferrada y las solistas Melodie Giot y Manon Philippe, bajo la direccion de Daniel Tosi. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Telemann Allegro (Concerto For 2 Horns And Strings, TWV 52:Es1) (Full Score) - Easy Kendor Music Inc.
String Orchestra string orchestra with 3rd Violin/Viola TC 3 - Grade 2 SKU: K...(+)
String Orchestra string orchestra with 3rd Violin/Viola TC 3 - Grade 2 SKU: KN.36848S (Concerto For 2 Horns And Strings, TWV 52:Es1). Composed by Georg Philipp Telemann. Arranged by Steve Frackenpohl. Solo or Ensemble. Voyager String Orchestra. Kendor Music Inc #36848S. Published by Kendor Music Inc (KN.36848S). UPC: 822795368480. From Concerto For Two Horns And Strings, TWV 52:Es1 by Georg Philipp Telemann, this arrangement gives players the opportunity to experience the energy of Baroque music. Perfect for working on Baroque bowing and terraced dynamics. Duration 2:50. Available in SmartMusic. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Telemann Allegro (Concerto For 2 Horns And Strings, TWV 52:Es1) [Score and Parts] - Easy Kendor Music Inc.
String Orchestra string orchestra with 3rd Violin/Viola TC 3 - Grade 2 SKU: K...(+)
String Orchestra string orchestra with 3rd Violin/Viola TC 3 - Grade 2 SKU: KN.36848 (Concerto For 2 Horns And Strings, TWV 52:Es1). Composed by Georg Philipp Telemann. Arranged by Steve Frackenpohl. Solo or Ensemble. Voyager String Orchestra. Score and parts. Kendor Music Inc #36848. Published by Kendor Music Inc (KN.36848). UPC: 822795368480. From Concerto For Two Horns And Strings, TWV 52:Es1 by Georg Philipp Telemann, this arrangement gives players the opportunity to experience the energy of Baroque music. Perfect for working on Baroque bowing and terraced dynamics. Set includes optional 3rd Violin/Viola T.C. parts.
Set includes optional 3rd Violin/Viola T.C. parts. $52.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Saxophone Repertoire 5 Saxophone - Intermediate The Frederick Harris Music Company
Saxophone - Intermediate SKU: FH.WS5 Saxophone Series, 2013 Edition(+)
Saxophone - Intermediate SKU: FH.WS5 Saxophone Series, 2013 Edition. Composed by The Royal Conservatory. Saxophone Series, 2013 Edition. Book/CD. 52/28 pages. The Frederick Harris Music Company #WS5. Published by The Frederick Harris Music Company (FH.WS5). ISBN 978-1-55440-554-1. Unparalleled in scope, this groundbreaking series for E_Alto and B_Tenor offers a single collection of Repertoire and supporting materials written or arranged specifically for saxophone. With Repertoire spanning from the Baroque to contemporary eras, Recordings, Etudes, Technique, and Orchestral Excerpts, this comprehensive series serves as a balanced and organized pedagogical resource from the beginner to advanced levels of study. Nine progressive volumes of Repertoire expose students to original works and arrangements of diverse styles from W.A. Mozart to Violet Archer, with selected works by notable jazz artist Paul Desmon (Take Five), and living composer Phil Woods. Each level provides opportunities to explore Baroque, Classical, Romantic, and contemporary works, with original, unaccompanied selections from Levels 5 through 8 that use extended techniques such as multiphonics, key clicks, and bisbigliando. Earlier works pre-dating the origin of the saxophone have been carefully arranged with consideration of the unique quality of the instrument. Exposure to these works help to develop musicianship and an understanding of tonality, creating well-rounded and versatile performers. Selections written for both E_Alto and B_Tenor include piano accompaniments that function with both instruments. Eb Saxophone:
Mainly Transcriptions: Sonata, HWV 373 - attr. George Frideric Handel, arr. Su Jeon - First Movement - Second Movement Sonata in G minor - Henri Eccles, arr. Sigurd Rascher - First Movement - Second Movement Sonata, TWV 41:G9 - Georg Philipp Telemann - First Movement - Second Movement Mainly Original Repertoire for Saxophone: Nine Arias - Timothy Broege - 3. Aria senza accompagamento - 9. Aria fugata Nigun - Srul Irving Glick Take Five - Paul Desmond, arr. Gary Keller
Bb Saxophone:
Mainly Transcriptions: Sonata in D Major, op. 2, no. 5 (La chauvet) - Michel Blavet, arr. Jason Noble - First Movement - Second Movement Sinfonia - Nicolo Porpora, arr. Paul Maynard - First Movement - Second Movement Mainly Original Repertoire for Saxophone: Sicilienne, op. 78 - Gabriel Faure March - William Schmidt
Eb Saxophone or Bb Saxophone:
Unaccompanied Repertoire: Petite Suite - Walter S. Hartley - Second Movement: Tango - Third Movement: Scherzo Six Exchanges - Lothar Klein - Third Movement - Fifth Movement Fantasia no. 8 in E Minor, TWV 40:9 - Georg Philipp Telemann - Second Movement - Third Movement Fantasia no. 4 in B flat Major, TWV 40:5 - Georg Philipp Telemann - Third Movement. $41.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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