SKU: HL.126015
ISBN 9781480385108. UPC: 884088993948. 5.0x5.0x0.138 inches. John Jacobson/Roger Emerson.
Rockin' with arithmetic is what it's all about! Reinforce basic math concepts that support Common Core State Standards and promote higher level learning, while rockinÕ to the beat. From Hal Leonard's popular Rock 'n' Learn series, this study for Grades 3-5 explores the 4 basic operations (add, subtract, multiply, divide), computing the area of basic shapes, the metric system, fractions and decimal equivalents, estimating, and much more - all put to music for learning that lasts! Perfect for Music class or Math class, the Teacher Book includes reproducible melody sheets with chord symbols and simple choreography, and worksheet activities that incorporate Common Core State Standards in Math! For performance options, a script is also included that introduces each of the eight original songs. Groove along with the singer recordings on the enclosed Listening CD! Also available is an Enhanced P/A CD with performance and accompaniment-only song tracks, and PDFs of the piano/vocal arrangements with choreography, lyrics and worksheets for lots of performance and projection options! For additional value, receive all components in the Classroom Kit. Suggested for Grades 3-5.
SKU: HL.126014
ISBN 9781480385092. UPC: 884088993931. 8.5x11 inches. John Jacobson/Roger Emerson.
Rockin' with arithmetic is what it's all about! Reinforce basic math concepts that support Common Core State Standards and promote higher level learning, while rockinÕ to the beat. From Hal Leonard's popular Rock 'n' Learn series, this study for Grades 3-5 explores the 4 basic operations (add, subtract, multiply, divide), computing the area of basic shapes, the metric system, fractions and decimal equivalents, estimating, and much more - all put to music for learning that lasts! Perfect for Music class or Math class, the Teacher Book includes reproducible melody sheets with chord symbols and simple choreography, and worksheet activities that incorporate Common Core State Standards in Math! For performance options, a script is also included that introduces each of the eight original songs. Groove along with the singer recordings on the enclosed Listening CD! Also available is an Enhanced P/A CD with performance and accompaniment-only song tracks, and PDFs of the piano/vocal arrangements with choreography, lyrics and worksheets for lots of performance and projection options! For additional value, receive all components in the Classroom Kit. Suggested for Grades 3-5.
SKU: PR.114410060
UPC: 680160014859.
The solo of the opening movement is a cadenza for four suspended cymbals played in a wide variety of ways - on the dome, the face, the edge; with the tip, the shank, or the ball of the stick; with a metal rod; ect. The metric structure of this movement is utilized as framework in the third and fourth movements, creating a partial isometric relationship. Flute and clarinet form the Duet of the second movement, with light accompaniment from the rest of the ensemble. The Quartet of Movement Three is made up of violin, cello, piano and percussion. Towards the center of this movement, two duets are formed between the violin/cello and the percussion/piano, wherin they function at different, through related, speeds. The isometric relationship is more fully developed in the fourth movement where the actual metric structure of the cymbal cadenza is duplicated while the clarinet and percussion perform the rhythmic structure of the first two large segments of the cymbal cadenza and there is also a suggested augmented version in the piano part. All this leads to a rich interplay of varied and specific material from the cymbal cadenza, concluding with a large section of bell-like sounds.
SKU: PR.11441006S
UPC: 680160592838. 8.5 x 11 inches.
The solo of the opening movement is a cadenza for four suspended cymbals played in a wide variety of ways - on the dome, the face, the edge; with the tip, the shank, or the ball of the stick; with a metal rod; ect. The metric stucture of this movement is utilized as framework in the third and fourth movements, creating a partial isometric relationshiop. Flute and clarinet form the Duet of the movement, with light accompaniment from the rest of the ensemble. The Quartet of Movement Three is made up of violin, cello, piano and percussion. Towards the center of this movement, two duets are formed between the violin/cello and the percussion/piano, wherein they function at different, though related, speeds. The isometric relationship is more fully developed in the fourth movement where the actual metric structure of the cymbal cadenza is duplicated while the clarinet and percussion perform the rhythmic structure of the first two large segments of the cymbal cadenza and there is also a suggested augmented version in the piano part. All this leads to a rich interplay of varied and specific material from the cymbal cadenza, concluding with a large section of bell-like sounds.
SKU: HL.438827
UPC: 852940000677. 4.5x7.0x3.25 inches.
Carl Martin 3 Band Parametric Pre-Amp has been specially developed for musicians who play ACOUSTIC GUITAR, VIOLIN, ACCORDION, DOUBLE BASS, etc. These musicians often use combo amps and do not find the use of 19″ rack equipment very practical. Experience has shown us that these instruments often require a high quality EQ and balanced line driver. We have integrated those features into a handy stomp box format. For maximum flexibility, we found it necessary to create a high quality 3 band semi-parametric EQ. Carl Martin 3 Band Parametric Pre-Amp works equally well for tweaking the sound of electric guitars, basses and other electronic instruments as well as for direct studio recordings. The 3 Band Parametric Pre-Amp has a built in regulated (+ 12V) power supply which enables us to design circuitry of the highest quality with maximum headroom.
SKU: AY.CM3552PM
ISBN 9790543574151.
A complex work, this quartet was commissioned by the Festival Internacional de Santander (Spain). Durán-Loriga works with metric and poly-metric modulations following his interest for deepening the musical tempo. An ambitious composition for courageous quartets.
SKU: CF.P3332
ISBN 9781491144442. UPC: 680160901944. 9 x 12 inches.
Commissioned on behalf of The Viney Grinberg Duo (Liam Viney and Anna Grinberg) by the University of Queensland School of Music and the Creative Collaboratorium, Handwork was premiered at UQ in August 2015, shortly before its U.S. premiere at Yale School of Music the following month by the Duo (both of whom are YSM alumni). Bresnick points to the multi-faceted aspect of Handwork, including a dreamy fantasia, a nocturne, a folk-song, a Latin-American dance with much prominent counterpoint and poly-metric intrigue..Handwork is many things - a dreamy fantasia, a nocturne, a folk-song, a Latin-American dance with much prominent counterpoint and poly-metric intrigue. Handwork is sometimes tonal with crunchy Prokofiev-like dissonances. There are obvious Bartókian octatonic passages in the development, followed by a Persian free-rhythm Santur variation. A dream-like fragment of a Beethoven minuet briefly appears. The work concludes with a re-statement of the opening subject in it's simple, enigmatic ambiguity.
SKU: HL.1427814
UPC: 672485350842. 9.0x16.0x3.0 inches.
The pack of two 8 x 2″ MultiCart R-Trac Symmetrical Wheel for R12 Caster with yellow hub is designed to fit the R12 caster assembly, which is not included. The low rolling-resistant and pneumatic tire-like cushion ride is foam-filled, which is not prone to catching a flat.
SKU: AP.1-ADV8403
ISBN 9783892217893. UPC: 805095084030. English.
Set in contrasting tempos and styles, these six contemporary pieces offer players a chance to experience and explore music in asymmetric meters---3/8, 7/8, 9/8, 11/8, etc. Titles include: Hipa * Praia * Des Bulles (Part One) * Hopa! * Trèves * Des Bulles (Part Two).
SKU: HL.1427815
UPC: 672485350729. 8.75x16.0x3.0 inches.
The pack of two 8 x 2″ MultiCart R-Trac Symmetrical Wheel for R12 Caster with black hub is designed to fit the R12 caster assembly, which is not included. The low rolling-resistant and pneumatic tire-like cushion ride is foam-filled, which is not prone to catching a flat.
SKU: UT.HS-303
ISBN 9790215327016. 9 x 12 inches.
This two-volume anthology has been designed on the living experience of teaching as material intended for descant recorder players at the beginner and intermediate level. The progressive order allows an approach to ensemble music, starting from the use of just the notes of the left hand, and proceeds with the acquisition of the new positions reaching the chromatic range of an octave and a sixth.The repertoire used consists exclusively of dance music from the French and Flemish area contained in various collections published between 1530 and 1583 by various composers and editors. This choice was dictated by a number of different factors: the extremely clear and symmetrical metric and formal schemes typical of the Renaissance dance form, with due and useful exceptions, help to understand the concept of musical phrase; the use of coded and recurring rhythmic formulas makes it possible to perfect the rhythmic division; harmony based mostly on the basic steps helps to form an experience of listening, intonation and understanding of the main harmonic functions. No less significant are other elements, such as variety in the length of the pieces, from a few bars up to several dozen, which favours the development of concentration and attention, with the same technical difficulties. Above all, however, the vastness of the repertoire, more than 500 compositions, makes it possible to choose and order the pieces with an idea of ​​technical and musical progressiveness comparable to that of a method. The edition is produced in such a way that all the pieces can be performed in four parts except for some in five parts, in different ensembles. The most basic is in reduced three-part form of descant, tenor and bass, the latter two are given respectively to the right and left hand of the keyboard player. Since recorders play at the octave above, the tenor part is also transposed in the same way to make the sound of the three upper voices homogeneous, while the bass retains its original range. It is also possible to enlarge the group to play the full four voices with the addition of an alto or tenor recorder playing the alto part, available in the separate part, and two more instruments, tenor and bass recorders or others, performing the respective lines alone or doubling with the keyboard.
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