SKU: SU.80300205

This meditation on a graveyard (Easter Monday) brings the poet to an acceptance of the mystery of death. Sung by the Louisiana State University Women’s Choir, directed by Sara Lynn Baird, at the ACDA 2002 Southern Division convention in Charlotte, its mostly-homophonic texture is evocative and touching. Appropriate for memorial services. SSA & piano (strings score and parts available); English. Easy-Medium. SSA, piano Published by: Treble Clef Music Minimum order quantity: 8 copies.

SKU: HL.49044706

ISBN 9783795708900. 6.5x9.5 inches. German.

Inwieweit ist die oft zu horende These berechtigt, der zufolge sich die zeitgenossische Musik der letzten Jahre in vollig neuartiger Weise auf die Gegenwart bezieht und sich in ihr eine konzeptionelle Wende vollzieht? Die 68. Fruhjahrstagung des Instituts fur Neue Musik und Musikerziehung in Darmstadt vom 23. bis 26. April 2014 diskutierte grundsatzliche Erfahrungen und Auffassungen zu dem, was Aspekte wie etwa Engagement, Alltaglichkeit oder Wirklichkeitsbezug in Musik uberhaupt heissen konnen.Sie portratierte die Komponisten Helmut Lachenmann und Manos Tsangaris. Und sie brachte KomponistInnen der mittleren und jungeren Generation ins Gesprach, die mit bestechender Energie und einer neuen Vielfalt an digitalen Moglichkeiten auf einen Paradigmenwechsel zielen: Brigitta Muntendorf, Annesley Black, Trond Reinoldtsen, Hannes Seidl, Martin Schuttler, Mesias Maiguashca und Manos Tsangaris. Weitere AutorInnen des Bandes sind Jorn Peter Hiekel, Dieter Mersch, Patrick Frank, Lydia Jeschke, Wolfgang Rudiger, Rainer Nonnenmann, Barbara Balba Weber, Wolfgang Lessing und Raoul Morchen.

SKU: GI.G-M498

ISBN 9781579992255. English.

Now available on SmartMusic! The Alto Clarinet book and audio recordings (see below) from the Do It! Play in Band series by James O. Froseth includes: Modeling by Albert Blaser (Cleveland State Unviersity) and Deborah Chodacki (Louisiana State University). Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles. Music of other times, including 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll. The repertoire and recorded contexts are motivating, informative, and entirely musical. Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture. A unique Rhythmic Pattern Dictionary allows students to look it up and listen up. An individualized format allows students to progress at different rates with a theme and variation format. Ear training and improvisation are integral parts of the lesson format. Artist performers set musical standards in sound with more than 80 great performances for every instrument! Performers include: Michael Henoch, Oboe (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser, Clarinet (Cleveland State University), Brian Bowman, Euphonium/Baritone (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton, Percussion (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig, Tuba (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs, Trumpet (Plymouth Symphony Orchestra). Download the audio recordings at: giamusic.com/doit2media.