| Prélude à L'après-midi d'un Faune String Quartet: 2 violins, viola, cello Broadbent and Dunn
Composed by Claude Debussy. Arranged by Carlo Martelli. Score Only. Broadben...(+)
Composed by Claude Debussy.
Arranged by Carlo Martelli.
Score Only. Broadbent and Dunn
#BD12951S. Published by
Broadbent and Dunn
$6.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Prelude ! l'après-midi d'un faune (Prelude to 'Afternoon of a Faun') for Flute, Clarinet and Piano) Flute, Clarinet, Piano (trio) IMC (International Music Co.)
By Claude Debussy. Piano trio. For flute, clarinet and piano. Published by Inter...(+)
By Claude Debussy. Piano trio. For flute, clarinet and piano. Published by International Music Co.
$15.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Claude Debussy: Nocturne Violin and Piano Schott
Violin & Orchestra Reduction (Piano). Composed by Claude Debussy (1862-1...(+)
Violin & Orchestra Reduction
(Piano). Composed by Claude
Debussy (1862-1918) and
Robert Orledge. Arranged by
Robert Orledge. String.
Softcover. 34 pages. Schott
Music #VLB214. Published by
Schott Music
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| Claude Debussy - Works for Two Pianos 2 Pianos, 4 hands [Sheet music] G. Henle
By Claude Debussy (1862-1918). Edited by Andreas Groethuysen, Ernst-GÌ_nter Hei...(+)
By Claude Debussy (1862-1918). Edited by Andreas Groethuysen, Ernst-GÌ_nter Heinemann, and Ernst-G. For 2 Pianos, 4 Hands. Henle Music Folios. Softcover. 88 pages. G. Henle #HN1003. Published by G. Henle
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| Prelude to the Afternoon of a Faun fur Orchestra Orchestra [Score] Barenreiter
(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by D...(+)
(Prelude to the Afternoon of a Faun). By Claude Debussy (1862-1918). Edited by Douglas Woodfull-Harris. For orchestra (3 flutes/2 oboes/english horn/2 clarinets/2 bassoons/4 horns/cymbal/2 harps/2 violins/viola/cello/double bass). This edition: Stapled, Urtext edition. Score. Text Language: English/French/German. 44 pages. Duration 10'. Published by Baerenreiter Verlag
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| Prelude a l'apres-midi d'un faune Orchestra EMB (Editio Musica Budapest)
Orchestra SKU: BT.EMBZ40015 By Gabor Darvas. By Claude Debussy. EMB Study...(+)
Orchestra SKU: BT.EMBZ40015 By Gabor Darvas. By Claude Debussy. EMB Study Scores. Book Only. Composed 1982. 40 pages. Editio Musica Budapest #EMBZ40015. Published by Editio Musica Budapest (BT.EMBZ40015). Debussy decided in 1892, at the age of thirty, to compose a work for orchestra after Mallarmé's poem, L'aprés-midi d'un faune. Originally he had thought of writing three movements (Prélude - Interlude - Paraphrase) but when the first movement was completed in September 1894 he came to the conclusion that the continuation would be superfluous.The Prélude was first performed in Paris with Gustave Doret as conductor on 22 December of the same year yet, as it achieved immediate succes it had to be repeated. Source for the present edition was the first printed score (1895) which had been revised by the composer. Debussy's original, French expressions and markings have been retained. $10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Prelude a lapres-midi dun faune for Orchestra Violin (band part) Barenreiter
First violin (1. Violin) SKU: BA.BA08841-74 Composed by Claude Debussy. E...(+)
First violin (1. Violin) SKU: BA.BA08841-74 Composed by Claude Debussy. Edited by Douglas Woodfull-Harris. This edition: urtext edition. Folded. Barenreiter Urtext. Single part. 4 pages. Duration 10 minutes. Baerenreiter Verlag #BA08841_74. Published by Baerenreiter Verlag (BA.BA08841-74). ISBN 9790006541218. 32.5 x 25.5 cm inches. Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed. Baerenreiter's Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes, found in no other source, include metronome markings, different pitches and additional notes, as well as added tempo and articulation markings, which all subtly enhance Debussy's finely sculpted work. There is even a breath mark added to the famous solo flute passage which opens the work. * Scholarly critical edition with many corrections in the score and orchestral parts * Clear presentation of orchestral parts in an enlarged format. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Prelude a lapres-midi dun faune for Orchestra Violin (band part) Barenreiter
Second violin (2. Violin) SKU: BA.BA08841-75 Composed by Claude Debussy. ...(+)
Second violin (2. Violin) SKU: BA.BA08841-75 Composed by Claude Debussy. Edited by Douglas Woodfull-Harris. This edition: urtext edition. Folded. Barenreiter Urtext. Single part. 4 pages. Duration 10 minutes. Baerenreiter Verlag #BA08841_75. Published by Baerenreiter Verlag (BA.BA08841-75). ISBN 9790006541225. 32.5 x 25.5 cm inches. Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed. Baerenreiter's Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes, found in no other source, include metronome markings, different pitches and additional notes, as well as added tempo and articulation markings, which all subtly enhance Debussy's finely sculpted work. There is even a breath mark added to the famous solo flute passage which opens the work. * Scholarly critical edition with many corrections in the score and orchestral parts * Clear presentation of orchestral parts in an enlarged format. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Best Known Debussy Piano Music (WFS 74) Piano solo [Sheet music] Music Sales
World's Favorite Series #74. By Alexander Shealy. By Claude Debussy (1862-1918)....(+)
World's Favorite Series #74. By Alexander Shealy. By Claude Debussy (1862-1918). Edited by Alexander Shealy. World's Favorite (Ashley). Classical. Book Only. Composed 2005. 159 pages. Music Sales #MUSAS10074. Published by Music Sales
(1)$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Prelude a l'apres-midi d'un faune 1 Piano, 4 hands [Sheet music] G. Henle
Arranged for 1 Piano, 4 Hands by Maurice Ravel. Composed by Claude Debuss...(+)
Arranged for 1 Piano, 4 Hands by Maurice Ravel. Composed by Claude Debussy (1862-1918). Edited by Denis Herlin. Arranged by Maurice Ravel. Henle Music Folios. Softcover. 26 pages. G. Henle #HN1259. Published by G. Henle (HL.51481259).
$16.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Prelude a lapres-midi dun faune for Orchestra Orchestra Barenreiter
Orchestra (Viola) SKU: BA.BA08841-79 Composed by Claude Debussy. Edited b...(+)
Orchestra (Viola) SKU: BA.BA08841-79 Composed by Claude Debussy. Edited by Douglas Woodfull-Harris. This edition: urtext edition. Folded. Barenreiter Urtext. Single part. 4 pages. Duration 10 minutes. Baerenreiter Verlag #BA08841_79. Published by Baerenreiter Verlag (BA.BA08841-79). ISBN 9790006541232. 32.5 x 25.5 cm inches. Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed. Baerenreiter's Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes, found in no other source, include metronome markings, different pitches and additional notes, as well as added tempo and articulation markings, which all subtly enhance Debussy's finely sculpted work. There is even a breath mark added to the famous solo flute passage which opens the work. * Scholarly critical edition with many corrections in the score and orchestral parts * Clear presentation of orchestral parts in an enlarged format. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Prelude a lapres-midi dun faune for Orchestra Barenreiter
First flute, second flute, third flute, first oboe, second oboe, English horn, f...(+)
First flute, second flute, third flute, first oboe, second oboe, English horn, first clarinet, second clarinet, first bassoon, second bassoon, first horn, second horn, third horn, horn 4, Cymb, first harp, second harp, (1. Flute, 2. Flute, 3. Flute, 1. Oboe, 2. Oboe, Cor anglais, 1. Clarinet, 2. Clarinet, 1. Bassoon, 2. Bassoon, 1. Horn, 2. Horn, 3. Horn, 4. Horn, Antique cymbals, 1. Harp, 2. Harp) SKU: BA.BA08841-65 Composed by Claude Debussy. Edited by Douglas Woodfull-Harris. This edition: urtext edition. Folded. Barenreiter Urtext. Set of wind parts. 4/4/4/3/3/3/3/3/3/3/3/3/3/3/2/4/3 pages. Duration 10 minutes. Baerenreiter Verlag #BA08841_65. Published by Baerenreiter Verlag (BA.BA08841-65). ISBN 9790006540587. 32.5 x 25.5 cm inches. Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed. Baerenreiter's Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes, found in no other source, include metronome markings, different pitches and additional notes, as well as added tempo and articulation markings, which all subtly enhance Debussy's finely sculpted work. There is even a breath mark added to the famous solo flute passage which opens the work. * Scholarly critical edition with many corrections in the score and orchestral parts * Clear presentation of orchestral parts in an enlarged format. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$69.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Prelude a lapres-midi dun faune for Orchestra Double Bass Barenreiter
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Doug...(+)
Double bass SKU: BA.BA08841-85 Composed by Claude Debussy. Edited by Douglas Woodfull-Harris. This edition: urtext edition. Folded. Barenreiter Urtext. Single part. 3 pages. Duration 10 minutes. Baerenreiter Verlag #BA08841_85. Published by Baerenreiter Verlag (BA.BA08841-85). ISBN 9790006541256. 32.5 x 25.5 cm inches. Prelude a l'apres-midi d'un faune, often referred to as the first composition of the modern era, is one of Debussy's most popular and frequently performed orchestral works. The piece comes down to us in an array of sources, and several important ones are drawn upon for the first time in Baerenreiter's new scholarly-critical edition. Most of the currently available editions are based on the first edition from 1895 which, however, contains many engraver errors. When the corresponding orchestral parts are also taken into consideration, countless discrepancies are revealed. Baerenreiter's Urtext edition incorporates readings of a printed copy of the score from c. 1908 which shows corrections and emendations by the composer. These important changes, found in no other source, include metronome markings, different pitches and additional notes, as well as added tempo and articulation markings, which all subtly enhance Debussy's finely sculpted work. There is even a breath mark added to the famous solo flute passage which opens the work. * Scholarly critical edition with many corrections in the score and orchestral parts * Clear presentation of orchestral parts in an enlarged format. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$7.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sambuca Sonata Theodore Presser Co.
Chamber Music Flute, Piano, Viola SKU: PR.11440719S Composed by Nathan Cu...(+)
Chamber Music Flute, Piano, Viola SKU: PR.11440719S Composed by Nathan Currier. Set of Score and Parts. With Standard notation. 44 pages. Duration 11 minutes, 30 seconds. Theodore Presser Company #114-40719S. Published by Theodore Presser Company (PR.11440719S). UPC: 680160011087. 8.5 x 11 inches. Sambuca, which most people know today as a licorice-flavored liqueur, was the name the Greeks gave to a kind of sharp, shrill-sounding harp, of Eastern, possibly Jewish origin. The Greeks then gave this same name to a wooden flute made from the elder bush, and in the middle ages it was also associated with the viol, at least to the extent that the Hurdy-gurdy, an instrument shaped like a viol and played by means of a rotating wheel, was sometimes called a Sambuca rotata. Thus, the word Sambuca is tied up with the ancestors - in each case, ancestors of ow birth, as it were - of the modern harp, flute, and viola. Somehow, the present-day association with alcohol seems very meet, in that a certain objectionable quality seems to have gone with the name - in 1545 one George Ascham wrote, This I am sure... all maner of pypes, barbitons, sambukes... be condemned of Aristotle. The word Sambucistria - for a female Sambuca player - was used by Plutarch and others to evoke a feeling of foreign-inspired decadence [Grove's Dictionary of Musical Instruments, 1984]. Currier's work is truly a Sambuca sonata. Written for the three Sambuca instruments, Currier has first of all seemingly endeavoured to make the harp part particularly Sambuca-like (i.e., sharp and shrill) with its many nail and xylophonic effects, but more importantly, has used musical material that corresponds to the low-brow, somewhat Dionysian, indeed, today even Bacchanalian implication of the name - thus, rock music seems to inspire a great deal Currier's work [the Samba, an appropriately Bacchanalian Brazilian Carnival dance, in duple meter with syncopations, while apparently having no etymological connection to Sambuca, might seem to be musically involved, too]. The Sambuca which lies behind this rather drunken piece is probably the only musical instrument which became a model for an instrument of war; one Craxton wrote in 1489 that Sambuce is an engyn whiche is made in manere of a harpe able to perce a walle. But whether talking of the modern liqueur or the ancient instrument condemned of Aristotle and mentioned four times in the Book of Daniel, it is a shame that Debussy - inspired by the Dionysian side of classical culture (as in Prelude a l'apres-midi d'un faune) - seems to have remained ignorant Sambuca, a word which to some extent must lie behind all works for this wonderful instrumentation which he invented, and which I might seem to have striven unconsciously, equally ignorant, to make the sole basis of Currier's work - until, having completed this piece, written for harpist Marie-Pierre Langlamet, and rummaging around for a title, I chanced upon it in an old dictionary. $34.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Orchestral Excerpts for Flute
Flute and Piano [Reduction] Theodore Presser Co.
With Piano Accompaniment. By Various. Arranged by Jeanne Baxtresser. For Flute, ...(+)
With Piano Accompaniment. By Various. Arranged by Jeanne Baxtresser. For Flute, Piano Accompaniment. Published by Theodore Presser Company.
(3)$55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Prelude a l'Apres Midi d'Un Faune Orchestra [Score] Martin, Robert
Composed by Claude Debussy (1862-1918). Arranged by Roger Boutry. Transcriptions...(+)
Composed by Claude Debussy (1862-1918). Arranged by Roger Boutry. Transcriptions. Prestige collection. Grade 5. Conductor's score. Duration 8 minutes, 36 seconds. Published by Editions Robert Martin
$63.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Prelude on the Afternoon of a Fawn Orchestra [Study Score / Miniature] Eulenburg
Prelude a l'apres-midi d'un faune. By Claude Debussy. (Score). Schott. Size 5.2...(+)
Prelude a l'apres-midi d'un faune. By Claude Debussy. (Score). Schott. Size 5.25x7.5 inches. 38 pages. Published by Eulenburg.
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Clarinet Orchestral Excerpts Clarinet - Intermediate The Frederick Harris Music Company
Clarinet - Late Intermediate to Advanced SKU: FH.WCE1 Clarinet Series,...(+)
Clarinet - Late Intermediate to Advanced SKU: FH.WCE1 Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book. 48 pages. The Frederick Harris Music Company #WCE1. Published by The Frederick Harris Music Company (FH.WCE1). ISBN 978-1-55440-588-6. This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques. Level 7: De Hebriden, op. 26: Overture - Felix Mendelssohn Symphony No. 39, K 543: II, III, IV - Wolfgang Amadeus Mozart Symphony No. 5, op. 64: I, II - Pyotr Il'yich Tchaikovsky Symphony No. 2, op. 36: II - Ludwig van Beethoven Piano Concerto No. 2, op. 18: II - Sergei Rachmaninoff Symphony No. 6 (Pastoral), op. 68: I - Ludwig van Beethoven Level 8: Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr Borodin Il barbiere di Siviglia: Overture - Gioachino Rossini Symphony No. 4 (Italian), op. 90: IV - Felix Mendelssohn Symphony No. 4, op. 98: II - Johannes Brahms Ouverture zu Offenbach's Orpheus in der Unterwelt - Carl Binder Symphony No. 8 (Unfinished), D 759: II - Franz Schubert Symphonie fantastique: III - Hector Berlioz Level 9: Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van Beethoven Symphony No. 3, op. 90: I, II - Johannes Brahms Symphony No. 4, op. 60: II - Ludwig van Beethoven Semiramide: Overture - Gioachino Rossini Symphony No. 3 (Scottish), op. 56: II - Felix Mendelssohn Prelude a l'apres midi d'un faune - Claude Debussy Symphony no. 9, op. 125: II - Ludwig van Beethoven Level 10: Symphony No. 2, op. 27: III - Sergei Rachmaninoff Violin Concerto, op. 61: II - Ludwig van Beethoven Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix Mendelssohn Symphony No. 1, op. 39: I, III - Jean Sibelius Variations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes Brahms Symphony No. 8, op. 93: III - Ludwig van Beethoven Sheherazade, op. 35: II, III, IV - Nicolai Rimsky-Korsakov Associate: B_, A, C Clarinet: Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-Korsakov Dances of Galanta - Zoltan Kodaly Pini di Roma: III - Ottorino Respighi Suite de l'oiseau de feu: Variation de l'oiseau de feu - Igor Stravinsky Symphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich Tchaikovsky Symphony No. 9, op. 70: II, III - Dmitri Shostakovich Don Juan, op. 20 - Richard Strauss Symphonie fantastique: V - Hector Berlioz Peter and the Wolf, op. 67: Nervoso - Sergei Prokofiev Prince Igor: Polovtsian Dance No. 17 - Aleksandr Borodin Associate: E_ Clarinet: Symphony no. 5, op 100: IV - Sergei Prokofiev Till Eulenspiegels lustige Streiche, op. 28 - Richard Strauss Symphony no. 5, op. 47: II - Dmitri Shostakovich Symphonie fantastique: V - Hector Berlioz Bolero - Maurice Ravel Associate: Bass Clarinet: Les Huguenots: Trio from act 5 - Giacomo Meyerbeer Violin Concerto no. 1, op. 77: II - Dmitri Shostakovich Grand Canyon Suite: III - Ferde Grofe Don Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss. $36.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Clarinet Repertoire 7 Clarinet - Intermediate The Frederick Harris Music Company
Clarinet - Late Intermediate SKU: FH.WC7 Clarinet Series, 2013 Edition...(+)
Clarinet - Late Intermediate SKU: FH.WC7 Clarinet Series, 2013 Edition. Composed by The Royal Conservatory. Clarinet Series, 2013 Edition. Book/CD. 88/36 pages. The Frederick Harris Music Company #WC7. Published by The Frederick Harris Music Company (FH.WC7). ISBN 978-1-55440-583-1. This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques. Level 7: De Hebriden, op. 26: Overture - Felix Mendelssohn Symphony No. 39, K 543: II, III, IV - Wolfgang Amadeus Mozart Symphony No. 5, op. 64: I, II - Pyotr Il'yich Tchaikovsky Symphony No. 2, op. 36: II - Ludwig van Beethoven Piano Concerto No. 2, op. 18: II - Sergei Rachmaninoff Symphony No. 6 (Pastoral), op. 68: I - Ludwig van Beethoven Level 8: Prince Igor: Polovtsian Dance No. 8, Polovtsian Dance No. 17 - Aleksandr Borodin Il barbiere di Siviglia: Overture - Gioachino Rossini Symphony No. 4 (Italian), op. 90: IV - Felix Mendelssohn Symphony No. 4, op. 98: II - Johannes Brahms Ouverture zu Offenbach's Orpheus in der Unterwelt - Carl Binder Symphony No. 8 (Unfinished), D 759: II - Franz Schubert Symphonie fantastique: III - Hector Berlioz Level 9: Symphony No. 6 (Pastoral), op. 68 : I, II, III - Ludwig van Beethoven Symphony No. 3, op. 90: I, II - Johannes Brahms Symphony No. 4, op. 60: II - Ludwig van Beethoven Semiramide: Overture - Gioachino Rossini Symphony No. 3 (Scottish), op. 56: II - Felix Mendelssohn Prelude a l'apres midi d'un faune - Claude Debussy Symphony no. 9, op. 125: II - Ludwig van Beethoven Level 10: Symphony No. 2, op. 27: III - Sergei Rachmaninoff Violin Concerto, op. 61: II - Ludwig van Beethoven Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo - Felix Mendelssohn Symphony No. 1, op. 39: I, III - Jean Sibelius Variations on a Theme by Haydn, op. 56a: Variation II, Variation IV, Variation V - Johannes Brahms Symphony No. 8, op. 93: III - Ludwig van Beethoven Sheherazade, op. 35: II, III, IV - Nicolai Rimsky-Korsakov Associate: B_, A, C Clarinet: Capriccio espagnole, op. 34: I, III, IV - Nicolai Rimsky-Korsakov Dances of Galanta - Zoltan Kodaly Pini di Roma: III - Ottorino Respighi Suite de l'oiseau de feu: Variation de l'oiseau de feu - Igor Stravinsky Symphony No. 6 (Pathetique), op. 74: I - Pyotr Il'yich Tchaikovsky Symphony No. 9, op. 70: II, III - Dmitri Shostakovich Don Juan, op. 20 - Richard Strauss Symphonie fantastique: V - Hector Berlioz Peter and the Wolf, op. 67: Nervoso - Sergei Prokofiev Prince Igor: Polovtsian Dance No. 17 - Aleksandr Borodin Associate: E_ Clarinet: Symphony no. 5, op 100: IV - Sergei Prokofiev Till Eulenspiegels lustige Streiche, op. 28 - Richard Strauss Symphony no. 5, op. 47: II - Dmitri Shostakovich Symphonie fantastique: V - Hector Berlioz Bolero - Maurice Ravel Associate: Bass Clarinet: Les Huguenots: Trio from act 5 - Giacomo Meyerbeer Violin Concerto no. 1, op. 77: II - Dmitri Shostakovich Grand Canyon Suite: III - Ferde Grofe Don Quixote, op. 35: Sancho Panza, Variation X - Richard Strauss. $47.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Night In the House of Usher Piano solo - Intermediate/advanced Musik Fabrik
Piano - Grade 4 SKU: FA.MFRO001P Composed by Claude Debussy and Robert Or...(+)
Piano - Grade 4 SKU: FA.MFRO001P Composed by Claude Debussy and Robert Orledge. Rediscoverd Debussy. Classical : Impressionistic. Score. Musik Fabrik #MFRO001P. Published by Musik Fabrik (FA.MFRO001P). 8.27 x 11.69 inches. Over the years 1908-16, Debussy had produced a viable scenario for Usher on his third attempt. Butwhen he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher's long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself. In the process of completing the missing half of the score, I discovered that by reusing Debussy's material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Melisande's theme in his opera Pelleas et Melisande), the only things I really needed to add were linking material and any passages where fast music was required. So the 'nightmare scherzo', and Lady Madeline's escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of 'changing backgrounds', both harmonic and textural, proved extremely useful, as it did to Debussy in his Prelude a l'apres-midi d'un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy's score as A Night in the House of Usher for organ, and subsequently piano--with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010. $16.19 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Test Pieces for Orchestral Auditions (Flute Piccolo) Piccolo Peters
By Various. Edited by Duerichen, Kratsch. For flute (piccolo). Published by C.F....(+)
By Various. Edited by Duerichen, Kratsch. For flute (piccolo). Published by C.F. Peters.
$31.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jascha Heifetz: Heifetz Collection
Violin and Piano [Sheet music] Carl Fischer
Composed by Jascha Heifetz, edited by Eric Wen. Collection and set of performanc...(+)
Composed by Jascha Heifetz, edited by Eric Wen. Collection and set of performance parts for violin solo and piano accompaniment. With bowings, fingerings, introductory text and discography. 128 pages. Published by Carl Fischer.
(3)$38.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Flute Orchestral Excerpts Flute - Advanced The Frederick Harris Music Company
Flute - Beginner - Advanced SKU: FH.FLE01 2010 Edition. Composed b...(+)
Flute - Beginner - Advanced SKU: FH.FLE01 2010 Edition. Composed by The Royal Conservatory. Overtones: A Comprehensive Flute Series. Book. The Frederick Harris Music Company #FLE01. Published by The Frederick Harris Music Company (FH.FLE01). ISBN 978-1-55440-300-4. Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental repertoire and supporting materials such as Studies, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study.This compilation of standard orchestral passages for flute is an indispensable resource for the developing years and beyond. Teachers and students will find this unrivalled volume essential for examination or audition preparation.
Slavonic Dances, op. 46, no. 1 Antonin Dvorak Symphony No. 100 in G Major (Military): II Franz Joseph Haydn Le carnaval des animaux: Aquarium Camille Saint-Saens HMS Pinafore: I'm Called Little Buttercup Arthur Sullivan La forza del destino: Overture Giuseppe Verdi Serse (Xerxes), HWV 40: Va godendo vezzoso e bello George Frideric Handel Symphony No. 100 in G Major (Military): III Franz Joseph Haydn Ma Vlast: II Bedrich Smetana HMS Pinafore: When I Was a Lad Arthur Sullivan Nutcracker Suite: Overture Pyotr Il'yich Tchaikovsky Symphony No. 6 (Pastoral): III Ludwig van Beethoven Symphony No. 9 in E Minor, op. 95 (New World): I Antonin Dvorak Faust: Soldier's Chorus Charles Gounod Peer Gynt Suite No. 1, op. 46: I Edvard Grieg Symphony No. 102 in B flat Major: I Franz Joseph Haydn Brandenburg Concerto No. 4, BWV 1049: III Johann Sebastian Bach Carmen: La garde montante Georges Bizet Petite suite: Ballet IV Claude Debussy Symphony No. 100 in G Major (Military): IV Franz Joseph Haydn Symphony No. 40 in G Minor, K 550: III Wolfgang Amadeus Mozart Symphony No. 5: IV Ludwig van Beethoven Carmen: Act 1, Prelude Georges Bizet Faust Ballet Music: Danse antique Charles Gounod Symphony No. 102 in B flat Major: IV Franz Joseph Haydn Scheherazade, op. 35: IV Nicolai Rimsky-Korsakov Symphony No. 6 (Pastoral): I, II Ludwig van Beethoven Symphonie fantastique: V Hector Berlioz Die Zauberfloete: Wie stark ist nicht dein Zauberton Wolfgang Amadeus Mozart Bolero Maurice Ravel Scheherazade, op. 35: I Nicolai Rimsky-Korsakov Brandenburg Concerto No. 4, BWV 1049: I Johann Sebastian Bach Symphonie fantastique: I Hector Berlioz Carmen: Entr'acte (Prelude) Georges Bizet Symphony No. 1 in C Minor: IV Johannes Brahms Die Zauberfloete: Overture Wolfgang Amadeus Mozart Symphony No. 8 in G Major: IV Antonin Dvorak Leonore Overture No. 3, op. 72a Ludwig van Beethoven Symphony No. 4 in E Minor: IV Johannes Brahms La mer: I, II, III Claude Debussy Symphony No. 4 (Italian): IV Felix Mendelssohn Symphony No. 1 (Classical): II Sergei Prokofiev Symphony No. 3 in E flat Major (Eroica): IV Ludwig van Beethoven Prelude a l'apres-midi d'un faune Claude Debussy Sinfonie Mathis der Maler: I, II Paul Hindemith Incidental Music to A Midsummer Night's Dream, op. 61: Scherzo Felix Mendelssohn Petroushka (1947 revision): Part 1 Igor Stravinsky Symphony No. 4 in F Minor: III Pyotr Il'yich Tchaikovsky Capriccio espagnol, op. 34: IV Nicolai Rimsky-Korsakov Symphony No. 1 (Classical): IV Sergei Prokofiev Concerto for Orchestra: I, II, III, IV, V Bela Bartok Symphonic Metamorphosis after Themes by Carl Maria von Weber: II, III Paul Hindemith Das Lied von der Erde: VI Gustav Mahler Peter and the Wolf, op. 67 Sergei Prokofiev Le carnaval des animaux: 10. Voliere Camille Saint-Saens Daphnis et Chloe: Troisieme partie Maurice Ravel Guillaume Tell: Overture Gioachino Rossini Till Eulenspiegel's Merry Pranks Richard Strauss Firebird Suite (1919 version) Igor Stravinsky Symphony No. 9: IV Ludwig van Beethoven Concerto for Orchestra: III Bela Bartok Scheherezade, op. 35: IV Nicolai Rimsky-Korsakov Semiramide: Overture Gioachino Rossini Symphony No. 5, op. 47: I, II Dmitri Shostakovich. About Overtones Unparalleled in scope, Overtones offers all the music flutists want in one complete series! This progressive collection includes fundamental Repertoire and supporting materials such as Etudes, Compact Discs, Orchestral Excerpts, and Technique. The richness of music carefully selected for this compilation will resonate with teachers and students at every level of study and is the official series for those using The Royal Conservatory Music Development program. $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| La Mer Breitkopf & Härtel
Violoncello (picc.2.2.cor ang.2.3.dble bsn - 4.3.2corn.3.1. - timp.perc - 2hp - ...(+)
Violoncello (picc.2.2.cor ang.2.3.dble bsn - 4.3.2corn.3.1. - timp.perc - 2hp - str) SKU: BR.OB-5399-23 Trois Esquisses Symphoniques - Urtext. Composed by Claude Debussy. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). The three symphonic sketches La Mer are, after Prelude a L'apresmidi d'un faune, no doubt Debussy's most frequently performed orchestral work. Symphonic poem; Romantic; Late-romantic. Part. 16 pages. Duration 23'. Breitkopf and Haertel #OB 5399-23. Published by Breitkopf and Haertel (BR.OB-5399-23). ISBN 9790004338377. 10 x 12.5 inches. The three symphonic sketches La Mer are, after Prelude a Lapresmidi dun faune, no doubt Debussys most frequently performed orchestral work. This success derives in part from its formal resemblance to a symphony, which had already been noted by the composers contemporaries, and in part from its sound, which was associated from the very start with the shimmer and iridescence of Impressionism.Peter Jost takes all major sources into consideration. Ultimately, the musical text of his Urtext edition is based on a copy of the second edition of the score, published in 1909, in which the composer incorporated his experiences as auditor and conductor into a last authorized version. After the cool reception given La Mer at its world premiere, Debussy revised the work and conducted the extraordinarily successful performances of it in early 1908 in Paris,London and Rome. $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| La Mer Breitkopf & Härtel
Violin 1 (picc.2.2.cor ang.2.3.dble bsn - 4.3.2corn.3.1. - timp.perc - 2hp - str...(+)
Violin 1 (picc.2.2.cor ang.2.3.dble bsn - 4.3.2corn.3.1. - timp.perc - 2hp - str) SKU: BR.OB-5399-15 Trois Esquisses Symphoniques - Urtext. Composed by Claude Debussy. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). The three symphonic sketches La Mer are, after Prelude a L'apresmidi d'un faune, no doubt Debussy's most frequently performed orchestral work. Symphonic poem; Romantic; Late-romantic. Part. 20 pages. Duration 23'. Breitkopf and Haertel #OB 5399-15. Published by Breitkopf and Haertel (BR.OB-5399-15). ISBN 9790004338346. 10 x 12.5 inches. The three symphonic sketches La Mer are, after Prelude a Lapresmidi dun faune, no doubt Debussys most frequently performed orchestral work. This success derives in part from its formal resemblance to a symphony, which had already been noted by the composers contemporaries, and in part from its sound, which was associated from the very start with the shimmer and iridescence of Impressionism.Peter Jost takes all major sources into consideration. Ultimately, the musical text of his Urtext edition is based on a copy of the second edition of the score, published in 1909, in which the composer incorporated his experiences as auditor and conductor into a last authorized version. After the cool reception given La Mer at its world premiere, Debussy revised the work and conducted the extraordinarily successful performances of it in early 1908 in Paris,London and Rome. $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| La Mer Breitkopf & Härtel
Viola (picc.2.2.cor ang.2.3.dble bsn - 4.3.2corn.3.1. - timp.perc - 2hp - str) <...(+)
Viola (picc.2.2.cor ang.2.3.dble bsn - 4.3.2corn.3.1. - timp.perc - 2hp - str) SKU: BR.OB-5399-19 Trois Esquisses Symphoniques - Urtext. Composed by Claude Debussy. Edited by Peter Jost. Stapled. Orchester-Bibliothek (Orchestral Library). The three symphonic sketches La Mer are, after Prelude a L'apresmidi d'un faune, no doubt Debussy's most frequently performed orchestral work. Symphonic poem; Romantic; Late-romantic. Part. 16 pages. Duration 23'. Breitkopf and Haertel #OB 5399-19. Published by Breitkopf and Haertel (BR.OB-5399-19). ISBN 9790004338360. 10 x 12.5 inches. The three symphonic sketches La Mer are, after Prelude a Lapresmidi dun faune, no doubt Debussys most frequently performed orchestral work. This success derives in part from its formal resemblance to a symphony, which had already been noted by the composers contemporaries, and in part from its sound, which was associated from the very start with the shimmer and iridescence of Impressionism.Peter Jost takes all major sources into consideration. Ultimately, the musical text of his Urtext edition is based on a copy of the second edition of the score, published in 1909, in which the composer incorporated his experiences as auditor and conductor into a last authorized version. After the cool reception given La Mer at its world premiere, Debussy revised the work and conducted the extraordinarily successful performances of it in early 1908 in Paris,London and Rome. $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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