| Lyrics Lyrics only [Sheet music] Hal Leonard
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Lib...(+)
Complete Lyrics for Over 1000 Songs from Broadway to Rock. By Various. Lyric Library. Softcover. Size 8.5x11 inches. 373 pages. Published by Hal Leonard.
(1)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Cathedral of Spring Choral SATB Fennica Gehrman
Mixed choir SKU: FG.55011-567-5 Composed by Alex Freeman. Fennica Gehrman...(+)
Mixed choir SKU: FG.55011-567-5 Composed by Alex Freeman. Fennica Gehrman #55011-567-5. Published by Fennica Gehrman (FG.55011-567-5). ISBN 9790550115675. Alex Freeman's (b. 1972) Cathedral of Spring for chamber choir (2019) to poems of e.e. cummings and Robert Frost was commissioned and premiered by Somnium Ensemble. The composer tells: For the celebration of the 10th anniversary of Somnium Ensemble (Finland), I was commissioned to write a piece with spring as a central theme. While contemplating that and perusing appropriate poetry, I was inspired by memories of the night-time sky in early spring--the warm air, the teeming, buzzing energy of life all around, and an expansive dome of stars overhead. I then imagined that moment in time as a kind of sacred space; this is the point where the cathedral notion came to mind. The frenetic and joyous poetry of e.e. cummings, from his Epithalamion, gives an exclamatory introduction to the set, followed by his vision of spring from the point of view of giddy children in his iconic poem, [in Just-]. We then take a moment to contemplate the ephemerality of all this beauty (spring giveth and spring taketh away, i.e. an offertorium of sorts); Robert Frost's Blue-Butterfly Day places us in a moment where, by chance, we find ourselves enveloped by a delicately fluttering swarm of butterflies. Peaceful and still, yet in constant flux, we spend a some time taking that phenomenon in, while also experiencing a twinge of the realisation that this is truly fleeting. The final movement, returning to a later stanza from Epithalamion, cummings's sparkling paean to May is set as a kind of final anthem.. $20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | |
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| Cake Walks and Classic Rags for Fingerstyle Guitar Guitar [Sheet music + Audio access] - Intermediate Mel Bay
Saddle-stitched. Folk. Book and online audio. 172 pages. Mel Bay Publications,...(+)
Saddle-stitched. Folk. Book
and online audio. 172 pages.
Mel Bay Publications, Inc
#31061M. Published by Mel Bay
Publications, Inc
$24.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Worlds Greatest Love Songs Piano solo [Sheet music] - Easy Alfred Publishing
(57 of the Most Popular Love Songs Ever Written) Arranged by Dan Fox. Songbook f...(+)
(57 of the Most Popular Love Songs Ever Written) Arranged by Dan Fox. Songbook for easy solo piano. Series: Worlds Greatest Series. 144 pages. Published by Alfred Publishing.
$17.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Raptors: Birds of Prey Concert band [Score] - Easy C.L. Barnhouse
Concert band - Grade 2 SKU: CL.024-4313-01 Composed by Neeck. Young Conce...(+)
Concert band - Grade 2 SKU: CL.024-4313-01 Composed by Neeck. Young Concert Band. Rising Band Series for Developing Bands! Audio recording available separately (item CL.WFR383). Extra full score. Composed 2014. Duration 1 minute, 44 seconds. C.L. Barnhouse #024-4313-01. Published by C.L. Barnhouse (CL.024-4313-01). Drawing inspiration from the beauty and ferocity of raptor birds (eagles, hawks, vultures and owls), Larry Neeck has crafted an exciting and musically rewarding work for young band. Expressive melodies soar over an aggressive ensemble foundation, with plenty of percussion to propel the themes. Featuring an impressive ending that starts softly, and builds to an powerful climax, Raptors: Birds of Prey will provide an exciting and dramatic moment for your next concert. $6.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
C Instruments [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.
(14)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Un Drame Piano solo EBR Editions Bourges
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged ...(+)
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged by Cedric Chauveau / Bernhard Kiessling. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 3 pages. Published by Editions Bourges (French import).
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | |
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| Soleil D'Hiver Piano solo EBR Editions Bourges
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged ...(+)
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged by Cedric Chauveau / Bernhard Kiessling. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 5 pages. Published by Editions Bourges (French import).
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | |
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| Fin De Jour Piano solo EBR Editions Bourges
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged ...(+)
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged by Cedric Chauveau / Bernhard Kiessling. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 4 pages. Published by Editions Bourges (French import).
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | |
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| The Rain Piano solo EBR Editions Bourges
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged ...(+)
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged by Cedric Chauveau / Bernhard Kiessling. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 4 pages. Published by Editions Bourges (French import).
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | |
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| Schwarzwalz Piano solo EBR Editions Bourges
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged ...(+)
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged by Cedric Chauveau / Bernhard Kiessling. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 5 pages. Published by Editions Bourges (French import).
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | |
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| Remi Piano solo EBR Editions Bourges
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged ...(+)
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged by Cedric Chauveau / Bernhard Kiessling. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 3 pages. Published by Editions Bourges (French import).
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | |
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| Delivrance Piano solo EBR Editions Bourges
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged ...(+)
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged by Cedric Chauveau / Bernhard Kiessling. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 6 pages. Published by Editions Bourges (French import).
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | |
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| La Valse Des Feuilles Mortes Piano solo EBR Editions Bourges
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged ...(+)
Performed by Various Artists. By Cedric Chauveau / Bernhard Kiessling. Arranged by Cedric Chauveau / Bernhard Kiessling. For piano solo. This edition: Editions Bourges R. In Edit. Instrumental. Sheet music. 4 pages. Published by Editions Bourges (French import).
$10.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | |
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| O Holy Night Choral SATB SATB, Piano Medallion Music
SATB choir, piano SKU: LO.10-5624MD Composed by Jay Rouse. Choral. Crossi...(+)
SATB choir, piano SKU: LO.10-5624MD Composed by Jay Rouse. Choral. Crossings Worship Series. Sacred Anthem, Advent, Christmas. Octavo. Medallion Music #10/5624MD. Published by Medallion Music (LO.10-5624MD). ISBN 9780787775568. With a unique approach to this beloved Christmas song, this arrangement has been crafted for choirs, orchestras, and congregations to join in a moment of worship together lifting up the timeless words and melodies. With the option for multiple solos in the beginning, the choir joins in a classic style to lead the congregation through this reflective arrangement in comfortable, singable keys. In a moment of pure beauty, the accompaniment drops out for an a cappella moment on the final refrain. This arrangement is sure to be favorite year after year. $3.20 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| The Cross Was His to Bear Choral SATB SATB, Strings Shawnee Press
Composed by Patti Drennan. Glory Sound. Holy Week, Sacred. Octavo. 8 pages. P...(+)
Composed by Patti Drennan.
Glory Sound. Holy Week,
Sacred. Octavo. 8 pages.
Published by Glory Sound
$2.25 $2.1375 (5% off) See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Roma for Guitar (2008) Guitar Ut Orpheus
Guitar SKU: UT.CH-101 Composed by Davide Notartomaso. Saddle stitching. C...(+)
Guitar SKU: UT.CH-101 Composed by Davide Notartomaso. Saddle stitching. Classical. Ut Orpheus #CH 101. Published by Ut Orpheus (UT.CH-101). ISBN 9790215315815. 9 x 12 inches. Composition winner of the 2nd Edition (2008) of the Classical Guitar Musical Composition Competition â??Suoni Nuovi Autoriâ?? in Latina, Italy (Section 1) The composition Roma born after a short travel in the eternal city. The multiple cultural, historical and landscaped stimuli that derive from its ruins must touch the mind of every visitor dipping it and transporting it behind in the history: these are the feelings that have inspired the composition of a conceptualistic-descriptive music work, dedicated to the places that more meant during the authorâ??s travel. First part, â??Anfiteatro Flavioâ??, is clearly dedicated to Colosseo. It is so imposing and majestic that recalls still today the outcry of the battles and the noise of the iron: all that is translate in music with frequent changes of time and a virtuosistic and pressing writing. The apex of the fight marks in the composition a growing culminated in a moment of suspension and the immediate resumption with change of theme for the victory moment and its majestic celebration. The second part, â??Villa Borgheseâ??, marks the passage to a situation of ecstasy and serenity inspired from the beauty and tranquillity of the places of the famous roman park. The composition develops with sweetness but are also present dissonant notes that recall the park contextualizzation in the heart of the city, with its chaotic present and with the urgent violence of its past. $13.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| The Lyric Library - Broadway Volume I Lyrics only Hal Leonard
(Complete Lyrics for 200 Songs) Format: lyric book (contains no music). With lyr...(+)
(Complete Lyrics for 200 Songs) Format: lyric book (contains no music). With lyrics. Broadway. 234 pages. 6x9 inches. Published by Hal Leonard.
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| This Moment Choral SATB SATB A Cappella [Octavo] Roger Dean
By Mark Hayes. For SATB Choir and Double Choir (a cappella). Electa Series. Conc...(+)
By Mark Hayes. For SATB Choir and Double Choir (a cappella). Electa Series. Concert, General. Octavo. Published by Roger Dean Publishing
$3.80 $3.61 (5% off) See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| All the Best for Piano Piano solo Lillenas Publishing Co.
(A Treasury of Hymns, Gospel Songs, and Praise and Worship Favorites). By Cindy ...(+)
(A Treasury of Hymns, Gospel Songs, and Praise and Worship Favorites). By Cindy Berry. For piano. Sacred. Medium. Published by Lillenas Publishing Company
$34.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | |
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| Contemporary Disney - 5th Edition Hal Leonard
E-Z Play Today #3 Electronic Keyboard; Organ; Piano/Keyboard SKU: HL.284446(+)
E-Z Play Today #3 Electronic Keyboard; Organ; Piano/Keyboard SKU: HL.284446 E-Z Play Today Volume 3. Composed by Various. E-Z Play Today. Children, Disney, Movies. Softcover. 160 pages. Published by Hal Leonard (HL.284446). ISBN 9781540036827. UPC: 888680837600. 9.0x12.0x0.387 inches. 30 favorite songs from Disney are included in this updated 5th edition of songs arranged in our patented E-Z Play® Today notation with large note names in the note head. Songs: Almost There • Beauty and the Beast • Can You Feel the Love Tonight • Evermore • How Far I'll Go • I See the Light • Let It Go • Reflection • Remember Me (Ernesto de la Cruz) • True Love's Kiss • Under the Sea • Written in the Stars • You've Got a Friend in Me • and more. About Hal Leonard E-Z Play Today For organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar. $22.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | |
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| Doors (score and parts) Percussion Ensemble [Score and Parts] C. Alan Publications
Composed by Dave Hall. Percussion Ensemble. For Percussion Ensemble (Crotales (2...(+)
Composed by Dave Hall. Percussion Ensemble. For Percussion Ensemble (Crotales (2 octaves) Vibraphone 1 Vibraphone 2 Bells (Double Seconds (Steel Pan) Tam-Tam) Marimba 1 (4-octave) (Small Triangle, Suspended Cymbal (shared with Marimba 3) Marimba 2 (4.3 or 5-octave) (Large Triangle, Suspended Cymbal (shared with Marimba 4) ). Medium difficult. Score and parts. Duration 9:30. Published by C. Alan Publications
$60.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| Messe de Mort Breitkopf & Härtel
Chorus (with soloists) and piano (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0...(+)
Chorus (with soloists) and piano (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.ED-12658 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; Softbound. Mass; Requiem; Baroque. Piano/Vocal Score. 70 pages. Duration 55'. Breitkopf and Haertel #ED 12658. Published by Breitkopf and Haertel (BR.ED-12658). ISBN 9790220121760. 7.5 x 11 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $14.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| Messe de Mort Breitkopf & Härtel
Viola 2 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) ...(+)
Viola 2 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-20 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 12 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-20. Published by Breitkopf and Haertel (BR.EOS-8047-20). ISBN 9790004789759. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| Messe de Mort Choral SATB Breitkopf & Härtel
Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0....(+)
Vocal soli, SATB choir, orchestra (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-15 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; Softcover. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 24 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-15. Published by Breitkopf and Haertel (BR.EOS-8047-15). ISBN 9790004789735. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
|
| Messe de Mort Breitkopf & Härtel
Viola 1 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) ...(+)
Viola 1 (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-19 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 12 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-19. Published by Breitkopf and Haertel (BR.EOS-8047-19). ISBN 9790004789742. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| Messe de Mort Breitkopf & Härtel
Basso (cello/double bass) (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. -...(+)
Basso (cello/double bass) (solos: TTB - choir: SST(A)TBB - 2.0.0.0. - 0.0.0.0. - vl.2va.vc/db) SKU: BR.EOS-8047-26 Requiem. Composed by Andre Campra. Edited by Jean-Paul Montagnier. Choir; stapled. Eulenburg Orchestral Series. Mass; Requiem; Baroque. Part. 16 pages. Duration 55'. Breitkopf and Haertel #EOS 8047-26. Published by Breitkopf and Haertel (BR.EOS-8047-26). ISBN 9790004789766. 8.5 x 11.5 inches. Among Campra's Latin works, the ,Messe de mort' is perhaps one of the more successful and today it is one of the more frequently performed. It is also the most enigmatic score of his entire output. Despite extensive researches, no evidence of any sort has yet been brought to light to document its origin, purpose, date of composition, first performance or reception. A stylistic analysis indubitably supports the contention that the ,Messe de mort' is a late work, composed perhaps between 1722 and 1729. The present edition is based on the manuscript from the Bibliotheque Nationale de France (Paris). It it the oldest known source of the work. The very few errors have been corrected. (Jean-Paul Montagnier) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $10.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - ...(+)
Woodwinds (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-30 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Set of parts. 40 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-30. Published by Breitkopf and Haertel (BR.EOS-8063-30). ISBN 9790004789827. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $57.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0....(+)
Basso (cello/double bass) (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.EOS-8063-26 Hail! Bright Cecilia. Composed by Henry Purcell. Stapled. Eulenburg Orchestral Series. Renaissance/early Baroque; Baroque. Part. 20 pages. Duration 60'. Breitkopf and Haertel #EOS 8063-26. Published by Breitkopf and Haertel (BR.EOS-8063-26). ISBN 9790004789810. 8.5 x 11.5 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $8.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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| Ode on St. Cecilia's Day 1692 Z 328 Breitkopf & Härtel
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0....(+)
Chorus (with soloists) and piano (solos: SAATBB - choir: SSAATB - 2rec.B-fl.2.0.0. - 0.2.0.0. - timp - str - bc) SKU: BR.ED-10296 Hail! Bright Cecilia. Composed by Henry Purcell. Edited by Christopher Hogwood. Choir; stapled. Renaissance/early Baroque; Baroque. Piano/Vocal Score. 80 pages. Duration 60'. Breitkopf and Haertel #ED 10296. Published by Breitkopf and Haertel (BR.ED-10296). ISBN 9790220101977. 7.5 x 11 inches. The Ode was admirably set by Mr. Henry Purcell, and performed twice with universal applause. (The Gentlemen's Journal, 1692)
The popularity of Purcell's setting is apparent from the many sources that survive and from the printed extracts which appeared almost immediately after its first performance. The primary source for this edition is the largely autograph manuscript in the Bodleian Library. Rather to reduce the orthography to a norm, the capitalization of the vocal text favours Purcell's preferences. (Christopher Hogwood) Vokalensemble Stuttgart und den Kammerchor des Kopernikus-Gymnasiums Wasseralfingen. Fur diese beiden ganz unterschiedlichen Chorformationen hat Martin Smolka 2012 auch gezielt seine Partitur angelegt. Biografisch ist das Agnus Dei eine Art kleines Requiem fur seinen kurz zuvor verstorbenen Vater. Das liturgische Agnus Dei rahmt den deutschen Text Eh das Madchen entschlief ... der bei Auffuhrungen in anderen Landern durch eine Ubersetzung ersetzt werden soll.
Der SWR-Redakteur Hans-Peter Jahn schreibt dazu im Programmheft: Die fur Smolka typischen minimalistischen Taktzellen schaffen eine archaische Sinnlichkeit. Eine einfache und zugleich streng gebaute Vokalmusik mit Tiefenwirkung.
Nach der Urauffuhrung war die Esslinger Zeitung hellauf begeistert: Smolka ist ein Meister der Stimmbehandlung und der chorischen Klanggestaltung. Im Zentrum des Stucks gerat die Musik zum Stillstand: im leisen gleichmassigen Summen uber dem plotzlich fortissimo ein tschechisches Kinderlied erklingt eines das der Vater seinen Kindern haufig vorgesungen hat. Das alles war sehr beruhrend. Und eigentlich noch mehr als das. My father PhDr. Jaroslav Smolka (1933-2011) was a leading Czech musicologist author of books Czech Cantata and Oratorium Fuga in Czech Music Smetana's Orchestra Music Smetana's Vocal Music monography of Jan Dismas Zelenka and many others. He was a legendary teacher of Music History at Prague Music Academy critic recording producer composer; for almost 50 years he was an important and highly respected personality of Prague musical life. My father devoted a lot of time and energy to musical education and activities of my sister and me using often quite original methods such as teaching of intervals and counterpoint through Bartok's Microcosmos ear training filling all imaginable moments of everyday life or lessons of harmony analysis starting with Overture to Tristan and Musorgsky's Catacombs. The Martinu song Wondering Maiden was his solo number in our home vocal productions which he used to sing with amazing devotion while his huge voice was audible in several neighboring streets. My Agnus Dei is closely bound to all this history e.g. by using canon and preferring beauty of dissonant seconds like Bartok or quoting Martinu and his refined neoclassical harmony. Father would be probably a bit critical about the minimalistic monotony of the main body of the piece. Nevertheless firstly he would improvise a short lecture of history of Agnus Dei in Requiem in Czech Music naming by heart many dates and all examples of changes of order of the traditional text by composers. Examples would be sung probably. (Martin Smolka). $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | |
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