| Méditation de Thaïs, pour Flûte et Piano Flute and Piano Heugel
Flute and Piano SKU: BT.ALHE09626 Composed by Jules Massenet. Opera or Op...(+)
Flute and Piano SKU: BT.ALHE09626 Composed by Jules Massenet. Opera or Operetta. Book Only. 8 pages. Heugel & Cie #ALHE09626. Published by Heugel & Cie (BT.ALHE09626). French. The instantly recognisable and ever-popular Méditation, from the opera Tha s by Jules Massenet (1842-1912), remains a strong favourite in the classical repertoire, superbly arranged for Flute and Piano by French flautist, PaulTaffanel. Massenet first studied music with his mother before entering the Paris Conservatoire. He is best known for his operas, of which he composed over thirty. Tha s was first performed at the Opéra Garnier in Paris in 1894and continues to be one of the composer's most performed operas. The famous Méditation, is an intermezzo, originally for Violin and Orchestra, which has since been arranged for many different instruments, making it a frequentconcert piece. The arrangement for Flute and Piano remains in the original key of D major and displays the passionate religious intentions. Taffanel's adaptions include breath marks, phrasing, changing octaves for some notes andarticulation, among other aspects. Massenet's Méditation is challenging through its use of lyricism in the upper register, yet it remains a favoured and popular piece in the Flute's repertoire. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ave Maria [Score and Parts] - Intermediate De Haske Publications
Clarinet Quintet - intermediate SKU: BT.DHP-1064015-070 Composed by Charl...(+)
Clarinet Quintet - intermediate SKU: BT.DHP-1064015-070 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Lorenzo Bocci. Music Box. Set (Score & Parts). Composed 2006. 12 pages. De Haske Publications #DHP 1064015-070. Published by De Haske Publications (BT.DHP-1064015-070). 9x12 inches. English-German-French-Dutch. Over the course of time, many composers have honoured the mother of Jesus with a musical Ave Maria (a Hail Mary). One of the most well-known is that of the French composer Charles François Gounod (1818-1893), who added a melody to the first prelude from Das Wohltemperierte Klavier by the German master-composer Johann Sebastian Bach (1685-1750). The result is a long, lyrical melody line with a wonderfully built-up curve of tension, floating above a softly sparkling accompaniment. Lorenzo Bocci has arranged the Ave Maria by Bach/Gounod for clarinet ensemble.
Veel componisten hebben in de loop der tijden de moeder van Jezus geëerd met een muzikaal Ave Maria (een Weesgegroet). Een van de bekendste is dat van de Franse componist Charles François Gounod (1818-1893), die de melodie toevoegdeaan de eerste prelude uit Das wohltemperierte Klavier van de Duitse meestercomponist Johann Sebastian Bach (1685-1750). Het resultaat is een lange, lyrische melodielijn met een prachtig opgebouwde spanningsboog over eenzacht sprankelende basis. Lorenzo Bocci bewerkte het Ave Maria van Bach/Gounod voor klarinetensemble.
Das Ave Maria ist von Komponisten aller Epochen vertont worden. Eine der berühmtesten Vertonungen stammt von Charles Gounod. Dieser legte seine Melodie über die Musik zum 1. Präludium aus dem Wohltemperierten Klavier von Johann Sebastian Bach, weshalb das Werk als Ave Maria von Bach-Gounod in die Musikgeschichte einging. Lorenzo Bocci bearbeitete die schöne Musik für Klarinettenquartett.
Nombreux sont les compositeurs qui ont au fil du temps glorifié la mère de Jésus en mettant en musique un Ave Maria (Je vous salue, Marie). L’un des plus célèbres est celui du compositeur français Charles-François Gounod (1818-1893) qui a composé une Méditation sur le premier prélude extrait du Clavier bien Tempéré (Das wohltemperierte Klavier) du maître allemand Jean-Sébastien Bach (1685-1750).
L’Ave Maria è stata scritta da compositori di tutte le epoche. Una delle più famose è senza dubbio quella di Charles Gounod che sovrappose la sua melodia alla musica del primo preludio da il Clavicembalo Ben Temperato di Johann Sebastian Bach. Per questa ragione il brano entrò nella storia della musica come Ave Maria di Bach-Gounod. L’arrangiamento per quartetto di clarinetti è firmato Lorenzo Bocci. $23.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Méditation from Thaïs Violin and Piano - Intermediate Excelcia Music Publishing
Violin and Piano - intermediate SKU: XC.LS1810 Composed by Jules Massenet...(+)
Violin and Piano - intermediate SKU: XC.LS1810 Composed by Jules Massenet. Arranged by Josh Dampier. Legacy Solo Series. Solo with Piano. Classical, Acoustic. Score and part. Excelcia Music Publishing #LS1810. Published by Excelcia Music Publishing (XC.LS1810). UPC: 812598030150. 12 x 9 inches. The Legacy Solo Series contains masterworks meticulously edited and set beautifully by one of the most popular composers of music for students today, Larry Clark. These solos are routinely found on many state festival lists throughout the United States and are perfect for use at an adjudicated solo festival or recital. Commonly featured on college audition lists, these works are a cornerstone of the solo repertoire. Piano players will enjoy piano reductions that are clean and feature the solo line in concert pitch for easy rehearsal. Each Legacy Solo, compatible with Smartmusic, comes with beautifully set parts and piano accompaniment. Piano recordings for rehearsal or performance of each piece are available for download from the Excelcia Music Publishing website. $9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Méditation aus Thais (für Streichquartett) String Quartet: 2 violins, viola, cello - Intermediate Verlag Dohr
String quartet, Contrabass (ad libitum) - Level 3 SKU: VD.ED24124 Compose...(+)
String quartet, Contrabass (ad libitum) - Level 3 SKU: VD.ED24124 Composed by Jules Massenet. Arranged by Wolfgang Birtel. Der Musikalische Salon Vol. 21. Classical. Score, parts. 7 S. Part. + 15 S. Stimmen pages. Verlag Dohr #ED24124. Published by Verlag Dohr (VD.ED24124). ISBN 9790202011249. 11.69 x 8.26 inches. $17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Meditation (flute and Piano) Flute Heugel
Composed by Jules Massenet (1842-1912). Leduc. Classical. Softcover. 8 pages....(+)
Composed by Jules Massenet
(1842-1912). Leduc.
Classical. Softcover. 8
pages. Heugel and Cie #HE9626.
Published by Heugel and Cie
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Wynwood Walls [Score and Parts] - Advanced Doberman
Guitar and string quartet - Advanced SKU: DY.DO-1526 Composed by Stephen ...(+)
Guitar and string quartet - Advanced SKU: DY.DO-1526 Composed by Stephen Goss. Score and parts. Les Editions Doberman-Yppan #DO 1526. Published by Les Editions Doberman-Yppan (DY.DO-1526). ISBN 9782897963064. Wynwood Walls draws on 9 artworks which lend their titles to the 9 connected sections of the quintet. The music reflects and amplifies my own subjective responses to the artworks.
The movements are organised in pairs, circling out from a still centre – No Woman, No Cry. The title for this centrepiece comes from Chris Ofili’s moving portrait of Doreen Lawrence, the mother of a teenager murdered in an unprovoked racist attack. As well as this specific reference, the artist intended the painting to be read as a universal portrayal of melancholy, solace, and grief. The two segments flanking No Woman, No Cry complete the central triptych. Edward Hopper’s Nighthawks explores loneliness and isolation, while Grayson Perry’s #Lamentation is a meditation on remembrance and the transience of life. In contrast to the rest of Wynwood Walls, the music here is dark and introspective.
I want my time with you is a giant neon sign designed by Tracey Emin for St. Pancras Station, London. Selfie with Sunflowers is an essay written by Julian Barnes about our over-familiarisation with Van Gogh’s iconic sunflower paintings. The music is sentimental, bordering on schmaltz and kitsch. Sunflower Seeds and Infinity Room are a pair of moto perpetuo scherzos inspired by the minimalist installations of Ai Weiwei and Yayoi Kusama respectively. The opening section, Bathers at Asnières, suggests Seurat’s iconic painting, while the finale, Seurat’s Bathers, evokes Howard Hodgkin’s reworking of the Seurat using a blaze of vivid colours.
The title of the quintet is borrowed from the Wynwood art district of Miami – an area characterised by the hundreds of colourful street murals which decorate the walls of old warehouses in the neighbourhood. In performance, the artworks can be projected onto a screen behind the ensemble.
Wynwood Walls s'appuient sur 9 œuvres d'art dont les titres prêtent leurs noms aux 9 sections connectées du quintette. La musique reflète et amplifie mes propres réponses subjectives aux œuvres d'art.
Les mouvements sont organisés par paires, émergeant d'un centre immobile - No Woman, No Cry. Le titre de cette pièce maîtresse provient du portrait émouvant de Chris Ofili de Doreen Lawrence, la mère d'un adolescent assassiné lors d'une attaque raciste gratuite. En plus de cette référence spécifique, l'artiste a voulu que le tableau soit perçu comme une représentation universelle de la mélancolie, du réconfort et du chagrin. Les deux segments flanquant No Woman, No Cry complètent le triptyque central. Nighthawks d'Edward Hopper explore la solitude et l'isolement, tandis que #Lamentation de Grayson Perry est une méditation sur le souvenir et la fugacité de la vie. Contrairement au reste des Wynwood Walls, la musique ici est sombre et introspective.
I want my time with you est un immense panneau néon conçu par Tracey Emin pour la gare de St. Pancras, à Londres. Selfie with Sunflowers est un essai écrit par Julian Barnes sur notre sur-familiarisation avec les peintures emblématiques de tournesols de Van Gogh. La musique est sentimentale, frôlant le kitsch et le sentimentalisme. Sunflower Seeds et Infinity Room sont une paire de scherzos moto perpetuo inspirés des installations minimalistes d'Ai Weiwei et de Yayoi Kusama respectivement. La section d'ouverture, Bathers at Asnières, suggère le tableau emblématique de Seurat, tandis que le finale, Seurat’s Bathers, évoque la réinterprétation de Seurat par Howard Hodgkin en utilisant une explosion de couleurs vives.
Le titre du quintette est emprunté au quartier artistique de Wynwood à Miami - une zone caractérisée par les centaines de fresques murales colorées qui ornent les murs des vieux entrepôts du quartier. En performance, les œuvres d'art peuvent être projetées sur un écran derrière l'ensemble. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Professional Pianist -- Solos for Weddings Piano solo - Advanced Alfred Publishing
(50 Advanced Arrangements). Arranged by Dan Coates. For Piano. Book; Piano Colle...(+)
(50 Advanced Arrangements). Arranged by Dan Coates. For Piano. Book; Piano Collection; Piano Supplemental. The Professional Pianist. Masterwork Arrangement; Wedding. Advanced. 168 pages. Published by Alfred Music
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Méditation Hébraïque Cello, Piano Classical guitar Carl Fischer
Chamber Music Cello, Piano SKU: CF.B3473 Composed by Ernest Bloch. Edited...(+)
Chamber Music Cello, Piano SKU: CF.B3473 Composed by Ernest Bloch. Edited by Julian Schwarz. Set of Score and Parts. 12+4 pages. Carl Fischer Music #B3473. Published by Carl Fischer Music (CF.B3473). ISBN 9781491161999. UPC: 680160920679. Key: C major. Composed in 1924, Ernest Bloch’s Méditation Hébraϊque is a plaintive and reverent musical reflection that flows through many emotions in a series of uninterrupted movements: Moderato, Allegro deciso, and Moderato. Passionate rubato phrases are flecked with light touches of ornamentation, much like the inflections of a cantor's voice. Hemiola rhythms, dynamic swells, and contrapuntal interaction with the piano lead the soulful voice of the cello to its upper range in a dramatic dialogue that eventually descends to a more subdued and stately resolution. Cellist and teacher Julian Schwarz provides practical fingerings and phrase markings to achieve the alternating bright and warm tone that are essential to adequately express the sacred beauty of the music. . $16.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| ...empty mind, open heart... Guitar [Score] Doberman
Guitar - avancé SKU: DY.DO-1521 Composed by David Leisner. Score. Les Ed...(+)
Guitar - avancé SKU: DY.DO-1521 Composed by David Leisner. Score. Les Editions Doberman-Yppan #DO 1521. Published by Les Editions Doberman-Yppan (DY.DO-1521). ISBN 9782897963019. Dedicated to the luminary Steve Cowan, …empty mind, open heart… is a four-movement suite that centers around the intervals of a fifth and a tritone. Each movement is inspired by a quote from the Tao Te Ching by Lao Tzu. The opening movement is a meditation. The aleatoric rhythms and pacing of the notes are guided by the breathing of the performer, according to specific instructions in the score. Out of that atmosphere emerges a fluid, serene series of arpeggios in irregular rhythms in the second movement. Each new chord changes only one or two notes at a time in a gradual evolution over time. The third movement is a study in rhythm, sometimes dizzying. And the piece ends with a heartfelt, mostly quiet soliloquy.
Dédiée à la sommité Steve Cowan, … esprit vide, cœur ouvert… est une suite en quatre mouvements centrée sur les intervalles d'une quinte et d'un triton. Chaque mouvement est inspiré d'une citation du Tao Te Ching de Lao Tseu. Le mouvement d’ouverture est une méditation. Les rythmes aléatoires et le rythme des notes sont guidés par la respiration de l'interprète, selon des instructions spécifiques de la partition. De cette atmosphère émerge une série d’arpèges fluides et sereins aux rythmes irréguliers dans le deuxième mouvement. Chaque nouvel accord ne change qu'une ou deux notes à la fois selon une évolution progressive dans le temps. Le troisième mouvement est une étude du rythme, parfois vertigineuse. Et la pièce se termine par un monologue sincère, plutôt calme. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Two Ave Marias for Violin and Piano: Bach/Gounod and Schubert Violin and Piano Lauren Keiser Music Publishing
For Violin and Piano Piano Accompaniment; Violin (Violin/Piano) SKU: HL.97847...(+)
For Violin and Piano Piano Accompaniment; Violin (Violin/Piano) SKU: HL.978474 Arranged by Endre Granat. LKM Music. Classical, General Worship, Sacred. Softcover. Lauren Keiser Music Publishing #S511046. Published by Lauren Keiser Music Publishing (HL.978474). ISBN 9781638871361. UPC: 196288090922. 9.0x12.0x0.102 inches. This one of a kind album pairs two of the most performed Ave Maria's for violin and piano, meticulously edited by Jascha Heifetz' protege, Endre Granat. The first of these is Schubert's melody, which was originally composed as a setting of a song from Walter Scott's popular narrative poem The Lady of the Lake, titled, “Ellen's Third Song” (Ellens dritter Gesang). The opening words and refrain of Ellen's song, namely “Ave Maria” (Latin for “Hail Mary”), may have led to the idea of adapting Schubert's melody as a setting for the full text of the traditional Roman Catholic prayer. The Latin version of the song is now so frequently used with Schubert's melody that it has led to the misconception that he originally wrote the melody as a setting for the “Ave Maria.” The second Ave Maria in this collection was created when Gounod famously improvised the melody over the background of J.S. Bach's Prelude No. 1 in C major, BWV 846, from The Well-Tempered Clavier. Gounod's beatiful improvisation was transcribed by his future father-in-law Pierre-Joseph-Guillaume Zimmermann, which was published with the Bach keyboard accompaniment in 1835 under the title “Méditation sur le Premier Prélude de Piano de S. Bach.” Alongside Schubert's version, the Bach/Gounod Ave Maria has become a fixture at funerals, wedding masses, and quinceañeras. Both works have been recorded hundreds of times during the twentieth century. $12.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ave Maria (Johann Sebastian Bach) Medium voice, Piano G. Henle
Medium Voice; Piano Accompaniment (Medium Voice) SKU: HL.51481639 Vers...(+)
Medium Voice; Piano Accompaniment (Medium Voice) SKU: HL.51481639 Version for Medium Male Voice and Piano. Composed by Charles Francois Gounod. Edited by Gé and rard Condé. Henle Music Folios. Classical, Vocal. Softcover. 10 pages. G. Henle #HN1639. Published by G. Henle (HL.51481639). UPC: 196288215851. 8.25x11.75x0.074 inches. Gounod had no qualms about arranging well-known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C-major Prelude BWV 846 from Bach's Well-Tempered Clavier. He first published instrumental versions of it under the title âMéditationâ, then tried fitting various texts to the melody until in 1859 he arrived at the definitive vocal version using the text of the Ave Maria. Already by the 1890s it was claimed that â[we] have heard this sweet melody innumerable times from the best lady singersâ, and its popularity has continued to the present day. Reason enough, then, for Henle Verlag to publish an Urtext edition of this worldwide hit, based on the sources and with appropriate critical commentary. In 1859, at the same time as the original edition for high voice, editions for middle and low voice, presumably commissioned by the publishers, were also issued. Following this model, the Henle Urtext edition of âAve Mariaâ is also offered in two transpositions for the lower register. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the workÂ
- Critical Commentary in 1 â 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisionsÂ
- most beautiful music engravingÂ
- page-turns, fold-out pages, and cues where you need themÂ
- excellent print quality and bindingÂ
- largest Urtext catalogue world-wideÂ
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ave Maria (Johann Sebastian Bach) Low voice, Piano G. Henle
Piano Accompaniment; Vocal (Low Voice) SKU: HL.51481640 Version for Lo...(+)
Piano Accompaniment; Vocal (Low Voice) SKU: HL.51481640 Version for Low Male Voice and Piano. Composed by Charles Francois Gounod. Edited by Gé and rard Condé. Henle Music Folios. Classical. Softcover. 9 pages. G. Henle #HN1640. Published by G. Henle (HL.51481640). UPC: 196288215868. 8.25x11.75x0.071 inches. Gounod had no qualms about arranging well-known works by earlier masters after his own fashion. Thus in 1852 he added a melody with its own operatic climax to the famous arpeggios of the C-major Prelude BWV 846 from Bach's Well-Tempered Clavier. He first published instrumental versions of it under the title �M�ditation�, then tried fitting various texts to the melody until in 1859 he arrived at the definitive vocal version using the text of the Ave Maria. Already by the 1890s it was claimed that �[we] have heard this sweet melody innumerable times from the best lady singers�, and its popularity has continued to the present day. Reason enough, then, for Henle Verlag to publish an Urtext edition of this worldwide hit, based on the sources and with appropriate critical commentary. In 1859, at the same time as the original edition for high voice, editions for middle and low voice, presumably commissioned by the publishers, were also issued. Following this model, the Henle Urtext edition of �Ave Maria� is also offered in two transpositions for the lower register. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the workÂ
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisionsÂ
- most beautiful music engravingÂ
- page-turns, fold-out pages, and cues where you need themÂ
- excellent print quality and bindingÂ
- largest Urtext catalogue world-wideÂ
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$9.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Meditation [Score and Parts] - Intermediate Excelcia Music Publishing
Woodwind Quintet Woodwind Quintet - Grade 3.5 SKU: XC.SGW51904 From Th...(+)
Woodwind Quintet Woodwind Quintet - Grade 3.5 SKU: XC.SGW51904 From Thais. Composed by Jules Massenet. Arranged by Tyler Arcari. Excelcia Ensemble Series. Solo and Ensemble. Classical, Acoustic. Score and parts. Excelcia Music Publishing #SGW51904. Published by Excelcia Music Publishing (XC.SGW51904). UPC: 812598030259. 9 x 12 inches. Composer Tyler Arcari brings the classic Violin solo from Massenet’s Thaïs to woodwind quintet with this setting of Mèditation. Students will have ample opportunities for soloistic playing as the solo line is passed among the upper winds. Great for spring concerts and other moments of contemplation. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jules Massenet – Sein Leben, sein Werk, seine Zeit Schott
SKU: HL.49019259 German. Composed by Jules Massenet. This edition:...(+)
SKU: HL.49019259 German. Composed by Jules Massenet. This edition: Paperback/Soft Cover. Book. Edition Schott. Biography/Composers & Musicians, Classical. 176 pages. Schott Music #SEM8310. Published by Schott Music (HL.49019259). ISBN 9783254083104. German. Author: Stefan Schmidl. His 'Méditation' has almost become a 'hit', his operas 'Manon' and 'Werther' are part of the repertoire of all major opera houses and yet the composer Jules Massenet (1842-1912) has remained rather unknown up to now. But this is going to change: On the occasion of the 100th anniversary of Massenet's death, Stefan Schmidl presents the first biography of this grand seigneur of the French opera in the German language. He shows that Massenet's compositions were a lot more complex than 'Manon' and 'Werther' suggest and presents a new view of the music history of the 19th and early 20th centuries.Stefan Schmidl is a research fellow at the Austrian Academy of Sciences. Apart from teaching and lecturing activities, he has published papers on topics in musicology, cultural science and media science. Text in German. $17.99 - See more - Buy online | | |
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