| The Real Book - Volume 1: Sixth Edition (C Instruments Play-Along Edition) C Instruments [Sheet music + Audio access] Hal Leonard
C Instruments Play-Along Edition. Composed by Various. Real Book Play- Along. ...(+)
C Instruments Play-Along
Edition. Composed by
Various. Real Book Play-
Along. Softcover Audio
Online. 464 pages. Published
by Hal Leonard
$79.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| The Reharmonized Real Book - Volume 1: C Instruments C Instruments [Fake Book] Hal Leonard
Arranged by Jack Grassel. Composed by Various. Arranged by Jack Grassel. Fake ...(+)
Arranged by Jack Grassel.
Composed by Various. Arranged
by Jack Grassel. Fake Book.
Jazz. Softcover. 456 pages.
Published by Hal Leonard
$45.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Hymns Re-Harmonized - Keepsake Edition
Piano solo Word Music
Piano Solo. Arranged by Carol Tornquist. Sacred Folio. Size 9.25x12 inches. 248 ...(+)
Piano Solo. Arranged by Carol Tornquist. Sacred Folio. Size 9.25x12 inches. 248 pages. Published by Word Music.
(5)$54.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Complete Church Pianist Piano solo [Sheet music] - Intermediate/advanced Mel Bay
Hymn Arrangements for Every Occasion. Arranged by Gail Smith. For Piano. Hymnal....(+)
Hymn Arrangements for Every Occasion. Arranged by Gail Smith. For Piano. Hymnal. Sacred. Level: Intermediate-Advanced. Book. Size 8.75x11.75. 208 pages. Published by Mel Bay Publications, Inc.
(7)$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Folk Songs North America Sings (Kodaly Collection) Piano, Voice [Sheet music] E.C. Kerby
Voice and Piano. By Richard Johnston. (resource book). Vocal Collection. Size 8....(+)
Voice and Piano. By Richard Johnston. (resource book). Vocal Collection. Size 8.5x11 inches. 400 pages. Published by E.c. Kerby.
$50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Hymns for Instruments - Viola edition Jackman Music Corporation
By Many. Text: Many. For Hymnal Extender. Hymns; Sacred. Published by Jackman Mu...(+)
By Many. Text: Many. For Hymnal Extender. Hymns; Sacred. Published by Jackman Music Corporation. Level: Medium Easy.
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Hymns for Instruments - B-flat [Sheet music] Jackman Music Corporation
By Various. Text: Many. For Various Instruments. Hymns; Sacred. Level: Medium Ea...(+)
By Various. Text: Many. For Various Instruments. Hymns; Sacred. Level: Medium Easy. Published by Jackman Music Corporation.
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Hymns for Instruments - High C / Obbligato [Sheet music] Jackman Music Corporation
By Various. For Instrumental. Hymns; Sacred. Level: Medium Easy. Published by Ja...(+)
By Various. For Instrumental. Hymns; Sacred. Level: Medium Easy. Published by Jackman Music Corporation.
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Hymns for Instruments - Bass Clef Choral Jackman Music Corporation
By Various. Text: Many. For Hymnal Extender. Hymns; Sacred. Level: Medium Easy. ...(+)
By Various. Text: Many. For Hymnal Extender. Hymns; Sacred. Level: Medium Easy. Published by Jackman Music Corporation.
$14.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| This Is My Father's World Choral 2-part - Beginner GIA Publications
2-part equal voices, 2-part mixed voices, keyboard accompaniment - Beginning ...(+)
2-part equal voices, 2-part mixed voices, keyboard accompaniment - Beginning SKU: GI.G-9653 Arranged by Gregg Sewell. Simple Gifts. Tune Name: Terra Beata. Sacred. 8 pages. GIA Publications #9653. Published by GIA Publications (GI.G-9653). UPC: 785147965305. English. Text Source: Maltbie D. Babcock, 1858&ndash,1901, alt. Text by Maltbie D. Babcock. Babcock’s time-honored text celebrates the delight we take in the natural world and underscores God’s care in creating it and his care for humanity. Paired with the traditional English folk tune TERRA BEATA, Sewell’s innovative harmonies support easily learned vocal parts, producing a charming anthem that will bring a smile to listeners and choristers alike. $2.20 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| A Treasury of Hymns and Spirituals Autoharp [Sheet music] Mel Bay
For Autoharp, Guitar, Ukulele, Mandolin, Banjo, and Keyboard. Compiled by Meg Pe...(+)
For Autoharp, Guitar, Ukulele, Mandolin, Banjo, and Keyboard. Compiled by Meg Peterson. For Autoharp/Chromaharp. Songbook. Sacred. Level: Beginning. Book. Size 8.5x11. 40 pages. Published by Mel Bay Publications, Inc.
$14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| The Best Hymns Ever Piano, Vocal and Guitar [Sheet music] Hal Leonard
118 Beloved Favorites. By Various. Piano/Vocal/Chords Songbook (Arrangements for...(+)
118 Beloved Favorites. By Various. Piano/Vocal/Chords Songbook (Arrangements for piano and voice with guitar chords). Size 9x12 inches. 272 pages. Published by Hal Leonard.
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| The Best Hymns Ever [Sheet music] Hal Leonard | |
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| The Best Hymns Ever Piano, Voice [Sheet music] - Easy Hal Leonard
By Various Composers. Easy Piano Songbook (Easy arrangements for piano and voice...(+)
By Various Composers. Easy Piano Songbook (Easy arrangements for piano and voice). Size 9x12 inches. 256 pages. Published by Hal Leonard.
(2)$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| The Complete Worship Suites Piano solo - Intermediate/advanced Alfred Publishing
(18 Expressive Suites Arranged for Solo Piano Correlated with Scriptural Themes)...(+)
(18 Expressive Suites Arranged for Solo Piano Correlated with Scriptural Themes). For Piano. Piano Suite. Sacred Performer Worship Suites. Sacred. Late Intermediate / Advanced. Book. 196 pages. Published by Alfred Music Publishing
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| The Essential Hymn Anthology
Piano solo - Intermediate/advanced Hal Leonard
The Best of the Phillip Keveren Series. Composed by Various. Arranged by Phill...(+)
The Best of the Phillip
Keveren Series. Composed by
Various. Arranged by Phillip
Keveren. Piano Solo Songbook.
General Worship, Hymns,
Solos. Softcover. 148 pages.
Duration 285 seconds.
Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| The Christian Children's Songbook
Piano, Vocal and Guitar [Sheet music] Hal Leonard
Songbook for voice, piano and guitar chords. 256 pages. Published by Hal Leonard...(+)
Songbook for voice, piano and guitar chords. 256 pages. Published by Hal Leonard.
(4)$27.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0....(+)
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-26 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Part. 20 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-26. Published by Breitkopf and Haertel (BR.EOS-8063-26). ISBN 9790004789810. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
|
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.ED-10296 Hail! Bright Cecilia. Composed by Henry Purcell. Edited by Christopher Hogwood. Choir; stapled. Renaissance/early Baroque; Baroque. Piano/Vocal Score. 80 pages. Duration 60'. Breitkopf and Haertel #ED 10296. Published by Breitkopf and Haertel (BR.ED-10296). ISBN 9790220101977. 7.5 x 11 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| Messe de Mort Breitkopf & Härtel
Chorus (with soloists) and piano (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0...(+)
Chorus (with soloists) and piano (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.ED-12658 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; Softbound. Mass; Requiem; Baroque. Piano/Vocal Score. 70 pages. Duration 55'. Breitkopf and Haertel #ED 12658. Published by Breitkopf and Haertel (BR.ED-12658). ISBN 9790220121760. 7.5 x 11 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
|
| Messe de Mort Breitkopf & Härtel
Viola 2 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) ...(+)
Viola 2 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-20 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 12 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-20. Published by Breitkopf and Haertel (BR.EOS-8047-20). ISBN 9790004789759. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
|
| Messe de Mort Choral SATB Breitkopf & Härtel
Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0....(+)
Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-15 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; Softcover. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 24 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-15. Published by Breitkopf and Haertel (BR.EOS-8047-15). ISBN 9790004789735. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
|
| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - ...(+)
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-30 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Set of parts. 40 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-30. Published by Breitkopf and Haertel (BR.EOS-8063-30). ISBN 9790004789827. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $57.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| Messe de Mort Breitkopf & Härtel
Viola 1 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) ...(+)
Viola 1 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-19 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 12 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-19. Published by Breitkopf and Haertel (BR.EOS-8047-19). ISBN 9790004789742. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| Messe de Mort Breitkopf & Härtel
Basso (cello/double bass) (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. -...(+)
Basso (cello/double bass) (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-26 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 16 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-26. Published by Breitkopf and Haertel (BR.EOS-8047-26). ISBN 9790004789766. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| Prelude Chains - Book 4 Piano solo [Sheet music] Jackman Music Corporation
By Various. Arranged by Brent Jorgensen. For Piano Book. Level: Varied. Publishe...(+)
By Various. Arranged by Brent Jorgensen. For Piano Book. Level: Varied. Published by Jackman Music Corporation.
$12.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| The 16-Bar Pop/Rock Audition Piano, Voice Hal Leonard
(100 Hit Songs Excerpted for Successful Auditions Women's Edition Voice and Pian...(+)
(100 Hit Songs Excerpted for Successful Auditions Women's Edition Voice and Piano). By Various. Edited by Michael Dansicker. Vocal Collection. 184 pages. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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