| Clarinet Concerto in A major K. 622 Breitkopf & Härtel
Viola (solo: clar - 2.0.0.2 - 2.0.0.0 - str) SKU: BR.OB-4447-19 Composed ...(+)
Viola (solo: clar - 2.0.0.2 - 2.0.0.0 - str) SKU: BR.OB-4447-19 Composed by Wolfgang Amadeus Mozart. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Classical. Part. 12 pages. Duration 31'. Breitkopf and Haertel #OB 4447-19. Published by Breitkopf and Haertel (BR.OB-4447-19). ISBN 9790004309728. 10 x 12.5 inches. Thanks to a detailed sketch, we know that Mozart originally wrote his famous Clarinet Concerto K. 622 for basset horn in G or A. It was only in the early editions dating from the 19th century that this work - considered as the Clarinet Concerto par excellence - became unproblematic to play an the A clarinet. However, source studies have revealed that this was made possible only at the price of considerable un-Mozartian alterations of the solo Part. Sabine Meyer, Wolfgang Meyer and Reiner Wehle, the members of the Trio di Clarone, haue eliminated some of these modifications in their new edition, restoring Mozart's original intentions. However, their critical revision in no way impedes the performability of the A-major Concerto. Die Neuausgabe eines Klavierauszuges verdient besonderes Interesse, da als Herausgeber mit Sabine Meyer, Wolfgang Meyer und Reiner Wehle uberaus kompetente Musiker fungieren. Die Sorgfalt, mit der gearbeitet wurde, merkt man sowohl dem Schriftbild als auch dem informativen Vorwort an.(Das Liebhaberochester)
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| Clarinet Concerto in A major K. 622 Breitkopf & Härtel
Violoncello (solo: clar - 2.0.0.2 - 2.0.0.0 - str) SKU: BR.OB-4447-23 Com...(+)
Violoncello (solo: clar - 2.0.0.2 - 2.0.0.0 - str) SKU: BR.OB-4447-23 Composed by Wolfgang Amadeus Mozart. Orchestra; stapled. Orchester-Bibliothek (Orchestral Library). Solo concerto; Classical. Part. 8 pages. Duration 31'. Breitkopf and Haertel #OB 4447-23. Published by Breitkopf and Haertel (BR.OB-4447-23). ISBN 9790004309735. 10 x 12.5 inches. Thanks to a detailed sketch, we know that Mozart originally wrote his famous Clarinet Concerto K. 622 for basset horn in G or A. It was only in the early editions dating from the 19th century that this work - considered as the Clarinet Concerto par excellence - became unproblematic to play an the A clarinet. However, source studies have revealed that this was made possible only at the price of considerable un-Mozartian alterations of the solo Part. Sabine Meyer, Wolfgang Meyer and Reiner Wehle, the members of the Trio di Clarone, haue eliminated some of these modifications in their new edition, restoring Mozart's original intentions. However, their critical revision in no way impedes the performability of the A-major Concerto. Die Neuausgabe eines Klavierauszuges verdient besonderes Interesse, da als Herausgeber mit Sabine Meyer, Wolfgang Meyer und Reiner Wehle uberaus kompetente Musiker fungieren. Die Sorgfalt, mit der gearbeitet wurde, merkt man sowohl dem Schriftbild als auch dem informativen Vorwort an.(Das Liebhaberochester)
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| Dust Carl Fischer
Choral SATB Choir, Percussion SKU: CF.CM9792 Composed by Ethan Sperry. Du...(+)
Choral SATB Choir, Percussion SKU: CF.CM9792 Composed by Ethan Sperry. Duration 5 minutes. Carl Fischer Music #CM9792. Published by Carl Fischer Music (CF.CM9792). ISBN 9781491164631. UPC: 680160923540. Key: A major. English. Coty Raven Morris. Original. The text for Dust came to me in a season of reflection. As educators and mentors to the generations that come after us, we have a responsibility to provide tools so that others can shape their future. Overtime, it can become easy to lose one's personal vision for one's self when influenced by so many outside factors. When the pressure builds, it can almost feel like a self-reckoning; an opportunity to build ourselves again. Though we are influenced by our surroundings, we are all unique in our purpose and design!These questions of self-reflection came first:How much of me flows from their blood?How much of me is built of their flesh?How much of me is manifested from their dreams?And just like our own identities, the rest of the poem begin to take shape. I hope that this text speaks to you wherever you are in your discovery and journey to your most authentic self.DustI am rubbleCarved into my ruins, you will find my ancestry interwoven with my identityHow much of me flows from their blood?How much of me is built of their flesh?How much of me is manifested from their dreams?The only way to my truth is through my foundationI rage against those who would dare covet this sacred spaceI am the temple and the monumentThis is holy ground.I must demolish myself.Tear down the walls that have held up your visions and destroyed mine.I must restore myself in my own image.And when the dust settles, you can see my bones.Pillars of strength, marble, and earthWalls painted with my blood, cracked with time, polished like my skin(Golden)I will not be complete, but I will be homethe dust settlesAnd we build again—Coty Raven Morris      . $2.60 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata XXIII (Dresden nr.48) for Solo Guitar Guitar Metropolis Music Publishers
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by...(+)
Guitar Solo SKU: IS.G6761EM Composed by Silvio Leopold Weiss. Arranged by Ben Beuming. Plucked - Guitar. Metropolis Music Publishers #G6761EM. Published by Metropolis Music Publishers (IS.G6761EM). ISBN 9790365067619. This sonata (WeissSW No. 48, Dresden) is one of a new series of eight sonatas by Silvius Leopold Weiss arranged for the first time for guitar and published by Metropolis Music. Sonata XXIII comes from a set of tablature manuscript volumes in the Sächsisches Landesbibliothek in Dresden (Ms. Mus. 2841-â?V-â?1). There are five volumes with a total of 34 sonatas of Weiss for solo lute. The sonatas are ordered by key and further sorted by size or complexity. Sonata XXIII is a large and mature piece. It probably dates to the last period of the life of Weiss. The Sonata has seven movements: Prelude, Allemande (andante), Courante, Bourée, Sarabande (andante), Menuet, and it ends with a Presto. The use of tempo indications for French dance movements is characteristic for the later work of Weiss. The purpose of beginning a lute sonata with a Prelude is to introduce the specific key and the harmonic design of the sonata. However, not every sonata in the Dresden manuscripts has a Prelude. About one third of the 34 Dresden Sonatas opens with a Prelude, but only six of them may be considered truly integral to the sonata. The other Preludes are composed in a rather â??rudimentaryâ?? style, as a model for the less experienced lute player to improvise on the central key and theme. They may have been added later in the copying process. The Prelude of this particular Sonata is regarded as spurious, in respect to composition, a rather weak addition. I have included the Prelude in this Edition, leaving it to the guitar player to judge whether it fits with the musical style and idiom of the Sonata or not. Originally, the Sonata is written in F sharp minor, a key often used by Weiss as it is appropriate for playing the lute, but rather awkward with the guitar. For ease and effectiveness of playing, I have transposed the Sonata a major second lower to E minor. To create more concordance with the baroque tuning of the lute, the G string is lowered by a semitone to F sharp. I suggest using a capodastro to achieve the original pitch. Based on the present standard of A at 440 Hertz, the capo should be placed at the 2nd fret. However, during Weissâ??s lifetime, it was more common in many parts of Germany to use a standard of A at 415 Hertz -â? a semitone lower. So, to hear the pitch heard by Weiss and his contemporaries, the capo should then be positioned at the 1st fret. $22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tarantella
Piano solo - Intermediate/advanced Alfred Publishing
Edited by Lynn Freeman Olson. Pieczonka, Albert. For Piano. Piano Solo. Masterwo...(+)
Edited by Lynn Freeman Olson. Pieczonka, Albert. For Piano. Piano Solo. Masterwork. Level: Intermediate (grade 4/5). 12 pages. Published by Alfred Publishing.
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| Rhythms & Rolls - Intermediate De Haske Publications
Snare Drum - intermediate SKU: BT.DHP-1023252-401 500 Exercises for Sn...(+)
Snare Drum - intermediate SKU: BT.DHP-1023252-401 500 Exercises for Snare Drum. Composed by Gert Bomhof. De Haske Percussion Series. Educational Tool. Book Only. Composed 2002. 60 pages. De Haske Publications #DHP 1023252-401. Published by De Haske Publications (BT.DHP-1023252-401). ISBN 9789043116190. International. Rhythms & Rolls contains 50 teccos which consist of ten corresponding exercises themselves. Teccos? What are those? The term tecco stands for technique & control. Without proper control, a good technique is out of the question! All in all, as many as 500 exercises to improve your technique and control, and making it as perfect as possible. In short: the new fitness book for percussionists!
Rhythms & Rolls bevat vijftig tecco’s die steeds weer bestaan uit tien bij elkaar horende oefeningen. Tecco’s? Wat zijn dat? De term ‘tecco’ staat voor techniek & controle. Zonder de juiste controle kan er immers geen sprakezijn van een goede techniek. In totaal dus maar liefst vijfhonderd oefeningen om je techniek en controle te verbeteren en zo mogelijk te perfectioneren. Kortom: hét fitnessboek voor slagwerkers!
Rhythms & Rolls ist das perfekte Fitnessprogramm auf der Snare Drum. Das Schlagwort dieses Buches lautet Tecco“: Technik und Kontrolle - die beiden wichtigsten Vorraussetzungen für ein perfektes Spiel. 500 Übungen in 50 Teccos bieten ein intensives und abwechslungsreiches Training für Drummer.
Rhythms & Rolls est un nouveau recueil pour les percussionnistes. Il contient 50 motifs rythmiques que vous pourrez travailler dans 10 enchaînements et tempi différents, variant du moderato au presto. Ce sont donc 500 exercices qui vous aiderons faire progresser votre technique.
Rhythms & Rolls è una nuova raccolta per i percussionisti. Contiene 50 motivi ritmici che potrete studiare in 10 concatenazioni di tempi diversi, varianti dal moderato al presto. Il libro propone anche 500 esercizi che vi permetteranno di migliorare la tecnica. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Clarinet Sessions 2-4 Clarinets Clarinet Shawnee Press By Livingston Gearhart.
For Clarinet. Sheet
Music. Published by
Shawnee Press.
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| String Instrument Setups Hal Leonard
SKU: HL.160580 10 Setups That Will Make Your Instrument Louder, Better...(+)
SKU: HL.160580 10 Setups That Will Make Your Instrument Louder, Better, and Easier to Play. Music Pro Guides. Guitar Set-Ups & Maintenance, String Reference. Softcover. 114 pages. Published by Hal Leonard (HL.160580). ISBN 9781495064999. UPC: 888680623746. 6.0x9.0x0.314 inches. Chuck Traeger Music Pro Guides. String musicians, know only this: everything is vibrating. The movement of the spheres? A guru's cryptic musing? Hypersensitivity to plate tectonics? Not quite. This is the briefest possible distillation of Trager's Principle, which states, “When a string instrument is being played, everything is vibrating, from the top of the scroll to the tip of the endpin.†This simple formula, the purest distillation of master luthier Chuck Traeger's lifetime of learning, holds the key to configuring your instrument to your specifications. It also forms the crux of his third and final book: String Instrument Setups: 10 Setups That Will Make Your Instrument Louder, Better, and Easier to Play. At the height of the Big Band era, Traeger, a double bassist, performed alongside a veritable who's who of New York jazz musicians including the likes of Louie Armstrong and Sidney Bechet. In was in this capacity – as Charlie Traeger, one hip cat and a regularly frustrated client of NYC's instrument repair shops –that he began his pursuit of sonic perfection. In 1969, satisfied with his abilities but devoted to constant self-improvement, he opened his first repair shop. Before he knew it, his reputation was preceding him, and he found himself handling the instruments of school band novices and the New York Philharmonic alike. On his seventieth birthday, Traeger retired from musicianship and devoted himself to comprehensively documenting all he had learned about his craft. Two decades later, shortly after he put the finishing touches on String Instrument Setups, Chuck Traeger passed away on November 9, 2016. Scarcely a month had elapsed since the death of his beloved wife, June, to whom he was married for over sixty blissful years. Albeit with a heavy heart, we at Hal Leonard Books are proud to present this remarkable man's parting gift to generations of current and future musicians. String Instrument Setups is the culmination of forty-five years of acoustic research involving Trager's old standby, the double bass, and, in turn, any string instrument with a moveable bridge and a moveable tailpiece, or one that can be made moveable. Armed with this book, we're confident that the average musician can enter almost any string instrument maker or repair shop in the world (the exception being a shop that has already read String Instrument Setups), ask for their best repair or restoration, then make that instrument sound louder, better, and easier to play, every time. This is neither braggadocio nor hyperbole; rather, it's the confidence instilled by one man's extensive research, wholehearted devotion, and firm belief in the sacred bond between instrument and musician. After reading String Instrument Setups, we're sure you'll feel the same. $25.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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