SKU: BT.DHP-1074365-010
9x12 inches. English-German-French-Dutch.
Hector Berlioz was known for his innovative and creative musical gestures. He composed the opera Benvenuto Cellini in 1838, based on the fascinating life of a 16th century Italian goldsmith of the same name. Unfortunately the work as a whole never gained much popularity however its colourful and exciting overture has, on the other hand, become a firm favourite. Tohru Takahashi has created a stunning concert band arrangement of this well-known overture.Hector Berlioz, der stets innovative Ideen meisterhaft in seinen Werken umzusetzen verstand, schrieb die Oper Benvenuto Cellini 1838 basierend auf dem faszinierenden Leben des gleichnamigen italienischen Goldschmieds aus dem 16. Jahrhundert. Großer Erfolg war dem Werk jedoch nie beschieden - mit Ausnahme der farbigen und lebhaften Ouvertüre, die Tohru Takahashi geschickt für Blasorchester umsetzte. L’opera Benvenuto Cellini (1838) di Hector Berlioz si ispira alla vita avventurosa del celebre orafo e scultore Benvenuto Cellini nell’Italia del XVI secolo. A causa della complessit della scrittura e di un libretto che proponeva vari generi fuori dalle usanze del tempo, l’opera conobbe un successo effi mero e finii nell’oblio. Grazie alla sua straordinaria vitalit , sopravvisse unicamente l’ouverture, che si rivela anche in questa brillante trascrizione per banda firmata Tohru Takahashi.
SKU: BT.DHP-1074365-140
SKU: HL.49000736
ISBN 9783795715755. German - French - Italian.
SKU: BT.PWM9995
ISBN 9788322405130.
Zbiorek zawieraj cy najpopularniejsze i najprostsze do wykonania utwory Chopina z edycji ''Dzie Wszystkich'' pod redakcj I. J. Paderewskiego, L. Bronarskiego, J. Turczy skiego. Celem edycji jest rozpowszechnienie muzykiChopina w najszerszych kr gach m odych wirtuozów, zarówno profesjonalistów, jak i amatorów.
SKU: HL.49006462
ISBN 9783795717087. German.
SKU: HL.44005007
UPC: 073999761856. 8.25x11.75 inches.
Der frohliche Radetzky-Marsch aus dem Jahre 1848 ist der beruhmteste der achtzehn Marsche von Johann Strauss. Er erinnert an den militarischen Sieg des osterreichischen Grafen Radetzky uber italienische Aufstandische in Custozza. Dieser Marsch, der oft zu Neujahrskonzerten und popularen Galakonzerten gespielt wird, ist auf der ganzen Welt bekannt. En 1848, Johann Strauss pere (1804-1849) compose la plus celebre de ses dix-huit marches, la Marche de Radetzky. Cette œuvre petillante commemore la victoire du Feld-Marechal autrichien, le Comte Radetzky sur des insurges Italiens, lors de la bataille de Custozza. Cette marche, souvent interpretee lors des Concerts du Nouvel An ou a l'occasion de grands concerts de gala, est connue dans le monde entier.
SKU: BT.DHP-1053847-015
English-German-French-Dutch.
The music of the Caribbean is a mixture of styles encompassing traditions that reflect the nature of its many islands and ethnic groups which inherited a multitude of rhythms imported by slaves from West Africa. Europeans brought with them Western-style melodies and harmonies, still used today in Trinidadian calypso, a traditional folk genre which gained worldwide popularity thanks to internationally famous artists such as the American singer Harry Belafonte (Calypso, Island in the Sun, Day-O/Banana Boat Song). Fascinated by this music which embodies the very spirit of exoticism, Roland Kernen composed Caribbean Calypso, a composition with softly swaying rhythms which followa gentle and subtle melodic line in a rum and cigar-flavoured atmosphere. Caribische muziek kent talrijke ritmes die zijn meegenomen door slaven uit West-Afrika. De Europeanen brachten westerse melodieën en harmonieën in, die vandaag de dag nog steeds worden gebruikt in de calypso uit Trinidad, een genredat wereldwijd populair werd dankzij beroemde artiesten als Harry Belafonte (Island in the Sun, Day-O/Banana Boat Song). Roland Kernen nodigt muzikanten en luisteraars uit om zijn Caribbean Calypso te ontdekken:een compositie met zacht wiegende ritmes die een rustige melodielijn volgen in een sfeer van rum en sigaren.Die Musik der Karibik fasziniert durch die eindrucksvolle Verbindung vieler verschiedener Stile, die aus dem Schmelztiegel der zahlreichen dort lebenden ethnischen Gruppen entstanden sind. Roland Kernen lädt ein, seinen Caribbean Calypso zu entdecken, eine Komposition mit leicht wiegenden Rhythmen, die einer sanften, raffinierten Melodielinie folgen in eine mit Rum und Zigarren geschwängerte Atmosphäre. La musique des Cara bes est aussi plurielle que les îles et les ethnies qui la composent. Fasciné par cette mosa que qui sent bon l’exotisme, Roland Kernen vous invite découvrir Caribbean Calypso (“Calypso des Cara besâ€), une œuvre aux rythmes chaloupés qui distille une délicieuse ligne mélodique sur fond de rhum et de cigare. La musica dei Caraibi è varia come le isole e le etnie che la compongono. Affascinato da questa musica esotica, Roland Kernen vi invita a scoprire Caribbean Calypso, un brano dai ritmi ondeggianti caratterizzato da una deliziosa linea melodica sullo sfondo di rum e sigaro.
SKU: BT.DHP-1053847-215
SKU: GI.G-10368
ISBN 9781622776276.
This is a fascinating and important book for everybody even remotely interested in the history of American bands. Bryan Proksch has done some painstakingly thorough research in putting together an amazing assemblage of documents… This is a must-have book! —Jon Ceander Mitchell   The Wind Music Research Quarterly: Mitteilungsblatt der IGEB   (March 2022), 14–15 For the scholar, each entry presents an opportunity for expansion. For the teacher, this work provides source readings for courses on wind band history or for complementing Strunk or Weiss-Taruskin in university music history courses. That said, these documents stand as an enriching and entertaining read in their own right for anyone interested in the subject. —Michael O’Connor   Historic Brass Today 1/2 (Spring 2022), 32 The Golden Age of American Bands is ideally suited for courses on the history and literature of bands in America. Indeed, this volume could suffice as a textbook for adventuresome teachers in that it touches on the major musicians, instruments, ensembles, and functions expected of such a course. . . . Both private and classroom band instructors will find compelling glimpses into the history of their craft. [It is] bursting with opportunities to inspire curiosity in their students while effectively supporting their own curricular goals. —Benjamin D. Lawson and James A. Davis   The Journal of Music History Pedagogy Proksch’s new collection of documents is a most welcome step in the direction of getting [the story of bands] under control. The juxtaposition of documents from so many levels and types of ensembles proves to have a cumulative effect: one begins to see the subtle and long-lasting connections among them despite the big differences. It is easy to envision it as a supplemental text in a course on band history and literature, but the book is also just an absorbing read. There is much to learn here, and much to enjoy. —Ken Kreitner   Notes 79/2 (December 2022): 217-218 This is the story of the American wind band, told chronologically by those who experienced it in real time from 1835 to 1935. How did bands become bands? How did they rise in popularity? Which figures had insights and specific impacts on the development of the genre? Through source documents and articles, Bryan Proksch takes us on an extraordinary journey from the time of the first brass bands in the 1830s, through the Civil War and the golden ages of Gilmore and Sousa, to the cusp of the wind ensemble just before World War II. Hear from a young Frederick Fennell about his efforts to create the first band at Eastman. Read the outline of Allessandro Liberati’s unpublished trumpet method book. Eavesdrop on Karl L. King as he muses on the fate of bands after the death of Sousa. See Patrick Conway’s first undergraduate music education curriculum. Gawk as trombonist Fredrick Neil Innes embarrasses “world’s greatest cornetist†Jules Levy at Coney Island. Explore as Alan Dodworth revolutionizes bands. Retreat with a military band in the middle of a Civil War battle. Find out what it felt like to sit in a Sousa Band rehearsal. Ask Herbert L. Clarke why he thinks you should be playing a cornet instead of a trumpet. Find out how P. S. Gilmore managed to pull off the biggest concert events in American history. The book includes numerous rare and unknown illustrations to show you the places where band history happened. The documents include rare periodical excerpts, handwritten letters, and other writings taken from archives throughout the United States. These first-person accounts are certain to further refine and deepen our understanding and appreciation of American band history on a grand scale. Contents: Beginnings (1835–1859) The Civil War (1860–1865) The Jubilees (1866–1879) The Gilded Age (1880–1896) The Band Age (1897–1914) World War I (1915–1919) Transition and Decline (1920–1935)  Click here to download a FREE addenda. Bryan Proksch is a distinguished faculty lecturer and associate professor of music history and literature at Lamar University in Beaumont, Texas. This is his third book. His A Sousa Reader: Essays, Interviews, and Clippings (GIA Publications, 2016) explores the documents relating to the life and career of John Philip Sousa.
SKU: BT.DHP-1094650-030
Simply the Best was first performed by the little known Bonnie Tyler in 1988, but did not gain wide-spread popularity until Tina Turner recorded it barely one year later. The song has become one of Tina Turnerâ??s all time greatest hits and is a favourite around the world when something needs celebrating. Ron Sebregtsâ?? arrangement really rocks and will make sure your next concert is Simply the Best! Simply the Best wurde 1988 zunächst von Bonnie Tyler veröffentlicht - richtig bekannt wurde es jedoch in der nur ein Jahr jüngeren Version von Tina Turner, die heute noch jeder im Ohr hat. Diese Interpretation war auch die Grundlage der rockigen Bearbeitung von Ron Sebregts. Der perfekte Titel, um im unterhaltsamen Rahmen jemandem einen Tribut zu zollen oder einfach nur das Publikum in Fahrt zu bringen! Au milieu des années 70, Anna Mae Bullock (alias Tina Turner) entame une carrière solo et réussit devenir la superstar du rock féminin. La lionne la voix suave offre des prestations scéniques hallucinantes dâ??énergie. Tina chante, se déchaîne lors de concerts légendaires. Simply the Best compte parmi ses plus grands succès. A met degli anni â??70, Anna Mae Bullock (alias Tina Turner) inizia la carriera da solista e riesce ben presto a divenire la superstar del rock femminile. La leonessa dalla voce soave regala ai suoi fan concerti unici nel suo genere nei quali canta e si scatena. Simply the Best è senza dubbio uno dei suoi più grandi successi.
SKU: HL.44001699
UPC: 073999016994. 9.0x12.0x0.073 inches.
Nessun Dorma, an aria from Puccini's Turandot, is now instantlyrecognised due mainly to the performance by the late Pavarotti at the1990 World Cup in Italy. Since that time its popularity has continuedto grow and it is now often thought of as Pavarotti's theme tune.This version for concert band retains all the intense feeling of theoriginal. De Italiaanse componist Giacomo Puccini (1858-1924) schreef een aantal indrukwekkende opera's die hem wereldberoemd maakten - onder andere La Boheme, Tosca, Madama Butterfly en Turandot. 'Nessun Dorma' uit Turandot iseen van de bekendste tenoraria's uit de wereld van de opera. De schitterende melodie komt in deze bewerking uitstekend tot haar recht.Turandot (1926) est un opera posthume. Puccini decede en 1924, laissant son opera incomplet. Turandot sera acheve par Franco Alfano d'apres les esquisses du compositeur. Lyrique, somptueux et poignant, Nessun Dorma est devenu l'un des plus beaux airs d'opera, un theme de predilection pour les tenors les plus prestigieux, tels que Luciano Pavarotti, Placido Domingo et Roberto Alagna.
SKU: CA.3710449
ISBN 9790007091347. Language: German.
He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered.. Score and part available separately - see item CA.3710400.
SKU: BT.DHP-1115206-070
ISBN 9789043149297. 9x12 inches. English-German-French-Dutch.
De Haske's best-selling Pops for String Quartet series offers excellent arrangements for intermediate string quartets who want to bring some classic pop to their performances.This lyrical ballad was released by Billy Joel in 1977 and has gained popularity recently when it was used for a John Lewis television advert. Onder de naam Pops for String Quartet heeft de Haske een nieuwe serie ontwikkeld voor strijkkwartetten die zich eens buiten het klassieke pad willen begeven. Een collectie van uitstekende arrangementen in gemiddelde moeilijkheidsgraad!Deze prachtige ballad uit de jaren zeventig van Billy Joel leent zich uitstekend voor een gevoelige interpretatie door strijkkwartet.Unter dem Titel Pops for String Quartet hat De Haske eine Notenreihe ins Leben gerufen, die Streichquartette, die sich einmal abseits der ausgetretenen klassischen Pfade bewegen wollen, mit ausgezeichneten Arrangements im leichten bis mittleren Schwierigkeitsgrad versorgt.Die lyrische Ballade von Billy Joel aus dem Jahre 1977 eignet sich vorzüglich für eine gefühlvolle Interpretation im Streichquartett! La collection Pops for String Quartet des Éditions De Haske présente des arrangements originaux de pièces stupéfiantes, sans jamais dépasser un degré de difficulté élémentaire. Laissez-vous surprendre par ces quatuors d'un genre nouveau !Cette merveilleuse ballade, écrite par Billy Joel en 1977, a été magnifiquement arrangée pour Quatuor Cordes. Pops for String Quartet: una collana per tutti i violinisti desiderosi di suonare qualcosa di diverso dal repertorio classico.La splendida ballata lirica di Bill Joel del 1977 si presta alla perfezione per essere interpretata da un quartetto di archi.
SKU: BT.DHP-1094650-020
Simply the Best was first performed by the little known Bonnie Tyler in 1988, but did not gain wide-spread popularity until Tina Turner recorded it barely one year later. The song has become one of Tina Turner’s all time greatest hits and is a favourite around the world when something needs celebrating. Ron Sebregts’ arrangement really rocks and will make sure your next concert is Simply the Best! Simply the Best wurde 1988 zunächst von Bonnie Tyler veröffentlicht - richtig bekannt wurde es jedoch in der nur ein Jahr jüngeren Version von Tina Turner, die heute noch jeder im Ohr hat. Diese Interpretation war auch die Grundlage der rockigen Bearbeitung von Ron Sebregts. Der perfekte Titel, um im unterhaltsamen Rahmen jemandem einen Tribut zu zollen oder einfach nur das Publikum in Fahrt zu bringen! Au milieu des années 70, Anna Mae Bullock (alias Tina Turner) entame une carrière solo et réussit devenir la superstar du rock féminin. La lionne la voix suave offre des prestations scéniques hallucinantes d’énergie. Tina chante, se déchaîne lors de concerts légendaires. Simply the Best compte parmi ses plus grands succès. A met degli anni ’70, Anna Mae Bullock (alias Tina Turner) inizia la carriera da solista e riesce ben presto a divenire la superstar del rock femminile. La leonessa dalla voce soave regala ai suoi fan concerti unici nel suo genere nei quali canta e si scatena. Simply the Best è senza dubbio uno dei suoi più grandi successi.
SKU: CA.3710411
ISBN 9790007214296. Language: German.
SKU: BT.DHP-1094650-120
SKU: BA.BA07567
ISBN 9790006544097. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldi’s twelve concertos op. 4 known by the name of “La Stravaganza†were first mentioned as a collection of “Concerti a 4†in the 1711 Foreword of “L’Estro Armonico†op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, “La Stravaganza†is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of “La Stravaganza†bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of “La Stravaganza†is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh & Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.0518-99-400-DHI
ISBN 9789043103404. English-German-French-Dutch.
The recent rise in popularity of Latin music has prompted us to bring you this exciting play-along book. It contains ten well-known melodies all with the characteristic Spanish and South American feel. This book comes with a backing CD to ensure truly exotic performances. Amor, Besame Mucho, La Playa en Quando, Quando, Quando. Naast deze bekende titels bevat Romantic Latin zes andere romantische melodieën in easy listening latin-stijl. De cd bevat van alle stukken een voorbeeldversieen een begeleidingstrack.Die bekannten zehn Titel in Romantic Latin gehen leicht ins Ohr und eignen sich für Aufführungen wie auch für den Unterricht. Auf die vollständige Demo-Aufnahme folgt ein Play-Along-Track, auf dem nur die Begleitung zu hören ist. Romantic Latin contient dix pièces, mélodieuses et faciles, aux rythmes balancés. Historia de un Amor, Solamente una Vez, Besame Mucho, La Playa et tous les autres morceaux de ce recueil vous sont présentés deux fois : dans leur instrumentation complète et en version avec accompagnement seul pour vous permettre de jouer en solo ! Romantic Latin contiene 10 pezzi melodici facili, ritmici e ballabili. Historia de un Amor, Solamente una Vez, Besame Mucho, La Playa e tutti gli altri titoli di questa raccolta sono registrati sul CD in due versioni: una prima con l’interpretazione completa, e una seconda col solo accompagnamento che vi permetter di lanciarvi nei vostri solo.
SKU: CA.3710414
ISBN 9790007214326. Language: German.
SKU: CA.3710400
ISBN 9790007090821. Language: German.
He was without argument our greatest church composer, wrote the lexicographer E. L. Gerber a few years after Homilius's death in 1785. As a result of the destruction of the Kreuzkirche during the Seven Years War, the longtime Kreuzkantor, a pupil of Bach, performed his professional musical duties primarily at the Frauenkirche in Dresden. The Passionskantate was well received and widely disseminated during the 18th and 19th centuries: Thanks to its popularity it was published in 1775 by Breitkopf as a full score - a rare honor, accorded to only one other Passion in the 18th century (Graun's Tod Jesu). The text describes the events of the Passion from a very personal point of view: The story focuses less on the actual events, then upon the feelings of the observers of these events. The subjective nature of the narrative is reflected in a very dramatically marked style of recitative, which presents a charming contrast to the expressive choral writing and the melodically accented arias. With the release of a new music editions and a SACD/CD the Passionskantate can now be rediscovered..
SKU: BA.BA06947
ISBN 9790006498673. 27 x 19 cm inches.
Johann Vierdanck (1605-1646) was a choirboy in Dresden and a pupil of Heinrich Schütz. After short stays in Lübeck and Copenhagen he became an organist at St Mary's in Stralsund. His 1641 collection of 45 „sacred concerts“ appeared in several editions reflecting its popularity among his contemporaries. All the settings are based on Luther's translation of the Bible and are related stylistically to Heinrich Schütz's „Symphoniae sacrae“ (1629) and “Kleine geistliche Konzerte†(1636). The three psalm settings in this volume are ideally suited for small choirs or solo voices in church or concert performance.
SKU: BA.BA07566
ISBN 9790006544066. 31 x 24.3 cm inches. Preface: Schwemer, Bettina.
Antonio Vivaldiâ??s twelve concertos op. 4 known by the name of â??La Stravaganzaâ? were first mentioned as a collection of â??Concerti a 4â? in the 1711 Foreword of â??Lâ??Estro Armonicoâ? op. 3. Their publication had to wait until 1716, when Estienne Roger issued them in two volumes of six concertos each. However, unlike the original announcement, â??La Stravaganzaâ? is more than a collection of concertos for solo violin with string accompaniment: in five of the concertos the soloist is joined by a second solo violin or even by a solo violoncello (Concerto No. 7).The many reprints of â??La Stravaganzaâ? bear witness to its popularity and widespread dissemination well into the 1730s. Besides the surviving prints, there is a significant body of handwritten sources containing alternative versions for seven of the concertos. Some of these manuscripts stem from the music library of Johann Georg Pisendel.This edition of â??La Stravaganzaâ? is not only the first scholarly-critical edition, it is also the only complete edition available. In addition to the twelve concertos handed down in the Roger edition, Bärenreiter offers an additional concerto in full score, piano reduction and parts contained in the 1728 print issued by the English publishers Walsh and Hare, as well as alternative versions (without viola) found in handwritten sources for Concertos No. 6 (Volume 1) and No. 11 (Volume 2).
SKU: CA.3710412
ISBN 9790007214302. Language: German.
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