| Petits Préludes Et Fuguettes Piano solo Choudens
Piano SKU: BT.MUSACF017410 Composed by Johann Sebastian Bach. Book Only. ...(+)
Piano SKU: BT.MUSACF017410 Composed by Johann Sebastian Bach. Book Only. Choudens #MUSACF017410. Published by Choudens (BT.MUSACF017410). These Twelve Little Préludes , composed by J. S. Bach , combine to create a great variety of pieces that are all relatively short, but do require a good understanding of technique. Arranged for Piano. All of these pieces are great fun to play, but they also exhibit that beautiful grasp of musicality that Bach 's larger, longer works were known for. $17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Piano Preludes Piano solo - Intermediate/advanced Hal Leonard
Intermediate to Advanced Piano Solos The World's Great Classical Music Series. B...(+)
Intermediate to Advanced Piano Solos The World's Great Classical Music Series. By Various Composers. World's Greatest Classical Music. Book only. Size 9x12 inches. 213 pages. Published by Hal Leonard.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Debussy Piano Music Piano solo [Sheet music] - Intermediate/advanced Hal Leonard
By Claude Debussy (1862-1918). Edited by Richard Walters. World's Greatest Class...(+)
By Claude Debussy (1862-1918). Edited by Richard Walters. World's Greatest Classical Music. Softcover. 224 pages. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Debussy - Childrens Corner Suite For Piano Piano solo G. Henle
Piano SKU: HU.HN382 Little Suite for Piano. Composed by Claude Debussy. Edited ...(+)
Piano
SKU: HU.HN382
Little Suite for Piano. Composed by Claude Debussy. Edited by Ernst-Gunter Heinemann. Piano Solo, Piano and Keyboard, Repertoire, Solos. Children's Corner. Classical, Romantic. Softcover Book. 36 pages. G. Henle #HN382. Published by G. Henle (HU.HN382).
$17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Alfred's Basic Piano Library Popular Hits Complete, Book 1 Piano solo - Beginner Alfred Publishing
(For the Later Beginner). Arranged by Tom Gerou. For Piano. Book; Graded Standar...(+)
(For the Later Beginner). Arranged by Tom Gerou. For Piano. Book; Graded Standard Repertoire; Method/Instruction; Piano - Alfred's Basic Piano Library. Alfred's Basic Piano Library. Broadway; Children; Movie; Pop. Beginner. 40 pages. Published by Alfred Music
$11.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Palomar (nel giardino fantastico) - Concerto for Flute and Orchestra Flute and Piano Fennica Gehrman
Flute, piano SKU: FG.55011-613-9 Composed by Kai Nieminen. Fennica Gehrma...(+)
Flute, piano SKU: FG.55011-613-9 Composed by Kai Nieminen. Fennica Gehrman #55011-613-9. Published by Fennica Gehrman (FG.55011-613-9). ISBN 9790550116139. The music of Finnish composer Kai Nieminen (b. 1953) does not conform to any isms. He remarks: I feel like I am a painter in music, who having seen or experienced something attempts to give that something a shape in music. The flute concerto Palomar was written for Patrick Gallois and premiered 2001 in Milan, Italy. The idea for his Flute Concerto came to Nieminen at the Villa Lante in Rome when he was kept awake by persistent birdsong in the heat of the night. The title alludes to the last novel, Palomar, by Italo Calvino. Though Nieminen finds inspiration in literature, the visual arts and nature, he has no desire to confine the listener to any programme. The aim of the extra-musical stimuli is at most to fire his listeners' imagination and to make them savour musical visions with a mind as open as that of Calvino's Mr Palomar examining the little wonders of the world around him. The orchestral score is available for sale (ISMN 9790550096370) and the performance material for hire from Fennica Gehrman. $42.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| School's Cool Concert band [Score and Parts] - Beginner De Haske Publications
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1053829-015 (+)
Concert Band/Harmonie/Fanfare Band - Grade 1.5 SKU: BT.DHP-1053829-015 Little Suite for Flexible Band. Composed by Jacob De Haan. Flexible 4 Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053829-015. Published by De Haske Publications (BT.DHP-1053829-015). 9x12 inches. English-German-French-Dutch. This short, “cool†suite in three movements can be performed with a variety of instruments from a handful of players to a complete concert band. The first movement radiates joy with a powerful 3/4 beat. The second movement is in the style of a pavane, which gives a sense of nostalgia and the final movement forms a cheerful and high-spirited closing with a really funky beat. This wonderful suite has been composed especially for youth musicians and they will all gain great pleasure from performing it.Because of the four-part instrumentation, School's Cool is suitable for smaller strengths, taking into account that it is important to divide parts evenly among the players. Alsoincludes an ad-lib keyboard/piano part to support the ensemble.
Deze korte suite is uitvoerbaar in elke denkbare bezetting (eventueel inclusief piano). School’s Cool is gecomponeerd in opdracht van de Yamaha Bläserklasse van de Frauenwaldschule in Nieder-Mörlen (Duitsland), ter gelegenheidvan de verhuizing naar een ander gebouw. De leerlingen van het orkest vonden de voormalige school ‘cool’, omdat ze er fijn konden musiceren. Het eerste deel straalt deze vreugde uit met een krachtige beat in driekwartsmaat. Hettweede deel is een soort pavane, waarin even wat weemoed doorklinkt. Het derde deel vormt een levenslustig slot in een lekkere funkbeat. Een heerlijke suite voor jeugdige musici.
Diese kurze, coole“ Suite in drei Sätzen wurde speziell für eine hoch motivierte Bläserklasse komponiert und kann deshalb in jeder denkbaren Spielstärke (optional mit Klavier) gespielt werden. Der erste Satz strahlt Spielfreude in einem kraftvollen Rhythmus im 1/2-Takt aus. Der zweite Satz ist eine Art Pavane, in welcher einen Moment lang Nostalgie widerklingt. Der dritte Satz bildet ein fröhliches, in Hochstimmung endendes Finale in einem ansprechenden Funk-Beat. Kurz gesagt, ist School’s Cool eine wunderbare Suite, ganz besonders für junge Musiker.
Cette petite suite en trois mouvements est adaptée tous types de formations géométrie variable (partie de piano optionnelle). Le premier mouvement évoque la joie de vivre. Le deuxième mouvement est une sorte de pavane empreinte de nostalgie. Le troisième mouvement conclut l’œuvre sur un rythme funk entraînant.
Questa piccola suite in tre movimenti, fluida e rilassante, è adatta ad ogni tipo di organico a strumentazione variabile (parte per il piano opzionale). School’s Cool è un brano commissionato a Jacob de Haan per la classe di musica Essential Elements della Scuola Frauenwald di Nieder-Mörlen in Germania. Il primo movimento evoca musicalmente la gioia di vivere. Il secondo movimento è una specie di pavane impregnata di nostalgia. Vivace e brillante, il terzo movimento chiude il brano su un trascinante ritmo funk. Questa piccola suite piena di charme è perfetta per giovani musicisti. $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Blue Shades Concert band [Score] Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Conductor Full Score. Duration 10:00. Published by Manhattan Beach Music. Level: Grade 5.
(2)$95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| School's Cool Concert band [Score and Parts] - Beginner De Haske Publications
Concert Band - Grade 1.5 SKU: BT.DHP-1053829-040 Little Suite for Flex...(+)
Concert Band - Grade 1.5 SKU: BT.DHP-1053829-040 Little Suite for Flexible Band. Composed by Jacob De Haan. Flexible 4 Series. Concert Piece. Set (Score & Parts). Composed 2005. De Haske Publications #DHP 1053829-040. Published by De Haske Publications (BT.DHP-1053829-040). 9x12 inches. English-German-French-Dutch. This short, “cool†suite in three movements can be performed with a variety of instruments from a handful of players to a complete concert band. The first movement radiates joy with a powerful 3/4 beat. The second movement is in the style of a pavane, which gives a sense of nostalgia and the final movement forms a cheerful and high-spirited closing with a really funky beat. This wonderful suite has been composed especially for youth musicians and they will all gain great pleasure from performing it.Because of the four-part instrumentation, School's Cool is suitable for smaller strengths, taking into account that it is important to divide parts evenly among the players. Alsoincludes an ad-lib keyboard/piano part to support the ensemble.
Deze korte suite is uitvoerbaar in elke denkbare bezetting (eventueel inclusief piano). School’s Cool is gecomponeerd in opdracht van de Yamaha Bläserklasse van de Frauenwaldschule in Nieder-Mörlen (Duitsland), ter gelegenheidvan de verhuizing naar een ander gebouw. De leerlingen van het orkest vonden de voormalige school ‘cool’, omdat ze er fijn konden musiceren. Het eerste deel straalt deze vreugde uit met een krachtige beat in driekwartsmaat. Hettweede deel is een soort pavane, waarin even wat weemoed doorklinkt. Het derde deel vormt een levenslustig slot in een lekkere funkbeat. Een heerlijke suite voor jeugdige musici.
Diese kurze, coole“ Suite in drei Sätzen wurde speziell für eine hoch motivierte Bläserklasse komponiert und kann deshalb in jeder denkbaren Spielstärke (optional mit Klavier) gespielt werden. Der erste Satz strahlt Spielfreude in einem kraftvollen Rhythmus im 1/2-Takt aus. Der zweite Satz ist eine Art Pavane, in welcher einen Moment lang Nostalgie widerklingt. Der dritte Satz bildet ein fröhliches, in Hochstimmung endendes Finale in einem ansprechenden Funk-Beat. Kurz gesagt, ist School’s Cool eine wunderbare Suite, ganz besonders für junge Musiker.
Cette petite suite en trois mouvements est adaptée tous types de formations géométrie variable (partie de piano optionnelle). Le premier mouvement évoque la joie de vivre. Le deuxième mouvement est une sorte de pavane empreinte de nostalgie. Le troisième mouvement conclut l’œuvre sur un rythme funk entraînant. $98.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Twelve Astrological Preludes Piano solo Camden Music
Piano SKU: BT.CM168 Composed by Roderick Elms. Classical. Book Only. Comp...(+)
Piano SKU: BT.CM168 Composed by Roderick Elms. Classical. Book Only. Composed 2014. Camden Music #CM168. Published by Camden Music (BT.CM168). Twelve Astrological Preludes were written over a period of roughly two years and several were broadcast on BBC Radio 2's Friday Night is Music Night as well as in other concerts. Aquarius was written in 1994 as a filler to apopular BBC solo piano series of the time called At the Piano. It was named Aquarius for programming purposes and as Elms left the studio the producer called after him 'Only eleven to go' and so Twelve Astrological Preludes cameinto being.
The preludes, which run in the usual cycle, are based upon two melodic strands and there is one piece in each of the twelve major keys. The character and style of each prelude alludes to certaincharactertraits of its particular birth sign and each piece bears the initials of a friend born under that particular sign. Each prelude is prefaced by a printed description of some of the general characteristics deemed to beassociated with that sign. These are, of course, generalisations! Some preludes show a little deference to some of my favourite 'masters'.
Elms has recorded Twelve Astrological Preludes for the Herald label and they areavailable on the CD Moody Moves together with other pieces of his chamber music including the piano sextet from which the CD takes its name. More information is available at masterkeyboards.co.uk.
$25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Glitter, Doom, Shards, Memory [Score] Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441...(+)
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441690S String Quartet No. 3. Composed by Shulamit Ran. Sws. Contemporary. Full score. With Standard notation. Composed March 9 2013. 32 pages. Duration 23 minutes. Theodore Presser Company #114-41690S. Published by Theodore Presser Company (PR.11441690S). UPC: 680160626021. 9 x 12 inches. Ran's third string quartet was written for the Pacifica Quartet, who are featuring it in numerous performances from May 2014 through February 2016, across the country and abroad. Their blog page dedicated to the work also features the composer's notes, for more indepth insight. ...impassioned solos emerge from ominous quiet, and high arpeggios in the violins quiver alongside the earthy cello. Ms. Ran skillfully deploys these extremes of color, volume and pitch, yet the overall somewhat chilly impression is one of poise. -- Zachary Woolfe, The New York Times. My third string quartet was composed at the invitation of the Pacifica Quartet, whose music-making I have come to know closely and admire hugely as resident artists at the University of Chicago. Already in our early conversations Pacifica proposed that this quartet might, in some manner, refer to the visual arts as a point of germination. Probing further, I found out that the quartet members had special interest in art created during the earlier part of the 20th century, perhaps between the two world wars. It was my good fortune to have met, a short while later, while in residence at the American Academy in Rome in the fall of 2011, art conservationist Albert Albano who steered me to the work of Felix Nussbaum (1904-1944), a German-Jewish painter who, like so many others, perished in the Holocaust at a young age, and who left some powerful, deeply moving art that spoke to the life that was unraveling around him. The title of my string quartet takes its inspiration from a major exhibit devoted to art by German artists of the period of the Weimar Republic (1919-1933) titled “Glitter and Doom: German Portraits from the 1920sâ€, first shown at New York’s Metropolitan Museum of Art in 2006-07. Nussbaum would have been a bit too young to be included in this exhibit. His most noteworthy art was created in the last very few years of his short life. The exhibit’s evocative title, however, suggested to me the idea of “Glitter, Doom, Shards, Memory†as a way of framing a possible musical composition that would be an homage to his life and art, and to that of so many others like him during that era.  Knowing that their days were numbered, yet intent on leaving a mark, a legacy, a memory, their art is triumph of the human spirit over annihilation. Parallel to my wish to compose a string quartet that, typically for this genre, would exist as “pure musicâ€, independent of a narrative, was my desire to effect an awareness in my listener of matters which are, to me, of great human concern.  To my mind there is no contradiction between the two goals.  As in several other works composed since 1969, this is my way of saying ‘do not forget’, something that, I believe, can be done through music with special power and poignancy.   The individual titles of the quartet’s four movements give an indication of some of the emotional strands this work explores. 1) “That which happened†(das was geschah) – is how the poet Paul Celan referred to the Shoah – the Holocaust.  These simple words served for me, in the first movement, as a metaphor for the way in which an “ordinary†life, with its daily flow and its sense of sweet normalcy, was shockingly, inhumanely, inexplicably shattered. 2) “Menace†is a shorter movement, mimicking a Scherzo.  It is also machine-like, incessant, with an occasional, recurring, waltz-like little tune – perhaps the chilling grimace we recognize from the executioner’s guillotine mask.  Like the death machine it alludes to, it gathers momentum as it goes, and is unstoppable. 3) â€If I must perish - do not let my paintings dieâ€; these words are by Felix Nussbaum who, knowing what was ahead, nonetheless continued painting till his death in Auschwitz in 1944.  If the heart of the first movement is the shuddering interruption of life as we know it, the third movement tries to capture something of what I can only imagine to be the conflicting states of mind that would have made it possible, and essential, to continue to live and practice one’s art – bearing witness to the events.  Creating must have been, for Nussbaum and for so many others, a way of maintaining sanity, both a struggle and a catharsis – an act of defiance and salvation all at the same time. 4) “Shards, Memory†is a direct reference to my quartet’s title.  Only shards are left.  And memory.  The memory is of things large and small, of unspeakable tragedy, but also of the song and the dance, the smile, the hopes. All things human.  As we remember, in the face of death’s silence, we restore dignity to those who are gone.—Shulamit Ran . $29.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Blue Shades Concert band [Score and Parts] - Intermediate/advanced Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands...(+)
By Frank Ticheli. Concert band. Suitable for the most advanced high school bands, community, college, university, and professional bands. Level: Grade 5. Conductor score and set of parts. Duration 10:00. Published by Manhattan Beach Music.
$365.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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