SKU: M7.DOHR-20329

ISBN 9790202043295.

Dieses Lied ist bekannt als Paderborner Wallfahrtslied. Das Lied ist durch die Anrufungen der Attribute der Gottesmutter (z.B. Rose ohne Dornen) und die Wiederholungen des gleichbleibenden Rufes O Maria hilf ähnlich aufgebaut wie eine Litanei. Daher ist es leicht und auch auswendig bei Wallfahrten zu singen. Der Text ist eine Paraphrase im volkstümlichen Stil des alten Marienhymnus Ave, maris stella. Dieser lateinische Hymnus stammt aus dem 8. Jahrhundert und findet Verwendung in der Vesper, dem kirchlichen Abendgebet. Maria ist gleichsam der Stern des Meeres, der den Seeleuten auf dem Meere den Weg weist. (Norbert Hintermeier).

SKU: CA.2780149

ISBN 9790007202774. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

SKU: CA.2780115

ISBN 9790007202736. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

SKU: CA.2780111

ISBN 9790007202699. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

SKU: CA.2780112

ISBN 9790007202705. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

SKU: CA.2780113

ISBN 9790007202712. Language: Latin.

As with scarcely any other work of the 17th century, Monteverdi's Vespers has found its way into today's repertoire. Nevertheless, the Vespers still leaves open many questions. The new edition, with its critical examination of the sources, takes up these oft-discussed issues concerning scoring possibilities, performance practice, transpositions and liturgical unity. It is based on all of the surviving copies of the print of 1610 and the earliest handwritten entries have also been critically examined and evaluated. Performance material is organized in a flexible manner to allow for the use of different instruments in those movements without obbligato instruments in order to reinforce the vocal parts and thus invites an individual musical approach to the challenge presented by Monteverdi's Vespers. Score and part available separately - see item CA.2780100.

SKU: CA.2780156

ISBN 9790007170707. Key: D dorian. Text language: Latin.

In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the Lauda Jerusalem and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that these can also be performed with the highly-acclaimed Carus edition, we offer both these movements individually a fourth lower. Vocal score, chorus score, and parts for this are also all available separately. Score available separately - see item CA.2780100.

SKU: CA.2780177

ISBN 9790007202859. Key: D dorian. Text language: Latin.

In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the Lauda Jerusalem and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that these can also be performed with the highly-acclaimed Carus edition, we offer both these movements individually a fourth lower. Vocal score, chorus score, and parts for this are also all available separately. Score and part available separately - see item CA.2780100.

SKU: CA.2780151

ISBN 9790007170684. Key: D dorian. Text language: Latin.

In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the Lauda Jerusalem and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that these can also be performed with the highly-acclaimed Carus edition, we offer both these movements individually a fourth lower. Vocal score, chorus score, and parts for this are also all available separately. Score available separately - see item CA.2780100.

SKU: CA.2780173

ISBN 9790007202811. Key: D dorian. Text language: Latin.

In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the Lauda Jerusalem and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that these can also be performed with the highly-acclaimed Carus edition, we offer both these movements individually a fourth lower. Vocal score, chorus score, and parts for this are also all available separately. Score and part available separately - see item CA.2780100.

SKU: CA.2780159

ISBN 9790007171292. Key: D dorian. Text language: Latin.

In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the Lauda Jerusalem and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that these can also be performed with the highly-acclaimed Carus edition, we offer both these movements individually a fourth lower. Vocal score, chorus score, and parts for this are also all available separately. Score and parts available separately - see item CA.2780100.

SKU: CA.2780178

ISBN 9790007202866. Key: D dorian. Text language: Latin.

In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the Lauda Jerusalem and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that these can also be performed with the highly-acclaimed Carus edition, we offer both these movements individually a fourth lower. Vocal score, chorus score, and parts for this are also all available separately. Score and part available separately - see item CA.2780100.

SKU: CA.2780176

ISBN 9790007202842. Key: D dorian. Text language: Latin.

In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the Lauda Jerusalem and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that these can also be performed with the highly-acclaimed Carus edition, we offer both these movements individually a fourth lower. Vocal score, chorus score, and parts for this are also all available separately. Score and part available separately - see item CA.2780100.

SKU: CA.2780153

ISBN 9790007170714. Key: G major. Text language: Latin.

In many performances of Monteverdi's magnificent Vespers of the Blessed Virgin the Lauda Jerusalem and the Magnificat movements, which lie in a high tessitura, are transposed downwards. So that these can also be performed with the highly-acclaimed Carus edition, we offer both these movements individually a fourth lower. Vocal score, chorus score, and parts for this are also all available separately. Score available separately - see item CA.2780100.

SKU: M2.MOS-42243

ISBN 9790203747437.

In der vorliegende Bearbeitung - erstellt fur den Ersten Deutschen Evangelischen Posaunentag 2008 in Leipzig - wird der bekannte Kanon Vom Aufgang der Sonne (EG 456) von Paul Ernst Ruppel mit der herrlichen Toccata von Claudio Monteverdi kombiniert und mundet am Ende des Werkes in das originale Halleluja Monteverdis. Die Toccata mit der Gonzaga-Fanfare ist in den Einleitungssatzen der Marienvesper und der Oper L'Orfeo zu finden; das Halleluja ist der Schluss des Einleitungssatzes der Marienvesper. Die Auffuhrung mit Blechblasern und der Gemeinde lasst das Lob Gottes auf beeindruckende Weise erklingen und stellt den Kanon in das Licht der fruhbarocken Klangpracht Venedigs. Die Gemeinde kann mit Trompeten (Chor I) unterstutzt werden, die nahe der jeweiligen Kanongruppen aufgestellt sind; der kleine Blaserchor (Chor II) sollte solistisch, der grosse Blaserchor (Chor III) chorisch besetzt sein. Eine raumlich getrennte Aufstellung der Chore erhoht den Effekt des Stuckes. Die Tuben beider Blaserchore spielen posaunenchortypisch eine Oktave tiefer die Bassposaunenstimme.