| deja vu |french horn|percussion|bassoon|violin|horn|d rums|cello|double bass|viola|trumpet|trombone|piccolo|f lute|tuba|clarinet| [Score] Carl Fischer
For Percussion Quartet and Orchestra. By Michael Colgrass. For Piccolo, Flute I,...(+)
For Percussion Quartet and Orchestra. By Michael Colgrass. For Piccolo, Flute I, Flute II, Flute III, Clarinet I, Clarinet II, Alto Flute, Clarinet III, Bass Clarinet, Bassoon I, Bassoon II, Bassoon III, Contra Bassoon, Horn I, Horn II, Horn III, Horn IV, Trumpet I, Trumpet II, Trumpet III, Piccolo Trumpet (in Bb), Tenor I, Tenor II, Bass Trombone, Tuba, Percussion, Percussion, Orchestra Bells, Wood Block, Cymbals, Cymbals, Percussion, Vibraphone, Snare Drum, Bass Drum, Bamboo Wind Chimes, String of Elephant Bells, Cowbell, Tambourines, Gong, Percussion, Marimba, Tenor Drums, Field Drum, Suspended Cymbal, Sizzle Cymbal, Wood Block, Cowbell, Percussion, Timpani, Chimes, Triangles, Violin I, Violin II, Viola, Cello, Contrabass, Jazz Bass. First performance: New York Philharmonic, Erich Leinsdorf conducting; Roland Kohloff, Timpanist; Walter Rosenberger, Elden Bailey, Morris Lang, Percussionists, on October 20, 21, and 25, 1978. Classical. Full Score - Large. 90 pages. Published by Carl Fischer.
$30.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Violin Concerto (1988) Schott
Orchestra; Violin (3 (3. auch Picc.) * 3 (3. auch Engl. Hr.) * 3 (3. auch Es-Kla...(+)
Orchestra; Violin (3 (3. auch Picc.) * 3 (3. auch Engl. Hr.) * 3 (3. auch Es-Klar. ) * Bassklar. * Kb.-Klar. * 2 * Kfg. - 4 * 3 * 3 * 1 - P. S. (Trgl. * Gong * Beck. * Tamt. * Rohrengl. * Tamb. * kl. Tr. * Mil. Tr. * gr. Tr.) (2 Spieler) - Hfe. * Cel. - Str.) - difficult SKU: HL.49006797 Study Score. Composed by Krzysztof Penderecki. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Conductor's/study score. Composed 1976-1977/1988. 76 pages. Duration 40'. Schott Music #ED6917. Published by Schott Music (HL.49006797). ISBN 9790001073080. UPC: 884088055202. 8.25x11.75x0.28 inches. $63.00 - See more - Buy online | | |
| 2nd Violin Concerto, Op. 51 Schott
Violin (2 (2. auch Picc.) * 2 * 2 * Bassklar. * 2 - 4 * 2 * 2 * 0 - P.S. (Trgl. ...(+)
Violin (2 (2. auch Picc.) * 2 * 2 * Bassklar. * 2 - 4 * 2 * 2 * 0 - P.S. (Trgl. * Gong * 2 hg. Beck. * Beckenpaar * Schellentr. * gr. Tr. * Xyl.) (2 Spieler) - Str. (12 * 10 * 8 * 6 * 4)) - difficult SKU: HL.49005584 Piano Reduction with Solo Part. Composed by Jean Martinon. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano Reduction with Solo Part. Composed 1958. Op. 51. 82 pages. Duration 33'. Schott Music #ED 5284. Published by Schott Music (HL.49005584). ISBN 9790001060226. UPC: 073999197945. 9.0x12.0x0.264 inches. $40.00 - See more - Buy online | | |
| The Gong on the Hook and Ladder Peermusic Classical
Cello, Piano, Viola, Violin 1, Violin 2 SKU: PR.701607900 Composed by Cha...(+)
Cello, Piano, Viola, Violin 1, Violin 2 SKU: PR.701607900 Composed by Charles Ives. Collection - Score and Parts. Peermusic Classical #70160-790. Published by Peermusic Classical (PR.701607900). UPC: 888680682576. $21.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Borderline w/Tutor Tracks - Intermediate Row-Loff Publications
Marching percussion ensemble (Snare, Tenor Drums, Cymbals, Bass Drums, Bells, Xy...(+)
Marching percussion ensemble (Snare, Tenor Drums, Cymbals, Bass Drums, Bells, Xylophone, Marimba, Vibes, (2) Timpani, Gong, Suspended Cymbal, China Cymbal, Hi Hat, Concert Bass Drum, Mark Tree, Triangle) - Grade 4 SKU: RF.9806-WTCD Composed by Chris Brooks. Marching Series. Score and digital audio. Duration 1:23. Row-Loff Publications #9806-WTCD. Published by Row-Loff Publications (RF.9806-WTCD). $70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Et je reverrai cette ville etrange Boosey and Hawkes
Percussion Ensemble, Chamber Ensemble (Score) SKU: HL.48023767 For Mix...(+)
Percussion Ensemble, Chamber Ensemble (Score) SKU: HL.48023767 For Mixed Ensemble. Composed by Claude Vivier. Boosey & Hawkes Chamber Music. Classical, Contemporary. Softcover. 24 pages. Boosey & Hawkes #M051097890. Published by Boosey & Hawkes (HL.48023767). ISBN 9781495061028. UPC: 888680611927. 9x12 inches. Premiered in 1982 by the Arraymusic ensemble at Trinity United Church, Toronto, Ontario.
Instrumentation: Trumpet in C, Piano, Viola, Cello, Double Bass, Percussion: Celesta, Vibraphone, Trompong, Chang, Balinese Gong, Tam-tam (with Super ball). $18.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Cyclone Percussion Ensemble [Score and Parts] - Advanced Tapspace Publications
(for percussion ensemble). By Jim Casella. Percussion Ensemble. For 2 marimbas (...(+)
(for percussion ensemble). By Jim Casella. Percussion Ensemble. For 2 marimbas (low A), glockenspiel, xylophone, crotales (2 octaves), vibraphone, chimes, 4 timpani, piano, 6 different suspended cymbals, thundersheet, 2 zil-bells (high and low), bell plate, low tom, floor tom, anvil, opera gong, 2 snare drums, 3 cowbells, (12 players). Advanced. Score and parts on CD-ROM. 30 pages. Duration 4'40 . Published by Tapspace Publications
$55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Streamline (score & parts) Percussion Ensemble [Score and Parts] C. Alan Publications
By Gene Koshinski. Percussion Ensemble. For Percussion Ensemble (Conga Djembe, L...(+)
By Gene Koshinski. Percussion Ensemble. For Percussion Ensemble (Conga Djembe, Low Woodblock Dundun (or low drum), Wood Drum (or wooden box w/ mallet) Bongos 2 Piccolo Woodblocks, Caxixi (basket shaker) Chinese Cymbals (pair) Gliss Gong African Double Bel
$32.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Fortner W Don Perlimplin (d) Schott
(TB) SKU: HL.49021421 Vier Bilder eines erotischen Bilderbogens in der...(+)
(TB) SKU: HL.49021421 Vier Bilder eines erotischen Bilderbogens in der Art eines Kammerspiels von Federico Garcia Lorca. Composed by Wolfgang Fortner. This edition: Saddle stitching. Book. Edition Schott. Text book/libretto. Composed 1961-1963. 31 pages. Duration 90'. Schott Music #BN 3231-10. Published by Schott Music (HL.49021421). ISBN 9783795732318. German. Wortlich ubersetzt ist das Libretto ein 'kleines Buch', ein 'Buchlein'. Doch nicht irgendein Buchlein. Seit es Opern gibt, gibt es die Textbucher dazu. Oft erzahlen die Universalsprache Musik und der Ausdruck der Darsteller die Geschichte, auch wenn man die Worte nicht versteht. Trotzdem ist ein Libretto sehr hilfreich fur das Verstandnis der Details. Gerade dann, und das fast immer, wenn die Oper in der Originalsprache aufgefuhrt wird. In den Libretti ist in der Regel das Original der Ubersetzung gegenubergestellt. Sie konnen so problemlos parallel Handlung und Inhalt folgen. In den meisten Fallen existiert das Textbuch Oper bevor die Musik dazu komponiert wird. Spannende und dramatische Geschichten bilden die Grundlage fur faszinierende Opernkompositionen.
1 * 2 * 2 * 2 - 2 * 2 * 1 * 0 - P. S. (Trgl. * Gl. * 2 Gongs * Beck. * Ruhrtr. * kl. Tr. * gr. Tr. * Holzbl. * hoher Holzstab * Kast. * 5 Bong. * Xyl. * Vibr.) (3 Spieler) - Hfe. * Cel. * Git. (auch auf der Buhne) - Str.Auf der Buhne: 1 gr. Flote (kann nicht von der Flote im Orchester gespielt werden) * Cembalo * Tonband (Pfiffe) (von den Auffuhrenden selbst anzufertigen)
1 * 2 * 2 * 2 - 2 * 2 * 1 * 0 - P. S. (Trgl. * Gl. * 2 Gongs * Beck. * Ruhrtr. * kl. Tr. * gr. Tr. * Holzbl. * hoher Holzstab * Kast. * 5 Bong. * Xyl. * Vibr.) (3 Spieler) - Hfe. * Cel. * Git. (auch auf der Buhne) - Str. Auf der Buhne: 1 gr. Flote (kann nicht von der Flote im Orchester gespielt werden) * Cembalo * Tonband (Pfiffe) (von den Auffuhrenden selbst anzufertigen). $6.99 - See more - Buy online | | |
| Oriental Scene with Gongs Piano solo Alfred Publishing
By Lynn Freeman Olson. For Piano. Piano Solo. Level: Elementary. Sheet. 4 pages....(+)
By Lynn Freeman Olson. For Piano. Piano Solo. Level: Elementary. Sheet. 4 pages. Published by Alfred Publishing.
$3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Floss Der Medusa Study Score Orchestra [Score] Schott
Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voic...(+)
Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voices, S/A) and orchestra (Score) - difficult SKU: HL.49006187 (The Raft of the Medusa). Composed by Hans Werner Henze. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Study Score. Composed 1968/1990. 168 pages. Duration 70'. Schott Music #ED6326. Published by Schott Music (HL.49006187). ISBN 9790001067270. UPC: 884088099282. 8.25x11.75x0.41 inches. German - English. 4 (1., 2. auch Picc., 3., 4. auch Altfl.) * 1 * Ob. d'am. * Engl. Hr. * Heckelphon * Es-Klar. * 1 * Altklar. (oder Bassetthr.) * Bassklar. * Sopransax. * Tenorsax. * 2 * Kfg. - 4 * Picc.-Trp. * 2 * Basstrp. * Altpos. * 1 * Basspos. * Alt-Ofikleide (oder Bombardino) * Bass-Ofikleide (oder Pos. mit Quartventil) * Bombardino (oder Tb. in F) * Wagnertb. * 1 * Kb.-Tb. - P. S. (3 Trgl. * 3 hg. Beck. * Beckenpaar * 3 Gongs * Kuhgl. * 5 Tamt. * Tamb. * Mil. Tr. * 3 Bong. * Tabla * orient. Woodbl. * gr. Tr. * 2 Tempelbl. * Metallbl. * Woodbl. * Mar. * Guiro * Bambusbundel * 3 Metallplatten * Shell-Chimes * Vibr. * Marimba * Rohrengl.) (12 Spieler) - E-Git. * E-Bassgit. * 2 Hfn. * Klav. * E-Org. - Str. (12 * 0 * 8 * 6 * 4). $51.00 - See more - Buy online | | |
| The Raft Of The Medusa Schott
Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voic...(+)
Soprano, baritone, spoken voice, mixed choir (SSSSAAAATTTTBBBB, and 9 boys' voices, S/A) and orchestra (Vocal Score) - difficult SKU: HL.49006579 Oratorio Vocal Score. Composed by Hans Werner Henze. This edition: Paperback/Soft Cover. Sheet music. Edition Schott. Classical. Piano reduction. Composed 1968/1990. 336 pages. Duration 70'. Schott Music #ED6719. Published by Schott Music (HL.49006579). ISBN 9790001071291. 9x12 inches. German - English. Text: Ernst Schnabel. 4 (1., 2. auch Picc., 3., 4. auch Altfl.) * 1 * Ob. d'am. * Engl. Hr. * Heckelphon * Es-Klar. * 1 * Altklar. (oder Bassetthr.) * Bassklar. * Sopransax. * Tenorsax. * 2 * Kfg. - 4 * Picc.-Trp. * 2 * Basstrp. * Altpos. * 1 * Basspos. * Alt-Ofikleide (oder Bombardino) * Bass-Ofikleide (oder Pos. mit Quartventil) * Bombardino (oder Tb. in F) * Wagnertb. * 1 * Kb.-Tb. - P. S. (3 Trgl. * 3 hg. Beck. * Beckenpaar * 3 Gongs * Kuhgl. * 5 Tamt. * Tamb. * Mil. Tr. * 3 Bong. * Tabla * orient. Woodbl. * gr. Tr. * 2 Tempelbl. * Metallbl. * Woodbl. * Mar. * Guiro * Bambusbundel * 3 Metallplatten * Shell-Chimes * Vibr. * Marimba * Rohrengl.) (5 Spieler) - E-Git. * E-Bassgit. * 2 Hfn. * Klav. * E-Org. - Str. (12 * 0 * 8 * 6 * 4). $112.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Symphonie Du Jaguar Schott
Cello; Clarinet; Orchestra; Trombone; Violin; Voice (Study Score) SKU: HL.490...(+)
Cello; Clarinet; Orchestra; Trombone; Violin; Voice (Study Score) SKU: HL.49045135 For Clarinet, Trombone, Violin, Cello, 5 Female VO and Orch-Study Score. Composed by Thierry Pecou. This edition: Paperback/Soft Cover. Sheet music. Study Score. Classical. Softcover. Composed 2001-2002. 144 pages. Duration 39'. Schott Music #ED22079. Published by Schott Music (HL.49045135). ISBN 9790001202121. 8.25x11.75x0.374 inches. French. Thierry Pecou lasst die untergegangenen Kulturen der Maya und Azteken in einer symphonisch-vokalen Musiksprache wieder auferstehen. Der geschmeidige Jaguar reprasentierte in den vorkolumbianischen Welten nicht nur die Macht des Konigs, er symbolisierte auch den nachtlichen Lauf der Sonne durch die todgeweihte Unterwelt.
3 (3. auch Picc.) * 3 (3. auch Engl. Hr.) * 3 (3. auch Bassklar.) * 3 (3. auch Kfg.) - 4 * 3 (3. auch Piccolotrp. in B) * 3 * 1 - P. S. (I: Crot. * Beck. [crash] * hg. chin. Beck. * Tamt. * Bong. * Tomt. * gr. Tr. * chin. Bl. * Holzbl. * Cencerros; II: Crot. * Plattengl. * hg. Beck. * chin. Beck. * Gongs * thai. Gong * Tamt. * Tamt. [gross] * Bong. * Cong. * Tumba * gr. Tr. * Metal Chimes * Teponatzli [hoch]; III: P. * Crot. * geschlagene Beck. * chin. Beck. * gr. Nietenbeck. * thai. Gong * Tamt. * 2 Rahmentr. * gr. Tr. * Teponatzli [mittel]) (3 Spieler) - Str. (16 * 14 * 10 * 8 * 6). $53.00 - See more - Buy online | | |
| Break Through [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Suspended Cymbal, Timpani, Triangle and more. - Grade 2 SKU: CF.YPS257F Composed by Mark Lortz. Yps. Full score. 12 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #YPS257F. Published by Carl Fischer Music (CF.YPS257F). ISBN 9781491161968. UPC: 680160920648. Break Through is my musical representation of one's struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 'break through' climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor. I hope you and your ensemble enjoy perforinming Break Through. Break Through is my musical representation of one’s struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 ‘break through’ climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor.I hope you and your ensemble enjoy perforinming Break Through. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Break Through - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2, Suspended Cymbal, Timpani, Triangle and more. - Grade 2 SKU: CF.YPS257 Composed by Mark Lortz. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+2+2+4+4+4+3+3+3+2+3+1+1+1+4+2+12 pages. Duration 3 minutes, 18 seconds. Carl Fischer Music #YPS257. Published by Carl Fischer Music (CF.YPS257). ISBN 9781491161500. UPC: 680160920136. Break Through is my musical representation of one's struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 'break through' climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor. I hope you and your ensemble enjoy perforinming Break Through. Break Through is my musical representation of one’s struggle to pass through a barrier or move beyond an obstacle. This could be a literal breakthrough or a metaphorical achievement. The composition is centered around the key of G minor to achieve a dark, resonant emotion. The percussion is the heartbeat and pulse for the introduction and should follow all dynamics to match the winds. Soft rolling mallets should be used for the bass drum and gong rolls, creating a dark timbre without overpowering the ensemble. At Rehearsal 13, work to have a balanced section where the clarinets can be heard on the melody and the tenor sax and horn on the countermelody. Rehearsal 21 provides a fully scored variation of the theme and should continue to be as dark as possible. Rehearsal 29 is the final musical struggle before the Rehearsal 38 ‘break through’ climax of the composition. The resolution of the relative major of Bb should be majestic and triumphant. Finally, rehearsal 48 transitions to a recapitulation of the opening theme, moving towards a contemplative ending back to G minor.I hope you and your ensemble enjoy perforinming Break Through. $65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classic Rock for Two Alto Saxes 2 Saxophones (duet) - Easy Hal Leonard
Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic...(+)
Easy Instrumental Duets.
Composed by Various. Easy
Instrumental Duets. Classic
Rock, Rock. Softcover. 48
pages. Published by Hal
Leonard
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classic Rock for Two Trombones 2 Trombones (duet) - Easy Hal Leonard
Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic...(+)
Easy Instrumental Duets.
Composed by Various. Easy
Instrumental Duets. Classic
Rock, Rock. Softcover. 48
pages. Published by Hal
Leonard
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classic Rock for Two Trumpets 2 Trumpets (duet) - Easy Hal Leonard
Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic...(+)
Easy Instrumental Duets.
Composed by Various. Easy
Instrumental Duets. Classic
Rock, Rock. Softcover. 48
pages. Published by Hal
Leonard
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classic Rock for Two Clarinets 2 Clarinets (duet) - Easy Hal Leonard
Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic...(+)
Easy Instrumental Duets.
Composed by Various. Easy
Instrumental Duets. Classic
Rock, Rock. Softcover. 48
pages. Published by Hal
Leonard
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classic Rock for Two Flutes 2 Flutes (duet) - Easy Hal Leonard
Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic...(+)
Easy Instrumental Duets.
Composed by Various. Easy
Instrumental Duets. Classic
Rock, Rock. Softcover. 48
pages. Published by Hal
Leonard
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Classic Rock for Two Cellos 2 Cellos (duet) - Easy Hal Leonard
Easy Instrumental Duets. Composed by Various. Easy Instrumental Duets. Classic...(+)
Easy Instrumental Duets.
Composed by Various. Easy
Instrumental Duets. Classic
Rock, Rock. Softcover. 48
pages. Published by Hal
Leonard
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ancient Dances Theodore Presser Co.
Chamber Music Pipa, Percussion:, Peng Ling, Japanese High Woodblock, Two Bongos,...(+)
Chamber Music Pipa, Percussion:, Peng Ling, Japanese High Woodblock, Two Bongos, Conga, Nao Bo, Suspended Cymbal, Three Beijing Opera Gongs, Triangle SKU: PR.114412930 For Pipa and Percussion. Composed by Chen Yi. Saddle. Contemporary. Set of Score and Parts. With Standard notation. Composed 2005. 20+6+11 pages. Duration 20 minutes. Theodore Presser Company #114-41293. Published by Theodore Presser Company (PR.114412930). UPC: 680160571604. 8.5 x 11 inches. Text: Li Bai. Li Bai. Three poems by Li Bai (701 - 762). It's a privilege to write a new work for my friend, the pipa master Ms. Wu Man to perform in the 05/06 concert season. Remembering the first time we worked together in 1991, Wu Man premiered my solo piece The Points on the age-old Chinese traditional instrument, with her adventurous virtuosity and sensibility in the piece with new musical concept and language, at the NewWorkOctober concert series at Columbia University in New York, presented by New Music Consort. I have been very happy to keep track with her new experiment and success in the new music field since then. Again, in 2001, I have composed a trio for her to play with Yo-Yo Ma and Young-Nam Kim, commissioned by the Chamber Music Society of Minnesota for the Hun Qiao project. Wu Man loved the piece so much that she commissioned me another new work to perform this time. In Chinese cultural tradition, in which I am deeply rooted, music is a part of an organic art form, along with poetry, calligraphy and painting. I am glad that Wu Man suggested to create our new work together with visual artist Catherine Owens. We are going to combine the art forms together in one. I got my inspiration from three ancient poems, which are drawn in Chinese calligraphy, with exaggerated dancing lines and shapes in layers of ink. The music would go with image projection in Chinese painting according to the poems. Written for Wu Man and commissioned by the Walton Arts Center, Fayetteville, AR, the duet Ancient Dances is written for pipa and a set of percussion instruments (including a pair of naobo, finger cymbals, and bongos; a Japanese high woodblock, a triangle, 3 Beijing Opera gongs in small, medium and large sizes, a suspended cymbal and a conga). It consists of three movements of music - Cheering, Longing, and Wondering, in which the music abstractly represents various expressions, in different textures and tempi, inspired by the text in the three Chinese poems by Li Bai from Tang Dynasty: 1) Riding on My Skiff; 2) Night Thoughts; 3) The Cataract of Mount Lu. The flying lines, as like mysterious and vivid ancient dances, bring the music, the calligraphy, and the painting all together in our work. --Chen Yi. It's a privilege to write a new work for my friend, the pipa master Ms. Wu Man to perform in the 05/06 concert season. Remembering the first time we worked together in 1991, Wu Man premiered my solo piece The Points on the age-old Chinese traditional instrument, with her adventurous virtuosity and sensibility in the piece with new musical concept and language, at the NewWorkOctober concert series at Columbia University in New York, presented by New Music Consort. I have been very happy to keep track with her new experiment and success in the new music field since then. Again, in 2001, I have composed a trio for her to play with Yo-Yo Ma and Young-Nam Kim, commissioned by the Chamber Music Society of Minnesota for the Hun Qiao project. Wu Man loved the piece so much that she commissioned me another new work to perform this time.In Chinese cultural tradition, in which I am deeply rooted, music is a part of an organic art form, along with poetry, calligraphy and painting. I am glad that Wu Man suggested to create our new work together with visual artist Catherine Owens. We are going to combine the art forms together in one. I got my inspiration from three ancient poems, which are drawn in Chinese calligraphy, with exaggerated dancing lines and shapes in layers of ink. The music would go with image projection in Chinese painting according to the poems.Written for Wu Man and commissioned by the Walton Arts Center, Fayetteville, AR, the duet Ancient Dances is written for pipa and a set of percussion instruments (including a pair of naobo, finger cymbals, and bongos; a Japanese high woodblock, a triangle, 3 Beijing Opera gongs in small, medium and large sizes, a suspended cymbal and a conga). It consists of three movements of music - Cheering, Longing, and Wondering, in which the music abstractly represents various expressions, in different textures and tempi, inspired by the text in the three Chinese poems by Li Bai from Tang Dynasty: 1) Riding on My Skiff; 2) Night Thoughts; 3) The Cataract of Mount Lu. The flying lines, as like mysterious and vivid ancient dances, bring the music, the calligraphy, and the painting all together in our work.—Chen Yi. $37.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ninja - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, E...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Flute 3, Gong, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal and more. - Grade 2 SKU: CF.YPS228 Composed by Michael Boo. Folio. Yps. Set of Score and Parts. 4+2+2+2+4+4+2+2+5+5+2+2+4+4+4+2+2+3+3+3+2+3+2+1+1+1+2+16 pages. Duration 2:30. Carl Fischer Music #YPS228. Published by Carl Fischer Music (CF.YPS228). ISBN 9781491157961. UPC: 680160916566. 9 x 12 inches. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you donat have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece wonat suffer if you donat have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments wonat be missed if you donat have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldnat be treated as staccatos. Being aware of not accenting notes that donat have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don't have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won't suffer if you don't have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won't be missed if you don't have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn't be treated as staccatos. Being aware of not accenting notes that don't have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next.Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don’t have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won’t suffer if you don’t have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won’t be missed if you don’t have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum.Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering.At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn’t be treated as staccatos. Being aware of not accenting notes that don’t have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ninja [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, E...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute 1, Flute 2, Flute 3, Gong, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal and more. - Grade 2 SKU: CF.YPS228F Composed by Michael Boo. Sws. Yps. Full score. 16 pages. Duration 2:30. Carl Fischer Music #YPS228F. Published by Carl Fischer Music (CF.YPS228F). ISBN 9781491157978. UPC: 680160916573. 9 x 12 inches. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you donat have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece wonat suffer if you donat have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments wonat be missed if you donat have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldnat be treated as staccatos. Being aware of not accenting notes that donat have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next. Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don't have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won't suffer if you don't have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won't be missed if you don't have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum. Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering. At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn't be treated as staccatos. Being aware of not accenting notes that don't have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. Ninja is a Grade 2 piece playable by any young band, due to extensive doublings throughout. The mood of the piece is mysterious, reflecting the image of ninjas being seen one moment and gone the next.Flute 3 is not essential as it doubles the oboes, but is useful in case you have a lot of flutes or due to a limited number of oboes. If you don’t have a bass clarinet, baritone saxophone or bassoons, those parts are covered in the low brass. The timpani part is optional, and the piece won’t suffer if you don’t have access to that percussion. The optional F-chime and gong only play in the final measure of the piece. While adding a notable effect at the end, those instruments won’t be missed if you don’t have them available. The tom-tom part can be played on a snare drum with the snares off or may be played on a tenor drum.Care should be taken that accented notes are emphasized, but never become ponderous. The half notes at the beginning of the piece should not be accented. The theme is introduced in the first twelve measures, and at m. 13 many of the instruments trade the melody for half notes and vice-versa. Be careful that the percussion section never becomes overpowering.At m. 25, care should be taken that there is quite a volume difference between ff and mp. Think of this representing the ninjas being seen one moment and being hidden the next. The double staccato figures at m. 33 should not be accented. Trumpets and trombones at m. 37 should not be overly legato, but certainly shouldn’t be treated as staccatos. Being aware of not accenting notes that don’t have accents will make the accents at m. 49 more dramatic. Please note that the legato notes at mm. 58 and 60 are not to be accented. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Studio Ghibli Song Selections for Piano Duet Easy x Easy/English Version 1 Piano, 4 hands Yamaha
Piano Ensemble. Studio Ghibli. Sheet music. Yamaha Music Media #GWH01095799....(+)
Piano Ensemble. Studio
Ghibli. Sheet music. Yamaha
Music Media #GWH01095799.
Published by Yamaha Music
Media
$6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Studio Ghibli Song Selections for Piano Duet Easy x Intermediate Level/English Version 1 Piano, 4 hands - Easy Yamaha
Piano Ensemble. Studio Ghibli. Sheet music. Yamaha Music Media #GWH01095800....(+)
Piano Ensemble. Studio
Ghibli. Sheet music. Yamaha
Music Media #GWH01095800.
Published by Yamaha Music
Media
$6.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Hiller W Eduard Auf Dem Seil Schott
Vocal soloists, choir and orchestra (TB) SKU: HL.49021452 Ein Dichterm...(+)
Vocal soloists, choir and orchestra (TB) SKU: HL.49021452 Ein Dichtermarchen in 23 Bildern. Composed by Hiller. This edition: Saddle stitching. Book. Edition Schott. Text book/libretto. Composed 1998-1999. 48 pages. Duration 90'. Schott Music #BN 3386. Published by Schott Music (HL.49021452). ISBN 9783795733865. 5.75x8.25x0.18 inches. German. Eduard auf dem Seil' ist das Schlussstuck einer mit dem 'Rattenfanger' und 'Schimmelreiter' begonnenen 'Trilogie der Sagen'. Szenen aus Eduard Morikes Biographie, insbesondere das 'Peregrina-Trauma' werden uberblendet mit Dichtungen Morikes und seiner 'Historie von der schonen Lau' aus dem 'Stuttgarter Hutzelmannchen'. Die Ebenen von Wirklichkeit und Kunst verschwimmen, doch bleibt der Dichter am Ende einsam wie zuvor zuruck.
3 Picc. (1. auch Fl.) * 2 * 3 (3. auch Basskl) * 2 * Kfg. - 4 * 3 * 3 * 1 - S. (hohe Trgl. * Trgl. * 4 Beck. * Nietenbeck. * Hi-hat * Tamt. * Schellenbaum * Dobaci * 3 Peitschen * Claves * Woodbl. * Tempelbl. * Marac. * kl. Tr. * mehrere Ruhrtr. * gr. Tr. * Brummtopf * 2 Bongos * 6 Tomt. * 6 Ro-totoms * 8 Stalagmitentr. * Jazz-Schlagzeug * Crash * Ride * China Type * Metal Chimes * Shell Chimes * mit Wasser gefulltes Schaff [mit Gartenschlauch] * Flex. * Gl. * Zimb. * Zimbelspiel * Gong * Rohrengl. * Xyl.)(3 Spieler) - 2 Hfn. * Cel. * Org. (auch vom Band) * Hackbr. - Str. Buhnenmusik: 2 Klarinetten * Trompete * Tuba * Klavier * Violine * Kontrabass * Weinglaser (der Orakelfrauen) * 6 Pauken
3 Picc. (1. auch Fl.) * 2 * 3 (3. auch Basskl) * 2 * Kfg. - 4 * 3 * 3 * 1 - S. (hohe Trgl. * Trgl. * 4 Beck. * Nietenbeck. * Hi-hat * Tamt. * Schellenbaum * Dobaci * 3 Peitschen * Claves * Woodbl. * Tempelbl. * Marac. * kl. Tr. * mehrere Ruhrtr. * gr. Tr. * Brummtopf * 2 Bongos * 6 Tomt. * 6 Ro-totoms * 8 Stalagmitentr. * Jazz-Schlagzeug * Crash * Ride * China Type * Metal Chimes * Shell Chimes * mit Wasser gefulltes Schaff [mit Gartenschlauch] * Flex. * Gl. * Zimb. * Zimbelspiel * Gong * Rohrengl. * Xyl.)(3 Spieler) - 2 Hfn. * Cel. * Org. (auch vom Band) * Hackbr. - Str.
Buhnenmusik: 2 Klarinetten * Trompete * Tuba * Klavier * Violine * Kontrabass * Weinglaser (der Orakelfrauen) * 6 Pauken. $8.99 - See more - Buy online | | |
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