| Chanticleer Silver Jubilee Anthology [Sheet music] Hinshaw Music Inc.
Edited by Joseph Jennings and Matthew Oltman. Chanticleer. Secular. 120 pages. D...(+)
Edited by Joseph Jennings and Matthew Oltman. Chanticleer. Secular. 120 pages. Duration 53 min. Published by Hinshaw Music Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Trio in B Flat Major (Mozart) and Medieval Suite Violin, Clarinet, Piano (trio) [Score and Parts] Subito Music
Clarinet, Violin & Piano SKU: SU.46200010 For Clarinet, Violin & Piano...(+)
Clarinet, Violin & Piano SKU: SU.46200010 For Clarinet, Violin & Piano. Composed by James Niblock. Chamber Music, Piano Trio, Woodwinds, Clarinet. Score & Parts. Subito Music Corporation #46200010. Published by Subito Music Corporation (SU.46200010). Clarinet, Violin & Piano Duration: 25 ' Composed: 1984 Published by: Verdehr Trio This publication contains two separate worksMedieval Suite composed by James NiblockTrio in B-flat transcribed by James Niblock Medieval Suite uses material from a variety of thirteenth through fifteenth-century sources. The second movement is a fantasy for clarinet solo based on a Gregorian Chant melody from the Liber Usualis. Trio in Bb Major, K358 is a transcription on one of four piano sonatas that Mozart composed for four hands. The objective of this transcription was to capture, as accurately as possible, Mozart’s intent had he scored this sonata of the trio. Michigan State University Press. $95.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Medieval Christmas Brass ensemble [Score and Parts] - Easy Anglo Music
Brass Band - Grade 3 SKU: BT.AMP-324-030 Composed by Philip Sparke. Anglo...(+)
Brass Band - Grade 3 SKU: BT.AMP-324-030 Composed by Philip Sparke. Anglo Music Midway Series. Set (Score & Parts). Composed 2011. Anglo Music Press #AMP 324-030. Published by Anglo Music Press (BT.AMP-324-030). 9x12 inches. English-German-French-Dutch. Christmas is full of customs and traditions, both old and new. This is especially evident in Christmas songs, some of which have been part of Christian worship for centuries. A Medieval Christmas combines three ancient melodies that are stillpopular around the world today. Philip Sparke chose Gaudete, a song of praise from the middle ages, Coventry Carol, an English song from the 14th century, and In dulci jubilo, which can also be traced back to the 14th century, toform this joyous suite.
Kerst is een feest van tradities en gebruiken. Dit komt vooral naar voren uit de kerstliederen die al eeuwenlang een centrale plaats innemen binnen de christelijke cultuur. In A Medieval Christmas staan drie oude melodieën centraal diewereldwijd nog steeds populair zijn. Het zijn het middeleeuwse loflied Gaudete, het Engelse Coventry Carol en het bekende In dulci jubilo.
Weihnachten ist auch ein Fest des Brauchtums und der Tradition. Dies zeigt sich ganz besonders in den Weihnachtsliedern, die oft schon seit Jahrhunderten einen zentralen Platz in der christlichen Kultur einnehmen. A Medieval Christmasverwendet drei dieser alten Melodien, die sich heute noch weltweit größter Beliebtheit erfreuen: das mittelalterliche Loblied Gaudete, das englische Coventry Carol aus dem 14. Jahrhundert und das bekannte In dulci jubilo, dasebenfalls auf das 14. Jahrhundert zurückgeht.
Dans de nombreux pays, Noël est un moment privilégié, célébré par de nombreux chants et mélodies dont beaucoup constituent un élément central du culte chrétien. Le fait que ces chants anciens subsistent depuis si longtemps témoigne de leur attraitimmuable, formant un lien tangible avec les festivités de Noël qui se déroulaient il y a des centaines d'années. A Medieval Christmas emprunte trois de ces ancestrales mélodies, demeurées populaires dans le monde entier : Gaudete,Coventry Carol, et In Dulci Jubilo.
Il Natale é la festa delle tradizioni e ciò si riscontra facilmente nei canti natalizi che da secoli occupano un posto di primo piano nella tradizione cristiana. A Medieval Christmas propone tre antiche melodie, ancora oggi moltoattuali: il canto di lode Gaudete, Coventry Carol e In Dulci Jubilo, entrambe del XIV secolo. $95.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Medieval Christmas Marching band [Score and Parts] - Easy Anglo Music
Fanfare Band - Grade 3 SKU: BT.AMP-324-020 Composed by Philip Sparke. Ang...(+)
Fanfare Band - Grade 3 SKU: BT.AMP-324-020 Composed by Philip Sparke. Anglo Music Midway Series. Set (Score & Parts). Composed 2011. Anglo Music Press #AMP 324-020. Published by Anglo Music Press (BT.AMP-324-020). 9x12 inches. English-German-French-Dutch. Christmas is full of customs and traditions, both old and new. This is especially evident in Christmas songs, some of which have been part of Christian worship for centuries. A Medieval Christmas combines three ancient melodies that are stillpopular around the world today. Philip Sparke chose Gaudete, a song of praise from the middle ages, Coventry Carol, an English song from the 14th century, and In dulci jubilo, which can also be traced back to the 14th century, toform this joyous suite.
Kerst is een feest van tradities en gebruiken. Dit komt vooral naar voren uit de kerstliederen die al eeuwenlang een centrale plaats innemen binnen de christelijke cultuur. In A Medieval Christmas staan drie oude melodieën centraal diewereldwijd nog steeds populair zijn. Het zijn het middeleeuwse loflied Gaudete, het Engelse Coventry Carol en het bekende In dulci jubilo.
Weihnachten ist auch ein Fest des Brauchtums und der Tradition. Dies zeigt sich ganz besonders in den Weihnachtsliedern, die oft schon seit Jahrhunderten einen zentralen Platz in der christlichen Kultur einnehmen. A Medieval Christmasverwendet drei dieser alten Melodien, die sich heute noch weltweit größter Beliebtheit erfreuen: das mittelalterliche Loblied Gaudete, das englische Coventry Carol aus dem 14. Jahrhundert und das bekannte In dulci jubilo, dasebenfalls auf das 14. Jahrhundert zurückgeht.
Dans de nombreux pays, Noël est un moment privilégié, célébré par de nombreux chants et mélodies dont beaucoup constituent un élément central du culte chrétien. Le fait que ces chants anciens subsistent depuis si longtemps témoigne de leur attraitimmuable, formant un lien tangible avec les festivités de Noël qui se déroulaient il y a des centaines d'années. A Medieval Christmas emprunte trois de ces ancestrales mélodies, demeurées populaires dans le monde entier : Gaudete,Coventry Carol, et In Dulci Jubilo.
Il Natale é la festa delle tradizioni e ciò si riscontra facilmente nei canti natalizi che da secoli occupano un posto di primo piano nella tradizione cristiana. A Medieval Christmas propone tre antiche melodie, ancora oggi moltoattuali: il canto di lode Gaudete, Coventry Carol e In Dulci Jubilo, entrambe del XIV secolo. $140.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Medieval Christmas Concert band [Score] - Easy Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-324-140 Composed by Philip Sp...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-324-140 Composed by Philip Sparke. Anglo Music Midway Series. Festive and Solemn Music. Score Only. Composed 2011. 32 pages. Anglo Music Press #AMP 324-140. Published by Anglo Music Press (BT.AMP-324-140). 9x12 inches. English-German-French-Dutch. Christmas is full of customs and traditions, both old and new. This is especially evident in Christmas songs, some of which have been part of Christian worship for centuries. A Medieval Christmas combines three ancient melodies that are still popular around the world today. Philip Sparke chose Gaudete, a song of praise from the middle ages, Coventry Carol, an English song from the 14th century, and In dulci jubilo, which can also be traced back to the 14th century, to form this joyous suite.
Kerst is een feest van tradities en gebruiken. Dit komt vooral naar voren uit de kerstliederen die al eeuwenlang een centrale plaats innemen binnen de christelijke cultuur. In A Medieval Christmas staan drie oude melodieën centraaldie wereldwijd nog steeds populair zijn. Het zijn het middeleeuwse loflied Gaudete, het Engelse Coventry Carol en het bekende In dulci jubilo.
Weihnachten ist auch ein Fest des Brauchtums und der Tradition. Dies zeigt sich ganz besonders in den Weihnachtsliedern, die oft schon seit Jahrhunderten einen zentralen Platz in der christlichen Kultur einnehmen. A Medieval Christmas verwendet drei dieser alten Melodien, die sich heute noch weltweit größter Beliebtheit erfreuen: das mittelalterliche Loblied Gaudete, das englische Coventry Carol aus dem 14. Jahrhundert und das bekannte In dulci jubilo, das ebenfalls auf das 14. Jahrhundert zurückgeht.
Dans de nombreux pays, Noël est un moment privilégié, célébré par de nombreux chants et mélodies dont beaucoup constituent un élément central du culte chrétien. Le fait que ces chants anciens subsistent depuis si longtemps témoigne de leur attrait immuable, formant un lien tangible avec les festivités de Noël qui se déroulaient il y a des centaines d’années. A Medieval Christmas emprunte trois de ces ancestrales mélodies, demeurées populaires dans le monde entier : Gaudete, Coventry Carol, et In Dulci Jubilo.
Il Natale è la festa delle tradizioni e ciò si riscontra facilmente nei canti natalizi che da secoli occupano un posto di primo piano nella tradizione cristiana. A Medieval Christmas propone tre antiche melodie, ancora oggi molto attuali: il canto di lode Gaudete, Coventry Carol e In Dulci Jubilo, entrambe del XIV secolo. $34.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| A Medieval Christmas Concert band [Score and Parts] - Easy Anglo Music
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-324-010 Composed by Philip Sp...(+)
Concert Band/Harmonie - Grade 3 SKU: BT.AMP-324-010 Composed by Philip Sparke. Anglo Music Midway Series. Set (Score & Parts). Composed 2011. Anglo Music Press #AMP 324-010. Published by Anglo Music Press (BT.AMP-324-010). 9x12 inches. English-German-French-Dutch. Christmas is full of customs and traditions, both old and new. This is especially evident in Christmas songs, some of which have been part of Christian worship for centuries. A Medieval Christmas combines three ancient melodies that are stillpopular around the world today. Philip Sparke chose Gaudete, a song of praise from the middle ages, Coventry Carol, an English song from the 14th century, and In dulci jubilo, which can also be traced back to the 14th century, toform this joyous suite.
Kerst is een feest van tradities en gebruiken. Dit komt vooral naar voren uit de kerstliederen die al eeuwenlang een centrale plaats innemen binnen de christelijke cultuur. In A Medieval Christmas staan drie oude melodieën centraal diewereldwijd nog steeds populair zijn. Het zijn het middeleeuwse loflied Gaudete, het Engelse Coventry Carol en het bekende In dulci jubilo.
Weihnachten ist auch ein Fest des Brauchtums und der Tradition. Dies zeigt sich ganz besonders in den Weihnachtsliedern, die oft schon seit Jahrhunderten einen zentralen Platz in der christlichen Kultur einnehmen. A Medieval Christmasverwendet drei dieser alten Melodien, die sich heute noch weltweit größter Beliebtheit erfreuen: das mittelalterliche Loblied Gaudete, das englische Coventry Carol aus dem 14. Jahrhundert und das bekannte In dulci jubilo, dasebenfalls auf das 14. Jahrhundert zurückgeht.
Dans de nombreux pays, Noël est un moment privilégié, célébré par de nombreux chants et mélodies dont beaucoup constituent un élément central du culte chrétien. Le fait que ces chants anciens subsistent depuis si longtemps témoigne de leur attraitimmuable, formant un lien tangible avec les festivités de Noël qui se déroulaient il y a des centaines d'années. A Medieval Christmas emprunte trois de ces ancestrales mélodies, demeurées populaires dans le monde entier : Gaudete,Coventry Carol, et In Dulci Jubilo.
Il Natale é la festa delle tradizioni e ciò si riscontra facilmente nei canti natalizi che da secoli occupano un posto di primo piano nella tradizione cristiana. A Medieval Christmas propone tre antiche melodie, ancora oggi moltoattuali: il canto di lode Gaudete, Coventry Carol e In Dulci Jubilo, entrambe del XIV secolo. $140.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Medieval Fanfare and Chant Concert band [Score and Parts] - Intermediate Belwin
Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Part(s)...(+)
Arranged by Michael Story and Michael Story. Concert Band. Concert Band; Part(s); Score. Belwin Concert Band. Grade 3. 208 pages. Published by Belwin Music
$60.00 $57 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jumalisten joucko Choral SSAATTBB [Octavo] Highgate Press
By Stephen Chatman. For SSAATBB choir, optional percussion (drum). Christmas. Oc...(+)
By Stephen Chatman. For SSAATBB choir, optional percussion (drum). Christmas. Octavo. 12 pages. Published by Highgate Press . Octavo. Christmas.
$2.65 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Of Times Medieval Concert band Alfred Publishing
Concert Band SKU: AP.23300 Composed by Jared Spears. Concert Band; Perfor...(+)
Concert Band SKU: AP.23300 Composed by Jared Spears. Concert Band; Performance Music Ensemble; Single Titles. Young Symphonic. Programmatic. Score and Part(s). 284 pages. Alfred Music #00-23300. Published by Alfred Music (AP.23300). UPC: 038081233406. English. Based on the chant Veni Creator Spiritus, Of Times Medieval takes your audience on a journey through Medieval Europe. Your audience will experience an ancient monastery, a celebration in the streets, and a clash of swords and shields. This bold and expressive piece is a must for any program. $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Favorite Recorder Tunes - Medieval Gems Recorder [Sheet music + Audio access] - Beginner Mel Bay
Woodwinds - Beginning SKU: MB.31002 Composed by Robert Bancalari. Saddle-...(+)
Woodwinds - Beginning SKU: MB.31002 Composed by Robert Bancalari. Saddle-stitched. Recorder. Book and online audio. 16 pages. Mel Bay Publications, Inc #31002. Published by Mel Bay Publications, Inc (MB.31002). ISBN 9781513474588. 8.75x11.77 inches. This volume focuses on the medieval period from approximately the sixth to fifteenth centuries. The music of this era was traditionally performed as plainchant (sacred) or monophony (secular), that is, as a vocal melody, here reserved for the soprano recorder. Seeking to emulate medieval performance practice, the 20 tunes in this collection are accompanied by a single, drone-like power or 5-chord to be played on a modern-day stringed instrument such as guitar, mandolin or banjo. These simple troubadour songs are ideal for beginners and experienced players alike, who want to be transported back in time, immersed in a bygone era of music. . $9.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Iberian Refractions 2 Violins (duet) Edition HH
Two violins SKU: HH.HH440-FSP Composed by Litha Efthymiou. Two Violins. T...(+)
Two violins SKU: HH.HH440-FSP Composed by Litha Efthymiou. Two Violins. Two playing scores. Edition HH Music Publishers #HH440-FSP. Published by Edition HH Music Publishers (HH.HH440-FSP). ISBN 9790708146452. Iberian Refractions was written in response to a piece of Old Hispanic medieval chant, which gradually works its way into the music movement by movement. The chant melody infiltrates all aspects of the work’s foreground melodic structure, its harmonic backbone and its core inner detail, intensifying as the piece unfolds. $23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Three Choruses from the play Czar Feodor Ioannovich Choral SATB SATB divisi Musica Russica
By Georgi Vasilievich Sviridov. For chorus. (SATB (DIV), SOLI). Russian Title: ...(+)
By Georgi Vasilievich Sviridov. For chorus. (SATB (DIV), SOLI). Russian Title: Tri hora iz tragedii A. K. Tolstogo "Tsar' Feodor Ivanovich". Published by Musica Russica. (CMR 001)
$3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Pipings for Flute and Organ Flute, Organ (duet) [Sheet music + CD] Augsburg Fortress
By Various. For flute and organ. Sacred. Spiral-bound collection and listening C...(+)
By Various. For flute and organ. Sacred. Spiral-bound collection and listening CD. 152 pages. Published by Augsburg Fortress
$40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| O Come, O Come, Emmanuel Choral 2-part SA [Octavo] Paraclete Press
By C. Griffith Bratt. For SA choir, organ. Parish. Choral, Advent, Chant, Hymn. ...(+)
By C. Griffith Bratt. For SA choir, organ. Parish. Choral, Advent, Chant, Hymn. Easy. Choral octavo. Published by Paraclete Press
$1.60 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Rainbow to Heaven. Hymns, Songs & Chants Choral SATB Hildegard
Mixed choir SKU: ST.B890 Composed by June Boyce-Tillman. Hymns & Relgious...(+)
Mixed choir SKU: ST.B890 Composed by June Boyce-Tillman. Hymns & Relgious Drama. Choral Score. Stainer & Bell Ltd. #B890. Published by Stainer & Bell Ltd. (ST.B890). ISBN 9780852498903. Stainer & Bell are pleased to announce the publication of A Rainbow to Heaven, which brings together in one volume many of the musical settings and texts which are the fruit of June Boyce-Tillman's commitment to the empowerment of women. Her role as composer, performer, writer, teacher and theologian is faithfully reflected in 167 items, which draw on a diversity of traditional and modern sources to create a unique and inspiring collection. There is material here that relates to the themes of dance, healing, ecology, the medieval abbess Hildegard of Bingen, women saints, the Wisdom tradition, peace and justice, ecumenism and inter-faith dialogue, inclusive language and many other topics of contemporary interest. A fascinating introduction places the hymns, songs and chants in the context of June's evolving thought about the nature of music, worship, spirituality and the role of women. $23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Alchemist's Touch - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Clarinet, Crash Cymba...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Tambourine and more. - Grade 1 SKU: CF.BPS143 Composed by Gene Milford. Bps. Set of Score and Parts. 8+2+8+2+5+2+2+8+3+6+2+3+3+1+4+12+16 pages. Duration 2 minutes, 37 seconds. Carl Fischer Music #BPS143. Published by Carl Fischer Music (CF.BPS143). ISBN 9781491161241. UPC: 680160919833. Alchemy is usually defined as the Medieval search for the means of transmuting base metals, such as lead into gold and silver. The alchemist hoped to find the mysterious combination of words or elements to attain the goal. Our scene begins with a dramatic invocation to the spirits of the metals, followed by a chant to empower the energy necessary for the change. A procession of the alchemist's apprentices is heard as they add their presence to the effort and a final surge as the transformation is realized. Or is it? Careful execution of the dynamic variations within the work is essential to realize the desired effect. A metal plate can be substituted for the break drum. The tap on stands instruction in mm. 46 - 52 should be performed with a metallic beater on a metal stand. Experiment with mechanical pencils, small screwdrivers, portions of coat hangers, etc. Additional metallic percussion instruments could be added to enhance the effect or in place of the music stands. Volume is not as important as timbre. Alchemy is usually defined as the Medieval search for the means of transmuting base metals, such as lead into gold and silver. The alchemist hoped to find the mysterious combination of words or elements to attain the goal. Our scene begins with a dramatic invocation to the spirits of the metals, followed by a chant to empower the energy necessary for the change. A procession of the alchemist’s apprentices is heard as they add their presence to the effort and a final surge as the transformation is realized. Or is it?Careful execution of the dynamic variations within the work is essential to realize the desired effect. A metal plate can be substituted for the break drum. The “tap on stands†instruction in mm. 46 – 52 should be performed with a metallic beater on a metal stand. Experiment with mechanical pencils, small screwdrivers, portions of coat hangers, etc. Additional metallic percussion instruments could be added to enhance the effect or in place of the music stands. Volume is not as important as timbre. $53.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Alchemist's Touch [Score] - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Clarinet, Crash Cymba...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Brake Drum, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Tambourine and more. - Grade 1 SKU: CF.BPS143F Composed by Gene Milford. Bps. Full score. 16 pages. Duration 2 minutes, 37 seconds. Carl Fischer Music #BPS143F. Published by Carl Fischer Music (CF.BPS143F). ISBN 9781491161623. UPC: 680160920303. Alchemy is usually defined as the Medieval search for the means of transmuting base metals, such as lead into gold and silver. The alchemist hoped to find the mysterious combination of words or elements to attain the goal. Our scene begins with a dramatic invocation to the spirits of the metals, followed by a chant to impower the energy necessary for the change. A procession of the alchemist's apprentices is heard as they add their presence to the effort and a final surge as the transformation is realized. Or is it? Careful execution of the dynamic variations within the work is essential to realize the desired effect. A metal plate can be substituted for the break drum. The tap on stands instruction in mm. 46 - 52 should be performed with a metallic beater on a metal stand. Experiment with mechanical pencils, small screwdrivers, portions of coat hangers, etc. Additional metallic percussion instruments could be added to enhance the effect or in place of the music stands. Volume is not as important as timbre. Alchemy is usually defined as the Medieval search for the means of transmuting base metals, such as lead into gold and silver. The alchemist hoped to find the mysterious combination of words or elements to attain the goal. Our scene begins with a dramatic invocation to the spirits of the metals, followed by a chant to impower the energy necessary for the change. A procession of the alchemist’s apprentices is heard as they add their presence to the effort and a final surge as the transformation is realized. Or is it?Careful execution of the dynamic variations within the work is essential to realize the desired effect. A metal plate can be substituted for the break drum. The “tap on stands†instruction in mm. 46 – 52 should be performed with a metallic beater on a metal stand. Experiment with mechanical pencils, small screwdrivers, portions of coat hangers, etc. Additional metallic percussion instruments could be added to enhance the effect or in place of the music stands. Volume is not as important as timbre. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Friendly Beasts [Score] Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Tambourine, Timpani, Triangle and more. SKU: CF.FPS163F A Medieval Carol. Composed by French carol. Arranged by Gene Milford. Full score. 16 pages. Carl Fischer Music #FPS163F. Published by Carl Fischer Music (CF.FPS163F). ISBN 9781491163894. UPC: 680160922680. The melody of The Friendly Beasts (“Orientis Partibusâ€) originated in twelfth-century France and has been attributed to Pierre de Corbeil, Bishop of Sens. The song migrated to England by the thirteenth century, where its popularity grew and in the early twentieth century the familiar English words were added. The melody has been set in both quadruple and triple meter and is presented in both meters here. Ralph Vaughan Williams (1872–1958) included the carol in his English Hymnal (1906).The words in both the original Latin and modern English versions pay homage to the place of animals in the Christmas story. The carol has also been known as The Donkey Carol and The Animal Carol.This setting is intended to reflect the Medieval origins of the melody. Some freedom of tempo would be appropriate during the “chant†version of the melody (mm. 6–18). Adding poco ritardando at m. 28, at the discretion of the director, should lead to a stricter tempo in mm. 31–53, in the manner of a medieval round dance. A gentle approach to the performance is appropriate. Finger cymbals could be added to or replace all or part of the triangle part, again at the director’s discretion. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Friendly Beasts - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Tam-tam, Tambourine, Timpani, Triangle and more. - Grade 1.5 SKU: CF.FPS163 A Medieval Carol. Composed by French carol. Arranged by Gene Milford. Set of Score and Parts. Carl Fischer Music #FPS163. Published by Carl Fischer Music (CF.FPS163). ISBN 9781491163498. UPC: 680160922284. The melody of The Friendly Beasts (“Orientis Partibusâ€) originated in twelfth-century France and has been attributed to Pierre de Corbeil, Bishop of Sens. The song migrated to England by the thirteenth century, where its popularity grew and in the early twentieth century the familiar English words were added. The melody has been set in both quadruple and triple meter and is presented in both meters here. Ralph Vaughan Williams (1872–1958) included the carol in his English Hymnal (1906).The words in both the original Latin and modern English versions pay homage to the place of animals in the Christmas story. The carol has also been known as The Donkey Carol and The Animal Carol.This setting is intended to reflect the Medieval origins of the melody. Some freedom of tempo would be appropriate during the “chant†version of the melody (mm. 6–18). Adding poco ritardando at m. 28, at the discretion of the director, should lead to a stricter tempo in mm. 31–53, in the manner of a medieval round dance. A gentle approach to the performance is appropriate. Finger cymbals could be added to or replace all or part of the triangle part, again at the director’s discretion. $58.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Regina Celi. (Four Votive Antiphons, No. 4) Stainer and Bell
Mezzo Soprano voice, Three Tenor voices and Baritone voice SKU: ST.Y210 C...(+)
Mezzo Soprano voice, Three Tenor voices and Baritone voice SKU: ST.Y210 Composed by Bayan Northcott. Mezzo-soprano, three tenors and baritone.. Choral. Octavo. Stainer & Bell Ltd. #Y210. Published by Stainer & Bell Ltd. (ST.Y210). ISBN 9790220221125. The publication of Regina Celi completes the cycle of four votive antiphons based on the traditional chants of compline, in which the composer Bayan Northcott has imaginatively recreated many of the techniques of medieval and Renaissance music in the context of a contemporary vocal ensemble. Two earlier settings from the sequence, Salve Regina and Alma Redemptoris Mater, have recently been recorded to great acclaim by the Choir of Gonville & Caius College, Cambridge, on Signum SIGCD070. Whether performed by mezzo soprano, three tenors and baritone or full choir (the score may be used for either version) the cumulative effect is of a powerful distillation of the chant, as choral writing of increasing complexity brings the work - and the cycle - to a serene conclusion in F major. $4.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Tower Concert band [Score and Parts] - Easy Molenaar Edition
Concert Band; Limited band - Grade 2 SKU: ML.013748060 Composed by Alexan...(+)
Concert Band; Limited band - Grade 2 SKU: ML.013748060 Composed by Alexandre Carlin. Full set. Molenaar Edition #013748060. Published by Molenaar Edition (ML.013748060). The Tower was commisioned by the concert band of Auneau (France), for their 190th anniversary. The composer was inspired by a medieval tower standing in the city and decided to transcribe in music the life in the middle ages, the gregorian chant of the monks, a village festival, the building of the tower, step by step, and then the evocation of the battle of Auneau, one of the famous religious battles of the middle ages in France. The work ends with the regained calm, and the monks singing their gregorian chant at the end of the day.
The Tower werd geschreven in opdracht van het harmonie orkest van Auneau (Frankrijk), voor hun 190-jarig bestaan. De componist werd geïnspireerd door een middeleeuwse toren die in de stad staat en besloot het leven in de middeleeuwen, het gregoriaans van de monniken, een dorpsfeest, de bouw van de toren, stap voor stap in muziek om te zetten, en dan de evocatie van de slag bij Auneau, een van de beroemde religieuze veldslagen uit de middeleeuwen in Frankrijk. Het werk eindigt met de hervonden rust en de monniken die aan het eind van de dag hun gregoriaanse gezang zingen.
The Tower a été commandée par lâharmonie dâAuneau (France) à lâoccasion de son 190ème anniversaire. Le compositeur a été inspiré par une tour médiévale et a transcrit la vie de lâépoque, le chant grégorien des moines, une fête villageoise, la construction de la tour, étage par étage, puis lâévocation de la bataille dâAuneau, lâune des célèbres guerres de religion de la France médiévale. LâÅuvre sâachève avec le calme retrouvé et le chant grégorien a nouveau interprété.
The Tower wurde von der Konzertkapelle von Auneau (Frankreich) für ihr 190-jähriges Jubiläum in Auftrag gegeben. Der Komponist lieà sich von einem mittelalterlichen Turm in der Stadt inspirieren und beschloss, das Leben im Mittelalter, den gregorianischen Gesang der Mönche, ein Dorffest, den Bau des Turms und schlieÃlich die Schlacht von Auneau, eine der berühmtesten religiösen Schlachten des Mittelalters in Frankreich, in Musik zu übertragen. Das Werk endet mit der wiedergewonnenen Ruhe und dem Singen des gregorianischen Gesangs der Mönche am Ende des Tages. $139.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| From Ancient Times Concert band [Score and Parts] - Intermediate/advanced De Haske Publications
Concert Band (Score & Parts) - Grade 6 SKU: HL.44010846 Composed by Jan V...(+)
Concert Band (Score & Parts) - Grade 6 SKU: HL.44010846 Composed by Jan Van der Roost. De Haske Concert Band. Concert Piece. Set (Score & Parts). Composed 2010. De Haske Publications #1094715010. Published by De Haske Publications (HL.44010846). UPC: 884088561376. 9x12 inches. English-German-French-Dutch. From Ancient Times is a major work for brass band, inspired largely by the music of the Franco-Flemish School of the Renaissance. Hints of Gregorian chant and middle age dances pay tribute to music from even earlier times. The foundation of this spectacular work rests on truly 'ancient times' while the tonal language is of a much more modern nature!
From Ancient Times is een mijlpaal in het oeuvre van Jan Van der Roost. Doorgaans vinden zijn werken hun oorsprong veelal in de Vlaamse vocaalpolyfonie uit de renaissancetijd. Maar met gregoriaans gezang en middeleeuwse dansen grijpthij nu terug naar nog eerdere tijden. De basis voor dit grootse werk mag dan in 'ancient times' liggen, de toonspraak is dat zeer zeker niet..!
From Ancient Times ist ein Meilenstein in Jan Van der Roosts Oeuvre, das vor allem von der Musik aus der Zeit der flamischen Vokalpolyphonie inspiriert ist. Mit gregorianischen Reminiszenzen und einem mittelalterlichen Tanz wird jedoch auch auf noch altere Musik zuruckgegriffen: Grundlage dieses grossartigen Werkes sind wahrlich alte Zeiten (ancient times), die Tonsprache hingegen ist vorwiegend modern.
From Ancient Times est une oeuvre de grande envergure, qui puise dans la musique franco-flamande de la Renaissance. La trame s'appuie sur quelques principes et techniques d'ecriture caracteristiques de cette ecole qui a profondement transforme la musique occidentale. On y trouve egalement des reminiscences gregoriennes et une danse medievale, mais le langage sonore reste essentiellement moderne. From Ancient Times est un sublime hommage aux maitres des temps anciens.
From Ancient Times e un brano di grande impatto che attinge nella musica rinascimentale franco-fiamminga. La trama si appoggia su principi e tecniche di scrittura caratteristici di questa scuola che ha profondamente trasformato la musica occidentale. Si colgono anche reminescenze gregoriane e una danza medioevale, ma il linguaggio sonoro resta moderno. From Ancient Times e un omaggio ai grandi maestri dei tempi antichi. $368.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| From heaven on high the angels sing Choral SATB Stainer and Bell
SATB choir & Piano or Organ SKU: ST.CN7P Composed by Peter Foggitt. Chora...(+)
SATB choir & Piano or Organ SKU: ST.CN7P Composed by Peter Foggitt. ChoralNow. This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN7P. Published by Stainer & Bell Ltd. (ST.CN7P). ISBN 9790220224645. A tour de force of choral energy and expertise in rhythmic precision, this is aerial music, fleet and vibrant as voices proclaim Martin Luther's vision of universal peace above a torrent of cascading organ scales. The brightness of the Lydian mode matches this joyful proclamation, intoned chant-like in bold, clear intervals recalling the sounds both of medieval music and its refraction through the ears of modern masters like Stravinsky and Tavener. Cunningly constructed too, on a four-bar ostinato, the music reverses its opening scale figure for a quieter section before building again to an extrovert ending that repeats the chant against new organ figures in a clinching 'alleluia'. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Credo Cardinale Paraclete Press
Medium voice, unaccompanied - Medium SKU: PL.8308 Edited by Dr. Mary Berr...(+)
Medium voice, unaccompanied - Medium SKU: PL.8308 Edited by Dr. Mary Berry. Choral, Chant. Octavo. Paraclete Press #8308. Published by Paraclete Press (PL.8308). The setting of the Credo Cardinale transcribed here comes from a fifteenth to sixteenth century illuminated choir-book in Edinburgh University Library where it appears in a late medieval rhythmic notation. The melody itself is known as Credo IV in modern service-music books. Nick-named the Jazz Credo by Dr. Berry's students, this is an unusual chant work that is a joy to sing. $1.60 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Stabat Mater Op. 53 PWM (Polskie Wydawnictwo Muzyczne)
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Ba...(+)
Vocal, Mixed Choir and Orchestra SKU: BT.PWM5447 For Soprano, Alto, Baritone, Mixed Choir and Orchestra. Composed by Karol Szymanowski. Classical. Book Only. Composed 2000. 68 pages. Polskie Wydawnictwo Muzyczne #PWM5447. Published by Polskie Wydawnictwo Muzyczne (BT.PWM5447). ''Stabat Mater'' by Karol Szymanowski for solo voices, chorus and orchestra, Op. 53, is one of the most famous and, at the same time, most personal works of the composer, making its appeal to the audience through the depth of its expression and sheer artistry. The first sketches of the work were made in the spring of 1925, while work on the full score occupied the composer from 20 January to 2 March 1926. Józef Jankowskis Polish translation of the medieval sequence formed the basis of the composition. This text, which was simple in a folk-like way, devoid of pathos but full of religious zeal, harmonized perfectly from the poetic point of view with the composers creative design. In an interview for the monthly Muzyka Szymanowski stated: ''in its Polish vestments that eternal, naive hymn was filled for me with its own immediate expressive content; it became something painted in colours which were recognisable and comprehensible as distinct from the black and white of the archaic original'' (''A Footnote to Stabat Mater'', Muzyka 1926, Nos. 11/12). In the score, the Latin text is given beside the Polish text, making it possible for the work to be performed more easily by foreign performers. In this work, the universal tradition of the Christian church was fused with the Polish religious tradition. The composer creates the religious folk-like climate primarily through the character of the melodies which are akin to to the plainchant melodies to the text of Stabat Mater (the sequence, and especially the hymn) and their paraphrases in Polish religious songs (e.g. Sta a Matka Bole ciwa [The Dolorous Mother was standing]) as well as motifs from Polish Lenten songs and Gorzkie ale (Bitter Laments). Szymanowski did not introduce them as quotations, but intersperses the melodic lines, which are more fully developed and frequently highly chromatic, with diatonic phrases, based on modal scales. They appear in all the movements of the work determining its cohesion. In dividing the twenty-stanza text into separate segments, Szymanowski created a six- movement cantata. He took care to distinguish between the emotional shades of the various movements, varying his selection of solo voices (soprano, contralto, baritone), the voices of the chorus (female or mixed) and the orchestral forces. In the first and third movements the lyrical idiom prevails; the first movement, portraying the Mother of God at the foot of the cross, has a narrative character, whereas the third is a kind of prayer from a man who sympathizes with, and who wishes to be associated with Mater Dolorosas pain. In these movements only the female voices are used (soprano, contralto and female chorus), while the orchestra is employed in a chamber style, sometimes drawing on solo accompanying parts (e.g. the beginning of the third movement). The fourth movement, which continues the mood of prayerful contemplation, is designed for soprano and contralto solo as well as unaccompanied chorus. On the other hand, the second and fifth movements, involving the participation of solo baritone and the full chorus and orchestra, are similar with regard to forces and their dramatic character, which is austere in expression, harsh in tone, and markedly dissonant. Here grand climaxes appear with powerful orchestral tutti. The sixth movement crowns the whole. The lyrical, soft melody of the solo soprano at the beginning is gradually strengthened by the addition of the female chorus and the solo contralto, and in the final section, the solo baritone as well as the tutti of chorus and orchestra. The conclusion, subdued and full of concentration, suggests the introvert character of the experience as opposed to its dramatic pathos. Stabat Mater by Szymanowski is part of a long tradition of compositions based on the text of the medieval sequence - ranging from polyphonic works by Josquin des Prés and Palestrina to the romantic Stabat by Giuseppe Verdi and Anton n Dvo ák. And it was perhaps because of his consciousness of this tradition that Szymanowski used stylizing devices in the spirit of early music. The archaization manifests itself not only in the character of the melodies and their modal framework, but also in the harmonies (with their predominance of triads, open fourths and fifths chords and doubled thirds), the simple rhythms as well as the texture of the choruses (esp. the fourth movement). The composer does not, however, imitate the style of any specific historical epoch, but combines resources taken from early music with modern tonal and harmonic techniques. Archaization in Stabat Mater serves, moreover, a symbolic function; in evoking the many-centuries old tradition of church music, it emphasizes the universal nature of the idea contained in the text of the sequence, while the re-reading of the text by the composer gives the work its individual features. [Zofia Helman, translated by Ewa Cholewka]. $28.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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