SKU: HL.3746551
UPC: 196288065005. 6.75x10.5x0.029 inches.
Featured in Spider-Man: Homecoming and Spider-Man: Far from Home in addition to No Way Home, the main theme by Michael Giacchino is dramatic and instantly recognizable. Make a powerful statement with this one!
SKU: HL.4008514
UPC: 196288176497. 9.0x12.0x0.328 inches.
From the highly anticipated video game “Starfield” the soundtrack by Inon Zur is compelling and dramatic. Hereis the main theme skillfully adapted for young players with limited technical and range demands.
SKU: HL.4493043
UPC: 196288156468.
Unleash the force of musical mastery with Robert Longfield's captivating string orchestra arrangement of the â??Star Wars Main Titleâ? by John Williams. Immerse your ensemble in the iconic galaxy far, far away as the strings bring to life the timeless adventure and heroic spirit of Star Wars. Longfield's arrangement skillfully preserves the epic grandeur of Williams' original, making it a must-have for orchestras seeking to ignite the imaginations of audiences young and old. May the music be with you as you embark on this intergalactic musical journey!
SKU: HL.4008512
UPC: 196288176473. 9.0x12.0x0.467 inches.
The video game “Starfield” became one of the most highly anticipated game releases in years. The game also features a stunning soundtrack by acclaimed composer Inon Zur. Here is a powerful and dramatic arrangement of the main theme.
SKU: VD.ED23065
ISBN 9790202010655. 11.69 x 8.26 inches.
SKU: VD.DCD038
ISBN 9790202019627.
SKU: VD.ED27548
ISBN 9790202015483. 11.69 x 8.26 inches.
SKU: HL.48186044
UPC: 888680827533. 9x12 inches.
Blet Le Miroir Brise Piano A Deux Mains Book.
SKU: VD.ED23072
ISBN 9790202010723. 12 x 9 inches.
SKU: HL.48185297
UPC: 888680858681. 9.0x12.0x0.068 inches.
Challan Glissades 2 Mains Remonte Pen Tes Dgts Croises Lm057 Harp Book.
SKU: HL.14028039
ISBN 9788759810613. 8.0x11.0x1.565 inches. International (more than one language).
This is the Vocal Score for The Handmaid's Tale, an Opera based on the novel by Margaret Atwood.
SKU: HL.49030865
ISBN 9790001037532. German.
SKU: HL.49003757
ISBN 9790001037525. German.
SKU: CF.YPS217F
ISBN 9781491156551. UPC: 680160915095. 9 x 12 inches.
Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn't exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora. As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn't attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus's brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, jar seems to be a more accurate translation for what we commonly call Pandora's box) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope. The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn't it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place? I'm not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I've tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed. Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope's beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin's work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key. Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece's slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn't resist.).Hope Remains Within was commissioned by and composed for the Mount Nittany Middle School 7th and 8th Grade Concert Bands. Having heard the students of Mount Nittany perform another work of mine, I was very excited when their director, Johanna Steinbacher, approached me about writing a piece specifically for them. I knew right away that I wanted to write something that would tie in with their non-music curriculum in some way, but I wasn’t exactly sure how, or what. Johanna talked to some of her students and learned that, in 7th grade, the students spend a good deal of time studying mythology in their English class. In particular, two clarinet students mentioned how much they enjoyed the story of Pandora.As such, I decided to use that story as the basis of this composition. Hope Remains Within doesn’t attempt to re-tell the story, event by event, in musical terms. Instead, my goal was to address what seems to be one of the central issues of the Pandora myth. Though there are some variations, we probably all know the basics as told by the ancient Greek poet Hesiod. Zeus decides to punish Prometheus for stealing fire from heaven and giving it to humans. He and the other gods create Pandora, a beautiful and deceitful woman, and they give her to Prometheus’s brother Epimetheus as a bride. Pandora is herself given a jar (according to many sources, “jar†seems to be a more accurate translation for what we commonly call “Pandora’s boxâ€) which contained numerous evils, diseases, and other pains. Out of curiosity, Pandora opens the jar and releases all of these evils into the world. But one thing remains in the jar: hope.The issue of hope seems to be one of the big interpretive questions of the Pandora myth. Why does hope remain within the jar? Why doesn’t it come out of the jar to help humanity? Is hope being held on a pedestal of some sort? Is hope deliberately withheld from humanity? Why was hope in the jar with all those evils in the first place?I’m not enough of a mythological scholar to claim to have definitive answers to those questions, but these are the questions that I’ve tried to engage from a musical perspective in Hope Remains Within. I encourage the students and listeners to consider their own ideas of what hope is, and where you can find your own hope when needed.Musically, Hope Remains Within draws one of its main themes from the Prometheus Symphony by Alexander Skryabin (Scriabin). The note sequence F-D-Gb -F, heard near Hope’s beginning played by alto saxophones and chimes, comes from the opening measures of Skyrabin’s work. Given the important role that Prometheus plays in the Pandora myth, this seemed like an appropriate musical gesture to quote. This Prometheus motive is varied throughout the course of the piece, and even provides closure at the end, recast in a major key.Additionally, I have tried to involve a manageable amount of chromaticism in this piece. I have worked from the key of Bb major, no doubt familiar to every student who has ever played an instrument in a band. But I have added three extra notes: Db, Gb, and Ab, which are drawn from the key of Bb minor. During the piece’s slow opening, I have allowed these minor key pitches to mingle freely within the Bb major tonality, adding extra color and (I hope!) beauty. As the piece progresses, though, the tempo increases, and we lose sense of the Bb major key entirely, and these extra notes play a more important role. But finally, Bb major returns triumphantly and all the extra notes are gone, except for a brief memory near the very end. (Ok, there are a couple of E-naturals that sneak in there along the way. I couldn’t resist.).
SKU: CF.YPS217
ISBN 9781491156544. UPC: 680160915088. 9 x 12 inches.
SKU: LM.PB729
ISBN 9790231307290.
Le manege - La belle de mai - Les lignes de ma main - La debacle des sentiments - Entre deux femmes - Ana quand bien meme - Nouveau big bang - L'absinthe pour l'absent - Le temps des roses - L'age bete - A d'autres - Memoire morte - L'hiver.
SKU: HH.HH104-FSP
ISBN 9790708041542.
The text for Or fia mai ver, o lontananza infida does not appear in Ottoboni’s Trattenimenti poetici, and its authorship is therefore uncertain. However, it exhibits one of Ottoboni’s most consistent stylistic ‘trademarks’ – the use of end rhyme throughout the recitative stanzas (i.e., not merely in a final couplet) – and the unusually serious treatment of the subject (the ability of a lover’s imagination to remain close to the beloved despite physical separation) is very much in his vein. It should be considered a candidate for his authorship. The text comprises two arias, each introduced by a short recitative, and a final recitative that is completed, in order to achieve a better sense of climax, by a ‘cavata’ – the name given to an extended setting, often in contrapuntal style, of one or two selected lines of recitative.
SKU: HL.49004858
ISBN 9790001051699.
SKU: HL.49001311
ISBN 9790001014687. German.
SKU: HL.49005532
ISBN 9790001059442. UPC: 073999776249. 7.5x10.75x0.152 inches.
SKU: CA.623200
ISBN 9790007011840.
SKU: HL.48187974
Grimbert A Plusieurs Voix Voici Le Joli Mois De Mai 4 Part A Cappella.
SKU: HL.48188246
Willaert Duos Trios Renaissance Pj309 La Rousee Du Mois De Mai 3 Part.
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