| Abracadabra School Ensemble [Score and Parts] - Intermediate Manhattan Beach Music
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school...(+)
By Frank Ticheli. Concert band. Suitable for advanced middle school, high school, community and college bands. Level: Grade 3. Conductor score and set of parts. Duration 4:30. Published by Manhattan Beach Music.
(2)$165.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Porgy and Bess Medley Jazz Ensemble [Score and Parts] - Intermediate Sierra Music
By George Gershwin (1898-1937). Arranged by Bill Potts. Jazz Ensemble / Jazz Ban...(+)
By George Gershwin (1898-1937). Arranged by Bill Potts. Jazz Ensemble / Jazz Band. Bill Potts Series. Grade 3/4. Score and set of parts. Published by Sierra Music
$65.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Sleep, My Child Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba, alto Saxophone and more. - Grade 2 SKU: CF.YPS208 Shlof, Mayn Kind. Composed by Larry Clark. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6+3+2+3+1+1+2+6+12 pages. Duration 4 minutes, 31 seconds. Carl Fischer Music #YPS208. Published by Carl Fischer Music (CF.YPS208). ISBN 9781491152287. UPC: 680160909780. Key: D minor. A stunning and heart-wrenching composition based on the Jewish folk son Shlof, Mayn Kind. You can hear the emotional content pour out of this piece written in memory of an outstanding orchestra director. The piece beginnings with original material to set the tone, followed by a clarinet solo on the song. It then develops through a variety of different harmonic presentation before building to a nice key change and climatic moment. The piece ends as it began, but with a more hopeful tone. An amazing piece. Sleep, My Child was commissioned by the Madison Middle School Band and Orchestra in Tampa, Florida, and is dedicated to the memory of their Director of Orchestras Kevin Frye. Director of Bands Chris Shultz championed the commissioning of this piece to honor Kevin after he passed away in December 2016. Mr. Frye was a beloved member of the staff at Madison Middle as well as the music community of Tampa and the state of Florida. I was a personal friend of Kevin’s. We were in several musical groups together when we were young that were formative to both of our musical careers. I also guest conducted his Madison Middle School Orchestra several times over the past four years. His musicianship, teaching skills and love for his students were exemplary.When taking on the challenge of writing a piece to honor Kevin’s legacy, Mr. Shultz and I decided to try and include several important aspects of Kevin’s life into the piece. Kevin was proudly Jewish, a fantastic trumpet player and loved Jazz. With that in mind, and after a lot of research, a Jewish folk song Shlof, Mayn Kind was selected as the basis for the piece, not to be religious, but to honor his faith and heritage. Plus it is a beautiful song, and I felt the title reflected the sentiment I was looking to express, which is of someone taking rest after a long battle with illness. Thus, a lullaby seemed appropriate.I also wanted to incorporate Jazz into the piece, but in a concert setting, so you will hear as the piece develops, the harmonies of the folk song expand into ones found more commonly in Jazz compositions. Not in a far out way, but in a subtle way to again honor this part of his life. For example the climactic moment of the piece at the fermata in m. 57 is a Dbmaj9#11 chord. It appropriately give the piece the angst that I was looking for at this moment in the piece, while honoring the importance of Jazz in Kevin’s musical life.The piece was also conceived to include both the Madison band and orchestra in the performance at the premiere. I wanted the pieces to work separately by the band and separately by the orchestra, but I also wanted them to be able to play the piece together to honor Kevin.The piece begins with original material designed to set the mood of the piece with a tempo/style marking of pensive, but also as material that I used as connective musical tissue between statements of the folk song. After this introduction, the folk song is presented by a solo violin (or clarinet) with orchestral accompaniment in a simple straight forward presentation of the song. This is followed by a woodwind section statement of the folk song accompanied by muted trumpets. During this presentation the harmony starts to expand with more color notes in the chords. The low brass are added half way through this statement to add depth and lushness.The introductory material returns, but with some angry hits in the lower voices. This leads to a full ensemble state of new material that is used to transition to the climax of the piece, and to build tension. After the build, the piece modulates to a shortened statement of the folk song with more advanced harmonies and an active counter line in the violas, horns, saxes and first clarinets to further build the tension. This tension is released at the fermata in m. 57, as mentioned above. After a thoughtful pause, the piece concludes with a completion of the folk song again with a solo violin (or clarinet) followed by a return of the introductory material to tie the piece together. The piece ends hopeful, with a solo trumpet (Kevin’s instrument) that is dissonant at first, but then resolves as if to say - everything will be OK! It has been my distinct honor to have been asked to write this piece in Kevin’s memory! I hope that in some small way the piece helps to bring comfort to his family, students, colleagues and to all those that knew him!–Larry ClarkLakeland, FL 2017. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| A Certain Slant of Light Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Eupho...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone, Trumpet 1 and more. - Grade 2 SKU: CF.YPS211 Composed by Peter Terry. Young Band (YPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+2+5+2+2+4+4+4+6+3+3+2+1+2+2+16+2 pages. Duration 4 minutes, 13 seconds. Carl Fischer Music #YPS211. Published by Carl Fischer Music (CF.YPS211). ISBN 9781491152300. UPC: 680160909803. Key: F major. A Certain Slant of Light is inspired by the introspective mood created by the rays of light on a dark cloudy day. A colorful, murmuring introduction is followed by a rich main theme in a minor key. It is a well-scored and fresh-sounding piece that will help young bands enhance their musicality. Rays of light against the dark of a cloudy day, or these same rays of light as they penetrate a dark room in late afternoon can create a mood of introspection and make us pause to reflect on the nature of life, loss and hope. A Certain Slant of Light is inspired by the title, but does not depict the actual poem There is a Certain Slant of Light by Emily Dickinson.A Certain Slant of Light opens with a colorful murmuring introduction followed immediately by a statement of the main theme of the piece. The opening briefly returns, followed by a setting of the melody in flute with woodwind accompaniment. The opening then returns and grows to a climax built on variations of the main theme. The piece fades to silence with a soft echo of the opening murmuring material.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.Peter Terry, 2018. $70.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Exemplary Concert band - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, Vibraphone, alto Saxophone and more. - Grade 0.5 SKU: CF.PPS49 Composed by Richard Summers. Primer Band (PPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+3+1+1+2+1+12+2 pages. Duration 2 minutes. Carl Fischer Music #PPS49. Published by Carl Fischer Music (CF.PPS49). ISBN 9781491151938. UPC: 680160909438. Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used with simple rhythms, students and teachers will find many, fun musical challenges that provide opportunities for for growth. As the title suggests, performances of Exemplary should serve as a desirable model, be worthy of imitation, and should represent the absolute best in musicianship. Exemplary is a mature musical piece for beginning bands. Even though only the first six notes of the Bb-major scale are used, and simple rhythms are used to compose this piece, it has many musical challenges that will enhance students’ musical growth. There are some very musical ideas and sections in this piece that should be explored. Just as this title suggests, Exemplary should serve as a desirable model, be worthy of imitation, and should represent the best possible example of its kind. If you describe something as exemplary, it should be extremely good. With all of these challenges, the piece also has some nice melodies and is fun to play.  Notes to the ConductorThere are marcato and legato styles, many dynamic markings (sometimes different between woodwinds, brass, and percussion) major and minor third intervals, and challenging beginning percussion writing (that should not be overplayed). Four-measure phrasing should be observed. When a crescendo occurs, it should connect to the next note without taking a breath. These are teachable concepts that will benefit the musicianship of the students and take them to a higher level of performance.  . $50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Festival March Concert band - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5 SKU: CF.SPS78 Composed by Victor Herbert. Symphonic Band (SPS). Set of Score and Parts. With Standard notation. 3+12+12+6+6+3+12+24+24+6+6+8+8+6+6+9+18+18+27+8+8+8+8+9+9+9+9+12+3+6+6+40+6 pages. Duration 7:37. Carl Fischer Music #SPS78. Published by Carl Fischer Music (CF.SPS78). ISBN 9781491152553. UPC: 680160910052. Key: Bb major. Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic. Festival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  . $150.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Unleashed - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Euphonium, Eupho...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Euphonium, Euphonium T.C., Flute, Horn, Keyboard, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, String Bass, Suspended Cymbal, Timpani, Tom-tom, Trombone, Trumpet and more. - Grade 2.5 SKU: CF.XPS14 Composed by Peter Terry. Flexible Band (XPS). Set of Score and Parts. With Standard notation. 16+8+4+8+4+6+6+2+4+4+4+4+6+4+4+4+4+4+8+2+6+4+2+4+4+4+24 pages. Carl Fischer Music #XPS14. Published by Carl Fischer Music (CF.XPS14). ISBN 9781491152607. UPC: 680160910106. Peter Terry's Unleashed makes for an impressive concert opener that is the musical equivalent of unleashing a caged animal. The piece is exciting from start to finish, with energetic and bold material that students will love to play. Directors will also love the instrumentation flexibility that this new version offers. Everyone wants to be unleashed, to be set free of restraints. This piece captures the exhilaration of being set into motion with unlimited optimism and energy. The piece is a rhythmic and propulsive gallop that spins off lyrical material as it drives to a climactic finish that is both exciting and fun.The piece opens with a robust first theme, then transitions on a rhythmic figure spun off from the opening material. The opening section repeats in variation with different orchestration. The more lyrical material that emerges should be brought out to balance the opening theme and rhythmic figures from the first section. A development of the material from the opening follows, driving to a brief pause. This pause feels like it will lead to a contrasting lyrical theme, but the energy is just suspended for a second before the piece takes off again. The work finishes with a repeated-note transition back to variations on the opening material and a propulsive rush to the end.I enjoyed writing this piece and hope your students will enjoy playing these contrasting styles and that you will find the piece beneficial in teaching important musical concepts.​​​​​​​​​Peter Terry, 2018. $95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Clock Tower - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Euphonium, Euphonium T.C., Flu...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Tambourine, Temple Blocks, Timpani, Trombone, Trumpet, Tuba, Xylophone, alto Saxophone and more. - Grade 1 SKU: CF.BPS145 Composed by Richard Summers. Bps. Set of Score and Parts. 8+2+8+2+5+2+2+8+3+2+2+6+2+3+1+1+2+2+16 pages. Duration 2:15. Carl Fischer Music #BPS145. Published by Carl Fischer Music (CF.BPS145). ISBN 9781491161258. UPC: 680160919840. Dating back to the 13th century, the clock tower was located in the center of a town and used by townspeople to hear the time through bells and chimes ringing out. There are clock towers all over the world and they are wonderful landmarks to towns and communities. This work begins and ends with the Westminster Chimes theme, which is used by many clocks and clock towers, including Big Ben, the famous clock tower in London. Clock Tower contains many essential musical and technical skills for a beginning level band piece. The tick of the clock mechanism is imitated by pitched woodblocks, and the main theme is based on ascending and descending scale patterns, reinforcing note-reading ability for the beginning student. There are layers of new countermelodies and contrasting sections with dynamics and legato passages, giving the students an opportunity to play in different musical styles. There is a low brass and woodwind feature and a section introducing eighth notes to the upper winds. The sound between the woodwinds and the brass are also important, but many woodwind passages are cued in the brass in case a beginning band might need extra players to help with the balance and blend. This gives the director the opportunity to experiment with these cues and add a few other instruments when needed. Dating back to the 13th century, the clock tower was located in the center of a town and used by townspeople to hear the time through bells and chimes ringing out. There are clock towers all over the world and they are wonderful landmarks to towns and communities. This work begins and ends with the Westminster Chimes theme, which is used by many clocks and clock towers, including Big Ben, the famous clock tower in London.  Clock Tower contains many essential musical and technical skills for a beginning level band piece. The tick of the clock mechanism is imitated by pitched woodblocks, and the main theme is based on ascending and descending scale patterns, reinforcing note-reading ability for the beginning student. There are layers of new countermelodies and contrasting sections with dynamics and legato passages, giving the students an opportunity to play in different musical styles. There is a low brass and woodwind feature and a section introducing eighth notes to the upper winds. The sound between the woodwinds and the brass are also important, but many woodwind passages are cued in the brass in case a beginning band might need extra players to help with the balance and blend. This gives the director the opportunity to experiment with these cues and add a few other instruments when needed. . $53.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Bicycle Race Concert band - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bell, Bells, Car Horn, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bell, Bells, Car Horn, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet 1, Trumpet 2, Tuba and more. - Grade 1.5 SKU: CF.FPS138 Composed by Andrew Balent. SWS FS. First Plus Performance Series. Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+4+4+6+2+3+2+1+2+2+12 pages. Duration 2 minutes, 3 seconds. Carl Fischer Music #FPS138. Published by Carl Fischer Music (CF.FPS138). ISBN 9781491147221. UPC: 680160904723. 9 x 12 inches. Take your band on a musical bicycle ride with this piece for developing musicians. It has a catchy tune that students will want to play over and over again. It can be used as a great teaching piece for working on steady, even eighth note patterns and uniformity of articulation style. The bicycle bell and horn will add to the fun of this piece! $60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Quest for the Throne Concert band - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Tom-tom, Trombone and more. - Grade 1.5 SKU: CF.FPS155 Composed by Larry Clark. First Plus Band (FPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+3+2+1+2+3+16+2 pages. Duration 2 minutes, 11 seconds. Carl Fischer Music #FPS155. Published by Carl Fischer Music (CF.FPS155). ISBN 9781491152157. UPC: 680160909650. Quest for the Throne evokes images of kings and castles, knights and horses, and dragons in all their glory. It is a bold and aggressive piece throughout, but includes a contrasting, lush secondary theme for variety. In his typical style, Clark has used forceful figures, and strong melodic content to give students music they'll want to practice and play again and again. This piece should depict images of kings and castles, knight and horses, dragons and damsels in distress. It should be bold and aggressive throughout, but never with bad tone. This is then contrasted by the lush second theme that is presented first in a softer thin orchestration, but later becomes a change for the whole ensemble to play in a strong, but lush presentation of this theme.One thing that is important to me when writing music for younger students is to offer pieces that challenge all students in the ensemble and give every section an important part of the musical presentation, which naturally should include some melodic material. Every member of the ensemble wants to feel that they are contributing to the collective whole.It has been my pleasure to have the opportunity to write this piece. I hope you and your students enjoy it and find it useful for your program.—Larry ClarkLakeland, FL 2018. $60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mammoth Concert band - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T....(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Tambourine, Timpani, Trombone, Trumpet, Tuba and more. - Grade 0.5 SKU: CF.PPS24 Composed by Sean O'Loughlin. Primer Band. Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+2+3+2+6+2+3+1+1+2+3+16 pages. Duration 1 minute, 47 seconds. Carl Fischer Music #PPS24. Published by Carl Fischer Music (CF.PPS24). ISBN 9780825895432. UPC: 798408095437. 9 x 12 inches. A beginning concert band piece of elephantine proportions! Sean O'Loughlin is able to deliver exciting music that students love to play, time and time again. His pieces in sounds much more difficult and sophisticated than students are technically able to play. Your band will shine with this mammoth musical depiction. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Carol of the Bells - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Crash Cymbals, E...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cello, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Keyboard, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, String Bass, Suspended Cymbal, Timpani, Trombone and more. - Grade 2.5 SKU: CF.XPS15 Composed by Mykola Leontovich. Arranged by Carol Brittin Chambers. Set of Score and Parts. 8+6+8+4+4+2+2+2+3+4+2+4+3+4+2+2+2+2+2+2+1+4+4+16 pages. Carl Fischer Music #XPS15. Published by Carl Fischer Music (CF.XPS15). ISBN 9781491158821. UPC: 680160917525. Carol of the Bells This version of Carol of the Bells is a new take on a traditional carol. The Ukrainian Bell Carol, which has become an important part of the American holiday tradition, was originally composed by Mykola Leontovych with lyrics by Peter J. Wilhousky. In this arrangement, the flexibility of the instrumentation allows it to be played with as few as five wind or string players, and the various recognizable motifs are passed around the ensemble, giving everyone something interesting to play. Chambers incorporates energetic grooves with the bass line and percussion, as well as a new B melody that adds extra technique and a fresh sound. Please enjoy Carol of the Bells on your next holiday concert! Note to the Conductor: Use this piece to introduce or reinforce the following musical concepts: Steady pulse in a driving 3/4 meter, definition of ostinato, accidentals (minimal), and Syncopated feel (minimal). Carol of the BellsThis version of Carol of the Bells is a new take on a traditional carol. The Ukrainian Bell Carol, which has become an important part of the American holiday tradition, was originally composed by Mykola Leontovych with lyrics by Peter J. Wilhousky. In this arrangement, the flexibility of the instrumentation allows it to be played with as few as five wind or string players, and the various recognizable motifs are passed around the ensemble, giving everyone something interesting to play. Chambers incorporates energetic grooves with the bass line and percussion, as well as a new B melody that adds extra technique and a fresh sound. Please enjoy Carol of the Bells on your next holiday concert!Note to the Conductor: Use this piece to introduce or reinforce the following musical concepts: Steady pulse in a driving 3/4 meter, definition of ostinato, accidentals (minimal), and Syncopated feel (minimal). $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Danza Latina Concert band - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Claves, Euphonium, Euph...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Claves, Euphonium, Euphonium T.C., Flute, Flute 2, Güiro, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, alto Saxophone and more. - Grade 1 SKU: CF.BPS77 Composed by Gene Milford. Beginning Performance Series. Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+2+3+2+1+2+3+12 pages. Duration 2 minutes, 8 seconds. Carl Fischer Music #BPS77. Published by Carl Fischer Music (CF.BPS77). ISBN 9780825892325. UPC: 798408092320. 9 x 12 inches. Key: Bb major. An introduction to the musical styles of the Caribbean and South America, Danza Latina is a level-appropriate work for young bands. While composed of only of quarter note and half note rhythms for the winds, rhythmic challenges are provided by the use of rests. Percussionists have the opportunity to experience Latin percussion instruments in this fun-filled composition for beginning groups. $53.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Expeditious Concert band - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euph...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone, Trumpet, Tuba and more. - Grade 1 SKU: CF.BPS114 Composed by John Pasternak. Beginning Band (BPS). Set of Score and Parts. With Standard notation. 8+2+8+2+5+2+2+8+3+6+1+3+1+2+2+16+2 pages. Duration 2 minutes, 18 seconds. Carl Fischer Music #BPS114. Published by Carl Fischer Music (CF.BPS114). ISBN 9781491152003. UPC: 680160909506. Expeditious begins with fanfare-like harmonies, making this beginning band piece sound unexpectedly advanced. Composer John Pasternak utilizes accessible notes and rhythms in this well-crafted piece for the youngest players while still creating a rich musical experience. Pasternak is fast becoming a go to composer for intriguing works for young bands. Expeditious focuses on contrast in articulations. The beginning of the piece focuses on a marcato/accented style, and the notes should be given full value. At m. 11, the piece switches focus to a staccato articulation style. Pickups into m. 26 should have a large dynamic contrast. The style at m. 41 should have a more legato feel. Measure 45 returns to a staccato feel. Measure 47 will then switch back to the prior legato style. The dynamic change at m. 52 should be instant. Measure 70 should also have an instant dynamic change. The piece ends with the marcato/accented style from the beginning of the piece. $55.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Finding You Here Jazz Ensemble [Score] - Beginner FJH
Jazz Ensemble Jazz Ensemble - Grade 1.5 SKU: FJ.JE4116S Score Only...(+)
Jazz Ensemble Jazz Ensemble - Grade 1.5 SKU: FJ.JE4116S Score Only. Composed by Erik Morales. Arranged by Erik Morales. Jazz Ensemble. FJH Beginning Jazz Ensemble. Ballad. Score. Duration 3:00. The FJH Music Company Inc #98-JE4116S. Published by The FJH Music Company Inc (FJ.JE4116S). English. This easy swing ballad pays homage to the great Neal Hefti and his classic Li'l Darlin', which was written for the Count Basie Orchestra and is now standard repertoire in the big band genre. There is plenty of ensemble work, along with a great written tenor sax solo (also with chord symbols). For greater performance flexibility, an optional solo sheet is included for other instruments as well. A great vehicle for teaching the most basic elements of jazz in a musical setting! About FJH Beginning Jazz Ensemble Appropriate for first-year jazz ensembles. Playable with as few as 3 saxes, 2 trumpets, 1 trombone, and rhythm section. Pieces consist mostly of ensemble writing. Written solos are provided along with suggested parts for rhythm section and drum set. Guitar chord guide included. Grades 1 - 1.5 $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Beyond the Horizon Lies the Land Concert band [Score and Parts] - Easy Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clari...(+)
Concert Band Bass Clarinet, Bass Drum, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Triangle, Trombone and more. - Grade 2-2.5 SKU: CF.YPS6 Full Score and Parts. Composed by David Bobrowitz. FS-SWS. Carl Fischer Young Performance Series. Score and Set of Parts. With Standard notation. Carl Fischer Music #YPS6. Published by Carl Fischer Music (CF.YPS6). ISBN 9780825821677. UPC: 798408021672. 9 X 12 inches. Key: C major. A musical tribute to the voyages of Columbus, this young band selection has moderate ranges and instrumental forces and will be easy and satisfying to prepare and perform. The heroic style of the music and the bold and colorful scoring will appeal to audience and band alike. Duration: 3'. $70.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Festival March Concert band [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymb...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Horn 3, Horn 4, Oboe, Percussion 1, Percussion 2, Piccolo, Snare Drum, Timpani, Triangle, Trombone 1 and more. - Grade 5 SKU: CF.SPS78F Composed by Victor Herbert. Symphonic Band (SPS). Full score. With Standard notation. 40 pages. Carl Fischer Music #SPS78F. Published by Carl Fischer Music (CF.SPS78F). ISBN 9781491153239. UPC: 680160910731. Festival March is presented in a new edition arranged by Richard Summers. It is a tour de force composition for advanced bands and hearkens back to a bygone era during the golden age of the band movement. Directors and students will hear operatic music from composer Victor Herbert who is best known for his Christmas classic, Toyland. This is a richly scored masterpiece that deserves to return to standard status in concert band repertoire. We are proud to bring you this new setting of this cherished classic. About the CompositionFestival March by Victor Herbert was written for the Pittsburgh Symphony and first performed under Herbert’s direction in Chicago on Dec. 9, 1901 celebrating the 12th anniversary of Chicago’s Auditorium Theatre. Also known as the Auditorium Festival March, he included it many times for programs of a festival nature. The main theme Auld Lang Syne, a famous Scottish folk song, is incorporated many times along with brass fanfares, interludes and march melodies. This band arrangement is very similar to the original orchestral composition. The missing string parts, the addition of the saxophone section and other band instruments, editing of the superimposed triplets against sixteenth notes, to one or the other, and articulations suitable for the band, were major challenges. The style of early twentieth-century American music is captured here. This arrangement will give band musicians access to a fine piece of music that could only be appreciated by orchestra musicians up to now. Although suitable for many occasions, this piece is a great way to begin or end a December holiday concert.  Notes to the ConductorVictor Herbert’s music can be interpreted in a romantic style, which is the conductor’s responsibility to read in nuance and musicality. The beginning and other triple-tonguing sections of this piece have a March of the Toys quality to it.  The interludes and Auld Lang Syne sections are legato and musical. The March sections can also be shaped musically.About the ComposerVictor Herbert was born in Ireland in 1861 and raised in Germany. When he moved to America in 1886, he joined the Metropolitan Opera as principal cellist and eventually composed many works including forty-three operettas on Broadway from the 1890s to World War I, including Naughty Marietta and Babes in Toyland. Victor Herbert conducted the Pittsburgh Symphony from 1898 to 1904 and then was the conductor of his own Victor Herbert Orchestra. He formed ASCAP with a group of composers in 1914 and was the director until his death in 1924. Among his thirty-one compositions for orchestra, Festival March was a favorite of his and was eventually published by Carl Fischer Music.  . $15.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hark! the Herald Angels Sing with Angels We Have Heard on High Choral SATB Hope Publishing Company
SATB choir; clarinet; flute; trombone; trumpet SKU: HP.C5771C Arranged by...(+)
SATB choir; clarinet; flute; trombone; trumpet SKU: HP.C5771C Arranged by Jay Althouse. Piano with Optional B-Flat Instrument, Clarinet, Flute, Trombone, Trumpet. Christmas, Sacred. Performance/Accompaniment CD. Hope Publishing Company #C5771C. Published by Hope Publishing Company (HP.C5771C). UPC: 763628957711. Luke 2:10-14, 2 Corinthians 5:19, Revelation 15:4, Hebrews 1:6, Matthew 1:21-23, John 1:1 1 John 1:14, Philippians 2:7, Isaiah 9:6, Malachi 4:2, 1 Peter 1:3. Medley of two familiar Christmas carols This exuberant medley of two cherished Christmas carols comes from Jay Althouse's Joy to the World: A Celebration of Carols, our top-selling Christmas musical in 2011. The effective use of rhythmic energy makes this a captivating setting for worship or concert! The Instrumental packet contains a Conductor's Score and parts for: Flute, B-flat Clarinet, 2 Trumpets, Trombone, Electric Bass and Snare Drum. $29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Honor Bound - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cym...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Trombone, Trumpet 1, Trumpet 2, Tuba and more. - Grade 1.5 SKU: CF.FPS168 March. Composed by Gene Milford. Set of Score and Parts. Carl Fischer Music #FPS168. Published by Carl Fischer Music (CF.FPS168). ISBN 9781491163542. UPC: 680160922338. Honor Bound: to be obligated and required by one’s own code of conduct to do what is ethically right. This is often referenced in the military but applies equally to our everyday conduct and is how a free society can function. The march is intended to represent the dignity and worth of the individual.Honor Bound is a traditional style military march containing important opportunities for each section, including the percussion introduction and interlude, trumpet fanfare at m. 5, low brass melody in the second strain and woodwind lead at m. 66. The notated dynamics are essential for musical contrast. The tempo can vary depending on the skill of the students and the preference of the conductor. A field drum or multiple snare drums can be added to the percussion solos at the discretion of the director. $58.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Messa da Requiem - Intermediate/advanced Barenreiter
2 flutes, flute-picc+third flute, 2 oboes, 2 clarinets, 4 bassoon, 4 horn, 4 tru...(+)
2 flutes, flute-picc+third flute, 2 oboes, 2 clarinets, 4 bassoon, 4 horn, 4 trumpet, 4 trumpet in lontananza, 3 trombones, Oficleide, timpani, Tr (Flutes (2), Piccolo flute and 3. Flute, Oboes (2), Clarinets (2), Bassoons (4), Horns (4), Trumpets (4), Trumpets (4) in lontananza, Trombones (3), Oficleide, Timpani, Drum) - Level 4 SKU: BA.BA07590-65 Composed by Giuseppe Verdi. Edited by Marco Uvietta. This edition: urtext edition. Stapled. Barenreiter Urtext. Set of wind parts. 362 pages. Baerenreiter Verlag #BA07590_65. Published by Baerenreiter Verlag (BA.BA07590-65). ISBN 9790006541607. 32.5 x 25.5 cm inches. Preface: Marco Uvietta. For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem; some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the Liber scriptus, was newly discovered.
As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.
This edition comprises a concise Critical Commentary in the score as well as a detailed one on the Barenreiter website. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the Liber scriptus for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition. About Barenreiter Urtext Orchestral Parts Why musicians love to play from Bärenreiter Urtext Orchestral Parts - Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
$158.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Clash of the Warriors - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5 SKU: CF.CPS266 Composed by Mark Lortz. Cps. Set of Score and Parts. 8+8+4+8+8+8+4+4+4+4+4+4+8+8+8+4+4+6+6+6+6+4+8+2+6+2+4+10+28 pages. Carl Fischer Music #CPS266. Published by Carl Fischer Music (CF.CPS266). ISBN 9781491161296. UPC: 680160919888. Clash of the Warriors is loosely based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors. I hope you and your ensemble enjoy performing Clash of the Warriors.. Clash of the Warriors is loosely based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors.I hope you and your ensemble enjoy performing “Clash of the Warriors.â€. $75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Clash of the Warriors [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium, Euphonium T.C., Flute 1, Flute 2, Gong, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3.5 SKU: CF.CPS266F Composed by Mark Lortz. Cps. Full score. 28 pages. Carl Fischer Music #CPS266F. Published by Carl Fischer Music (CF.CPS266F). ISBN 9781491161760. UPC: 680160920457. Clash of the Warriors is lightly based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors. I hope you and your ensemble enjoy performing Clash of the Warriors.. Clash of the Warriors is lightly based upon the Bulgarian folk song Kaval Sviri. The composer's vision was to create a musical depiction of two warriors getting ready and ultimately battling each other. The introduction should be mysterious and ominous. To create the open fifth interval slide effect, the trombone glissandi in measures 2-3 should be emphasized, and the suggested slide positions followed. At Rehearsal 10, the timpani, marimba, and tambourine will control the pulse and diminuendo to Rehearsal 18, where the woodwinds have the melody. Rehearsal 38 should be bold and energetic, whereas Rehearsal 57 should be light with a driving pulse. The Rehearsal 92 9/8 section should be conducted in four (2+2+2+3) and set up the warrior's battle clash. Rehearsal 109 represents the 'clash' of the warriors where they will ultimately battle against one another, represented by the three measure motivic tradeoffs. Finally, rehearsal 129 to the end is the soundtrack for the final conflict for the warriors.I hope you and your ensemble enjoy performing “Clash of the Warriors.â€. $13.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Spring Is Here Big band [Score and Parts] Handelsware
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Flugel...(+)
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Flugelhorn/Trumpet 1-3, Trumpet 4, Flugelhorn/Trumpet 5 (opt.), Trombone 1-3, Trombone 4 (opt.), Bass Trombone 5, Piano, Bass, Drums) - advanced to difficult SKU: M7.SMP-563 Swing. Composed by Richard Rodgers and Stanley Newcomb Kenton. Arranged by Lennie Niehaus. Sheet music. Swing. Score and parts. Handelsware #SMP 563. Published by Handelsware (M7.SMP-563). English. This is another one of those absolutely wonderful charts that Lennie did for Stan Kenton for what was known as the dance book. It was the hippest dance book ever! A medium-swing tempo sets this great standard in a framework that is very musical and very exciting. Trumpet and bass are featured. Limited ranges (tpt. written high D). This one will be a real favorite. 5-5-5-3. $97.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Lake in the Sky - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Chimes, Clarinet 1...(+)
Band Bass Clarinet, Bass Drum, Bass Trombone, Bassoon, Bells, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Euphonium 1, Euphonium 2, Euphonium T.C. 1, Euphonium T.C. 2, Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Oboe and more. - Grade 4 SKU: CF.SPS61 Composed by Alan Lee Silva. SWS FS. Set of Score and Parts. With Standard notation. 4+16+16+8+16+16+16+6+6+6+6+6+4+9+6+6+12+12+8+8+4+4+6+8+6+4+2+4+4+10+36 pages. Duration 5 minutes, 59 seconds. Carl Fischer Music #SPS61. Published by Carl Fischer Music (CF.SPS61). ISBN 9781491140420. UPC: 680160628483. 9 x 12 inches. Key: Bb major. Inspired by the beautiful landscape around Lake Tahoe, this epic piece has something for everyone. It is lush and flowing, bold and dynamic, and full of interesting musical twists and turns. Composer Alan Lee Silva has a true cinematic sensibility to his music, and the piece conjures images of one of the most beautiful spots in the American West. The piece is just as magnificent as the landscape that it depicts. $125.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Galloping Ghosts Concert band [Score and Parts] - Intermediate Manhattan Beach Music
Concert band - Grade 4 SKU: MH.1-59913-064-5 Composed by William Ryden. S...(+)
Concert band - Grade 4 SKU: MH.1-59913-064-5 Composed by William Ryden. Suitable for high school, community, and college bands. Conductor score and set of parts. Duration 2:45. Published by Manhattan Beach Music (MH.1-59913-064-5). ISBN 9781599130644. I wrote Galloping Ghosts (A Ragtime March) to conclude a concert of my chamber music in New York City on October 28, 1986. It is the final part of a work called Rags for Divers Players. This work was written to show the variety possible within the standard rag form. I used all the players available for the finale -- two violins, viola, cello, bass, flute, oboe, clarinet, horn, bassoon, and piano. Since this is a rather unusual instrumental combination and not easy to reassemble, I decided to rescore the work for concert band. Galloping Ghosts is written in a standard march form but incorporates many of the syncopations found in ragtime. The uniquely American music called ragtime traces its history to African rhythms brought over by slaves. Over the years this music became welded to European musical forms such as the quadrille and the march. Drums and banjos and the minstrel tradition lent a special flavor, and from all these elements ragtime slowly evolved within the largely unknown black subculture of the late 19th century. In the late 1890's it emerged as a fully developed form in the classic piano solos of Scott Joplin (1869-1917). Joplin's 1899 hit, Maple Leaf Rag, was an overnight sensation and brought ragtime worldwide fame. Ensemble instrumentation: 1 Piccolo, 8 Flute 1 and 2, 2 Oboe, 1 Eb Clarinet, 4 Bb Clarinet 1, 4 Bb Clarinet 2, 4 Bb Clarinet 3, 2 Eb Alto Clarinet, 3 Bb Bass and Bb Contrabass Clarinet, 2 Bassoon 1 and 2, 2 Eb Alto Saxophone 1, 2 Eb Alto Saxophone 2, 2 Bb Tenor Saxophone, 1 Eb Baritone Saxophone, 3 Bb Cornet 1, 3 Bb Cornet 2, 3 Bb Cornet 3, 2 Horn 1 and 2 in F, 2 Horn 3 and 4 in F, 4 Trombone 1 and 2, 4 Bass Trombone, 2 Baritone (B.C.), 2 Baritone (T.C.), 4 Tuba, 1 String Bass, 1 Timpani, 1 Xylophone, 3 Percussion 1, 3 Percussion 2. $95.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| A Treeful Of Monkeys Theodore Presser Co.
Bass Drum, Bassoon, Bell Tree, Cello, Clarinet, Contrabass, Cymbal, Glockenspiel...(+)
Bass Drum, Bassoon, Bell Tree, Cello, Clarinet, Contrabass, Cymbal, Glockenspiel, Harp, Horn, Marimba, Oboe, Percussion, Piccolo, Slide Whistle, Tom-tom, Trombone, Trumpet, Viola, Violin 1, Violin 2 SKU: PR.416416460 Composed by Daniel Dorff. With Standard notation. 112 pages. Duration 7:30. Theodore Presser Company #416-41646. Published by Theodore Presser Company (PR.416416460). UPC: 680160675937. 9 X 12 / 9.5 x 13 inches. Based on a traditional African folk tale. Dorff’s seventh commission from the Philadelphia Orchestra’s education department, A TREEFUL OF MONKEYS is a setting of the folktale also known as “Caps For Sale.†Typical of Dorff’s narrated works, there is humor on the surface, and a musical curriculum in the background. The monkeys and hats go up the tree accompanied by ascending scales and melodies, and finally when all the hats cascade down the orchestra plays a beautiful cascade downward. $38.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Opus 4 Big band [Score and Parts] - Intermediate Hal Leonard
By Charles Mingus. Arranged by Boris Koslov. Charles Mingus Big Band Jazz. Publi...(+)
By Charles Mingus. Arranged by Boris Koslov. Charles Mingus Big Band Jazz. Published by Hal Leonard.
$60.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Stranger in Town Big band [Score and Parts] Handelsware
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpe...(+)
Big band (Alto Sax 1, Alto Sax 2, Tenor Sax 1, Tenor Sax 2, Baritone Sax, Trumpet/Latin Toys/Flugelhorn 1, Trumpet 2/Latin Toys, Trumpet/Latin Toys, Flugelhorn 3, Trumpet 4/Latin Toys, Trombone 1-3, Bass Trombone 4, Electric Keyboard, Guitar, Electric Bass, Drums) - difficult SKU: M7.SMP-1170 Rock/Fusion. Composed by Lyle Mays and Pat Metheny. Arranged by Bob Curnow. Sheet music. Score and parts. Handelsware #SMP 1170. Published by Handelsware (M7.SMP-1170). English. Another amazing, exciting chart has been added to the Pat Metheny Series! Bob Curnow's arrangement of Metheny/Mays' composition Stranger In Town hits you in the face right from the start and ends in the same manner. With typical Metheny/Mays flavor, there is a musical shift in the middle as solo space for tenor saxophone emerges, followed by a full ensemble interlude which then takes us to a peak ending. Originally recorded by PMG on their album We Live Here, Curnow has once again masterfully arranged this tune to fit perfectly in a big band setting! 5-4-4-4. $112.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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