SKU: HL.438861

EAST SOUND RESEARCH. Guitar Pedal. Hal Leonard #CM0222. Published by Hal Leonard (HL.438861).

UPC: 852940000622. 6.25x15.75x3.5 inches.

Ok, so you have eight effects pedals which you use regularly. You use various combinations of these pedals in various songs, but you are not good at tap dancing...or you are just clumsy and have (once or twice) stepped on the ultra tricked out-metalized-distortion pedal for the lead in your one ABBA cover. You have seen the digital effects controllers they use on the big stages, and have secretly yearned for one... even though you may never make the big stage. Enter Thomas Guldmann's Octa-switch II. Your eight effects plug into the eight effects-loops on the back of this unit (all true-bypass, impedance free, gold relays so you can run any of your pedals, new and old without problem), and then by turning on or off the numbered switches in each of eight DIP Bank switches, you determine which effects you wish to use simultaneously in each Bank. There is a blue LED for every effects loop used and for each Bank (so once you are programmed, when you step on Bank 6 you will see the lights of all the effects you have assigned to Bank 6 and the Bank 6 LED). The Octa-switch II has incorporated a couple new features as well! The ninth switch on the left side of the case is a BYPASS Switch...this allows you to completely bypass all eight pedals and enjoy only the unaffected sound of your amplifier. There are also two External Switching jacks which allow you to use two amplifiers and/or switch channels on those amps. Once you have all the Banks programmed, we recommend placing a piece of scotch or electrical tape over each DIP (...just to protect the switch from accidental switching, damage or floods...like beer). There is a buffered (or not...switchable) Mono input and a stereo Output, and the unit is powered by dual 9v batteries, or by a regulated power supply...like the Big John or the Pro Power (both by Carl Martin).

Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, English Horn, Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, Trumpet 1, Trumpet 2, Trumpet 3, alto Saxophone 1 and more. - Grade 5

SKU: CF.SPS85

Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+28+28+14+14+4+14+14+7+24+28+28+8+4+8+8+14+8+9+12+12+8+8+8+8+12+12+9+12+8+16+4+3+2+6+6+6+7+44 pages. Duration 7 minutes, 8 seconds. Carl Fischer Music #SPS85. Published by Carl Fischer Music (CF.SPS85).

ISBN 9781491156421. UPC: 680160914968. 9 x 12 inches.

Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines. The original request for this work was a daunting task: I was asked to create an Air Force companion piece to Robert Jager's Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine's Hymn into his work - that is, to weave a musical tapestry of the Air Force's musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few Jager-isms into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived as a dedication to the Air Force's musical legacy, it is also a personal homage to my teacher and friend, Robert Jager. Performance Notes * If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute. * Oboe 1 and 2 parts should be covered before adding the English Horn part. * The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts. * The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out. * From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines. * There is a strong tendency to rush m. 121. * During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo. * In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice line from mm. 251-260.) * In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279. * If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy.
Blue Horizons is a spirited tribute to the musical heritage of the United States Air Force. The main theme is a variation of the U.S. Air Force Song (Off We Go), with a secondary theme based on A Toast to the Host (the bridge of The Air Force Song). Throughout the work, fragments of other Air Force-related songs appear: Lord, Guard and Guide (the Air Force Hymn), Air Force Blue, and Those Magnificent Men in Their Flying Machines.The original request for this work was a daunting task: I was asked to create an Air Force “companion piece” to Robert Jager’s Esprit de Corps that would mirror the style and spirit of that landmark work. The goal was to use elements of our various Air Force tunes in the same way that Jager incorporated The Marine’s Hymn into his work – that is, to weave amusical tapestry of the Air Force’s musical heritage without ever becoming a mere arrangement of the original material. As a former student of Robert Jager at Tennessee Technological University, I discussed my plans for the piece with him, shared my progress along the way, and sought his guidance as I had done so many times in the past. He was delighted that I managed to incorporate a few “Jager-isms” into the music, including one direct quote from Esprit de Corps. Although Blue Horizons was conceived asa dedication to the Air Force’s musical legacy, it is also a personal homage to my teacher and friend, Robert Jager.Performance Notes• If only two flutists are available, omit the piccolo part and have them play Flute 1 and 2; in this case, Flute 1 should switch over to piccolo (still playing from the Flute 1 part) at m. 81 and back to regular flute at m. 114. If only covering the Flute 1 and 2 parts, Flute 2 should ignore indications to switch to piccolo and just play the entire work on regular flute.• Oboe 1 and 2 parts should be covered before adding the English Horn part.• The clarinet in Eb part should not be covered unless there are a sufficient number of players on the clarinet in Bb parts.• The trumpet cues in mm. 77-80 are only necessary if the horns need assistance finishing their soli phrase with enough strength to be heard. If you can hear them without extra support, leave the trumpets out.• From mm. 89-95, be sure the wind players with static eighth notes do not cover up the players with moving lines.• There is a strong tendency to rush m. 121.• During the oboe solo from mm. 157-168, ensure that the suspension/resolution lines in the bassoon and clarinet parts are heard; emphasize the importance of growing into the suspension with a slight crescendo.• In the scherzo section that begins at m. 217, be sure that each player knows how his/her part fits into the overall sound. I recommend isolating different textural items so the players can hear those parts on their own. (The bass line from mm. 243-260, for example, or the moving inner-voice linefrom mm. 251-260.)• In this same scherzo section, care should be taken to not play too loud and save a little strength for the climax fanfare at m. 279.• If you have an abundance of tubas, I would recommend having one or two of them play up an octave from mm. 243-271 if the lower part seems too heavy.

Piano - Beginner, Intermediate, Intermediate-Advanced

SKU: YM.GTP01097982

Composed by Yukie Nishimura. Piano Pop and Vocal. Score. Yamaha Music Media #GTP01097982. Published by Yamaha Music Media (YM.GTP01097982).

ISBN 9784636979824.

This is the matched scorebook of the same name of Yukie Nishimura's CD album, and all works are newly composed for the album. I want as many people as possible to turn on their musical switch to enjoy the piano sound, she created the album with this wish in mind. She speaks gently to the piano and plays melodies that touch the heart, making the listeners' hearts flutter.
This scorebook will bring you even more love towards piano as well as a connection to the wonderful musical world.
There are two bonus arrangements included in the scorebook.
The Quartet on the Keys is arranged for beginners. She has made the Merry-Go-Round - Dedicated to Piazzolla into a slightly gentler arrangement, yet still perfect for performing at recitals and competitions.

SKU: HL.911071

EAST SOUND RESEARCH. Guitar Pedal. Duration 240 seconds. Hal Leonard #CM0230. Published by Hal Leonard (HL.911071).

UPC: 852940000981. 10.0x5.5x3.0 inches.

The world of music has changed and the world of guitar playing has changed along with it. It is becoming normal to not see the full guitar rigs of the '70s, '80s, and '90s, and instead just see guitar players with minimal systems to achieve their signature sounds. Introducing the Carl Martin Ampster ... from the company that has shone the single analog light down that deep digital tunnel. The Ampster, a single tube driven amp/speaker simulator that can either supplement your amp, or replace it. A fully analog unit with controls that are the same as your amplifier with the addition of a mute switch, a speaker selection switch and a voicing switch. What's more important, the Ampster reacts to your playing in the same way your full size amp does, giving you the same organic feel with zero latency! The Ampster is housed in a solid metal box with the standard EQ (Bass Middle Treble), pre and post volume/gain controls (Master & Gain) plus a Presence Control. There is a Mute Switch for obvious reasons and a Cabinet Switch with an LED Indicator light ( Red for a 2x12 Open Backed Cab, and Green for a 4x12 Closed Back Cab). On the back of the pedal you will find a Ground Lift and a Voicing Switch (a subtle low end cap controlled voicing adjustment). Input, Link (output to your amp or powered speaker) Balanced DI (XLR output to go to a mixing or recording console), a Send and Return for those specific effects that shouldn't be in front of the amp, a Remote Input for use with digital or analog effect controllers like the Carl Martin Octaswitch “The Strip,” and your standard 9v 1A power input. It couldn't be simpler! Plug your guitar straight in, or plug your pedal board into the input jack, choose your output and open your ears to a surprisingly big round clean sound, or by adjusting the Gain, that decidedly British Overdrive sound for which Carl Martin has become so well known. Our test players have fallen in love, telling us the Ampster reacts just like their standard amps, organic and responsive to your playing style or attack. In fact, the Ampster sounds just like a full size amp, but it fits on your pedalboard. Take a look at the videos ... we are certain you will want to take the Ampster for a test drive!

By Doug Spata. Orchestra. String Orchestra. Highland String Orchestra. Light Concert; Novelty. Grade 1. Conductor Score and Parts. 64 pages. Published by Alfred Music Publishing

SKU: HL.457109

With Wireless Foot Switch, Stand and Bags. Chauvet Lighting. Lighting. Hal Leonard #GIGBAR2. Published by Hal Leonard (HL.457109).

UPC: 781462215521. 6.0x56.5x24.0 inches.

GigBAR 2 is the ultimate pack-n-go 4-in-1 lighting system including UV in its wash lights and strobes for better color mixing and effects. GigBAR 2 includes two LED Derby fixtures, LED wash lights, a laser, and 4-high power, LED strobe lights all mounted on one bar. The unit features phenomenal built-in automated and sound-activated programs including all 4 effects. You can easily control the unit from the display, IRC-6 remote control, wireless foot switch or DMX to take your gig to a higher level. Master/slave multiple units and save time running cables and extension cords by power linking multiple units. Get in and get out quickly with the included tripod, wireless footswitch and FREE carry bags.

Jazz Ensemble plus 5th Trumpet - Grade 3

SKU: KN.52900

Composed by Lars Halle. Kendor Archive Editions. Swing. Score and set of parts. Duration 2 minutes, 30 seconds. Kendor Music Inc #52900. Published by Kendor Music Inc (KN.52900).

ISBN 9786540394038.

Momentum must be maintained at the designated tempo (quarter note = 240) to achieve the excitement that's intended in this dynamic original. Highlights include solos for trumpet and tenor, and rousing section solis for saxes and brass. Duration 2:30.

For Flute and Piano. Composed by James Galway. Arranged by David Overton. Southern Music. Concert. Softcover. 16 pages. Southern Music Company #B586. Published by Southern Music Company

SKU: HL.1226166

Mackie. Live Sound. Duration 205 seconds. Hal Leonard #PPM1008. Published by Hal Leonard (HL.1226166).

UPC: 663961015584. 16.0x22.0x16.0 inches.

Mackie's PPM Series Powered Mixers are an excellent choice for small to medium sized venues or bars that have limited space. Its compact and ultra-lightweight design mean you can pull it out when you need it and have all the power you need. PPM is an excellent solution for integration into existing passive loudspeaker systems, bands touring small clubs or any application requiring an ultra-lightweight, powerful, all-in-one mixing and amplification solution. The PPM1008 features 800W + 800W peak Class-D, Fast Recovery power amplifiers, six mono mic/line channels each with a 3-band Perkins EQ and sweepable mid and two stereo mic/line/RCA channels each with 4-band Perkins EQ. The PPM1008 is equipped with a 32-bit RMFX+ processor featuring 24 effects with tap delay, dual 9-band graphic EQ (one for mains, one for monitors) and dedicated in-line compressors on the first four channels. Each mono channel has a premium Mackie mic preamp, a low/high gain switch, one Mon send and one FX/Mon send, and a channel insert jack for connecting an external processor. There are built-in DIs on channels 5 and 6 for direct connection of guitars or bass, a 1/4″ stereo footswitch jack for muting effects and a subwoofer output. Other features include +4BV phantom power, stereo tape output, stereo 12-segment LED meters and TRS stereo output jacks. Despite its large channel count, the PPM1008 is ultra-light and has Mackie's “Built-Like-a-Tank” construction.

SKU: HL.148932

Hotone Pedals. Guitar Pedal. Hal Leonard #SP-10. Published by Hal Leonard (HL.148932).

UPC: 888506040016. 2.75x6.0x2.16 inches.

Hotone's all-new Soul Press 3-in-1 Volume/Expression/Wah-Wah pedal offers the convenience of each of these pedals in a single design. Inspired by the legendary CryBaby wah pedal, the Soul Press produces premium wah-wah effects. In addition, guitar volume and expression pedal modes are available with the flip of a switch. The easy-to-use design of the Soul Press features a metal footswitch and analog-style parameter knobs. Featuring multiple LEDs (Effects, Bypass/Off) and a strong casing, this pedal looks great and is built to last. The pedal offers true bypass circuitry for the highest quality sound when passing through un-effected signals. Soul Press enables players to craft the lightest, most compact pedalboard imaginable in combination with Hotone's Skyline Series Stompboxes. The 3-in-1 design of the Soul Press also makes for a great addition to an existing pedalboard where more effects are desired, but space and weight are at a premium. With great sound and maximum portability, Hotone's Soul Press Volume/Expression/Wah-Wah pedal is an optimal solution for guitarists that want excellent guitar tone for jam sessions, home office settings, bedroom setups and more. Features: • True bypass • Extreme compact size • LED lights • 3-in-1 pedal (Volume/Expression/Wah) • Sound based on the original CryBaby wah pedal • Adjustable control range (bottom value) • Active volume mode for keeping lossless tone • 9V DC or 9V battery power supply.

SKU: HL.1341909

Faded Black. Michael Kelly Guitars. Guitars. Michael Kelly Guitar Co. #MKPSOBBERA. Published by Michael Kelly Guitar Co. (HL.1341909).

UPC: 809164027805. 15.5x42.5x4.0 inches.

Thin design, big sound! Patriot Decree SB Open Pore guitars combine boutique-inspired styling and exceptional tone, in a thin, lightweight body design. The striking open pore texture and satin finish enhance resonance without compromising the instrument's tone. The exotic sungkai tonewood top is paired with a slim mahogany body to give the Patriot SB Open Pore a distinctly resonant and clear sound. A 22-fret ebony fingerboard produces a bright tone and allows for first, fluid lines. The set-in mahogany neck, with its contoured heel and modern C shape, is comfortable to play and allows easy access to the upper frets. The Great 8 Mod gives you quick and easy access to a wide range of tonal options. Its two Rockfield® Select Wound Custom humbuckers eacch with a mini toggle switch allow you to to coil split the pickups. The 3-way pickup selector gives you eight different unique sonic options to choose from. The Patriot SB Open Pore features a Tune-O-Matic bridge with string-thru body design and Grover® tuners, and is finished with speed knobs and sleek chrome hardware. Features: • Single-cutaway electric guitar with lightweight slim body design • Mahogany body provides warmth and punch while accentuating the mids and highs • Mahogany neck with ebony fretboard • Two Rockfield® SWC humbucker pickups • Great 8 Mod with 3-way pickup selector and two mini toggle coil-split switches • 22 medium jumbo frets • Grover® tuners, string-thru body with Tune-O-Matic bridge.

SKU: HL.1341908

Tobacco Sunburst. Michael Kelly Guitars. Guitars. Michael Kelly Guitar Co. #MKPSOTSERA. Published by Michael Kelly Guitar Co. (HL.1341908).

UPC: 809164027836. 15.5x42.5x3.75 inches.

Thin design, big sound! Patriot Decree SB Open Pore guitars combine boutique-inspired styling and exceptional tone, in a thin, lightweight body design. The striking open pore texture and satin finish enhance resonance without compromising the instrument's tone. The exotic sungkai tonewood top is paired with a slim mahogany body to give the Patriot SB Open Pore a distinctly resonant and clear sound. A 22-fret ebony fingerboard produces a bright tone and allows for first, fluid lines. The set-in mahogany neck, with its contoured heel and modern C shape, is comfortable to play and allows easy access to the upper frets. The Great 8 Mod gives you quick and easy access to a wide range of tonal options. Its two Rockfield® Select Wound Custom humbuckers eacch with a mini toggle switch allow you to to coil split the pickups. The 3-way pickup selector gives you eight different unique sonic options to choose from. The Patriot SB Open Pore features a Tune-O-Matic bridge with string-thru body design and Grover® tuners, and is finished with speed knobs and sleek chrome hardware. Features: • Single-cutaway electric guitar with lightweight slim body design • Mahogany body provides warmth and punch while accentuating the mids and highs • Mahogany neck with ebony fretboard • Two Rockfield® SWC humbucker pickups • Great 8 Mod with 3-way pickup selector and two mini toggle coil-split switches • 22 medium jumbo frets • Grover® tuners, string-thru body with Tune-O-Matic bridge.

By Mary K. Sallee. For Piano. Duet or Duo; Piano Duet (1 Piano, 4 Hands); Sheet. Signature Series. Early Intermediate. 8 pages. Published by Alfred Music

SKU: HL.301330

Impulse Response Cabinet Simulator Guitar Pedal. Hotone Pedals. Guitar Pedal. Hal Leonard #OMP-6. Published by Hal Leonard (HL.301330).

UPC: 888506090066. 5.5x4.0x2.25 inches.

The Hotone Omni IR is a compact, Impulse Response-based cabinet simulator pedal that delivers realistic emulation of classic guitar and bass miked speaker cabinets. The Omni IR includes 40 high-quality legendary guitar and bass cabinet impulse responses, along with a detailed 4-band semi-parametric EQ. An internal voltage boost circuit provides tons of headroom ensuring the input signal will stay clean, regardless of the instrument's output level. A high-contrast OLED screen makes editing and recalling setting easy in high and low light environments. Omni IR has 40 editable presets which can be adjusted on the pedal or managed via free Mac/PC software. The footswitch can be assigned to bypass the effect or mute the signal. A 1/4″ thru jack provides an unprocessed dry signal to other devices or amplifiers. The pedal includes a 1/4″ output, a balanced XLR out to connect to mixers or audio interfaces, an 1/8″ headphone monitor and an 1/8″ stereo aux input making the Omni IR perfect for both live and recording setups. Features include: •Compact, easy-to-use IR cabinet simulator pedal • Advanced DSP-powered platform ensures high sound quality • 24-bit AD/DA conversion • Internal voltage boost circuit for exceptional headroom • 40 high-quality legendary guitar and bass cabinet impulse responses • Support for third-party IR files • Detailed 4-band semi-parametric EQ with 12dB maximum boost and cut • Micro USB jack for updating firmware and loading/managing impulse responses via free Mac/PC software • 1/4″ input and thruput • XLR and 1/4″ outputs • Ground/Life switch • 1/8″ stereo Aux In for line level devices (unaffected by Omni IR) • 1/8″ headphone output for practicing and jamming • 40 presets • High-contrast OLED screen • Assignable footswitch with LED • 9V DC (center positive) power supply and USB micro cable included.