(A Collection Motets, Madrigals, Chansons, Carols, Ayres, Ballets, etc.) Edited by Henry Clough-leighter. Collection for mixed choir (A Cappella). With introductory text and piano rehearsal part. Series: Secular. 171 pages. Published by E.C. Schirmer Publishing.

By Bob Chilcott. For SATB choir (with divisions), a cappella. Mixed Voices. Secular, Choral Leaflet. Vocal score. 20 pages. Duration 4'. Published by Oxford University Press

(How the Lady Saved her Man). Arranged by Stephen Hatfield. (SSAA A Cappella). Celtic Voices. Size 6.75x10.5 inches. 16 pages. Published by Boosey and Hawkes.

By Arden Skoglund. SATB DV A Cappella. Walton Choral. 8 pages. Walton Music #WJMS1119. Published by Walton Music

Edited by Sigmund Spaeth. For Choir. (a cappella). Choral Collection. Barbershop. Book. 32 pages. Published by Alfred Publishing.

By The Kings Singers. (SATB DV A Cappella). Kings Singers Choral. 112 pages. Published by Hal Leonard.

Set 1 On Gratitude, Love and Madness. Composed by Thea Musgrave (1928-). Music Sales America. A Cappella, Classical. 28 pages. Novello and Co Ltd. #NOV160270. Published by Novello and Co Ltd. (HL.14024146).

By Stephen Hatfield. (SATB A Cappella). Boosey and Hawkes Sacred Choral. Size 6.8x10.5 inches. 22 pages. Published by Boosey & Hawkes.

Songwriter and composer Peter Skellern was a great writer of many truly sensitive love songs, with You’re A Lady being the most famous by far. This evergreen was originally performed with brass band backing, making it an obvious choice for a brass band arrangement.

Le compositeur-interprète britannique Peter Skellern (1947) a débuté sa carrière artistique comme chef d’un chœur d’église. Après avoir reçu une solide formation au Collège de Musique Guildhall Londres, il travaille plusieurs années durant comme compositeur la BBC. Il collabore également avec Andrew Lloyd Webber, l’un des plus brillants compositeurs de comédies musicales. Peter Skellern a essentiellement composé des chansons d’amour lyriques dont la plus célèbre est You’re a Lady. Wim Stalman a réalisé un arrangement particulièrement brillant et fidèle la version originale

(A Choral Medley: I Could Have Danced All Night / On the Street Where You Live / Wouldn't It Be Loverly / I've Grown Accustomed to Her Face / Get Me to the Church On Time). By Alan Jay Lerner, music by Frederick Loewe. Arranged by Andy Beck. Choir Secular. For SoundPax. This edition: SoundPax. Choral Octavo; Part(s). Pop Choral. Form: Medley. Broadway; Movie. 72 pages. Published by Alfred Music Publishing

As Performed by Lady Gaga and Bradley Cooper. Composed by Lady Gaga, Mark Ronson, Anthony Rossomando, and Andrew Wyatt. Arranged by Victor Lopez. Full Orchestra; Performance Music Ensemble; Single Titles. Pop Concert Full Orchestra. Movie. Score and Parts. 166 pages. Alfred Music #00-47451. Published by Alfred Music

F/Eb Horn - intermediate

SKU: BT.DHP-1002158-400

Arranged by Don Campbell and Peter Gistelinck. TV-Film-Musical-Show. Book with CD. Composed 2000. 36 pages. De Haske Publications #DHP 1002158-400. Published by De Haske Publications (BT.DHP-1002158-400).

ISBN 9789043110730. English.

Everyone will be sure to recognise many of the ten hits from the world of the West-End Musical. Contains songs from Sweet Charity, Aspects of Love, My Fair Lady, A Chorus Line, Fiddler On The Roof, The Blues Brothers, Phantom of The Opera and Joseph and His Amazing Technicolor Dreamcoat.

Bekannte Songs des 20. Jahrhunderts.

Il CD contiene la versione integrale di ogni brano, come anche una versione con il solo accompagnamento.

String Quartet

SKU: HL.14030964

Composed by Bent Sorensen. Music Sales America. Classical. Score. 10 pages. Music Sales #KP00510. Published by Music Sales (HL.14030964).

ISBN 9788759861455. English.

The Composer writes: 'In February 1987 I saw in the Tate Gallery in London a painting by the Victorian English painter John William Waterhouse. The painting kept haunting my memory, and as I at the same time planned to write a piece for solo Viola, my ideas for the music and the memory of the painting fused more and more. I decided, then, to let my piece borrow the title of Waterhouse's painting: The Lady Of Shalott. The picture of a mad-like, pale, and perhaps singing woman alone in a boat without sculls, which calmly slips out from the rush growth of the river is an illustration for the ending of Alfred Tennyson's poem by the same title, which again plaits into the old English legends about King Arthur. My piece tries to meander - like the river at Camelot - among these sources.' As suggested above the piece was originally written for Viola solo. This version for String Quartet is from 1993.