SKU: HL.265364
UPC: 888680731915. 5.0x5.0x0.15 inches.
The title of this Yiddish folk song informs us that a Balalaika will at least be inferred in the music. This wonderfully authentic arrangement does just that. It also includes a clarinet obligato (included in the back of the octavo) which is a tip of the hat to the Klezmer band. A Yiddish, phonetic and English text are all provided in the music allowing you to perform this work in any combination of Yiddish or English.
SKU: PR.11642027L
UPC: 680160688470.
SKU: PR.16400212S
UPC: 680160037605.
Works of chamber music including flute and strings are not nearly as numerous as those for clarinet, or even the oboe. Probably the reason for this is the less assertive, more pure tone the flute possesses - it can't compete for volume or range with the clarinet, except in its top octave, and the oboe's tone is more penetrating and easily discerned from within a string texture. Consequently, composers who have written for flute and strings have done so in lightweight divertimento works: compare, for instance, the delicate flute quartets of Mozart with his monumental quintet for clarinet and strings. When Karl and Joan Karber approached me with the ideas of writing a work for flute and string trio, I originally thought it would be best to write a humorous, rather offhand piece - but a look at their repertoire (mostly comprised of smaller works of the Rococo period) convinced me that it was the last thing they needed. In spite of the challenge (or maybe because of it?), I determined to write a large work, and a serious work. Zephyrus (named for the God of the West Wind, in deference to the flute) is a three-movement work, with each movement cast in a very different form, but all three being built of the same twelve-note series. There is also a rhythmic motive and a pair of themes that appear in all three movements. The first movement plays with the idea of contrast and persuasion. The flute, at the outset, is the hell-for-leather protagonist, charging and swooping around the strings - who seem oddly unconcerned by his passion. Indeed, they have a more somber song to sing - and as the movement unfolds, the flute becomes less and less active, while the strings become increasingly enlivened. By the midpoint, when all four instruments are finally in the same meter and the same tempo, the flute's energy has finally infected the other three players, and this energy does not let up until the movement's abrupt final cadence. The second movement begins with a tag from the first - as if the energy left over was too great to simply stop. At length, though, a very poignant flute melody appears over an almost bluesy harmony in the strings. After this has been fully exposed, a slight increase in motion, marked gently rocking in triplets, features a theme-fragment from Leonard Bernstein's Symphony No. 2 (Kaddish). Bernstein died as I was writing this work, and it seemed quite natural to encourage what was already implicit in the music, and create an Elegy for L.B. The music rises and peaks, then in the recapitulation of the opening the Kaddish theme reappears, as the ensemble suggests a gentle song of sleep. The final movement is a Rondo-Variations form, with the slight alteration of adding the main theme of the second movement in what would be the trio of the form. The ritornello theme is a kind of ethnic dance music, almost an allusion to the Klezmer ensembles of Eastern Europe. The successive episodes between the ritornelli are loosely organized variations on the basic theme, but always beginning with a metric modulation, a rhythmic changing of gears. The movement reaches and apex of speed and furious pulsing, then abruptly pirouttes, and finishes. Zephyrus was written between April and November of 1990 in Austin, Aspen, and Honolulu, and is dedicated to Karl Kraber and The Chamber Soloists of Austin. --Dan Welcher.
SKU: HL.14042566
ISBN 9788759827253.
For klezmer ensemble ad lib.
SKU: SU.25100090
Four little pieces à la française: A rigaudon, a klezmer, a song without words, and a waltz.String Orchestra Duration: 15’ Composed: 1978, rev. 1996 Published by: Gusthold Music Publisher Performance materials available on rental only:.
SKU: FH.WC4
ISBN 978-1-55440-580-0.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Technical Repertoire:Dance - Randall CunninghamPrelude - Paul HarveyVisions: Third Movement - Paul HarrisVisions: Fourth Movement - Paul HarrisGigue - Daniel AuberPrelude - Gerhard WuenschPromenade - Marc DelmasAllegro - Johann Friedrich Fasch, arr. Richard PlattWaltz - Gordon JacobLyrical Repertoire:Andante - Felix MendelssohnPetite piece, L 120 - Claude DebussyNocturne - Theodore Verhey, arr. Himie VoxmanAndante - John Mahon, arr. Elaine ThomasFantasy - Carl NielsenAllegretto grazioso - Johannes BrahmsScena, from I Capuleti e i Montecchi - Vincenzo Bellini.
SKU: GH.GE-10947
ISBN 9790070109475. 185 x 262 mm inches. Text: Traditional / Birgitta Wennerberg-Berggren (Swedish).
Arrangemang for kor och piano/instrument ad lib.
SKU: GH.GE-10948
ISBN 9790070109482. 185 x 262 mm inches. Text: Traditional / Birgitta Wennerberg-Berggren / Lars Hernqvist (Swedish).
Arrangemang for kor i olika sattningar och piano/instrument ad lib.
SKU: BT.SY-2943
German.
A selection of motivating pieces for flute and piano. The book relates to the progression of the popular flute method Flöte spielen (Playing the flute) vol. C, but can be used with any other flute method as well. Piano and flute are at about thesame level. With play-along CD. The faster pieces are recorded in a slower practice version additionally, and the CD contains a software which can play all the tracks at a slower tempo.Flöte spielen macht Spaß - und ganz besonders im Zusammenspiel mit anderen. Man kann damit gar nicht früh genug beginnen!
Diese Sammlung abwechslungsreicher und motivierender Spielstücke ist auf Flöte spielen Band C abgestimmt, kann aber natürlich auch parallel zu anderen, ähnlich aufgebauten Schulen verwendet werden. Die Klavierbegleitungen sind weitgehend inähnlichem Schwierigkeitsgrad wie die Flötenstimme gehalten, um das Musizieren Gleichaltriger zu ermöglichen. Die Mitspiel-CD enthält die Klavierbegleitungen und langsamere Übungsversionen.
SKU: BT.DHP-1013030-401
ISBN 9789043115506. Dutch.
Als aanvulling op deel 3 worden hier verschillende muziekstijlen gepresenteerd: van barok en klassiek via jazz tot pop. Afwisselende stukken dus, die je alleen of samen met een pianist kunt spelen op een concert - of zelfs bij eenexamen. De pianobegeleidingen zijn afzonderlijk verkrijgbaar.Inhoud: Free Time • Klezmerantics • Ring for a Swing • Dancing Dalmatians • Sonata Nr. 4 • Brazilian Beat e.a.
SKU: BT.DHP-1013035-401
ISBN 9789043115551. 9x12 inches. Dutch.
SKU: M7.VHR-1780
ISBN 9783920470856.
Wohlklingende Bearbeitungen im mittelschweren Bereich erfreuern jeden Spieler. Auf dem Fluss brennt ein Feuer, Awiglid I-III, Auf der Moldowanka spielt Musik, Beim Angeln Chosjajka und viele, viele mehr.
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