Transcriptions * Lessons * Bios * Photos. Sax Instruction. RandB, Instruction, Jazz, Pop, Rock. Softcover Audio Online. 88 pages. Published by Hal Leonard

Saxophone Mouthpiece Selection by Robert Scarff. For saxophone or clarinet. This edition: spiral-bound. Book. 88 pages. Published by Jamey Aebersold Jazz

For Tenor Saxophone. Instrumental Solo Part and CD. Published by Music Minus One

By Didier Vadrot. For Eb or Bb saxophone and piano. Delangle Claude. Classical. Grade 3. Score and CD. 40 pages. Published by Editions Henry Lemoine

By Various. Arranged by Arthur Frackenpohl. For saxophone quartet. Saxophone Quartet. Grade 4. Score and Set of Parts

4-Part Flexible Ensemble and Percussion - intermediate

SKU: BT.DHP-0970815-070

Dancing Queen • Money, Money, Money • Fernando • The Winner Takes It All. Arranged by Andre Waignein. Music Box. Pop & Rock. Set (Score & Parts). Composed 1997. 104 pages. De Haske Publications #DHP 0970815-070. Published by De Haske Publications (BT.DHP-0970815-070).

ISBN 9789043132572.

Arrangements of Abba hits for flexible woodwind/brass ensemble with optional percussion.
1 Picc Fl Ob Bb/Eb Clar S Sax Tpt
Part 2 Cor Ang Bb Clar Eb Sax A Sax Tpt Hn
Part 3 Eb Clar T Sax Hn Trom Euph
Part 4 Bass Clar Bari Sax Bsn Trom Euph Tuba
Opt. Drum Perc Mallets Timp

Een verzameling van Abba-hits voor variabel blazerskwintet (slagwerk ad libitum). Inhoud: Dancing Queen • Money, Money, Money • Fernando • The Winner Takes It All
1 Picc Fl Ob Bb/Eb Clar S Sax Tpt
Part 2 Cor Ang Bb Clar Eb Sax A Sax Tpt Hn
Part 3 Eb Clar T Sax Hn Trom Euph
Part 4 Bass Clar Bari Sax Bsn Trom Euph Tuba
Opt. Drum Perc Mallets Timp

Eine Sammlung von Abba-Hits für variables Bläserquartett mit optionaler Schlagzeugstimme.
Part 1 Picc Fl Ob Kl B/Es S-Sax Trp
Part 2 Cor Ang Kl B A-Kl A-Sax Trp Hn
Part 3 A-Kl T-Sax Hn Pos Euph
Part 4 B-Kl B-Sax Fg Pos Euph Tuba
Opt. Drum Perc Mallets Timp

Forever ABBA Gold est un medley qui permet de redécouvrir le légendaire groupe pop suédois qui a remporté le Concours Eurovision de la Chanson en 1974 et dont la musique reste plus que jamais actuelle. L’arrangement de Ron Sebregts reprendquatre de leurs plus grands succès Dancing Queen • Fernando • The Winner Takes It All • Money, Money, Money, des mélodies que l’on ne peut s’empêcher de fredonner.

Part 1 Picc Fl Ob Kl B/Es S-Sax Trp
Part 2 Cor Ang Kl B Alt-Kl A-Sax Trp Hrn
Part 3 Alt-Kl T-Sax Hrn Pos Euph
Part 4 B-Kl B-Sax Fg Pos Euph Tuba
Opt. Drum Perc Mallets Timp

Quattro tra i più grandi successi del leggendario gruppo pop.
Part 1 Picc Fl Ob Kl B/Es S-Sax Trp
Part 2 Cor Ang Kl B Alt-Kl A-Sax Trp Hrn
Part 3 Alt-Kl T-Sax Hrn Pos Euph
Part 4 B-Kl B-Sax Fg Pos Euph Tuba
Opt. Drum Perc Mallets Timp.

Fakebook for Eb instrument. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 864 pages. Published by Hal Leonard.

(C Edition) For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Series: Hal Leonard Fake Books. 856 pages. 9x12 inches. Published by Hal Leonard.

C Edition. Fake Book (Includes melody line and chords). Size 6x9 inches. 864 pages. Published by Hal Leonard.

Fanfare Band - Grade 4

SKU: BT.1105-04-020-MS

The Musical. Composed by Björn Ulvaeus, Benny Andersson. Arranged by Peter Kleine Schaars. Peter's Popular Collection. Pop & Rock. Set (Score & Parts). Composed 2004. Music Sales #1105-04-020 MS. Published by Music Sales (BT.1105-04-020-MS).

On the 6th of April 1999, exactly 25 years after ABBA had won the Eurovision Song Contest with the song Waterloo, the musical Mamma Mia! opened in London. The funny and appealing love story, based on 22 ABBA classics, became an immediate success. Arranger Peter Kleine Schaars has selected five of the most famous titles from the musical, added the hit Waterloo and used his musical imagination. The result is a catchy ABBA medley that will appeal to young and old.

Op 6 april 1999, precies 25 jaar nadat Abba het Eurovisie Songfestival won met Waterloo, werden in Londen de deuren geopend voor de musical Mamma Mia! Al snel werd het onderhoudende liefdesverhaal - gebaseerd op 22 klassiekersvan Abba - een groot succes. Peter Kleine Schaars selecteerde vijf titels uit de musical, voegde de wereldhit Waterloo toe en liet zijn muzikale fantasie de vrije loop. Het resultaat is een dynamische Abba-medleymet de nummers Mamma Mia, Knowing Me, Knowing You, Money, Money, Money, Dancing Queen, I Do, I Do, I Do en Waterloo.

25 Jahre nachdem ABBA den Grand Prix d'Eurovision mit dem Lied Waterloo gewonnen hatte, fand die Uraufführung des Musicals Mamma Mia! in London statt. Die mitreißende Liebesgeschichte, basierend auf 22 ABBA-Klassikern, wurde schnell zu einem großen Erfolg. Peter Kleine Schaars wählte die sechs berühmtesten Titel aus dem Musical, ergänzte sie um den Welthit Waterloo, und ließ seiner musikalischen Phantasie freien Lauf. Das Ergebnis ist ein raffiniertes ABBA-Medley, das Jung und Alt anspricht.

Depuis quelques temps, un nouveau phénomène s’accentue dans le paysage artistique anglo-saxon : la comédie musicale pop. Le succès le plus récent s’appelle Mamma Mia!, une mise en histoire des plus grands tubes d’ABBA. La nostalgie est une puissante publicité synonyme de bonheur.

Concert Band Wind Band

SKU: AP.12-0571570054

Composed by Gavin Higgins. 5 or More; Performance Music Ensemble; Solo Small Ensembles; Wind Band. Faber Edition: Faber Wind Band Series. 20th Century; Masterwork. Score. Faber Music #12-0571570054. Published by Faber Music (AP.12-0571570054).

ISBN 9780571570058. English.

Composer's note:

Coogee Funk was inspired by a trip to Sydney, Australia. I had decided on a whim to travel to OZ and, after a lot of busking, managed to save up enough money. Once there I fell in love with the city instantly. The hedonistic mix of bars, beach and islands coupled with the desolate countryside and mountains was totally inspiring. I began sketching some ideas for this piece within a few days of arriving in Australia.

The piece has three main sections with a short coda at the end of the work.

The first part is fast and furious, loosely inspired by some of our more interesting nights out in the city. The second, a far more lyrical section featuring offstage saxophones and solo flugel horn is rather nautical in flavor with just a moment of nausea. The third is a funk explosion that gradually rears out of control with a funk fugue, of sorts.

The piece ends darkly with a lonely horn solo, sadly slipping into a silent void.