| Oxford Book Of English Madrigals Choral SATB [Vocal Score] Oxford University Press
Composed by Philip Lane Ledger. Edited by Philip Lane Ledger. Mixed Voices. Secu...(+)
Composed by Philip Lane Ledger. Edited by Philip Lane Ledger. Mixed Voices. Secular, Choral Collection. Vocal score. 408 pages. Oxford University Press #9780193436640. Published by Oxford University Press
(1)$31.99 - See more - Buy online | | |
| Carolan: The Life Times And Music Of An Irish Harper Harp [Sheet music] Ossian Publications
By Turlough O Carolan ; Donal O'sullivan. For Harp. Irish, Folk, Celtic. 380 pag...(+)
By Turlough O Carolan ; Donal O'sullivan. For Harp. Irish, Folk, Celtic. 380 pages. Published by Ossian Publications.
$49.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Choral Works For Mixed Voices EMB (Editio Musica Budapest)
Mixed Voices a cappella SKU: BT.EMBZ6725 Extended and revised paperbac...(+)
Mixed Voices a cappella SKU: BT.EMBZ6725 Extended and revised paperback edition. Composed by Zoltan Kodaly. Hymns & Chorals. Book Only. Composed 1972. 404 pages. Editio Musica Budapest #EMBZ6725. Published by Editio Musica Budapest (BT.EMBZ6725). Hungarian. Zoltán Kodály s unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author s edition, being expanded with eight new compositions, but without Els áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a commemorative extended edition of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with themanuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 we emended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály s collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek eristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), ejesztend t köszönt (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known under the title of Naphimnusz (Canticle of the Sun), due to earlier editions the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szed s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály s mixed choruses to date it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue.
Diese Ausgabe entstand unter der Mitwirkung von Lajos Bárdos. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Choral Works For Mixed Voices EMB (Editio Musica Budapest)
Mixed Voices SKU: BT.EMBZ6725A Extended and Revised Cloth Bound Editio...(+)
Mixed Voices SKU: BT.EMBZ6725A Extended and Revised Cloth Bound Edition. By Péter Erdei. By Zoltan Kodaly. Hymns & Chorals. Book Hardcover. Composed 2018. 404 pages. Editio Musica Budapest #EMBZ6725A. Published by Editio Musica Budapest (BT.EMBZ6725A). Hungarian. Zoltán Kodály s unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author s edition, being expanded with eight new compositions, but without Els áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a commemorative extended edition of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with themanuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 we emended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály s collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek eristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), ejesztend t köszönt (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known under the title of Naphimnusz (Canticle of the Sun), due to earlier editions the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szed s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály s mixed choruses to date it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Scots Guards Standard Settings Of Pipe Music Volume 2 Bagpipe - Intermediate Paterson Ltd
For Bagpipes. Traditional. Level: Intermediate. Sheet Music. 210 pages. Publishe...(+)
For Bagpipes. Traditional. Level: Intermediate. Sheet Music. 210 pages. Published by Paterson Ltd.
$53.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.
(10)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Prophesies [Score and Parts] Theodore Presser Co.
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score...(+)
Chamber Music Cello, Viola, Violin 1, Violin 2 SKU: PR.114419030 Score and Parts. Composed by Mohammed Fairouz. Sws. Score and parts. With Standard notation. 68 pages. Duration 25 minutes. Theodore Presser Company #114-41903. Published by Theodore Presser Company (PR.114419030). ISBN 9781491114124. UPC: 680160669851. 9 x 12 inches. A fascination with polycultural synergy between diverse literary textsdrives the inspiration for much of Mohammed Fairouz’s prodigiouscreative output, including instrumental music as well as vocal. Inhis profound and extensive essay preceding the score, Fairouz shedslight on how Edgar Allen Poe’s “Israfel” relates to the prophetsand prophesies of the Quran, Old Testament, and New Testament.The eight-movement quartet may be heard as a dramatic galleryof portraits and of story-telling, flourishing in a post-traditionallanguage that is at once vernacular and spiritual, Middle Easternand Western. The complete set of score and parts is included in thispublication. (See pages 2-3 of score for clear distinction of paragraphs, etc.)Prophesies, by Mohammed FairouzEdgar Allen Poe’s rendition of Israfel was the point of departure for the final movement of my previous stringquartet which is titled The Named Angels. At the opening of his poem, Poe evokes the Quran:“And the angel Israfel, whose heartstrings are a lute, and who has the sweetest voice of all God’s creatures.”This informs the first lines of the poem that, in turn, gave me the title for the final movement of The Named Angels,“Israfel’s Spell”:In Heaven a spirit doth dwell“Whose heartstrings are a lute”None sing so wildly wellAs the angel Israfel,And the giddy stars (so legends tell),Ceasing their hymns, attend the spellOf his voice, all mute.It is the end of that poem, however, that is the starting point for the current quartet, Prophesies, which concernsitself with mortal prophets rather than eternal Angelic spirits.If I could dwellWhere IsrafelHath dwelt, and he where I,He might not sing so wildly wellA mortal melody,While a bolder note than this might swellFrom my lyre within the sky.Islamic thought has asked us to look at the example of the prophets. That’s significant because of the fact thatJoseph and all the prophets were human beings with the flaws of human beings. No prophet was perfect, andIslamic tradition has never asked its followers to aspire to the example of the Angels, the perfected ones. Instead weare given the gift of our prophets. While The Named Angels drew on the motion and energy of everlasting spirits,Prophesies is a depiction of the movements within our own mortal coil.This quartet is a continuation of a long tradition of Muslim artists telling their stories and singing their songs.Many of these renditions are, in fact, figurative and (contrary to popular belief) the Quran contains no “Islamicedict” prohibiting figurative renditions of the figures described in the Old Testament, New Testament, or Quran.The majority of artists, however, have preferred eternal and abstract forms such as words and their calligraphicrepresentations, poems (Yusuf and Zuleikha or the Conference of Birds come immediately to mind), architecture,and many other non-figurative art forms to the representation of man. These cold, ancient, and everlasting shapesof unending time flourished, and the divine infinity of representing geometric forms gained favor over the placementof the explicit representation of mankind and our own likeness at the center of the universes.Adding the string quartet to these forms which express the recursive spheres of heavens and earth abstractly shouldexplain why I have chosen to render higher things through the use of music without the addition of words or anyother art-form. It is the abstract art of pure form, in which all is form and all is content, which compels me. Thisquartet should be seen as no more programmatic than the arches of the Great Mosque at Cordoba.The first movement, Yāqub (Jacob), is slow, quiet and prayerful. It evokes the patient sorrow of a slow choraledeveloping over time as it coaxes our pulse out of the ticking of a clock-like meter that defines our day-to-day livesand into a divine eternity.The second, Saleh, imagines the spirit of that desert-prophet through the use of a Liwa; the dance-sequence that hasbeen such a prevalent form of expression in the Arabian Peninsula for much of our recorded history.The third movement is titled Dawoōd, and it is emblematic of the beloved Prophet, King, and Psalmist, David.Though it has no lyrics, the movement functions as a dabkeh (an ancient dance native to the Levant) and also “sets”the opening of Psalm 100 (Make a joyful noise unto the Lord, all ye lands). This line is never set to music or sung inthe quartet but is evoked through the rhythmic shape of the violin part which imitates the phonology and rhythmof my speaking the opening line in the Hebrew and develops the contours of that line incessantly throughout themovement.3The fourth movement is an ode to Yousef (Joseph) and relates to the first movement in tempo and tone just as Josephrelates to Jacob, his father. Together, the first and fourth movements provide a sort of Lamentation and relief.Joseph had the appearance of a noble angel, but he was very much a human being. And the story of this particularprophet had tragic beginnings many years before he found himself in a position of power in Egypt. Back in his youth,still among the Israelites, Joseph experienced a series of revelations through his dreams that spoke of his impendingcareer in prophecy. He confided his dreams to his father, the Prophet Jacob, who told his son of the greatness thatawaited him in his future only to have his brothers throw him into a well and leave him for dead. Joseph eventuallyfound his way from Israel to Egypt and rose out of slavery into a position of power. Meanwhile, famine engulfs Israel.Forty years pass, and back in the land of Jacob and Rachel, of Joseph’s brothers and Abraham’s tribe, Israel wasnot spared the effects of the famine. They sorely lacked Joseph’s prophecy and his vision. The Qur’an then tells usthat Jacob, sensing Joseph, sends the other brothers to Egypt instructing them to come back with food and grain.Arriving in Egypt, they unwittingly appear before Joseph. They don’t recognize their little brother who has risen toa position of might, dressed in his Egyptian regalia. They ask for the food and the grain.After some conversation, Joseph is no longer able to contain his emotion. Overcome, he reveals himself to his nowterrified brothers. He embraces them. He asks them eagerly, “How is our father?” Joseph gives them the gift of thefood and the grain that they came in search of. He relieves them from hunger and alleviates their fear. He sendsthem back with proof that he is alive, and it is this joyful proof from the miraculous hands of a prophet that bringsback the ancient Jacob’s vision after 40 years of blindness.In this story, I am struck by the fact that Joseph may not have made the decision to forgive his brothers on thespot, but that something inside the prophet’s soul found forgiveness and peace for the brothers who had so gravelywronged him at some point along his journey. I would suspect this point to have been present at Joseph’s inception,even before he had ever been wronged.This is proof, if we needed it, that Joseph’s angel-like beauty was not only physical and external, but also internalas well: Joseph possessed a profound loveliness of spirit that bound his appearance and his soul. In Joseph, formand soul are one.Time is to musicians what light is to a painter. In this way, the story of Joseph also shows us that time can affectour perception of even the most tragic wounds. In fact, the most common Arabic word for “human being” is insaan,which shares its roots with the word insaa, “to forget.” While our ability to remember is essential to how we learnabout ourselves, our capacity to “forgive and forget” may also be one of our great gifts as human beings.The fifth movement follows my ode to Joseph with a structural memory of Mūsa (Moses). The movement consistsentirely of descending motifs which I constructed as an indication of Moses’ descending movement as he emergedto his people from the heights of Mt. Sinai. The music is constructed in five phrases which function as a formalreference to the five books of Moses, the Pentateuch. The movement is placed as the fifth of the quartet for the samereason.While Joseph is always evoked as supremely beautiful in the Books of Judaism, Christianity, and Islam, Suleiman(Solomon) is described as surpassing in his quicksilver intelligence. This movement is composed of a seven-partriddle which passes by in an instant but can be caught by the attentive listener. From Solomon, we work our wayback to Yishak (Isaac) in a seventh movement that evokes Isaac’s literal meaning in Arabic and Hebrew: laughter.The eighth and final movement of this quartet is named for the Patriarch of the entire Book: Ibrahim (Abraham). Itrelates to Isaac just as Joseph relates to Jacob; they are father and son. The lines are prayerful and contemplative;the form of the music evolves from a fugue joining together many different forms of prayer into a single tapestry ofcounterpoint, to the cyclical form of this entire quartet which is rendered through the motion of pilgrims circling theKaaba (cube) in Mecca — a structure which was built by Abraham for Hagaar and their son Ismail.These are just some of the figures that are cherished by all three of the Middle Eastern monotheisms (Judaism,Christianity, and Islam) that the Qur’an refers to collectively as Ahl Al-Kitab. This Arabic phrase is most commonlytranslated as “The People of the Book,” but here the most common translation is a flawed one: the Arabic word“ahl” means “family” and not just “people.” A better translation would be “Family of the Book.” Each of the eightmovements of Prophesies grows from a single musical cell.This quartet is a family album.—Mohammed Fairouz (2018. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lyrics Lyrics only [Sheet music] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.
(1)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Graham Royston: Alexander (Teacher's Book/CD) Piano, Vocal and Guitar Music Sales
Piano, Vocal and Guitar SKU: HL.14001603 Composed by Graham Royston. Musi...(+)
Piano, Vocal and Guitar SKU: HL.14001603 Composed by Graham Royston. Music Sales America. Musical Education. Book and CD. Composed 2013. 48 pages. Music Sales #GA11275. Published by Music Sales (HL.14001603). ISBN 9780711991507. UPC: 884088432805. 9.0x12.0x0.135 inches. English. The story of Alexander The Great in six new songs with narration, written for schools and youth choirs. Suitable for Junior, mixed Lower Secondary and Girls' Choirs. The songs convey contrasting sentiments and reflect the different aspects of Alexander's life and career. This can be performed as a song cycle with or without the linking narrative. The (Teacher's Book) contains the piano score with vocal line, the accompanying CD which includes a demonstration of the songs, along with a non-vocal version for rehearsing, production notes, and a map of Alexander's route. The lyrics, narration and choir parts are included in the separate (Pupil's Book). If you need to license a school/youth theatre performance of this product, please use the online application form. $25.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Wise Women - Choral Score Opera [Vocal Score] Schirmer
(Church Opera in One Act). By Conrad Susa (1935-). For voice(s). Vocal solo, chr...(+)
(Church Opera in One Act). By Conrad Susa (1935-). For voice(s). Vocal solo, christmas. Choral Score. 40 pages. Published by E.C. Schirmer Publishing
$3.60 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Laments & Hallelujahs Peermusic Classical
Full Score SKU: HL.300018 For Orchestra. Composed by Jose Serebrie...(+)
Full Score SKU: HL.300018 For Orchestra. Composed by Jose Serebrier. Peermusic Classical. Softcover. 36 pages. Duration 240 seconds. Peermusic Classical #70259-856. Published by Peermusic Classical (HL.300018). ISBN 9781540061706. UPC: 888680960001. 9.0x12.0x0.144 inches. The youth orchestra work Laments and Hallelujahs, with an optional chorus in the final measures, was commissioned by Miami's St. Martha Concerts, and premiered by the Greater Miami Youth Symphony with the composer conducting. $19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Winter Stars - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2 SKU: CF.YAS211 Composed by Kathryn Griesinger. Carl Fischer Young String Orchestra Series. Set of Score and Parts. 8+8+2+5+5+5+2+8 pages. Carl Fischer Music #YAS211. Published by Carl Fischer Music (CF.YAS211). ISBN 9781491160459. UPC: 680160919048. This Grade 2 original work was inspired by the tender poem of the same name by Sara Teasdale. Gentle phrases capture the wistful hope the poet felt as she contemplated the steadfast stars that burn steadily as long ago even as the world changed below. The lyrical melody provides developing players opportunities to work on tone, slurs, and expressive playing with one easy key change from D major to G major. A shift from major to minor tonality reflects the bittersweet stanzas that lament the loss of youthful dreams amidst the turmoil of life, even while admiring the faithful beauty of the celestial constellations. The dreamy piece evokes images of shimmering stars in the cold December night, with shadows shaken on the snow, offering a tranquil winter concert selection. This Grade 2 original work was inspired by the tender poem of the same name by Sara Teasdale. Gentle phrases capture the wistful hope the poet felt as she contemplated the steadfast stars that “burn steadily as long ago†even as the world changed below. The lyrical melody provides developing players opportunities to work on tone, slurs, and expressive playing with one easy key change from D major to G major. A shift from major to minor tonality reflects the bittersweet stanzas that lament the loss of youthful dreams amidst the turmoil of life, even while admiring the “faithful beauty†of the celestial constellations. The dreamy piece evokes images of shimmering stars in the cold December night, with “shadows shaken on the snowâ€, offering a tranquil winter concert selection. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Winter Stars [Score] - Easy Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2 SKU: CF.YAS211F Composed by Kathryn Griesinger. Carl Fischer Young String Orchestra Series. Full score. 8 pages. Carl Fischer Music #YAS211F. Published by Carl Fischer Music (CF.YAS211F). ISBN 9781491160718. UPC: 680160919314. This grade 2 original work was inspired by the tender poem of the same name by Sara Teasdale. Gentle phrases capture the wistful hope the poet felt as she contemplated the steadfast stars that burn steadily as long ago even as the world changed below. The lyrical melody provides developing players opportunities to work on tone, slurs, and expressive playing with one easy key change from D major to G major. A shift from major to minor tonality reflects the bittersweet stanzas that lament the loss of youthful dreams amidst the turmoil of life, even while admiring the faithful beauty of the celestial constellations. The dreamy piece evokes images of shimmering stars in the cold December night, with shadows shaken on the snow, offering a tranquil winter concert selection. This grade 2 original work was inspired by the tender poem of the same name by Sara Teasdale. Gentle phrases capture the wistful hope the poet felt as she contemplated the steadfast stars that “burn steadily as long ago†even as the world changed below. The lyrical melody provides developing players opportunities to work on tone, slurs, and expressive playing with one easy key change from D major to G major. A shift from major to minor tonality reflects the bittersweet stanzas that lament the loss of youthful dreams amidst the turmoil of life, even while admiring the “faithful beauty†of the celestial constellations. The dreamy piece evokes images of shimmering stars in the cold December night, with “shadows shaken on the snow,†offering a tranquil winter concert selection. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $8.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Celtic Concertino Concert band [Score] - Intermediate Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000285-140 Composed by Bruce ...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000285-140 Composed by Bruce Fraser. Score Only. 40 pages. Gobelin Music Publications #GOB 000285-140. Published by Gobelin Music Publications (BT.GOB-000285-140). This little concerto for clarinet was written for Peter Holligan , a friend of its composer, and the Fife Youth Concert Band (Scotland).
The work was based on traditional Celtic music, and consists of three movements. 1. Reel - a fast dance ending in an atmospheric but virtuoso cadenza. 2. Lament - a slow and melancholy song hinting at the sound of bagpipes. 3. A fast and virtuoso dance in 6/8 time with Irish influence.
The work is a wonderful audience-pleaser and an absolute 'must' for all clarinet-players. The band too is called upon and by all means does have its part to play in the piece. Band grade 4, soloist grade 5. Dit Concertino voorklarinet werd geschreven voor Peter Holligan , een vriend van de componist, en de Fife Youth Concert Band (Schotland). Het werk is gebaseerd op de traditionele Keltische muziek, en bestaat uit drie delen.
1. Reel - een snelle dans die eindigt in een sfeervolle, maar virtuoze cadens. 2. Lament - een trage en melancholische melodie die het geluid van doedelzakken verbeeldt. 3. Een snelle en virtuoze dans in 6 / 8 maatsoort met Ierse invloeden.
Voor het publiek een heerlijk werk om naar te luisteren en een uitdaging voor de solist(e)! Het orkest ondersteunt deze om het tot een kleurrijk geheel te maken! Orkest graad 4, solo graad 5.
Gobelin Music Publications. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Celtic Concertino Concert band [Score and Parts] - Intermediate Gobelin Music Publications
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000285-010 Composed by Bruce ...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.GOB-000285-010 Composed by Bruce Fraser. Set (Score & Parts). 174 pages. Gobelin Music Publications #GOB 000285-010. Published by Gobelin Music Publications (BT.GOB-000285-010). This little concerto for clarinet was written for Peter Holligan , a friend of its composer, and the Fife Youth Concert Band (Scotland).
The work was based on traditional Celtic music, and consists of three movements. 1. Reel - a fast dance ending in an atmospheric but virtuoso cadenza. 2. Lament - a slow and melancholy song hinting at the sound of bagpipes. 3. A fast and virtuoso dance in 6/8 time with Irish influence.
The work is a wonderful audience-pleaser and an absolute 'must' for all clarinet-players. The band too is called upon and by all means does have its part to play in the piece. Band grade 4, soloist grade 5. Dit Concertino voorklarinet werd geschreven voor Peter Holligan , een vriend van de componist, en de Fife Youth Concert Band (Schotland). Het werk is gebaseerd op de traditionele Keltische muziek, en bestaat uit drie delen.
1. Reel - een snelle dans die eindigt in een sfeervolle, maar virtuoze cadens. 2. Lament - een trage en melancholische melodie die het geluid van doedelzakken verbeeldt. 3. Een snelle en virtuoze dans in 6 / 8 maatsoort met Ierse invloeden.
Voor het publiek een heerlijk werk om naar te luisteren en een uitdaging voor de solist(e)! Het orkest ondersteunt deze om het tot een kleurrijk geheel te maken! Orkest graad 4, solo graad 5.
Gobelin Music Publications. $203.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Island Elegy and Aubade [Score] Subito Music
Soprano(s) & Piano (with opt. Melodica) SKU: SU.96050220 For Soprano(s...(+)
Soprano(s) & Piano (with opt. Melodica) SKU: SU.96050220 For Soprano(s) & Piano (with opt. Melodica). Composed by Thomas Parente. Vocal/Choral, Solo Voice. Accompanied by piano, Melodica. Score. Subito Music Corporation #96050220. Published by Subito Music Corporation (SU.96050220). 1. My Beautiful Island (in the present) - The character is that of a young woman who sings joyfully and exuberantly of the beauty of her island - a magnificent paradise. 2. Oh Home of Sweet Tranquility (20 years later) - The woman is beginning to realize that her cherished island is beginning to disappear due to the encroaching waves, storms and ever increasing heat. The bloom of her idealism and youth has been replaced with something more dreadful. 3. The Song Itself We Have Forgotten (an additional 20 years later) - The island clearly is doomed due to rising seas resulting in the evacuation of the entire island. She is experiencing a slow simmering shock, is dis-regulated, mumbling, and thoroughly disbelieving in what is taking place. Out in the distance I imagined an ocean liner on the horizon. She’s standing on a long line to be transported to the ship that will take her to an unknown destination and destiny. 4. Aubade - (a love poem welcoming or lamenting the arrival of dawn) As expressed by a seagull riding the wind above the ocean, my take of it relates to the arc of universal existence - Beginning, Middle (life expressed), End. Performance Note: Island Elegy and Aubade may be performed by 3 sopranos - one for each song- or by one soprano. In the latter case the final Aubade may be performed via a previously recorded multitrack rendering of all three parts or two parts with the soprano singing the top part. Alternatively, the pianist can accompany the soprano, (who sings the top line) by playing the bottom two parts on a melodica, piano or electric keyboard. Soprano(s) & Piano (with opt. Melodica) Duration: ca. 25' Composed: 2023 Published by: Subito Music Publishing. $33.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Mozart Piano Trio: piano, violin, cello [Score and Parts] Universal Edition
Composed by Arvo Part (1935-). World Premiere: in Helsinki / Finland; by the Kal...(+)
Composed by Arvo Part (1935-). World Premiere: in Helsinki / Finland; by the Kalichstein-Laredo-Robinson Trio. Score and part(s). With Standard notation. Composed 1992/2005. Duration 6 minutes. Universal Edition #UE30456. Published by Universal Edition
(2)$26.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Marc Blitzstein Songbook - Volume 3 Piano, Voice [Sheet music] Boosey and Hawkes
Voice and Piano. By Marc Blitzstein. Boosey and Hawkes Voice. Book only. Size 9x...(+)
Voice and Piano. By Marc Blitzstein. Boosey and Hawkes Voice. Book only. Size 9x12 inches. 170 pages. Published by Boosey and Hawkes.
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Douze Pieces pour Grand Orgue Organ Leduc, Alphonse
Organ SKU: HL.48180908 Premier Volume. Composed by Gaston Litaize....(+)
Organ SKU: HL.48180908 Premier Volume. Composed by Gaston Litaize. Leduc. Classical. Softcover. 36 pages. Alphonse Leduc #AL19712. Published by Alphonse Leduc (HL.48180908). UPC: 888680984274. 9.0x12.0x0.15 inches. This first volume of Twelve Pieces by Gaston Litaize is a set of six pieces for organ. With a difficulty that would fit the skills of upper intermediate players, these pieces require the use of pedals. This first tome includes: 1. Prelude, dedicated to Lauret Bolli, his friend 2. Double Fugue 3. Lied, dedicated to Guy Lambert 4. Intermezzo Pastoral, dedicated to Miss Line Zilgien 5. Final, dedicated to his professor Marcel Dupre 6. Lamento, dedicated to his friend Maurice Dalphin. And the second tome consists of: 7. Scherzo 8. Toccata sur le veni creator 9. Priere 10. Jeux de rythmes 11. Interlude 12. Variations sur un Noel angevin. This piece is quite famous among Gaston Litaize's compositions. Gaston Litaize (1909-1991) was a French organist and composer, blind since his youth. Considered as one of the organ masters of his times, he toured and worked on many recordings. He was also a good professor, and composed many pieces for solo organ and for organ with other instruments. $53.50 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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