| Classical Duets For All (Alto Saxophone, Eb Saxes & Eb Clarinet) 2 Saxophones (duet) [Sheet music] Belwin
Arranged by William Ryden (1939-). Collection for 2 Eb instruments. 24 pages. Pu...(+)
Arranged by William Ryden (1939-). Collection for 2 Eb instruments. 24 pages. Published by Belwin.
(1)$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Le temps restitue (1956-57/1967-68). Komposition fur Solostimme, (franzosisch) Chor und Orchester Piccolo, Flute, Cello, Xylophone, Harp, Bass Clarinet, English Horn, Choir, Percussion, Viola, Guitar, Bassoon, Oboe, Harpsichord, Drums, Violin [Score] Barenreiter
By Jean Barraque (1928-1973). For Soprano Solo, Mixed Choir-SATB, Flute 1/Piccol...(+)
By Jean Barraque (1928-1973). For Soprano Solo, Mixed Choir-SATB, Flute 1/Piccolo, Flute 2, Oboe, English Horn, Clarinet (B Flat) (2), Bass Clarinet, Bassoon, Harp, Guitar, Harpsichord, Celesta, Vib, Xylophone, Chime-Bells, Drums (4), Strings (Violin (4), Viola (2), Violoncello (2), Contr. Score (paperbound). Duration 40'
$106.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Startklar 2 Vol. 2 Clarinet Music Distribution Services
Clarinet in B-Flat SKU: M7.KMP-9169 Für Bläserklassen, Orchester...(+)
Clarinet in B-Flat SKU: M7.KMP-9169 Für Bläserklassen, Orchester und Ensemble. Composed by Jan Utbult. This edition: Saddle-wire stitching. Sheet music with CD. 52 pages. MDS (Music Distribution Services) #KMP 9169. Published by MDS (Music Distribution Services) (M7.KMP-9169). ISBN 9789185791699. German. Anna Zetterlund. Mit STARTKLAR 2 liegt nun eine inspirierende Fortsetzung von STARTKLAR 1, dem innovativen Anfängerkonzept für Bläserklassen, Gruppenunterricht und Orchester vor, die aber auch unabhängig vom ersten Band verwendet werden kann. STARTKLAR 2 beinhaltet harmonisch klingende drei- oder vierstimmige Arrangements, die sich für alle Ensemblegrößen eignen. Das Lerntempo bei STARTKLAR 2 lässt sich individuell gestalten. Die 42 Stücke bauen auf einem Tonvorrat von lediglich 10 Tönen auf und bieten durch die mehrstimmigen Arrangements trotzdem die Möglichkeit zur deutlichen Erweiterung des Tonumfangs. Alle Stücke sind auf der dazugehörigen CD von professionellen Musikern eingespielt - das macht STARTKLAR 2 einzigartig. STARTKLAR 2 bietet somit die besten Voraussetzungen für Musizieren mit Spaß und Erfolg! $24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Lost Chord, The Clarinet and Piano - Easy Kendor Music Inc.
Clarinet Solo with Piano Accompaniment - Grade 2 SKU: KN.11037 Composed b...(+)
Clarinet Solo with Piano Accompaniment - Grade 2 SKU: KN.11037 Composed by Sir Arthur Seymour Sullivan. Arranged by Harry R. Gee. Solo Collection. Kendor Solo Series. Score and part. Duration 2 minutes, 30 seconds. Kendor Music Inc #11037. Published by Kendor Music Inc (KN.11037). UPC: 822795110371. This grade 2 arrangement of the beloved classic by Arthur Sullivan is suitable for young clarinetist, as it stays below the break for most of the piece. Rhythms are appropriate for the grade level, and variations in dynamics will make this a perfect contest piece. Duration 2:30. $7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Lost! [Score and Parts] - Easy Hal Leonard
Jazz Ensemble (Score & Parts) - Grade 2 SKU: HL.7011879 Arranged by Paul ...(+)
Jazz Ensemble (Score & Parts) - Grade 2 SKU: HL.7011879 Arranged by Paul Murtha. Easy Jazz Ensemble Series. Alternative, Rock. Score and parts. Published by Hal Leonard (HL.7011879). UPC: 884088590154. 9x12 inches. Smartly scored for young players, here is the well-known hit recorded by the group Coldplay. Written in a medium tempo light rock style, this will sound great with limited rehearsal time.
Enjoy great flexibility with the Easy Jazz Ensemble series! Playable with 4 saxes, 3 trumpets, 3 trombones and rhythm; includes optional parts for flute, clarinet, F horn and tuba. $40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| U.Play.Plus More Pops -- Melody Plus Harmony Clarinet [Part] - Easy Alfred Publishing
(Clarinet). Arranged by Victor LÌ_pez. For Clarinet. A and B Partbook; Mixed In...(+)
(Clarinet). Arranged by Victor LÌ_pez. For Clarinet. A and B Partbook; Mixed Instruments - Flexible Instrumentation. U.Play.Plus. Solo--A, Duet--B/C/D, Trio--C, Quartet--D. Pop/Rock. Grade 2.5; Grade 3. 24 pages. Published by Alfred Music Publishing
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| Accent on Performance Concert Favorites Collection Concert band Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (Clarinet 2)). By...(+)
(22 Full Band Arrangements Correlated to Accent on Achievement (Clarinet 2)). By John O'Reilly and Mark Williams. Concert Band. For Clarinet 2. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music
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| Frozen 2 Clarinet Play-Along Clarinet [Sheet music + Audio access] Hal Leonard
Composed by Robert Lopez and Kristen Anderson-Lopez. Instrumental Play-Along. ...(+)
Composed by Robert Lopez and
Kristen Anderson-Lopez.
Instrumental Play-Along.
Children, Disney, Movies.
Softcover Audio Online. 12
pages. Published by Hal
Leonard
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 100 Pop Solos For Clarinet Clarinet Music Sales | | |
| Les nuits d'ete, 2. Version (Holoman 81B) |clarinet|horn|orchestra|piano|oboe|f rench horn|vocal|flute|bassoon|harp| [Vocal Score] Barenreiter
6 Gesange fur eine Solostimme (verschiedene Stimmlagen) und Orchester. Zusatzlic...(+)
6 Gesange fur eine Solostimme (verschiedene Stimmlagen) und Orchester. Zusatzliche Transpositionen von Nr. 2 un3 in Mezzo-Sopran-Lage. Klavierauszug dem Urtext der New Berlioz Edition. By Hector Berlioz. Edited by Kemp, Ian. Arranged by Woodfull-Harris, Douglas. Text: Gautier, Theophile. For Voices, Flute (2), Oboe, Clarinet (B Flat) (2), Bassoon (2), Horn (3), Harp, Strings. 4. Aufl. 2007. Piano Reduction/Vocal Score (paperbound). Op. 7. Published by Baerenreiter-Ausgaben (German import). (BA5784 90)
$28.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| ...au dela du hasard (1959). Komposition fur Solostimmen (franzosisch) und Orchester in 4 Gruppen Pocket, Study conductor [Study Score / Miniature] Barenreiter
By Jean Barraque (1928-1973). For Soprano Solo (2), Alto Solo, Gruppe 1: Trumpet...(+)
By Jean Barraque (1928-1973). For Soprano Solo (2), Alto Solo, Gruppe 1: Trumpet (2), Trombone, Alto Saxophone, Sax.T, Baritone Saxophone, Vib, Gruppe 2: Celesta, Chime-Bells, Xylophone, Harp, Vib, Piano, Gruppe 3: Drums (3), Gruppe 4: Clarinet (B Flat) (3), Clarinet (B Flat) 4/Bass Clari. Study Score (paperbound). Duration 45'
$76.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Trio Sonata 2 Flutes, Piano [Sheet music + CD] Fentone Music
2 Flutes and Continuo - intermediate-adv SKU: HL.44005641 For two flut...(+)
2 Flutes and Continuo - intermediate-adv SKU: HL.44005641 For two flutes and basso continuo. Composed by Georg Philipp Telemann. Fentone Instrumental Books. Transcription. Book with CD. Composed 2005. Fentone Music #F 890. Published by Fentone Music (HL.44005641). UPC: 884088041113. 9x12 inches. International (more than one language). This beautiful trio sonata in F major by Georg Philipp Telemann was originally composed for two recorders and basso continuo. For this edition in The Platinum Series it has been adapted for two flutes. On the CD you will first hear all the accompaniments on the harpsichord - which you can use if no accompanist is available - and next the demo tracks with two flutes and harpsichord. The piano part can be used by pianists as well as harpsichordists and with the instrumental parts (a first and second flute and a cello part) you can also play this beautiful music with your own chamber ensemble.CD contains accompaniments and demonstrations of sections from Telemann's sonata.
Telemann schreef deze prachtige triosonate in F majeur voor twee blokfluiten en basso continuo. Speciaal voor The Platinum Series is hiervan een bewerking voor twee dwarsfluiten gemaakt. Op de geweldige cd hoor je eerst allebegeleidingen (klavecimbel en fluit 2) - erg handig als er geen begeleider in de buurt is - en vervolgens de voorbeeldtracks met twee fluiten en klavecimbel. De basso continuo is bruikbaar voor zowel pianisten als klavecinisten;en met de bijlagen (een eerste en tweede fluitpartij en een cellopartij) is deze mooie muziek ook speelbaar met een eigen ensemble
Die Triosonate in F-Dur von Telemann wurde ursprunglich fur zwei Blockfloten und Basso continuo komponiert. Fur die neue Platinum-Serie wurde sie fur zwei Floten bearbeitet. Auf der CD erklingen zunachst alle Begleitungen auf dem Cembalo - diese konnen verwendet werden, wenn kein Begleiter zur Stelle ist. Darauf folgen Demoversionen mit zwei Floten und Cembalo. Der enthaltene Basso continuo kann auf dem Klavier und auf dem Cembalo gespielt werden. Diese schone Musik auch von einem Ensemble (2 Floten and Cello) aufgefuhrt werden.Die Reihe The Platinum Series enthalt bekannte klassische Werke fur verschiedene Instrumente, die nun verschiedenen Holzblasern zuganglichgemacht wurden und sich in ihrer neuen Form wunderbar als Konzertstucke eignen. Die CDs der Platinum Series bieten Ihnen die Gelegenheit, zu einer schonen Begleitung, die live mit Klavier, Cembalo, Kammerensemble oder gar Sinfonieorchester eingespielt wurde, zu spielen. Auf der CD erklingen jeweils alle Begleitungen und Demo-Versionen. Die Stucke mit Basso continuo, der auf dem Klavier oder Cembalogespielt werden kann, enthalten jeweils eine separate Solo- und Cellostimme, sodass sie auch von einem Ensemble aufgefuhrt werden konnen. Alle sechs Ausgaben sind im Schwierigkeitsgrad mittelschwer - schwer.
La collection Platinum Series rassemble des ?uvres classiques composees a l'origine pour divers instrument et idealement adaptees pour des instruments a vent de la famille des bois. Chaque ouvrage de cette collection est enrichi d'un compact disc (version integrale accompagnement) d'une grande qualite musicale. Pour vous offrir un excellent confort de jeu, les accompagnements ont ete confies au piano, au clavecin, a un ensemble de musique de chambre et quelquefois meme a un Orchestre Symphonique. Les oeuvres avec basse continue (adaptee pour le piano ou le clavecin) disposent d'une partie soliste et d'une partie pour violoncelle separees afin de pouvoir constituer unensemble instrumental.
La collezione >The Platinum Series e sinonimo di alta qualita. Troverete le piu importanti pagine di musica trascritte per strumenti a fiato. Sul CD sono registrati dapprima l'intero brano col solista, e poi le sole basi musicali d'accompagnamento, realizzate con strumenti autentici che realizzano il basso continuo al clavicembalo. Da oggi potrete interpretare col saxofono le musiche di grandi compositori come Benedetto Marcello, oppure suonare al clarinetto la trascrizione del Concerto n.1 di Breval per violoncello. Per le composizioni da suonare in duo, troverete sul CD sia l'incisione completa del brano, che la sola seconda voce o il solo Basso continuo, cosi da potersuonare sia da soli che assieme ad un vostro amico. $23.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Remembering Pearl Harbor - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 4 SKU: CF.SPS95 December 7, 1941. Composed by Christina Huss R. Alan Carter. Sps. Set of Score and Parts. 2+16+4+8+8+8+4+4+4+4+4+4+6+6+6+4+4+4+4+6+6+6+6+4+6+6+2+4+8+2+28 pages. Duration 6 minutes, 45 seconds. Carl Fischer Music #SPS95. Published by Carl Fischer Music (CF.SPS95). ISBN 9781491161302. UPC: 680160919895. Written to commemorate the 80th Anniversary of the surprise attack on the American Pacific Fleet, Remembering Pearl Harbor is a stirring tribute honoring the heroes of the date which will live in infamy- December 7, 1941. Like flying over the Pacific, the opening bars seemingly soar back in time. The composition takes the listener on a moving journey from the precarious moments before the fateful attack, through the air strike and resulting aftermath. The musical voyage begins with chimes, signifying the hour of the attack that Sunday morning, developing into the heroic main theme representing the Spirit of America. A rousing version of Anchors Aweigh takes us to the naval base at Pearl Harbor and the activities of the day. By the end of Anchors Aweigh, the mood seems to change, foreshadowing the fate of the U.S. fleet. Next, the haunting theme of the Japanese National Anthem is heard and the distant sound of propellers as they approach. When the planes arrive, the battle rages until there is total destruction. Countless people lost their lives on this tragic day. The playing of Taps and the Navy Hymn, Eternal Father, Strong to Save is presented as an homage to those who perished. Following this solemn moment, the American spirit begins to rise as they come together to defeat the enemy. As the U.S. triumphs in the end, we hear fragments of many American tunes depicting the strength and resilience of the American People. You may want to consider using portions of Franklin Delano Roosevelt's famous speech to enhance your performance. The following sections are suggested: Measure 46: Yesterday, December 7th, 1941 - a date which will live in infamy - the United States of America was suddenly and deliberately attacked by the naval and air forces of the Empire of Japan. Measure 83: The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost. Measure 105: No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.. Written to commemorate the 80th Anniversary of the surprise attack on the American Pacific Fleet, Remembering Pearl Harbor is a stirring tribute honoring the heroes of the “date which will live in infamyâ€- December 7, 1941. Like flying over the Pacific, the opening bars seemingly soar back in time. The composition takes the listener on a moving journey from the precarious moments before the fateful attack, through the air strike and resulting aftermath.The musical voyage begins with chimes, signifying the hour of the attack that Sunday morning, developing into the heroic main theme representing the Spirit of America. A rousing version of Anchors Aweigh takes us to the naval base at Pearl Harbor and the activities of the day. By the end of Anchors Aweigh, the mood seems to change, foreshadowing the fate of the U.S. fleet.  Next, the haunting theme of the Japanese National Anthem is heard and the distant sound of propellers as they approach. When the planes arrive, the battle rages until there is total destruction. Countless people lost their lives on this tragic day. The playing of Taps and the Navy Hymn, Eternal Father, Strong to Save is presented as an homage to those who perished.Following this solemn moment, the American spirit begins to rise as they come together to defeat the enemy. As the U.S. triumphs in the end, we hear fragments of many American tunes depicting the strength and resilience of the American People.You may want to consider using portions of Franklin Delano Roosevelt’s famous speech to enhance your performance. The following sections are suggested:Measure 46: “Yesterday, December 7th, 1941 – a date which will live in infamy – the United States of America was suddenly and deliberately attacked by the naval and air forces of the Empire of Japan.â€Measure 83: “The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost.â€Measure 105: “No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.â€. $90.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Remembering Pearl Harbor [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 4 SKU: CF.SPS95F December 7, 1941. Composed by Christina Huss R. Alan Carter. Sps. Full score. 28 pages. Duration 6 minutes, 45 seconds. Carl Fischer Music #SPS95F. Published by Carl Fischer Music (CF.SPS95F). ISBN 9781491161845. UPC: 680160920525. Written to commemorate the 80th Anniversary of the surprise attack on the American Pacific Fleet, Remembering Pearl Harbor is a stirring tribute honoring the heroes of the date which will live in infamy- December 7, 1941. Like flying over the Pacific, the opening bars seemingly soar back in time. The composition takes the listener on a moving journey from the precarious moments before the fateful attack, through the air strike and resulting aftermath. The musical voyage begins with chimes, signifying the hour of the attack that Sunday morning, developing into the heroic main theme representing the Spirit of America. A rousing version of Anchors Aweigh takes us to the naval base at Pearl Harbor and the activities of the day. By the end of Anchors Away, the mood seems to change, foreshadowing the fate of the U.S. fleet. Next, the haunting theme of the Japanese National Anthem is heard and the distant sound of propellers as they approach. When the planes arrive, the battle rages until there is total destruction. Countless people lost their lives on this tragic day. The playing of Taps and the Navy Hymn, Eternal Father, Strong to Save is presented as an homage to those who perished. Following this solemn moment, the American spirit begins to rise as they come together to defeat the enemy. As the U.S. triumphs in the end, we hear fragments of many American tunes depicting the strength and resilience of the American People. You may want to consider using portions of Franklin Delano Roosevelt's famous speech to enhance your performance. The following sections are suggested: Measure 46: Yesterday, December 7th, 1941 - a date which will live in infamy - the United States of America was suddenly and deliberately attacked by the naval and air forces of the Empire of Japan. Measure 83: The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost. Measure 105: No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.. Written to commemorate the 80th Anniversary of the surprise attack on the American Pacific Fleet, Remembering Pearl Harbor is a stirring tribute honoring the heroes of the “date which will live in infamyâ€- December 7, 1941. Like flying over the Pacific, the opening bars seemingly soar back in time. The composition takes the listener on a moving journey from the precarious moments before the fateful attack, through the air strike and resulting aftermath.The musical voyage begins with chimes, signifying the hour of the attack that Sunday morning, developing into the heroic main theme representing the Spirit of America. A rousing version of Anchors Aweigh takes us to the naval base at Pearl Harbor and the activities of the day. By the end of Anchors Away, the mood seems to change, foreshadowing the fate of the U.S. fleet.  Next, the haunting theme of the Japanese National Anthem is heard and the distant sound of propellers as they approach. When the planes arrive, the battle rages until there is total destruction. Countless people lost their lives on this tragic day. The playing of Taps and the Navy Hymn, Eternal Father, Strong to Save is presented as an homage to those who perished.Following this solemn moment, the American spirit begins to rise as they come together to defeat the enemy. As the U.S. triumphs in the end, we hear fragments of many American tunes depicting the strength and resilience of the American People.You may want to consider using portions of Franklin Delano Roosevelt’s famous speech to enhance your performance. The following sections are suggested:Measure 46: “Yesterday, December 7th, 1941 – a date which will live in infamy – the United States of America was suddenly and deliberately attacked by the naval and air forces of the Empire of Japan.â€Measure 83: “The attack yesterday on the Hawaiian Islands has caused severe damage to American naval and military forces. I regret to tell you that very many American lives have been lost.â€Measure 105: “No matter how long it may take us to overcome this premeditated invasion, the American people in their righteous might will win through to absolute victory.â€. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Elegy for a Firefighter - Intermediate Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, String Bass, Trombone 1, Trombone 2, Trombone 3, Trumpet 1 and more. - Grade 4 SKU: CF.SPS87 Composed by Jeremy Martin. Folio. Sps. Set of Score and Parts. 4+4+2+2+2+8+8+4+2+4+4+2+2+2+2+3+3+3+4+4+4+4+3+3+3+6+4+4+2+2+1+1+1+1+4+24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87. Published by Carl Fischer Music (CF.SPS87). ISBN 9781491156445. UPC: 680160914982. 9 x 12 inches. About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-likeâ€); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. $100.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Overture to a Small Town - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarine...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crotales, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1 and more. - Grade 4 SKU: CF.SPS94 Composed by Cooper Minnis. Sps. Set of Score and Parts. 1+8+8+4+1+8+8+8+2+2+2+2+2+2+2+3+3+3+2+2+2+2+3+3+3+3+2+3+1+2+2+1+2+2+24 pages. Duration 7:48. Carl Fischer Music #SPS94. Published by Carl Fischer Music (CF.SPS94). ISBN 9781491161449. UPC: 680160920037. On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America's cities and towns. The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive. The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic. In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal. In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together. This impressionistic composition about these vanished structures, although written for more advanced ensembles, has only one flute, clarinet, trumpet, horn and trombone part. As a result, smaller bands can play this composition without having to look for a flex-band arrangement. Use this to develop the essential skills of syncopation and counting while also offering the security of only having one part for each instrument voice. An exciting contrasting selection for bands looking for a harmonically interesting composition, this also works well as a contest selection.  . On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America’s cities and towns.  The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive.  The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic.  In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal.  In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together.This impressionistic composition about these vanished structures, although written for more advanced ensembles, has only one flute, clarinet, trumpet, horn and trombone part. As a result, smaller bands can play this composition without having to look for a flex-band arrangement. Use this to develop the essential skills of syncopation and counting while also offering the security of only having one part for each instrument voice. An exciting contrasting selection for bands looking for a harmonically interesting composition, this also works well as a contest selection. . $90.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Elegy for a Firefighter [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Chimes, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion, Oboe 1, Oboe 2, Percussion and more. - Grade 4 SKU: CF.SPS87F Composed by Jeremy Martin. Sws. Sps. Full score. 24 pages. Duration 6 minutes, 28 seconds. Carl Fischer Music #SPS87F. Published by Carl Fischer Music (CF.SPS87F). ISBN 9781491156452. UPC: 680160914999. 9 x 12 inches. About the Work In the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty. Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring. Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost organ-like); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. About the WorkIn the spring of 2008 a large number of wildfires plagued the west coast, including the area where my wife and I lived in northern California. Firefighters all along the West Coast worked overtime in what seemed like an endless battle to protect residents and their homes. After hearing of a number of firefighters who had lost their lives in the struggle, I composed this work as a dedication to them, in honor of their sacrifice. It is not dedicated to any one person or group, or even just to the west-coast firefighters who battled those horrible wildfires; instead, to all firefighters who have given their lives in the line of duty.Although designed as a standalone work, I highly recommend following this composition with one of the many fine band settings of Amazing Grace, as it is commonly performed at firefighter memorials. The one by Frank Ticheli is superb, and if you have access to a good piper there is an excellent version by Jay Dawson which features a solo verse for bagpipe; both are quite stirring.Performance Notes The sustained slower tempo may prove a challenge for some groups; as always, emphasize subdivision. Cues should be used only if necessary due to limited instrumentation. The clarinet and cup-muted trumpets at m. 39 should be very sostenuto (almost “organ-likeâ€); be careful to stagger breathe. The tempo change at m. 55 should not be much of a challenge, but many groups may tend to slow back down to the original tempo by m. 59; the timpani player can greatly assist in avoiding this problem. The coda at m. 82 may be taken more slowly than the indicated tempo if your solo flutist can manage the lengthy sustained notes. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| As We Search - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3, Oboe, Percussion 1 and more. - Grade 3.5 SKU: CF.CPS254 Legend of the “Brown Mountain Lightsâ€. Composed by Joseph Benjamin Earp. Set of Score and Parts. 15+16+2+8+8+8+2+2+2+2+2+2+4+4+4+2+2+3+3+3+2+4+1+1+1+1+1+3 pages. Duration 5 minutes, 11 seconds. Carl Fischer Music #CPS254. Published by Carl Fischer Music (CF.CPS254). ISBN 9781491159811. UPC: 680160918409. PROGRAM NOTES As We Search: Legend of the Brown Mountain Lights is inspired by the many ghost stories that have come from the mysterious occurrence of lights on Brown Mountain (Burke County, North Carolina). These mysterious phenomena appear during evenings in autumn. Many have seen the lights, but the exact cause remains a mystery. The origin of the lights has inspired numerous legends. As We Search: Legend of the Brown Mountain Lights focuses on one legend from the nineteenth century. After a local woman went missing, though murder was suspected, villagers engaged in a search of the mountain. Having never been found, it is said the search continues, and ghostly echoes of the search lights can still be seen on Brown Mountain to this day. NOTES TO CONDUCTOR The duration of the composition is five minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work. The entire work is based on the idea first stated by the bells in m. 12. Each time the idea is restated, stronger development occurs around it building to m. 74. Attention should be given to the dissonance that resolves in mm. 5-6, 9-10, 17-18, 21-22, 41-42, 45-46, 76-77 and 80-81. The climax of the piece is m. 81, representing the moment the villagers think they have found the lost woman. Measure 82 to the end continues a fading trend as if people are forgetting about the legend of the Brown Mountain Lights. Measure 110 carrying into m. 111 is meant to be unresolved. Even though the legend has faded over time, the lights still exist As We Search.. PROGRAM NOTESAs We Search: Legend of the “Brown Mountain Lights†is inspired by the many ghost stories that have come from the mysterious occurrence of lights on Brown Mountain (Burke County, North Carolina). These mysterious phenomena appear during evenings in autumn. Many have seen the lights, but the exact cause remains a mystery.The origin of the lights has inspired numerous legends. As We Search: Legend of the “Brown Mountain Lights†focuses on one legend from the nineteenth century. After a local woman went missing, though murder was suspected, villagers engaged in a search of the mountain. Having never been found, it is said the search continues, and ghostly echoes of the search lights can still be seen on Brown Mountain to this day. NOTES TO CONDUCTORThe duration of the composition is five minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work.The entire work is based on the idea first stated by the bells in m. 12. Each time the idea is restated, stronger development occurs around it building to m. 74. Attention should be given to the dissonance that resolves in mm. 5–6, 9–10, 17–18, 21–22, 41–42, 45–46, 76–77 and 80–81.The climax of the piece is m. 81, representing the moment the villagers think they have found the lost woman.Measure 82 to the end continues a fading trend as if people are forgetting about the legend of the Brown Mountain Lights.Measure 110 carrying into m. 111 is meant to be unresolved. Even though the legend has faded over time, the lights still exist “As We Search.â€Â . $85.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Heartbreak Trail - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, Suspended Cymbal, Timpani, Tom-tom and more. - Grade 2 SKU: CF.YPS241 Composed by David Bobrowitz. Set of Score and Parts. 17+4+4+2+4+4+2+2+3+2+2+2+4+4+4+4+3+3+3+2+3+2+1+3+3 pages. Duration 2 minutes, 53 seconds. Carl Fischer Music #YPS241. Published by Carl Fischer Music (CF.YPS241). ISBN 9781491159651. UPC: 680160918249. PROGRAM NOTES Heartbreak Trail describes the forced relocation of approximately 100,000 Native Americans in the 1830s. Known as the Trail of Tears, thousands lost their lives during the march, and it is remembered today as a great human-rights atrocity and a shameful period in American history. The opening A-section captures the sadness of those in the five tribes who were forced from their homeland. The fast B-section represents the determination to survive the long, difficult trek. Although there were many obstacles, thousands did survive, but a dark A-section returns to depict the loss of homeland, fellow tribe members, and a depression over the new lack of freedom. PERFORMANCE NOTES The opening should be at a moderate pace and section entrances should be balanced at mezzo piano. In m. 12 have the woodwinds play out their melodic material. In m. 20 the brass should pick up the same volume level as did the woodwinds previously. Measure 27 should die away from what was, and then a sudden change in volume, and mood at m. 31. The entire B-section should be bold, with attention paid to the many accents. (Before working the B-section, an explanation of the difference in accents will probably aid in accuracy.) Measures 37 and 41 have the timpanist and tom-tom player play a very strong forte with attention to the accents. Measures 51 to 52 work a strong quick crescendo to fortissimo. This should set up the tutti forte at m. 53. In m. 61 start a gradual diminuendo to the return of the A-section at m. 68. Explain how to execute the staggered breathing for the flutes, tenor sax and trombone starting at m. 73. Although the final percussion from m. 73 to the end is soft and fading, make sure the final sleigh bell sounds are heard clearly.  PROGRAM NOTESHeartbreak Trail describes the forced relocation of approximately 100,000 Native Americans in the 1830s. Known as the Trail of Tears, thousands lost their lives during the march, and it is remembered today as a great human-rights atrocity and a shameful period in American history. The opening A-section captures the sadness of those in the five tribes who were forced from their homeland. The fast B-section represents the determination to survive the long, difficult trek.Although there were many obstacles, thousands did survive, but a dark A-section returns to depict the loss of homeland, fellow tribe members, and a depression over the new lack of freedom.PERFORMANCE NOTESThe opening should be at a moderate pace and section entrances should be balanced at mezzo piano. In m. 12 have the woodwinds play out their melodic material. In m. 20 the brass should pick up the same volume level as did the woodwinds previously. Measure 27 should die away from what was, and then a sudden change in volume, and mood at m. 31. The entire B-section should be bold, with attention paid to the many accents. (Before working the B-section, an explanation of the difference in accents will probably aid in accuracy.) Measures 37 and 41 have the timpanist and tom-tom player play a very strong forte with attention to the accents. Measures 51 to 52 work a strong quick crescendo to fortissimo. This should set up the tutti forte at m. 53. In m. 61 start a gradual diminuendo to the return of the A-section at m. 68. Explain how to execute the staggered breathing for the flutes, tenor sax and trombone starting at m. 73. Although the final percussion from m. 73 to the end is soft and fading, make sure the final sleigh bell sounds are heard clearly. $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| When Hearts Tremble Concert band [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe and more. - Grade 4.5 SKU: CF.SPS75F Composed by Brant Karrick. SWS. Carl Fischer Symphonic Performance Series. Full score. With Standard notation. 40 pages. Duration 6 minutes, 44 seconds. Carl Fischer Music #SPS75F. Published by Carl Fischer Music (CF.SPS75F). ISBN 9781491148402. UPC: 680160905904. 9 x 12 inches. When Hearts Tremble is an emotion packed piece dedicated to musician friends lost all to soon. This beautiful composition by Brant Karrick reflects on the fragility of human existence, joyous memories of loved ones and their effect on everyone around them, and maintaining hope for what the future will hold when all feels lost. This tour de force piece perfectly displays Karrick's polished compositional craft with impeccable scoring, beautiful melodic writing, and exceptional orchestrational color. $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Overture for a Small Town [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarine...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crotales, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion 1 and more. - Grade 4 SKU: CF.SPS94F Composed by Cooper Minnis. Sps. Full score. 24 pages. Duration 7:48. Carl Fischer Music #SPS94F. Published by Carl Fischer Music (CF.SPS94F). ISBN 9781491161838. UPC: 680160920518. On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America's cities and towns. The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive. The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic. In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal. In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together. On November 5th, 2017, a mass shooting took place at the First Baptist Church in Sutherland Springs, Texas. Twenty-six innocent people lost their lives that day, including an unborn child. Overture to a Small Town is dedicated to these victims and the loved ones they left behind. From the biggest cities to the smallest towns, the senseless bloodshed must end. Despite the darkness of this tragedy, it is my intent through this music to portray a sense of hope, dignity, and innocence deserved by all America’s cities and towns.  The opening moments of this piece should be treated delicately, ensuring that the brass section moves together in one unified voice, and that the crotales evoke distant flickers of light. Similarly, in mm. 120-127, articulations in the flutes, trumpets and mallets should be strong enough to be heard, but without being aggressive.  The textural layering in mm. 48-53 should be executed with machine-like precision of both rhythm and articulation. This passage should evoke the sound of many voices rising together. There should be a great contrast between the opening Piano dynamic and the final Forte dynamic.  In mm. 65-69, both mallet percussionists may play the indicated notes in any octave they choose. Both players should move rapidly between notes in any order. This passage should sound fluid and ethereal.  In mm. 69-73: If there is no English Horn available to the ensemble, the Trumpet should play this passage solo. If there is an English Horn, both instruments should play the passage together. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| As We Search [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Mallet Percussion 3, Oboe, Percussion 1 and more. - Grade 3.5 SKU: CF.CPS254F Legend of the “Brown Mountain Lightsâ€. Composed by Joseph Benjamin Earp. Full score. 15 pages. Carl Fischer Music #CPS254F. Published by Carl Fischer Music (CF.CPS254F). ISBN 9781491159828. UPC: 680160918416. PROGRAM NOTES As We Search: Legend of the Brown Mountain Lights is inspired by the many ghost stories that have come from the mysterious occurrence of lights on Brown Mountain (Burke County, North Carolina). These mysterious phenomena appear during evenings in autumn. Many have seen the lights, but the exact cause remains a mystery. The origin of the lights has inspired numerous legends. As We Search: Legend of the Brown Mountain Lights focuses on one legend from the nineteenth century. After a local woman went missing, though murder was suspected, villagers engaged in a search of the mountain. Having never been found, it is said the search continues, and ghostly echoes of the search lights can still be seen on Brown Mountain to this day. NOTES TO CONDUCTOR The duration of the composition is five minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work. The entire work is based on the idea first stated by the bells in m. 12. Each time the idea is restated, stronger development occurs around it building to m. 74. Attention should be given to the dissonance that resolves in mm. 5-6, 9-10, 17-18, 21-22, 41-42, 45-46, 76-77 and 80-81. The climax of the piece is m. 81, representing the moment the villagers think they have found the lost woman. Measure 82 to the end continues a fading trend as if people are forgetting about the legend of the Brown Mountain Lights. Measure 110 carrying into m. 111 is meant to be unresolved. Even though the legend has faded over time, the lights still exist As We Search.. PROGRAM NOTESAs We Search: Legend of the “Brown Mountain Lights†is inspired by the many ghost stories that have come from the mysterious occurrence of lights on Brown Mountain (Burke County, North Carolina). These mysterious phenomena appear during evenings in autumn. Many have seen the lights, but the exact cause remains a mystery.The origin of the lights has inspired numerous legends. As We Search: Legend of the “Brown Mountain Lights†focuses on one legend from the nineteenth century. After a local woman went missing, though murder was suspected, villagers engaged in a search of the mountain. Having never been found, it is said the search continues, and ghostly echoes of the search lights can still be seen on Brown Mountain to this day. NOTES TO CONDUCTORThe duration of the composition is five minutes at the marked tempo. Careful attention should be given to articulations, dynamic changes and phrasing throughout the work.The entire work is based on the idea first stated by the bells in m. 12. Each time the idea is restated, stronger development occurs around it building to m. 74. Attention should be given to the dissonance that resolves in mm. 5–6, 9–10, 17–18, 21–22, 41–42, 45–46, 76–77 and 80–81.The climax of the piece is m. 81, representing the moment the villagers think they have found the lost woman.Measure 82 to the end continues a fading trend as if people are forgetting about the legend of the Brown Mountain Lights.Measure 110 carrying into m. 111 is meant to be unresolved. Even though the legend has faded over time, the lights still exist “As We Search.â€Â . $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Heartbreak Trail [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Sleigh Bells, Snare Drum, Suspended Cymbal, Timpani, Tom-tom and more. - Grade 2 SKU: CF.YPS241F Composed by David Bobrowitz. Full score. 17 pages. Carl Fischer Music #YPS241F. Published by Carl Fischer Music (CF.YPS241F). ISBN 9781491159668. UPC: 680160918256. PROGRAM NOTES Heartbreak Trail describes the forced relocation of approximately 100,000 Native Americans in the 1830s. Known as the Trail of Tears, thousands lost their lives during the march, and it is remembered today as a great human-rights atrocity and a shameful period in American history. The opening A-section captures the sadness of those in the five tribes who were forced from their homeland. The fast B-section represents the determination to survive the long, difficult trek. Although there were many obstacles, thousands did survive, but a dark A-section returns to depict the loss of homeland, fellow tribe members, and a depression over the new lack of freedom. PERFORMANCE NOTES The opening should be at a moderate pace and section entrances should be balanced at mezzo piano. In m. 12 have the woodwinds play out their melodic material. In m. 20 the brass should pick up the same volume level as did the woodwinds previously. Measure 27 should die away from what was, and then a sudden change in volume, and mood at m. 31. The entire B-section should be bold, with attention paid to the many accents. (Before working the B-section, an explanation of the difference in accents will probably aid in accuracy.) Measures 37 and 41 have the timpanist and tom-tom player play a very strong forte with attention to the accents. Measures 51 to 52 work a strong quick crescendo to fortissimo. This should set up the tutti forte at m. 53. In m. 61 start a gradual diminuendo to the return of the A-section at m. 68. Explain how to execute the staggered breathing for the flutes, tenor sax and trombone starting at m. 73. Although the final percussion from m. 73 to the end is soft and fading, make sure the final sleigh bell sounds are heard clearly.  PROGRAM NOTESHeartbreak Trail describes the forced relocation of approximately 100,000 Native Americans in the 1830s. Known as the Trail of Tears, thousands lost their lives during the march, and it is remembered today as a great human-rights atrocity and a shameful period in American history. The opening A-section captures the sadness of those in the five tribes who were forced from their homeland. The fast B-section represents the determination to survive the long, difficult trek.Although there were many obstacles, thousands did survive, but a dark A-section returns to depict the loss of homeland, fellow tribe members, and a depression over the new lack of freedom.PERFORMANCE NOTESThe opening should be at a moderate pace and section entrances should be balanced at mezzo piano. In m. 12 have the woodwinds play out their melodic material. In m. 20 the brass should pick up the same volume level as did the woodwinds previously. Measure 27 should die away from what was, and then a sudden change in volume, and mood at m. 31. The entire B-section should be bold, with attention paid to the many accents. (Before working the B-section, an explanation of the difference in accents will probably aid in accuracy.) Measures 37 and 41 have the timpanist and tom-tom player play a very strong forte with attention to the accents. Measures 51 to 52 work a strong quick crescendo to fortissimo. This should set up the tutti forte at m. 53. In m. 61 start a gradual diminuendo to the return of the A-section at m. 68. Explain how to execute the staggered breathing for the flutes, tenor sax and trombone starting at m. 73. Although the final percussion from m. 73 to the end is soft and fading, make sure the final sleigh bell sounds are heard clearly. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Virgo Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2 and more. - Grade 3 SKU: CF.CPS207 Composed by George Sweet. SWS FS. Carl Fischer Concert Performance Series. Set of Score and Parts. With Standard notation. 8+8+4+8+8+8+4+4+4+4+4+4+8+4+4+2+2+3+3+3+2+4+1+1+1+2+4+20 pages. Duration 6 minutes, 24 seconds. Carl Fischer Music #CPS207. Published by Carl Fischer Music (CF.CPS207). ISBN 9781491147634. UPC: 680160905133. 9 x 12 inches. Virgo is a lush and dramatic piece for concert band that reflects upon lost loved ones. In the case of the composer, the piece is in remembrance of his late brother whose astrological sign was Virgo. It is an emotional harmonic journey with well-placed dissonance tied together by a memorable motive. Musically, this piece is beautiful, emotive, and will stretch your young musicians to strive for musical elegance. $95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Virgo Concert band [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cras...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Glockenspiel, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Oboe, Percussion 1, Percussion 2 and more. - Grade 3 SKU: CF.CPS207F Composed by George Sweet. SWS. Carl Fischer Concert Performance Series. Full score. With Standard notation. 20 pages. Duration 6 minutes, 24 seconds. Carl Fischer Music #CPS207F. Published by Carl Fischer Music (CF.CPS207F). ISBN 9781491148334. UPC: 680160905836. 9 x 12 inches. Virgo is a lush and dramatic piece for concert band that reflects upon lost loved ones. In the case of the composer, the piece is in remembrance of his late brother whose astrological sign was Virgo. It is an emotional harmonic journey with well-placed dissonance tied together by a memorable motive. Musically, this piece is beautiful, emotive, and will stretch your young musicians to strive for musical elegance. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ascending - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Euphonium, Euphonium T.C., Floor Tom, Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3 SKU: CF.CPS138 Composed by Larry Clark. Concert Performcnace Series. Set of Score and Parts. With Standard notation. 8+8+4+8+8+8+4+4+4+4+4+4+8+8+8+4+4+6+6+4+6+8+6+2+6+10+32 pages. Duration 5 minutes, 55 seconds. Carl Fischer Music #CPS138. Published by Carl Fischer Music (CF.CPS138). ISBN 9780825892806. UPC: 798408092801. 9 x 12 inches. It is all too common for pieces to be written for the loss of members of high school bands. This is such a piece, but it is uplifting and inspiring, serving as a touching tribute to the lives lost. The piece takes the listener on a journey through the stages of grief and uses a popular hymn as the basis for this serious work by popular composer Larry Clark. $90.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Clarinet Polka Handelsware
7 melody instruments, clarinet, percussion, timpani, glockenspiel - intermediate...(+)
7 melody instruments, clarinet, percussion, timpani, glockenspiel - intermediate SKU: M7.NOR-6610219-57 Arranged by Idar Torskangerpoll. Sheet music. Score and parts, Flex 7 Solist. Duration 2'. Handelsware #NOR 6610219-57. Published by Handelsware (M7.NOR-6610219-57). Do you have one or more clarinets in need of a challenge? Reintrumentate if necessary (For example, do cornet / trp for part 1 and 2) so that the clarinets will have fun with this whirlwind of a melody.
Solostimme: Klarinette 1. Stimme: Klarinette in B oder Es 2. Stimme: Klarinette, Flügelhorn 3. Stimme: Trompete, Flöte 4. Stimme: Trompete, Horn, Altsaxophon 5. Stimme: Posaune, Horn, Saxophon 6. Stimme: Euphonium, Posaune, Tenorsaxophon 7. Stimme: Tuba, Baritonsaxophon, Bass-Klarinette Rhythmusgruppe: Kontrabass (mit Akkordsymbolen), Schlagzeug, Perkussion und Stabspiele Zusätzlich sind sogenannte Superparts (Stimmen für Anfänger in C, B, Es, F und Bassschlüssel) im Set enthalten. $111.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Schicksalslied, Op. 54 Choral SATB [Score and Parts] Carus Verlag
Orchestra SATB choir, 2 flute, 2 oboe, 2 clarinet, 2 bassoon, 2 horn, 2 trumpet,...(+)
Orchestra SATB choir, 2 flute, 2 oboe, 2 clarinet, 2 bassoon, 2 horn, 2 trumpet, 3 trombone, timpani, 2 violin, viola, cello, contrabass SKU: CA.1039909 Composed by Johannes Brahms. Edited by Rainer Boss. This edition: urtext. 1x 10.399/21 flute 1, 1x 10.399/22 flute 2, 1x 10.399/23 oboe 1, 1x 10.399/24 oboe 2, 1x 10.399/25 clarinet 1, 1x 10.399/26 clarinet 2, 1x 10.399/27 bassoon 1, 1x 10.399/28 bassoon 2, 1x 10.399/31 horn 1, 1x 10.399/32 horn 2, 1x 10.399/33 trumpet 1, 1x 10. Stuttgart Urtext Edition: Urtext Editions; Carus sheet music series: Vocal scores XL. Brahms: Schicksalslied (Text: Holderlin). Innovative practice aids, Sacred vocal music. Set of Orchestra Parts. Composed 1871. Op. 54. Duration 16 minutes. Carus Verlag #CV 10.399/09. Published by Carus Verlag (CA.1039909). ISBN 9790007191276. Text language: German/English. Text: Holderlin, Friedrich / MacFarren, Natalia. Text: Friedrich Holderlin / Natalia MacFarren. With the Schicksalslied Brahms created a very personal interpretation on the theme of fate in a timeless piece of music that will not fail to impress in concert hall or church. The new edition is a modern Urtext edition of the score based on current editorial principles. It is based not only on the composer's personal copy of the first edition as the primary source, but also on the engraving manuscript which was long thought to have been lost. Thus the composer's handwritten corrections made in this manuscript could be incorporated in the new edition, as well as a revision in this bilingual edition of the English translation of Friedrich Holderlin's dramatic poem. Score and parts available separately - see item CA.1039900. $40.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Flight [Score] - Easy Carl Fischer
Band Bass Clarinet, Bassoon, Bongos, Cabasa, Clarinet 1, Clarinet 2, Clarinet 3,...(+)
Band Bass Clarinet, Bassoon, Bongos, Cabasa, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Hi-hat Cymbal, Horn 1, Horn 2, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 3 SKU: CF.CPS164F Composed by Gregory Rudgers. SWS. Full score. With Standard notation. 28 pages. Duration 4 minutes, 36 seconds. Carl Fischer Music #CPS164F. Published by Carl Fischer Music (CF.CPS164F). ISBN 9781491140789. UPC: 680160628841. 9 x 12 inches. This is a lovely, introspective piece dedicated to the loss of a dear person. Unlike many pieces that have come out of sorrow, this piece is uplifting. At first, you will hear lush, lyrical lines that recall the memories of the one lost, but then the piece soars with a lilting 3/4 time feel that brings this heartfelt selection to a dramatic conclusion. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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