SKU: UT.LB-6
ISBN 9788881094554. 4.92 x 8.46 inches.
Questa guida descrive 88 luoghi che storicamente hanno avuto e in molti casi ancor oggi hanno a che fare con la storia della musica a Bologna; il ruolo fondamentale svolto in questo campo dell’arte ha infatti consentito al capoluogo emiliano di conservare sino ai nostri giorni un’enorme quantità di tesori inestimabili del patrimonio musicale universale.Scopo di questa guida è quello di indurre il lettore ad ammirare gli strumenti musicali conservati nei musei, i ritratti dei musicisti, i dipinti e gli affreschi che raccontano il fiorire rigoglioso di cenacoli e accademie e descrivono concerti pubblici, privati, feste all’aperto, balli ed esibizioni di suonatori ambulanti; indurlo a visitare le biblioteche e gli archivi colmi di manoscritti e di edizioni a stampa, a entrare in chiese e conventi dove si eseguiva musica con la più naturale consuetudine e che tuttora custodiscono organi di primaria importanza storica.Tutto questo nel tentativo di fargli udire anche solo poche note così come risuonavano un tempo in questa meravigliosa città e come secoli fa, in un tardo, umido pomeriggio d’autunno, le ascoltarono forse una damigella o il maestro cartaio, stanco dopo la giornata di lavoro alle officine sulla riva del Reno.Buona passeggiata.
SKU: KN.09807S
UPC: 822795098075.
Featuring mistuned solo violin playing an eerie, melancholy motive, this largely repetitive work consists of two contrasting themes with variations. The harmonic scheme is especially intriguing and full of surprises, giving the piece an adventurous, edgy sound that audiences will love. Duration 5:15.
SKU: KN.9115
UPC: 822795091151.
This beautiful and exciting arrangement features two traditional Irish tunes. It opens with Parting Glass, a lovely air which is traditionally sung as a farewell to good friends at the end of an evening together or before a long journey. This setting offers melodic material to all voices and uses the richest ranges of each instrument to maximize the expressive possibilities. Next comes Collin's Reel, a fiddle dance that's great fun to play and features a gradual accelerando that makes for a very fast and furious ending. Duration 4:40.
SKU: KN.09115S
SKU: JK.01119
Doctrine and Covenants 76.
Visions of Eternity - Solo score to correspond with the choral score (#00027).Contents include:I the Lord the Lord am MercifulUnto Them Will I Reveal All MysteriesEven the Wonders of EternityTheir Wisdom Shall Be GreatAnd While We MeditatedAnd We Saw the Holy AngelsWe Bear Record, For We Saw and HeardComposer: Crawford GatesReference: Doctrine and Covenants 76.
SKU: KN.KEN10044S
UPC: 822795100440.
Students will love playing this imaginative Christmas medley that combines snippets of Hark! The Herald Angels Sing, God Rest Ye Merry Gentlemen, Deck The Halls, We Three Kings, We Wish You A Merry Christmas and Bring A Torch, Jeanette, Isabella with the music of Johann Sebastian Bach. Duration 3:50. Available in SmartMusic.
SKU: GI.G-9958
UPC: 785147995807. English. Text Source: From I Loved You First, Christina Rossetti, 1830-1894, alt. Text by Christina Rossetti.
 The English Romantic poet, Christina Rossetti (1830–1894), is chiefly known for her mystic religious lyrics. Her limited number of love poems are mostly of an unhappy nature, rather like objective expressions of happiness denied. A certain steely stoicism within her caused her to turn away from love twice in her lifetime with two separate men. There is no evidence of resolute refusal of love in this poem, however. Here she profusely proclaims her deep love for another. Wayland Rogers has set the last five lines of I Loved You First to music. The setting is an excerpt from his song cycle, I-Thou , which was commissioned and premiered by Fourth Coast Ensemble in Chicago in 2018. About the Series: Doreen Rao, 2019 Robert Shaw Award recipient, launches her culturally inclusive choral series, Global Encounters for Young Voices, featuring accessible treble- and mixed-voice works for developing choirs.
SKU: BR.DV-8173
ISBN 9790200480832. 9 x 12 inches.
World premiere Leipzig, 1980 Tschaikowskys letzte Oper - auf ein Libretto seines Bruders Modest nach der Dramenvorlage des danischen Schriftstellers Henrik Hertz - lebt von den poetischen Momenten und den symbolbeladenen Charakterportrats der Hauptfiguren: Die junge blinde Jolanthe wird von ihrem Vater aus Sorge um ihren Makel und zum Schutz ihrer Jungfraulichkeit und vor den Widrigkeiten der Welt in einen paradiesischen Garten gesperrt. Er befielt zu ihrem Schutz sie um ihre Blindheit unwissend zu lassen. Ein Arzt warnt sehen werde sie nur konnen wenn sie es selbst wolle gleich welche Angste aus der vollstandigen Erkenntnis der Welt erwachsen. Als der junge Vaudemont in ihre Abgeschiedenheit einbricht und sich beide ineinander verlieben befreit er sie von ihrer Unwissenheit erklart was Farbe und Licht bedeuten. Erst die Liebe zu ihm macht sie sehend. Die dunkle Welt der Jolanthe zeichnet Tschaikowsky zu Beginn musikalisch durch eine Introduktion ausschliesslich fur Blaser. Erst mit dem Eintritt in die unbekannte Welt der Liebe und des Sehens verwendet Tschaikowsky einen warmen Streicherklang. Gerade dadurch stiess die Oper wohl bei Zeitgenossen auf Verstorung. Tschaikowskys ,,Jolanthe nimmt in seinem Opernschaffen eine Sonderstellung ein: neben dem glucklichen Ende einer Apotheose des Lichts und der Liebe mit einem religios gepragten Schlusschoral ist es eines der wenigen Buhnenwerke Tschaikowskys ohne Bezug zur russischen Geschichte. Der ausgepragte Lyrismus des Werks verweist stattdessen auf Tschaikowskys Nahe zur franzosischen Kultur die im 19. Jahrhundert einen starken Einfluss auf Russland hatte. Die Oper wurde 1892 am Mariinsky-Theater in Sankt Petersburg als Auftragswerk zusammen mit seinem Ballett ,,Der Nussknacker uraufgefuhrt.Neben der Produktion des Munchner Rundfunkorchesters wurde ,,Jolanthe szenisch erfolgreich bei den Festspielen Baden-Baden mit Anna Netrebko und Piotr Beczala als Liebespaar rehabilitiert. Ausserhalb Deutschlands lief die Opernraritat in Toulouse Tokyo San Sebastian und Monte Carlo. Zuletzt erneut die ,,Suddeutsche Zeitung: ,,Jolanthe ist eine Opernausgrabung die ,,wirklich zu Unrecht vergessen ist. Tchaikovsky's last opera - on a libretto by the composer's brother Modest based on the drama by the Danish author Henrik Hertz - derives its life-blood from its poetic moments and the symbol-laden portraits of the leading characters: the blind young Yolanta is kept prisoner in a paradisiacal garden by her father who fears for her purity and her virginity and seeks to protect her from the adversities of the world. To do so he orders everyone to keep her ignorant of the fact that she is blind. A doctor warns that she will only be able to see when she is ready to do so herself no matter what fears might result from a complete experience of the world. When the young Vaudemont breaks into her secluded world and the two fall in love he frees her from her ignorance and explains the significance of color and light. It is through her love for him that she is finally able to see. At the beginning of the work Tchaikovsky depicts Yolanta's dark world with an introduction scored exclusively for winds. It is not until her discovery of the unknown world of love and sight that Tchaikovsky uses a warm string sound. This is what many of the composer's contemporaries found disturbing about the opera.Tchaikovsky's Yolanta occupies a special place in the composer's operatic oeuvre: for one it has a happy ending an apotheosis of light and love with a religiously stamped closing chorale; for another it is one of Tchaikovsky's few stage works without any reference to Russian history. Instead the work's pronounced lyricism points to the composer's closeness to French culture. which exerted a strong influence on Russia in the 19th century.The opera was given its world premiere at the Mariinsky Theater in St. Petersburg in 1892. It had been commissioned along with the ballet The Nutcracker. Next to the production by the Munchner Rundfunkorchester Yolanta was also successfully rehabilitated in a recent staged production at the Baden-Baden Festival with Anna Netrebko and Piotr Beczala as the lovers. Outside of Germany the operatic rarity was performed in Toulouse Tokyo San Sebastian and Monte Carlo.In closing another quote from the Suddeutsche Zeitung: 'Yolanta' is an operatic rediscovery of a work that was truly 'wrongly forgotten'.
SKU: HL.256160
ISBN 9781540015242. UPC: 888680723484.
SKU: BA.BA10018-81
ISBN 9790006489985. 32.5 x 25.5 cm inches.
For the study score, see item BA.TP1018.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BA.BA10018-79
ISBN 9790006489961. 32.5 x 25.5 cm inches.
SKU: BA.BA10018-80
ISBN 9790006489978. 32.5 x 25.5 cm inches.
SKU: BA.BA10018-84
ISBN 9790006489992. 32.5 x 25.5 cm inches.
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