| Fundamentals of Guitar Guitar Mel Bay
(A Workbook for Beginning, Intermediate or Advanced Students). Composed by M...(+)
(A Workbook for Beginning,
Intermediate or Advanced
Students). Composed by Miles
Okazaki. For guitar. Spiral-
bound. Guitar Methods,
Scales, Arpeggios,
Technique, Theory, Harmony.
Book. 166 pages. Published
by Mel Bay Publications, Inc
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Comp Duets for Winds Volume II Carl Fischer
Chamber Music Bassoon, Euphonium, Trombone SKU: CF.WF218 29 Duets That...(+)
Chamber Music Bassoon, Euphonium, Trombone SKU: CF.WF218 29 Duets That can Be Played by Any Combination of Wind Instruments. Composed by Adolphe-Charles Adam, Chauncey Olcott, George Frideric Handel, Giuseppe Concone, Giuseppe Gariboldi, Henri Kling, Henry Purcell, Hughie Cannon, Larry Clark, Richard Shuebruk, Scottish Folk Song, Traditional, Wilhelm Wurm, Wolfgang Amadeus Mozart, and etc. Arranged by Larry Clark. SWS. Collection. With Standard notation. 48 pages. Carl Fischer Music #WF218. Published by Carl Fischer Music (CF.WF218). ISBN 9781491149188. UPC: 680160906680. 9 x 12 inches. Continuing with the success of the popular Compatible series, Compatible Duets for Winds Volume 2 contains 29 duets in a variety of styles that can be played with any combination of two wind instruments. Students can develop their chamber-ensemble skills while playing with their friends, no matter what wind instruments they play. Ranging from grade levels 2-3, Compatible Duets for Winds Volume 2 is perfect for band directors looking for new tools for the classroom, and its flexibility makes it a must-have for any wind player. Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options, since all ofthe books in this series are compatible. As a former middle-school band director I alwayshad students that wanted to come to the band room during lunch or after school; studentswho just wanted to play with their friends. That was not possible since there was very littleduet material available that was compatible with all of the wind instruments. This bookand the first volume in the series take care of that. A student can now grab their friend,no matter what instrument they play, and have hours of fun playing duets together. Mostimportantly, they will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems, and the point size of the music wasconsidered for ease of reading.It is my hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.I hope it is a useful tool for you for years to come. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Comp Duets for Winds Volume II Carl Fischer
Chamber Music Tuba SKU: CF.WF219 29 Duets That can Be Played by Any Co...(+)
Chamber Music Tuba SKU: CF.WF219 29 Duets That can Be Played by Any Combination of Wind Instruments. Composed by Adolphe-Charles Adam, Chauncey Olcott, George Frideric Handel, Giuseppe Concone, Giuseppe Gariboldi, Henri Kling, Henry Purcell, Hughie Cannon, Larry Clark, Richard Shuebruk, Scottish Folk Song, Traditional, Wilhelm Wurm, Wolfgang Amadeus Mozart, and etc. Arranged by Larry Clark. SWS. Collection. With Standard notation. 48 pages. Carl Fischer Music #WF219. Published by Carl Fischer Music (CF.WF219). ISBN 9781491149195. UPC: 680160906697. 9 x 12 inches. Continuing with the success of the popular Compatible series, Compatible Duets for Winds Volume 2 contains 29 duets in a variety of styles that can be played with any combination of two wind instruments. Students can develop their chamber-ensemble skills while playing with their friends, no matter what wind instruments they play. Ranging from grade levels 2-3, Compatible Duets for Winds Volume 2 is perfect for band directors looking for new tools for the classroom, and its flexibility makes it a must-have for any wind player. Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options, since all ofthe books in this series are compatible. As a former middle-school band director I alwayshad students that wanted to come to the band room during lunch or after school; studentswho just wanted to play with their friends. That was not possible since there was very littleduet material available that was compatible with all of the wind instruments. This bookand the first volume in the series take care of that. A student can now grab their friend,no matter what instrument they play, and have hours of fun playing duets together. Mostimportantly, they will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems, and the point size of the music wasconsidered for ease of reading.It is my hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.I hope it is a useful tool for you for years to come. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Duets for Winds Volume II Carl Fischer
Chamber Music alto Saxophone, baritone Saxophone SKU: CF.WF216 29 Duet...(+)
Chamber Music alto Saxophone, baritone Saxophone SKU: CF.WF216 29 Duets That Can Be Played by Any Combination of Wind Instruments. Composed by Adolphe-Charles Adam, Chauncey Olcott, George Frideric Handel, Giuseppe Concone, Giuseppe Gariboldi, Henri Kling, Henry Purcell, Hughie Cannon, Larry Clark, Richard Shuebruk, Scottish Folk Song, Traditional, Wilhelm Wurm, Wolfgang Amadeus Mozart, and etc. Arranged by Larry Clark. SWS. Collection. With Standard notation. 48 pages. Carl Fischer Music #WF216. Published by Carl Fischer Music (CF.WF216). ISBN 9781491149164. UPC: 680160906666. 9 x 12 inches. Continuing with the success of the popular Compatible series, Compatible Duets for Winds Volume 2 contains 29 duets in a variety of styles that can be played with any combination of two wind instruments. Students can develop their chamber-ensemble skills while playing with their friends, no matter what wind instruments they play. Ranging from grade levels 2-3, Compatible Duets for Winds Volume 2 is perfect for band directors looking for new tools for the classroom, and its flexibility makes it a must-have for any wind player. Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options, since all ofthe books in this series are compatible. As a former middle-school band director I alwayshad students that wanted to come to the band room during lunch or after school; studentswho just wanted to play with their friends. That was not possible since there was very littleduet material available that was compatible with all of the wind instruments. This bookand the first volume in the series take care of that. A student can now grab their friend,no matter what instrument they play, and have hours of fun playing duets together. Mostimportantly, they will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems, and the point size of the music wasconsidered for ease of reading.It is my hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.I hope it is a useful tool for you for years to come. $12.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Songs and Chants without Words – Volume 2 GIA Publications
SKU: GI.G-10046 According to the principles of Music Learning Theory(+)
SKU: GI.G-10046 According to the principles of Music Learning Theory. Composed by Andrea Apostoli and Elena Papini. Music Learning Theory (MLT). Music Education. 64 pages. GIA Publications #10046. Published by GIA Publications (GI.G-10046). ISBN 9781622774036. This collection of more than 170 songs and chants without words, including six previously unavailable in North America composed by Edwin E. Gordon, is for anyone looking for more songs organized by tonality and meter to use in their Music Learning Theory-based classes. Like the first volume, these songs and chants are an excellent resource for bringing young children through the various stages of preparatory audiation, from acculturation to imitation and assimilation. The melodies in this collection are organized by tonality: major, minor, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, Locrian, multitonal/multimodal, chants are organized by meter: duple meter, triple meter, unusual paired meter, unusual unpaired meter, and multi-metric. As with the first volume, these songs and chants present a rich and varied musical syntax, and they are also a great way to hold a child’s attention. Intentionally without lyrics (so children concentrate on the music and are not distracted by the words), these songs should be sung by an adult using a conversational and relational approach rather than as a formal musical performance. If left free to move around the classroom and to enact movements while listening to these songs, young children will spontaneously babble and vocalize—the earliest forms of autonomous “creation†in response to the music. Enjoy! Andrea Apostoli is an author, musician, and educator living in Italy. He is president of the Italian Gordon Association for Music Learning (aigam.org). Elena Papini is trainer and supervisor for the Italian Gordon Association for Music Learning (aigam.org). She is also a Music Moves for Piano instructor and Director of the Amadeus School. . $11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
1 ... 571 601 631 |