| A Distant Music: Excelsis 1 [Score] Crescendo Music Publications
Voice and Organ SKU: C4.9790902261180 25 descants and reharmonisations...(+)
Voice and Organ SKU: C4.9790902261180 25 descants and reharmonisations of hymn tunes. Composed by Various. Classical. Score. Crescendo Music Publications #9790902261180. Published by Crescendo Music Publications (C4.9790902261180). ISBN 9790902261180. 8.27 x 11.7 inches. Excelsis 1 is the first volume in A Distant Music, an anthology of sacred music by Australian composers, curated by church musicians Michael Leighton Jones, Daniel Mitterdorfer, Brooke Shelley and The Rev'd Christopher Waterhouse. This volume contains 25 descants and reharmonisations of well-known hymn-tunes, with reproducible descant sheets for the singers. $37.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Love Unknown Choral CD [Score and Parts] Brookfield Press
Choral (ChoirTrax CD) SKU: HL.286625 Composed by John Leavitt. Brookfield...(+)
Choral (ChoirTrax CD) SKU: HL.286625 Composed by John Leavitt. Brookfield Easter Choral. Easter, General Worship, Holy Week, Sacred. CD. Duration 275 seconds. Published by Brookfield Press (HL.286625). UPC: 888680897741. 5.0x5.0x0.177 inches. Samuel Crossman/John Leavitt. Luke 23:26-43, Mark 15:16-32, Matthew 27:32-56. With arching gestures of melodic charm, this octavo presents one of sacred literature's most compelling texts. The piece uses an optional soprano solo with vocal parts providing an orchestra-like tapestry of sound to undergird the expressive main theme. Later the anthem takes on a dramatic turn as jubilant hosannas turn to rabble cries of crucify! before retuning to its lofty theme. A stunning and dramatic choice for Good Friday. Score and Parts (fl 1-2, enghn/ob, a cl 1-2, bn, perc 1-3, hp, vn 1-2, va, vc, db) available as a digital download. $29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| My Song Is Love Unknown 1 Piano, 4 hands - Intermediate Lorenz Publishing Company
Piano, four-hands - Intermediate SKU: LO.70-2444L Composed by Daniel Burt...(+)
Piano, four-hands - Intermediate SKU: LO.70-2444L Composed by Daniel Burton. Sacred, General, Holy Communion, Pentecost. Lorenz Publishing Company #70/2444L. Published by Lorenz Publishing Company (LO.70-2444L). ISBN 9780787778736. This splendid book of four-hand piano duet arrangements combines Daniel Burtonâ??s elegant writing with seven timeless hymns, and the results will delight. Meeting a variety of musical needs, this collection will add introspective beauty and reflection to your Spring services. $26.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| English Church Music, Volume 1: Anthems and Motets Choral SATB SATB, Piano [Vocal Score] Oxford University Press
By Robert King. Arranged by John Rutter. For SATB choir with keyboard/unaccompan...(+)
By Robert King. Arranged by John Rutter. For SATB choir with keyboard/unaccompanied/basso continuo. Mixed Voices. Oxford Choral Classics Collections. Sacred, Choral Collection. Vocal score. 384 pages. Published by Oxford University Press
$25.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Organ Plus Anthology, Volume 1 [colleciton (spiral-bound)] Augsburg Fortress
(Settings for Organ and Instrument). Composed by Various. For organ and instrume...(+)
(Settings for Organ and Instrument). Composed by Various. For organ and instrument. Sacred. Colleciton (spiral-bound). 188 pages. Published by Augsburg Fortress
$35.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Love Unknown Choral SATB SATB, Piano Brookfield Press
Composed by John Leavitt. Brookfield Easter Choral. Holy Week, Sacred. Octavo....(+)
Composed by John Leavitt.
Brookfield Easter Choral.
Holy Week, Sacred. Octavo. 12
pages. Published by
Brookfield Press
$2.10 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Celtic Hymns for 4-Hand Piano 1 Piano, 4 hands [Score] Hope Publishing Company
SKU: HP.9180 Arranged by Larry Shackley. Score. 52 pages. Hope Publishing...(+)
SKU: HP.9180 Arranged by Larry Shackley. Score. 52 pages. Hope Publishing Company #9180. Published by Hope Publishing Company (HP.9180). UPC: 763628191801. Eight Celtic hymns. $23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Lenten Music for Manuals, Set 1 Organ - Intermediate MorningStar Music Publishers
By Charles E. Callahan, Jr. For organ. Organ Music. Level: Medium-Easy. Publishe...(+)
By Charles E. Callahan, Jr. For organ. Organ Music. Level: Medium-Easy. Published by MorningStar Music Publishers.
$11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Rise Again Songbook Lyrics and Chords Hal Leonard
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patte...(+)
(Words and Chords to Nearly 1200 Songs 9x12 Spiral Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Again Songbook Hal Leonard
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson ...(+)
(Words and Chords to Nearly 1200 Songs Spiral-Bound). Edited by Annie Patterson and Peter Blood. For Vocal. Vocal. Softcover. 304 pages. Published by Hal Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Augsburg Organ Library: Lent Organ Augsburg Fortress | | |
| Weihnachtslieder 1 (German Carols 1) Hal Leonard
SAM a cappella Choral (SA MEN, A CAPPELLA) SKU: HL.397260 SAM-Klang Ch...(+)
SAM a cappella Choral (SA MEN, A CAPPELLA) SKU: HL.397260 SAM-Klang Choral Series. Arranged by Morten Schuldt-jensen. Choral. Softcover. 28 pages. Published by Hal Leonard (HL.397260). ISBN 9781705158777. UPC: 196288034766. 6.75x9.0x0.123 inches. In many parts of the world, Advent and Christmas carols have become part of the standard repertoire of popular songs, and this tradition has also produced a large number of such songs in German-speaking countries. These include not only folk songs, some of unknown origin, but also art songs in various styles, as well as movements from popular classical Christmas works. This diversity is reflected in this first volume of German-language Christmas carols, which brings together carols from a broad range of eras, origins and styles. The name SAM-Klang takes the three voice parts from the arrangements -- Soprano, Alto and Men -- and combines it with the Scandinavian and German words for “sound†to create the portmanteau word “sound together†or “harmony.†The series offers basic and advanced choral repertoire. In addition to new repertoire and new arrangements, you will also find essential parts of the classical German, Scandinavian, French and English SATB repertoire, carefully and considerately reworked for SAM. The arrangements retain the characteristic features of the original movements and have almost the same richness of timbre, resulting in works which sound nearly unchanged to an audience. Piano reductions of all choral movements facilitate rehearsal preparation. The arrangements offer development opportunities for all voice sections, bringing new life and new quality to SAM choir work. SAM-Klang enables youth choirs to gain access to classical choral literature and ensures that mixed choirs who face challenges in finding singers for all male voice parts continue to have access to well-loved repertoire. $7.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Mystic Harmony Theodore Presser Co.
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clar...(+)
Band Bass Clarinet, Bassoon 1, Bassoon 2, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Flute 1, Flute 2, Oboe 1, Oboe 2, Piccolo, alto Saxophone, soprano Saxophone, tenor Saxophone SKU: PR.165001000 Hymns for Wind Ensemble. Composed by Dan Welcher. Folio. Set of Score and Parts. 4+24+24+16+8+4+4+24+12+12+8+4+4+4+4+8+8+8+8+4+4+4+4+8+8+8+8+8+8+8+8+4+16+4+8+4+8+8+4+4+4+48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100. Published by Theodore Presser Company (PR.165001000). ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| For the Mystic Harmony [Score] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta,...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Castanets, Celesta, Clarinet, Clarinet 1, Clarinet 2, Clarinet 3, Contrabass Clarinet, Contrabassoon, English Horn, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3 and more. SKU: PR.16500100F Hymns for Wind Ensemble. Composed by Dan Welcher. Sws. Full score. 48 pages. Duration 10 minutes, 41 seconds. Theodore Presser Company #165-00100F. Published by Theodore Presser Company (PR.16500100F). ISBN 9781491114421. UPC: 680160669783. 9 x 12 inches. Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,â€giving rise to the work’s title. This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,†butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty†than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?†takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.â€Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,â€constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.†This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key†of the hymn seems to shift — until the “Lord of all, toThee we praise†melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tuneâ€heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty†with long spaces between them, but it soonchanges to a series of “Amen†cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth†contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sightâ€and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Island Elegy and Aubade [Score] Subito Music
Soprano(s) & Piano (with opt. Melodica) SKU: SU.96050220 For Soprano(s...(+)
Soprano(s) & Piano (with opt. Melodica) SKU: SU.96050220 For Soprano(s) & Piano (with opt. Melodica). Composed by Thomas Parente. Vocal/Choral, Solo Voice. Accompanied by piano, Melodica. Score. Subito Music Corporation #96050220. Published by Subito Music Corporation (SU.96050220). 1. My Beautiful Island (in the present) - The character is that of a young woman who sings joyfully and exuberantly of the beauty of her island - a magnificent paradise. 2. Oh Home of Sweet Tranquility (20 years later) - The woman is beginning to realize that her cherished island is beginning to disappear due to the encroaching waves, storms and ever increasing heat. The bloom of her idealism and youth has been replaced with something more dreadful. 3. The Song Itself We Have Forgotten (an additional 20 years later) - The island clearly is doomed due to rising seas resulting in the evacuation of the entire island. She is experiencing a slow simmering shock, is dis-regulated, mumbling, and thoroughly disbelieving in what is taking place. Out in the distance I imagined an ocean liner on the horizon. She’s standing on a long line to be transported to the ship that will take her to an unknown destination and destiny. 4. Aubade - (a love poem welcoming or lamenting the arrival of dawn) As expressed by a seagull riding the wind above the ocean, my take of it relates to the arc of universal existence - Beginning, Middle (life expressed), End. Performance Note: Island Elegy and Aubade may be performed by 3 sopranos - one for each song- or by one soprano. In the latter case the final Aubade may be performed via a previously recorded multitrack rendering of all three parts or two parts with the soprano singing the top part. Alternatively, the pianist can accompany the soprano, (who sings the top line) by playing the bottom two parts on a melodica, piano or electric keyboard. Soprano(s) & Piano (with opt. Melodica) Duration: ca. 25' Composed: 2023 Published by: Subito Music Publishing. $33.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Les Preludes Breitkopf & Härtel
Woodwinds (3(picc).2.2.2 - 4.2.3.1 - kettle dr - hp - str) SKU: BR.OB-4738-30...(+)
Woodwinds (3(picc).2.2.2 - 4.2.3.1 - kettle dr - hp - str) SKU: BR.OB-4738-30 Tone Poem No. 3. Composed by Franz Liszt. Folder. Orchester-Bibliothek (Orchestral Library). Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques. Symphonic poem; Romantic. Set of parts. 124 pages. Duration 15'. Breitkopf and Haertel #OB 4738-30. Published by Breitkopf and Haertel (BR.OB-4738-30). ISBN 9790004319963. 10 x 12.5 inches. What else is our life but a series of preludes to that unknown Hymn, the first and solemn note of which is intoned by Death?Franz Liszts symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartines collection of poems Meditations poetiques. It describes the fate of a man torn between the joys of love, a rustic idyll and a fierce struggle the latter serving to frame the work in the hymn-like Andante maestoso sections. Lamartines poem is printed in three languages in the present score.
Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques. $119.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Les Preludes Breitkopf & Härtel
Double bass (3(picc).2.2.2 - 4.2.3.1 - kettle dr - hp - str) SKU: BR.OB-4738-...(+)
Double bass (3(picc).2.2.2 - 4.2.3.1 - kettle dr - hp - str) SKU: BR.OB-4738-27 Tone Poem No. 3. Composed by Franz Liszt. Stapled. Orchester-Bibliothek (Orchestral Library). Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques. Symphonic poem; Romantic. Part. 8 pages. Duration 15'. Breitkopf and Haertel #OB 4738-27. Published by Breitkopf and Haertel (BR.OB-4738-27). ISBN 9790004319956. 10 x 12.5 inches. What else is our life but a series of preludes to that unknown Hymn, the first and solemn note of which is intoned by Death?Franz Liszts symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartines collection of poems Meditations poetiques. It describes the fate of a man torn between the joys of love, a rustic idyll and a fierce struggle the latter serving to frame the work in the hymn-like Andante maestoso sections. Lamartines poem is printed in three languages in the present score.
Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Les Preludes Breitkopf & Härtel
Violoncello (3(picc).2.2.2 - 4.2.3.1 - kettle dr - hp - str) SKU: BR.OB-4738-...(+)
Violoncello (3(picc).2.2.2 - 4.2.3.1 - kettle dr - hp - str) SKU: BR.OB-4738-23 Tone Poem No. 3. Composed by Franz Liszt. Stapled. Orchester-Bibliothek (Orchestral Library). Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques. Symphonic poem; Romantic. Part. 12 pages. Duration 15'. Breitkopf and Haertel #OB 4738-23. Published by Breitkopf and Haertel (BR.OB-4738-23). ISBN 9790004319949. 10 x 12.5 inches. What else is our life but a series of preludes to that unknown Hymn, the first and solemn note of which is intoned by Death?Franz Liszts symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartines collection of poems Meditations poetiques. It describes the fate of a man torn between the joys of love, a rustic idyll and a fierce struggle the latter serving to frame the work in the hymn-like Andante maestoso sections. Lamartines poem is printed in three languages in the present score.
Franz Liszt's symphonic poem Les Preludes, written in 1854, follows the eponymous text from Alphonse de Lamartine's collection of poems Meditations poetiques. $9.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
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