| Female Composers (Piano / Violin) Violin and Piano Schott | | |
| Lalai Cello/piano Cello, Piano - Advanced Schott
Composed by Barbara Heller. This edition: Saddle stitching. Sheet music. Cel...(+)
Composed by Barbara Heller.
This edition: Saddle
stitching. Sheet music. Cello-
Bibliothek (Cello Library).
Classical. Composed 1989. 9
pages. Duration 8'. Schott
Music #CB155. Published by
Schott Music
$17.99 - See more - Buy online | | |
| 4 Piano Trios Schott
Score and Parts Piano Trio SKU: HL.49046598 Arriba! - Sturmwind - Seif...(+)
Score and Parts Piano Trio SKU: HL.49046598 Arriba! - Sturmwind - Seifenblasen - Lalai Score and Parts. Composed by Barbara Heller. Edition Schott. Classical. Softcover. 48 pages. Duration 420 seconds. Schott Music #ED23322. Published by Schott Music (HL.49046598). ISBN 9781705127735. UPC: 842819112488. 9.0x12.0x0.156 inches. Violin, Cello, and Piano. $34.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Folksong Partners Around the World Children choir [Sheet music] Hal Leonard
More Flexible Favorites for Unison and Part-Singing Fun. Composed by Geor...(+)
More Flexible Favorites for Unison and Part-Singing Fun. Composed by George L.O. Strid and Mary Donnelly. Music Express Books. Softcover. 72 pages. Published by Hal Leonard (HL.194815).
$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Folksong Partners Around the World Children choir Unison/2-part, Piano [Sheet music + Audio access] Hal Leonard
More Flexible Favorites for Unison and Part-Singing Fun. Composed by Geor...(+)
More Flexible Favorites for Unison and Part-Singing Fun. Composed by George L.O. Strid, Mary Donnelly. Music Express Books. Elementary, Multicultural, Collection. Softcover Audio Online. 64 pages. Published by Hal Leonard (HL.194816).
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Beautiful Melodies from Around the World - Music for Two Violins Selected Cello Parts 2 Violins (duet) Mel Bay
Violin - Beginning; Intermediate; Advanced SKU: MB.30859 Saddle-stitched,...(+)
Violin - Beginning; Intermediate; Advanced SKU: MB.30859 Saddle-stitched, Wedding. World Music. Book/insert. 68 pages. Mel Bay Publications, Inc #30859. Published by Mel Bay Publications, Inc (MB.30859). ISBN 9781513465951. 8.75x11.75 inches. Imagine a campfire! Envision sitting around the bright flames with your friends and family singing songs out in the great expanse. Imagine that those melodies you sing stir up joy, hope, and belief in the great wonders of the world. Melodies have connected different kinds of people for many, many years. Music brings us closer, and music makes any occasion more festive and memorable. This book was written to promote the love of old folk melodies, provide processional music for special celebrations, and to include players of all levels. Music educators will find that there are many possibilities and combinations for practice and performance. Includes a 16-page pull-out section of twelve selected pieces for an optional cello part. It is my great hope that music students, families, and educators will all enjoy this very special collection of Beautiful Melodies from Around the World. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Berko's Journey Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.11642143L Composed by Stacy Garrop. Spiral. Large Score. 68 pages. Duration 20 minutes. Theodore Presser Company #116-42143L. Published by Theodore Presser Company (PR.11642143L). UPC: 680160693320. 11 x 17 inches. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craft Berko’s Journey, I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1, Leaving Ekaterinoslav, we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2, In Transit, we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3, At Home in Omaha, we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craftxa0Berko’s Journey,xa0I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1,xa0Leaving Ekaterinoslav,xa0we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2,xa0In Transit,xa0we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3,xa0At Home in Omaha,xa0we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. $71.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Folksongs Book Guitar [Sheet music] - Easy Hal Leonard
133 Songs from Around the World. Easy Guitar (Simplified arrangements for guitar...(+)
133 Songs from Around the World. Easy Guitar (Simplified arrangements for guitar). Size 9x12 inches. 128 pages
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Metodo Elementare Volonte and Co
Balalaika SKU: BT.VOLMB500 Per Balalaika. Composed by Mauro Storti...(+)
Balalaika SKU: BT.VOLMB500 Per Balalaika. Composed by Mauro Storti. Method. Book Only. Volonte e Co #VOLMB500. Published by Volonte e Co (BT.VOLMB500). ISBN 9788863884944. Italian. $14.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Jewish Songs for Classical Guitar Guitar Classical guitar Transcontinental Music
Arranged by Fred Fastow. Transcontinental Music Folios. Size 8.5x11 inches. 27 p...(+)
Arranged by Fred Fastow. Transcontinental Music Folios. Size 8.5x11 inches. 27 pages. Published by Transcontinental Music Publications.
$19.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Berko's Journey [Score] Theodore Presser Co.
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in...(+)
Orchestra Bass Clarinet, Bass Trombone, Bassoon 1, Bassoon 2, Cello, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Contrabassoon, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Harp, Horn 1, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion 1 and more. SKU: PR.11642143S Composed by Stacy Garrop. Sws. Score. 68 pages. Duration 20 minutes. Theodore Presser Company #116-42143S. Published by Theodore Presser Company (PR.11642143S). UPC: 680160693313. 11 x 17 inches. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craft Berko’s Journey, I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1, Leaving Ekaterinoslav, we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2, In Transit, we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3, At Home in Omaha, we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. For most of my life, I never knew where my father’s family came from, beyond a few broad strokes: they had emigrated in the early 1900s from Eastern Europe and altered the family name along the way. This radically changed in the summer of 2021 when my mother and sister came across a folder in our family filing cabinet and made an astounding discovery of documents that revealed when, where, and how my great-grandfather came to America. The information I had been seeking was at home all along, waiting over forty years to be discovered.Berko Gorobzoff, my great-grandfather, left Ekaterinoslav in 1904. At that time, this city was in the southern Russian area of modern-day Ukraine; as his family was Jewish, he and his siblings were attempting to escape the ongoing religious persecution and pogroms instigated by Tzar Nicholas II to root out Jewish people from Russia. Berko’s older brother Jakob had already emigrated to Illinois, and Berko was traveling with Chaje, Jakob’s wife, to join him. Their timing was fortuitous, as the following year saw a series of massive, brutal pogroms in the region. After arriving in Illinois, Berko went on to Omaha, Nebraska, where he married my great-grandmother Anna about eighteen months later. They remained in Omaha for the rest of their lives.There is one more intriguing part to this historical account: I have a great-aunt in Texas who, as it turns out, is the youngest daughter of Berko and Anna. Through a series of phone calls, my great-aunt and I discussed what she could remember: her parents spoke Yiddish at home, her mother didn’t learn to read or write in English so my great-aunt was tasked with writing letters to family members, Berko ran a grocery store followed by a small hotel, and her parents enjoyed playing poker with friends. Above all else, neither of her parents ever spoke a word about their past or how they got to America. This was a common trait among Eastern European Jewish immigrants whose goal was to “blend in” within their new communities and country.To craftxa0Berko’s Journey,xa0I melded the facts I uncovered about Berko with my own research into methods of transportation in the early 1900s. Also, to represent his heritage, I wove two Yiddish songs and one Klezmer tune into the work. In movement 1,xa0Leaving Ekaterinoslav,xa0we hear Berko packing his belongings, saying his goodbyes to family and friends, and walking to the train station. Included in this movement is a snippet of the Yiddish song “The Miller’s Tears” which references how the Jews were driven out of their villages by the Russian army. In movement 2,xa0In Transit,xa0we follow Berko as he boards a train and then a steamship, sails across the Atlantic Ocean, arrives at Ellis Island and anxiously waits in line for immigration, jubilantly steps foot into New York City, and finally boards a train that will take him to Chicago. While he’s on the steamship, we hear a group of fellow steerage musicians play a klezmer tune (“Freylachs in d minor”). In movement 3,xa0At Home in Omaha,xa0we hear Berko court and marry Anna. Their courtship is represented by “Tumbalalaika,” a Yiddish puzzle folksong in which a man asks a woman a series of riddles in order to get better acquainted with each other and to test her intellect.On a final note, I crafted a musical motive to represent Berko throughout the piece. This motive is heard at the beginning of the first movement; its first pitches are B and E, which represent the first two letters of Berko’s name. I scatter this theme throughout the piece as Berko travels towards a new world and life. As the piece concludes, we hear Berko’s theme repeatedly and in close succession, representing the descendants of the Garrop line that came from Berko and Anna. $40.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jewish Songs for Accordion Accordion Hal Leonard
By Various. Arranged by Gary Meisner. Accordion. Softcover. 48 pages. Published...(+)
By Various. Arranged by Gary Meisner. Accordion. Softcover. 48 pages. Published by Hal Leonard
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Album for the Young (Album d'Enfants), Op. 39 Soli, Mixted choir and accompaniment Lucks Music Library
(1+1.1D1.2.1/2.2.1.0,timp ,perc,hp,mand,Balalaika,a ccordian,str) SKU: TM.087...(+)
(1+1.1D1.2.1/2.2.1.0,timp,perc,hp,mand,Balalaika,accordian,str) SKU: TM.08713SET Composed by Peter Illich Tschaikowsky. Edited by Rogal-Levitsky. Set Type: D. Set of parts. Lucks Music Library #A6758. Published by Lucks Music Library (TM.08713SET). Edited by Rogal-Levitsky. Clarinet II doubles on Saxophone in #9. $350.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Chanukah And Other Hebrew Holiday Songs Piano solo [Sheet music] - Intermediate Alfred Publishing
Keyboard (Christmas Book). Level: Early Intermediate/Intermediate (3/4/5). Publi...(+)
Keyboard (Christmas Book). Level: Early Intermediate/Intermediate (3/4/5). Published by Alfred Publishing.
$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jewish Festival and Folk Songs - book 3 Piano, Voice [Sheet music] FJH
Arranged by Renee Karp; David Karp. For voice and piano. Late Elementary / Early...(+)
Arranged by Renee Karp; David Karp. For voice and piano. Late Elementary / Early Intermediate. Collection
$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ignatieff - Balalaika Method Zimmermann | | |
| David Carr Glover Method for Piano: Lessons, Level 2 Piano solo [Sheet music] - Beginner Alfred Publishing
By David Carr Glover and Jay Stewart. For Piano. Piano method/supplement. Level:...(+)
By David Carr Glover and Jay Stewart. For Piano. Piano method/supplement. Level: Early Elementary, Level 2. Book. 60 pages. Published by Alfred Publishing.
(1)$8.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Complete Jewish Songbook for Children Piano, Vocal and Guitar [Sheet music] - Easy Transcontinental Music
Transcontinental Music Folios. Size 8.5x11 inches. 308 pages. Published by Trans...(+)
Transcontinental Music Folios. Size 8.5x11 inches. 308 pages. Published by Transcontinental Music Publications.
$39.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| Alfred's Basic Piano Course - Recital Book (Complete Level 1)
Piano solo [Sheet music] - Easy Alfred Publishing
(For the Later Beginner) Written by Amanda Vick Lethco, Morton Manus, Willard A....(+)
(For the Later Beginner) Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. For piano. Format: piano solo songbook. With introductory text, big note notation, easy piano notation, fingerings, lyrics (on most songs) and illustrations. Solos. Series: Alfred's Basic Piano Library. 48 pages. 9x12 inches. Published by Alfred Publishing.
$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jewish Favorites Piano solo Willis Music
Teaching Little Fingers to Play/Mid-Elementary Level. Arranged by Eric Baumgartn...(+)
Teaching Little Fingers to Play/Mid-Elementary Level. Arranged by Eric Baumgartner. Willis. Book only. Size 8.5x11 inches. 24 pages. Published by Willis Music.
$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Balalaika N 4 Nitchevo Chant/piano Piano, Voice Hal Leonard
(Voice and Piano) SKU: HL.50578851 Max Eschig. Hal Leonard #ME5918/1. Pub...(+)
(Voice and Piano) SKU: HL.50578851 Max Eschig. Hal Leonard #ME5918/1. Published by Hal Leonard (HL.50578851). $9.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Alfred's Basic Piano Course - Recital Book Level 1a
Piano solo [Sheet music] - Beginner Alfred Publishing
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. Songbook for eas...(+)
Written by Amanda Vick Lethco, Morton Manus, Willard A. Palmer. Songbook for easy solo piano. 32 pages. Published by Alfred Publishing.
(1)$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Balalaika N 1 Cht/piano Piano, Voice Hal Leonard
(Voice and Piano) SKU: HL.50578846 Max Eschig. Hal Leonard #ME5915/1. Pub...(+)
(Voice and Piano) SKU: HL.50578846 Max Eschig. Hal Leonard #ME5915/1. Published by Hal Leonard (HL.50578846). $10.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Russian Folk music Vol. 1 Music Distribution Services
Electric Organ SKU: M7.AV-5955 With German Text. Arranged by Erich...(+)
Electric Organ SKU: M7.AV-5955 With German Text. Arranged by Erich Sendel. This edition: Saddle-wire stitching. Sheet music. 24 pages. MDS (Music Distribution Services) #AV 5955. Published by MDS (Music Distribution Services) (M7.AV-5955). ISBN 9790203918332. $17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Noona Basic Piano Book 8 Piano solo Heritage Music Press
By Walter Noona. Piano. Level: Level 3. Piano method. Published by Heritage Musi...(+)
By Walter Noona. Piano. Level: Level 3. Piano method. Published by Heritage Music Press.
(1)$6.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Album for the Young (Album d'Enfants), Op. 39 Soli, Mixted choir and accompaniment [Score] Lucks Music Library
(1+1.1D1.2.1/2.2.1.0,timp ,perc,hp,mand,Balalaika,a ccordian,str) SKU: TM.087...(+)
(1+1.1D1.2.1/2.2.1.0,timp,perc,hp,mand,Balalaika,accordian,str) SKU: TM.08713SC Composed by Peter Illich Tschaikowsky. Edited by Rogal-Levitsky. Score. Lucks Music Library #A6758. Published by Lucks Music Library (TM.08713SC). Edited by Rogal-Levitsky. Clarinet II doubles on Saxophone in #9. $80.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Klingende Balalaika (1832-1840) -Russische und polnische Volkslieder- [Score] - Easy Verlag Dohr
Gesang - Level 2 SKU: VD.ED96354 Russische und polnische Volkslieder(+)
Gesang - Level 2 SKU: VD.ED96354 Russische und polnische Volkslieder. Composed by Anton Wilhelm von Zuccalmaglio. Edited by Else Yeo. Arranged by Else Yeo. Classical. Score. With Text Language: German. 94 S. pages. Verlag Dohr #ED96354. Published by Verlag Dohr (VD.ED96354). ISBN 9790202003541. 10.63 x 7.48 inches. $53.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Balalaika N 7 Ste Russie Chant Seul Piano, Voice Hal Leonard
(Voice and Piano) SKU: HL.50578859 Max Eschig. Hal Leonard #ME5926/2. Pub...(+)
(Voice and Piano) SKU: HL.50578859 Max Eschig. Hal Leonard #ME5926/2. Published by Hal Leonard (HL.50578859). $3.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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