Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone, Trumpet 1, Trumpet 2, Viola, Violin 1 and more.

SKU: PR.41641366L

For Violin and Orchestra. Composed by Behzad Ranjbaran. Contemporary. Large Score. With Standard notation. Composed 1994. 144 pages. Duration 31 minutes. Theodore Presser Company #416-41366L. Published by Theodore Presser Company (PR.41641366L).

UPC: 680160585755.

From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violins open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movements primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.
From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violinas open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movementas primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.
From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violin's open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement's primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.
From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell.

Violin and piano - Intermediate

SKU: YM.GPW01096346

Strings. Disney. Score & part. Yamaha Music Media #GPW01096346. Published by Yamaha Music Media (YM.GPW01096346).

ISBN 9784636963465.

8 arrngements for solo violin and piano in easy level.
8Shou Zhong Ji Nan Du Bian Pei De Xiao Ti Qin &Gang Qin He Zou Bian Pei Qu Pu . 8Shou Zhong Ji Nan Du Bian Pei De Xiao Ti Qin &Gang Qin He Zou Bian Pei Qu Pu .

1. Bibbidi-Bobbidi-Boo; 2. A Dream Is a Wish Your Heart Makes; 3. Part of Your World; 4. Under the Sea; 5. Be Our Guest; 6. Beauty and the Beast; 7. A Whole New World; 8. Let It Go
1. Mo Fa Zhi Ge ; 2. Meng Jiu Shi Ni Xin Zhong De Yuan Wang ; 3. Yu Ni Wei Ban ; 4. Zai Hai Di ; 5. Huan Ying Ni ; 6. Mei Nu Yu Ye Shou ; 7. Zhan Xin De Shi Jie ; 8. Sui Ta Ba.

Violin - Entry

SKU: YM.GPW01096337

Strings. Combination. Sheet music. Yamaha Music Media #GPW01096337. Published by Yamaha Music Media (YM.GPW01096337).

ISBN 9784636963373.

16 short arranged pieces. Kids enjoy them as warm-up, solo, or duet with friends and teachers.
16Shou Le Qu Pian Duan . Rang Hai Zi Men Xiang Shou He Peng You Huo Lao Shi Yi Qi Re Shen , Du Zou , Zhong Zou De Le Qu .

0. Sunny and Cloudy; 1. Hug Shichao(Let's Hug); 2. Brahms's Symphony No.1; . 3La Cucaracha; 4. Yankee Doodle; 5. Old MacDonald Had a Farm; 6. Happy Birthday to You; 7. Wagner's Wedding March; 8. Hasty Santa Claus; 9. Ode to Joy; 10. Dvorak's Symphony From the New World; 11. My Neighbor Totoro; 12. Doraemon no Uta(Doraemon Main Theme); 13. Supercalifragilisticexpialidocious; 14. Edelweiss; 15. Edelweis(for Quartet)
0. Qing Lang Duo Yun Lian Xi Qu ; 1. Gei Wo Bao Bao (Let's Hug); 2. Bo La Mu Si De Di Yi Jiao Xiang Qu ; 3. Zhang Lang Ge ; 4. Yang Ji *Du De Er ; 5. Lao Mai Ke Tang Na You Ge Nong Chang ; 6. Sheng Ri Kuai Le Ge ; 7. Wa Ge Na De Hun Li Jin Xing Qu ; 8. Cong Mang De Sheng Dan Lao Ren ; 9. Huan Le Song ; 10. De Wo Xia Ke Jiao Xiang Qu Zi Xin Da Lu ; 11. Lin Jia De Long Mao ; 12. Chi La AMeng Zhi Ge (Doraemon Main Theme); 13. Supercalifragilisticexpialidocious; 14. Xue Rong Hua ; 15. Xue Rong Hua (Si Zhong Zou Yong ).

Violin and piano - Easy

SKU: YM.GPW01096347

Strings. Disney. Score & part. Yamaha Music Media #GPW01096347. Published by Yamaha Music Media (YM.GPW01096347).

ISBN 9784636963472.

7 arrngements for solo violin and piano in easy level.
7Shou Chu Ji Nan Du Bian Pei De Xiao Ti Qin &Gang Qin He Zou Le Pu .

1. Mickey Mouse March; 2. It's a Small World; 3. Someday My Prince Will Come; 4. Chim Chim Cher-ee; 5. Heigh-Ho; 6. Zip-A-Dee-Aoo-Dah; 7. Supercalifragilisticexpialidocious
1. Mi Lao Shu Jin Xing Qu ; 2. Xiao Xiao Shi Jie ; 3. Zong You Yi Tian Wang Zi Hui Chu Xian ; 4. Yan Cong Zhi Ge ; 5. Hai Yo ; 6. Huan Le Zhi Ge ; 7. Supercalifragilisticexpialidocious.

With Online Audio of Performances and Accompaniments. By Frank Almond. By Samuel Barber (1910-1981). Edited by Richard Walters. Arranged by Jerry Lanning, Joshua Parman, Richard Walters. String Solo. Classical. Softcover Audio Online. 96 pages. G. Schirmer #ED4473. Published by G. Schirmer

Traditional and Original Tunes for Fiddle from 1762 to the Present. By Bonnie Rideout. For Fiddle. Solos. Maggie's Music. Scottish. Level: Intermediate. Book. Size 8.75x11.75. 56 pages. Published by Mel Bay Publications, Inc.

String Orchestra string orchestra with opt. 3rd Violin/Viola TC 3 - 4.5

SKU: KN.37820S

(Scherzo For Strings). Composed by Joshua Reznicow. Solo or Ensemble. Apex String Orchestra. Kendor Music Inc #37820S. Published by Kendor Music Inc (KN.37820S).

UPC: 822795378207.

A positive spirit, joyful energy, and a carefree attitude best describe this scherzo! All sections have a lot of action and musical energy utilizing two distinct melodic themes. The opening and primary spirited theme are coupled with an emotional but gorgeous second melody reminiscent of American fiddling ballads. This section features solos for the viola and viola section as well as for violin, cello, and bass. With big sweeping cinematic moments followed by an upbeat and spirited ending, this piece promises to be a unique program choice as an opener or closer. Duration 5:55.

Score and Parts. Composed by Jules Massenet (1842-1912). Arranged by Lauren Keiser. Southern Music. Classical. Softcover. Southern Music Company #SO119C. Published by Southern Music Company

Chamber Music Bass Drum, Clarinet in Bb, Flute, Glockenspiel, Marimba (4 1/3 octaves), Percussion:, Piano, Vibraphone, Violin, Violoncello, solo tenor voice

SKU: PR.14140089S

For Tenor and Orchestra. Composed by Steven Stucky. This edition: Sextet Version. Text by Czeslaw Milosz. Premiered by Noah Stewart, tenor, and the Berkeley Symphony, Joana Carneiro, Music Director. Contemporary. Score. With Standard notation. Composed 2013. 39 pages. Duration 13 minutes. Theodore Presser Company #141-40089S. Published by Theodore Presser Company (PR.14140089S).

UPC: 680160625437. 9 x 12 inches. Text: Czeslaw Milosz. Text by Czeslaw Milosz.

When commissioned by UC Berkeley to compose a major work, Steven Stucky turned to the poetry of Lithuanian-Polish poet Czeslaw Milosz. One of Stucky's favorite writers, Milosz fled to the US in 1960, and joined the Berkeley faculty in 1961. He was still at Berkeley, his poems still banned back home in Poland, when he won the Nobel Prize in 1980. Many of his poems are dark, and some deal with the Holocaust. The Stars and the Roses sets three lighter, more lyrical poems for tenor and orchestra: Happiness, The Sun, and The Bird Kingdom, texts positively aglow with joy and tenderness. Comissioned by Berkeley Symphony, Joana Carneiro, Music Director, with funding from Music Alive, a national residency program of the League of American Orchestras and Meet the Composer.

String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3) and percussion - Grade 3.5

SKU: KN.37270

Composed by Joshua Reznicow. Solo or Ensemble. Apex String Orchestra. Score and parts. Kendor Music Inc #37270. Published by Kendor Music Inc (KN.37270).

UPC: 822795372700.

This beautiful and nostalgic piece looks to musically illustrate a child moving from a beautiful baby to a maturing young adult. Written from the perspective of a parent witnessing and experiencing their child's growth, the music offers the listener, as well as the performer, an innocent melody that develops into a fully orchestrated piece. All voices within the ensemble actively help to create this feeling throughout the grade 3+ composition, including an optional percussion part that is designed to enhance the colors of the piece (wind chimes, glockenspiel, tam-tam, and suspended cymbal. The composition ultimately concludes by quoting the original melody and leading the listener to a peaceful place, dreaming of yesterday's memories. Each set includes three copies of the optional 3rd Violin/Viola T.C., and percussion parts. Duration ca. 4:25. Available in SmartMusic.

String Orchestra string orchestra (88555) with optional 3rd violin/viola TC (3) and percussion - Grade 4

SKU: KN.09984S

Composed by Joshua Reznicow. Solo or Ensemble. Apex String Orchestra. Kendor Music Inc #09984S. Published by Kendor Music Inc (KN.09984S).

UPC: 822795099843.

Get ready to feel the energy, sense the drive, and dance to the groove! Complete with string SFX, a pizzicato motive break-down section, and optional hand percussion throughout, all help to create a tour-de-force of drive and energy that will inspire not only your students, but your audiences from beginning to end! Duration 4:00.

String Orchestra string orchestra with opt. 3rd Violin/Viola TC 3 - 4.5

SKU: KN.KEN10002S

Composed by Joshua Reznicow. Solo or Ensemble. Apex String Orchestra. Kendor Music Inc #KEN10002S. Published by Kendor Music Inc (KN.KEN10002S).

UPC: 822795100020.

Designed for grade 4+ groups, this is a great piece for any ensemble looking for an intense melodic theme. Reminiscent of a Hollywood movie soundtrack, the piece utilizes simple but fun 16th-note double-stop passages, strong melodic material for the lower strings, and a beautifully haunting middle section. This piece will capture the imagination of your students while giving the director several possibilities for technical and musical instruction. Each set includes three copies of the 3rd Violin/Viola T.C. part. Duration ca. 5:45. Available in SmartMusic.