| Furtwaengler Ton Und Wort 1918 Schott
(LN) SKU: HL.49020856 Aufsatze und Vortrage 1918 bis 1954. Compose...(+)
(LN) SKU: HL.49020856 Aufsatze und Vortrage 1918 bis 1954. Composed by Jean-Pierre Rampal. This edition: Hardback/Hard Cover. Book. Edition Schott. 276 pages. Schott Music #ATL 6199. Published by Schott Music (HL.49020856). ISBN 9783254001993. German. Das kunstlerische Wirken des Komponisten und Dirigenten Wilhelm Furtwangler war ein Leben lang begleitet von dem Bemuhen, sich daruber auch theoretisch Rechenschaft zu geben. Zahlreiche Aufzeichnungen belegen das. So spannt sich ein weiter Bogen uber diese Aufsatze und Vortrage aus den Jahren 1918 bis 1954. Der Reichtum der Themen, die Allgemeingultigkeit der Problemstellung, die Gedanken und Auffassungen sind aus der Schule des Lebens selbst, aus der unmittelbaren Erfahrung von Werk und Publikum erwachsen. Furtwangler setzt sich in diesen Arbeiten mit grundsatzlichen Fragen, so u.a. der Werktreue, der Programmgestaltung, der kunstlerischen Verantwortung, der modernen Musik, auseinander und entwickelt seine Gedanken uber Bach, Beethoven, Brahms, Bruckner, Wagner, Hindemith, Strawinsky und andere Komponisten. $41.95 - See more - Buy online | | |
| Im Volkston
Rosmarin /, Eugen d'Albert, 1864-1932, Niederländisches Wiegenlied /, Reinhold ...(+)
Rosmarin /, Eugen d'Albert, 1864-1932, Niederländisches Wiegenlied /, Reinhold Becker, 1842-1924, Nein und ja /, Wilhelm Berger, 1861-1911, Schön Rohtraut /, Leo Blech, 1871-1958, Nachtwandler /, Ignaz Brüll,1846-1907, Frau Holle /, August Bungert, 1846-1915, So einer war auch er, op. 33 /, Johannes Doebber, 1866-1921, Wir beide /, Philipp Fürst zu Eulenburg, 1847-1921, Abendlied /, Friedrich Gernsheim, 1839-1916, Gebet /, Adalbert von Goldschmidt, 1848-1906, Das Ringlein sprang entzwei /, Hans Hermann, 1870-1931, Der Schnitter /, Eugen Hildach, 1849-1924, Der schönste Tod /, Bolko Graf von Hochberg, 1843-1926, Rosmarin /, Engelbert Humperdinck, 1854-1921, Volkslied /, Robert Kahn, 1865-1951, Rieke im Manöver singt /, Wilhelm Kienzl, 1857-1941, Ich denke oft an's blaue Meer /, Arno Kleffel, 1840-1913, Unterwegs : für TTBB Chor, op. 132 /, Thomas Koschat, 1845-1914, Die Verlassene /, Henning von Koss, 1855-1913, Hoppoldey /, Eduard Lassen, 1830-1904, Vom Mond und den Sternlein /, Siegfried Ochs, 1858-1929, Untreu und Trost /, Hans Pfitzner, 1869-1949, Rheinisches Volkslied /, Carl Reinecke, 1824-1910, Ach herzigs Herz /, Max von Schillings, 1868-1933, Vögleins Begräbnis /, Georg Schumann, 1866-1952, Soldaten-Abschied /, Hans Sommer, 1837-1922, Von alten Liebesliedern /, Ludwig Thuille, 1861-1907, Schäfer und Schäferin /, Siegfried Wagner, 1869-1930, Im Laubengang /, Bogumil Zepler, 1858-1919, Aus dem schöne Schwabeländche /, Hermann Zumpe, 1850-1903, Lebe wohl /, Alfred Bortz, 1882-, Wenn die Buben Steckenpferd reiten /, Simon Breu, 1858-1933, Minnelied /, Fritz Char, 1865-1932, Wenn die Linde blüht /, Anna Cramer, um 1903, Rheinweinlied /, Peter Fassbaender, 1869-1920, Schlaflied für's Peterle /, Alwine Feist, 1873-1924, Wiegenlied /, Gustav Fischer, um 1903, Wenn ich ein Waldvöglein wär /, Johann Peter Gotthard, 1839-1919, Scheiden /, Philipp Gretscher, 1859-1937, Und hab so grosse Sehnsucht doch /, Willy Herrmann, 1868-, Vom Vögelein /, Victor Hollaender, 1866-1940, Die Bachstelze /, Ferdinand Hummel, 1855-1928, Agnes /, Robert Kahn, 1865-1951, Volksweise /, Gustav Lazarus, 1861-1920, Daz iuwer min Engel walte /, Karl Adolf Lorenz, 1837-1923, Volkslied /, Heinrich Lorenz, um 1903, In Würzburg /, Adolf Mohr, 1841-, Mägdlein sass im Wald und Moos /, Arthur Müller-Buessow, 1867-, Schatzerl klein /, Edmund Parlow, 1855-1911, Es steht eine Lind im tiefen Thal /, Friedrich Renger, 1866-1937, Herziges Schätzle du /, Philipp Rödelberger, 1865-, Es ist ein Schnee gefallen /, Louis Roessel, um 1903, Mai /, Richard Sahla, 1855-1931, Trost /, Robert Schwalm, 1845-1912, Was das Vöglein sang /, Max Stange, 1856-1932, Da draussen im Garten /, Oscar Straus, 1870-1954, Kinderlied /, Edmund von Strauss, 1869-1919, Die Spröde /, Frank van der Stucken, 1858-1929, Verscheucht /, Johannes Techritz, 1864-1940, Volkslied /, Hermann Zilcher, 1881-1948, Und die Rosen die prangen /, Hermann Anderson, um 1904, Lied des Harfenmädchens /, Max Ansorge, 1862-1940, Die Nachtigall /, Franz Bothe, 1867-1923, Im Schlehendorn /, Martin Grabert, 1868-1951, Tränen ohne Ende /, Hans Hermann, 1870-1931, Die Kapelle /, Alexis Holländer, 1840-1924, Ein geistliches Abendlied /, Emil Kahl, um 1904, Auf einer Meierei /, Robert Klein, um 1904, Warte noch ein kleines Weilchen /, Heinrich Knaak, um 1904, De junge Wetfru /, Otto Kohlmann, 1851-1889, Ich hab die Nacht geträumet /, Max Laurischkus, 1876-1929, Lieber Schatz sei wieder gut mir /, Otto Lindemann, 1879-1946, Juchhe /, Max Loewengard, 1860-1915, Umzug /, August von Othegraven, 1864-1946, Abendlied /, Arthur Perleberg, 1876-1910, Das Lied vom Scheiden /, Georg Raphael, 1865-1904, Es ist kein grösser Freud /, Felix Rosenthal, 1867-1936, Am Brünnele /, Arnold Rust, um 1904, Liebesscherz /, Ferdinand Saffe, 1867-1906, Morgenserenade auf dem Lande /, Hermann Schröder, 1843-1904, März /, Richard Sternfeld, 1858-1926, Unter einem Schirm /, Albert Ulrich, 1855-1921, Goldammer /, Paul Umlauft, 1853-1934, Lied in der Nacht /, Adolf Wallnöfer, 1854-1946, Stille Liebe /, Bruno Wandelt, 1856-1933, Tanzlied /, Elisabeth Wintzer, 1863-1933, In alten Tagen /, Richard Wintzer, 1866-1952, Jugendliebe /, Leopold Karl Wolf, 1859-1932, Im Wald /, Max Zoder, 1860-1924, Glück /, Hermann Zumpe, 1850-1903
$173.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Reger-Werkausgabe, Vol. II/3: Songs III (1901-1903) [Score] Carus Verlag
SKU: CA.5281000 Edited by Knud Breyer, Stefan König. Gesamt- und Werka...(+)
SKU: CA.5281000 Edited by Knud Breyer, Stefan König. Gesamt- und Werkausgaben: Max Reger. Hybrid Edition of works. Songs III (1901–1903). Full score (complete edition / selected edition). Carus Verlag #5281000. Published by Carus Verlag (CA.5281000). ISBN 9790007297220. The third volume in the Songs and Choral Works Series of the Reger Complete Works (RWA) contains the songs Max Reger composed (almost entirely in Munich) between 1901 and February 1903. With these compositions, Reger not only entered into direct competition with the so-called “Munich School†around Ludwig Thuille, Max von Schillings, and Richard Strauss, but also attempted to establish himself more widely as an uncompromising renewer of the genre. The songs contrast with the Romantic song aesthetic through their forward-looking declamatory style and they display a treatment of the piano which goes far beyond conventional song accompaniment.
In January 2008 the Max-Reger-Institut (MRI) in Karlsruhe began publishing a scholarly-critical edition of the works of Reger (RWA). This is supported by the Mainz Academy of Sciences and Literature, and as a Hybrid Edition is exploring new approaches in editorial techniques.
The digital offer belonging to the volume is published in an online portal.
Content Kompositionen. Acht Lieder op. 79c Lieder WoO VII/31und VII/32 Sechzehn Gesänge op. 62 Schlummerlied WoO VII/33 Zwölf Lieder op. 66 Sechs Gesänge op. 68 Siebzehn Gesänge op. 70 Wiegenlied WoO VII/35. $305.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Der erste Ton / Jubel-Kantate Schott
Chorus; Orchestra; Vocal (Complete Edition) SKU: HL.49042473 Carl Mari...(+)
Chorus; Orchestra; Vocal (Complete Edition) SKU: HL.49042473 Carl Maria von Weber Complete Edition. Composed by Carl Maria von Weber. Edition Schott. Classical. Hardcover. 180 pages. Schott Music #WGA1089. Published by Schott Music (HL.49042473). Carl Maria von Weber's fame rests mainly on Der Freischutz. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as Preciosa, Oberon, and Euryanthe, the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Webers work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for eachwork. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant toeach other in the commentaries, therefore readers should benefit from a wealth of concise information and cro. $160.00 - See more - Buy online | | |
| Der Freischutz Schott
Complete Edition, Score Score (Full Score) SKU: HL.49045854 Carl Maria...(+)
Complete Edition, Score Score (Full Score) SKU: HL.49045854 Carl Maria von Weber Complete Edition Score. Composed by Carl Maria von Weber. Edited by Solveig Schreiter. Opera. Classical, German Edition. Hardcover. 484 pages. Schott Music #WGA1034-10. Published by Schott Music (HL.49045854). Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for eachwork. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant toeach other in the commentaries, therefore readers should benefit from a wealth of concise information and cro. $457.00 - See more - Buy online | | |
| Der Freischuetz Schott
Hardcover Vocal Score Vocal (Complete Edition) SKU: HL.49042467 Romant...(+)
Hardcover Vocal Score Vocal (Complete Edition) SKU: HL.49042467 Romantische Oper in drei Aufzugen Hardcover Vocal Score. Composed by Carl Maria von Weber. Edited by Joachim Veit. Edition Schott. Classical. Hardcover. 332 pages. Schott Music #WGA1083. Published by Schott Music (HL.49042467). Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (68 vols.) are edited in Berlin and the letters (810 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-relatedand relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information an. $318.00 - See more - Buy online | | |
| Jubel-Kantate WeV B.15 Schott
(Score) SKU: HL.49042437 For the Celebration of the Fiftieth Anniversa...(+)
(Score) SKU: HL.49042437 For the Celebration of the Fiftieth Anniversary of the Reign of King Friedrich August I of Saxony. Composed by Carl Maria von Weber. Edition Schott. Classical. Hardcover. 312 pages. Schott Music #WGA1024. Published by Schott Music (HL.49042437). ISBN 9783795794507. Carl Maria von Weber's fame rests mainly on Der Freischutz. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was notconducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer,ritic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (68 vols.) are edited in Berlin and the letters (810 vols.) and other writings (2 vols.) in Detmold.This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Webers music. Conforming to the standards of recent historico-critical editions, the textual material will be based on. $299.00 - See more - Buy online | | |
| Weber Cm Klav Kzt Nr2 (jv155) Ga 5-4/2 Schott
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orche...(+)
Orchestra; Piano (Score) SKU: HL.49042455 Concerto for piano and orchestra No. 2 E flat major. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Classical. Hardcover. Op. 32. 206 pages. Schott Music #WGA1054-20. Published by Schott Music (HL.49042455). ISBN 9783795794828. 10.0x13.25x0.845 inches. German - English. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $201.00 - See more - Buy online | | |
| Der Freischutz Schott
SKU: HL.49045855 Critical Commentary. Composed by Carl Maria von W...(+)
SKU: HL.49045855 Critical Commentary. Composed by Carl Maria von Weber. Edited by Solveig Schreiter. Classical. Hardcover. 324 pages. Schott Music #WGA1034-20. Published by Schott Music (HL.49045855). Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume. Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities. Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for eachwork. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant toeach other in the commentaries, therefore readers should benefit from a wealth of concise information and cro. $310.00 - See more - Buy online | | |
| Weber Complete Edition 2/5 Schott
(P+KRB) SKU: HL.49042438 Together with Other Occasional Works for Birt...(+)
(P+KRB) SKU: HL.49042438 Together with Other Occasional Works for Birthdays or Funerals. Composed by Carl Maria von Weber. Edited by Frank Ziegler. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 312 pages. Schott Music #WGA1025. Published by Schott Music (HL.49042438). ISBN 9783795794811. 10.0x13.5x1.098 inches. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $299.00 - See more - Buy online | | |
| Weber Complete Edition 2/1 Choral SATB Schott
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trum...(+)
Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB) SKU: HL.49042434 Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434). ISBN 9783795794491. 10.25x13.5x1.141 inches. German. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $257.00 - See more - Buy online | | |
| Weber Complete Edition 6/1 Schott
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andr...(+)
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andreas Fukerider and Claudia Theis. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 274 pages. Schott Music #WGA1061. Published by Schott Music (HL.49042459). ISBN 9783795794682. 8.75x12.25x1.022 inches. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $244.00 - See more - Buy online | | |
| Weber Complete Edition 7/1 Piano solo Schott
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. Op. 24+39+49+70. 372 pages. Schott Music #WGA1071. Published by Schott Music (HL.49042462). ISBN 9783795794637. German - English. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $354.00 - See more - Buy online | | |
| Das Hexenlied [Score] Noten Roehr
Piano reduction SKU: NR.15897 Mit begleitender Musik für Orchester od...(+)
Piano reduction SKU: NR.15897 Mit begleitender Musik für Orchester oder Pianoforte, op. 15. Composed by Max von Schillings. Vocal music. Score. With Language: German/English. Noten Roehr #15897. Published by Noten Roehr (NR.15897). Text: Ernst von Wildenbruch. Melodram, Wildenbruch, Ernst von, text. $33.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Zwei Melodramen [Score] Noten Roehr
SKU: NR.99426 Für Sprechstimme und Klavier, opus 9, 1900 (dt). Co...(+)
SKU: NR.99426 Für Sprechstimme und Klavier, opus 9, 1900 (dt). Composed by Max von Schillings. Vocal music. Fur Sprechstimme und Klavier, opus 9, 1900 (dt) Schiller, Friedrich von, text. Score. Noten Roehr #99426. Published by Noten Roehr (NR.99426). Kassandra, Das eleusische Fest. $33.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Quartett e-moll [Score] Noten Roehr
SKU: NR.99429 Für zwei Violinen, Viola und Violoncello, 1887, revidie...(+)
SKU: NR.99429 Für zwei Violinen, Viola und Violoncello, 1887, revidiert 1906. Composed by Max von Schillings. Chamber music (3-9 instruments). Fur zwei Violinen, Viola und Violoncello, 1887, revidiert 1906. Score. Noten Roehr #99429. Published by Noten Roehr (NR.99429). $87.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Symphonischer Prolog zu Sophokles' König Oedipus [Score] Noten Roehr
SKU: NR.99430 Für zwei Klaviere zu vier Händen. Composed by Max ...(+)
SKU: NR.99430 Für zwei Klaviere zu vier Händen. Composed by Max von Schillings. Keyboard instruments. Fur zwei Klaviere zu vier Handen, opus 11, 1900. Score. Noten Roehr #99430. Published by Noten Roehr (NR.99430). Behn, Hermann, 1857-1927, ed. $55.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Quintet, Op. 32, Study Score Pocket, Study conductor Universal Edition | | |
| Mona Lisa Op. 31 Libretto Universal Edition
SKU: PR.UE006882 Composed by Max von Schillings. With Standard notation. ...(+)
SKU: PR.UE006882 Composed by Max von Schillings. With Standard notation. Universal Edition #UE006882. Published by Universal Edition (PR.UE006882). UPC: 680160505180. $11.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mona Lisa, Vocal Score Universal Edition
SKU: PR.UE006881 Composed by Max von Schillings. With Standard notation. ...(+)
SKU: PR.UE006881 Composed by Max von Schillings. With Standard notation. Universal Edition #UE006881. Published by Universal Edition (PR.UE006881). UPC: 803452012979. $107.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Moloch [Score] Noten Roehr
SKU: NR.99431 Musikalische Tragödie in drei Aufzügen, opus 20, 1906 ...(+)
SKU: NR.99431 Musikalische Tragödie in drei Aufzügen, opus 20, 1906 4Bände. Composed by Max von Schillings. Vocal music. Musikalische Tragodie in drei Aufzugen, opus 20, 1906. Score. Noten Roehr #99431. Published by Noten Roehr (NR.99431). Hebbel, Friedrich, text, Gerhäuser, Emil, 1868-1917, text, Siegel, Rudolf, 1878-1948, ed. $309.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Glockenlieder, op.22 Piano, Voice Forberg
Voice and Piano SKU: BT.F-24019 Composed by Max von Schillings. Classical...(+)
Voice and Piano SKU: BT.F-24019 Composed by Max von Schillings. Classical. Book Only. Composed 2005. Forberg Edition #F 24019. Published by Forberg Edition (BT.F-24019). $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Jung Olaf, op. 28 [Score] Forberg
Voice and Orchestra SKU: BT.F-50291-01 Melodram für Sprecher und Or...(+)
Voice and Orchestra SKU: BT.F-50291-01 Melodram für Sprecher und Orchester. Composed by Max von Schillings. Contemporary Music. Score Only. Forberg Edition #F 50291-01. Published by Forberg Edition (BT.F-50291-01). $27.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Quartett e-moll [Score] Noten Roehr
SKU: NR.99427 Für zwei Violinen, Viola und Violoncello, 1887, revidie...(+)
SKU: NR.99427 Für zwei Violinen, Viola und Violoncello, 1887, revidiert 1906. Composed by Max von Schillings. Chamber music (3-9 instruments). Fur zwei Violinen, Viola und Violoncello, 1887, revidiert 1906. Score. Noten Roehr #99427. Published by Noten Roehr (NR.99427). $67.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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