| Accent on Performance Light Concert Collection Concert band Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (Baritone Bass Cl...(+)
(22 Full Band Arrangements Correlated to Accent on Achievement (Baritone Bass Clef)). By John O'Reilly and Mark Williams. Concert Band. For Baritone Bass Clef. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music
$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Accent on Performance Light Concert Collection Concert band Alfred Publishing
(22 Full Band Arrangements Correlated to Accent on Achievement (Bass Clarinet))....(+)
(22 Full Band Arrangements Correlated to Accent on Achievement (Bass Clarinet)). By John O'Reilly and Mark Williams. Concert Band. For Bass Clarinet. Band Supplement; Book. Accent on Performance. 24 pages. Published by Alfred Music
$6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Accent on Performance Light Concert Collection Concert band Alfred Publishing
Concert Band Bassoon SKU: AP.41335 22 Full Band Arrangements Correlate...(+)
Concert Band Bassoon SKU: AP.41335 22 Full Band Arrangements Correlated to Accent on Achievement (Bassoon). Composed by John O'Reilly and Mark Williams. Band Supplement; Collections; Performance Music Ensemble. Accent on Performance. Book. 24 pages. Alfred Music #00-41335. Published by Alfred Music (AP.41335). ISBN 9780739097786. UPC: 038081462288. English. Over the course of ten years, legendary young-band composers John O'Reilly and Mark Williams composed and arranged over 100 creative works that correlate with specific pages in their highly successful band method, Accent on Achievement. Alfred Music is now proud to make these arrangements available in a book format that includes 22 full arrangements in each collection.
The Light Concert Collection includes creative arrangements of folk, rock, jazz, and Latin-American music. Titles: Rockin' la Bamba * Sailors Holiday * River Trilogy * No Drummer Left Behind * African Marching Song * Stand Up and Swing * and 16 others. $6.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stormbreak Percussion Ensemble - Easy Tapspace Publications
(For Percussion Octet (and optional wind ensemble)). By Jim Casella. For Glocken...(+)
(For Percussion Octet (and optional wind ensemble)). By Jim Casella. For Glockenspiel, xylophone, chimes, 4 timpani, bongos, congas, rainstick, vibra slap, suspended cymbal, woodblock, finger cymbal, snare drum, brake drum, hihat, ocean drum, 4 concert toms, cowbell, shaker, splash cymbal, china cymbal, tambourine, triangle, b (8 percussion players). This edition: Percussion ensemble and optional wind ensemble. Concert Percussion Ensembles. Optional Wind Ensemble Parts Included (divisi if applicable): Flute, oboe, clarinet, bass clarinet, contrabass clarinet (E-flat), bassoon, alto saxophone, tenor saxophone, baritone saxophone, trumpet, french horn, trombone, baritone, tuba. Medium-Easy. Folio parts on CD-Rom. 32 pages. Duration 3:30. Published by Tapspace Publications
$55.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Son et lumière Merion Music
Orchestra Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Celesta, Chimes, Clari...(+)
Orchestra Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Celesta, Chimes, Clarinet, Clarinet 1, Clarinet 2, Claves, Contrabass, Contrabassoon, Cowbell, Crotales, English Horn, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Maracas, Marimba, Oboe 1 and more. SKU: PR.11641737S Composed by Steven Stucky. Study Score. 68 pages. Duration 9 minutes. Merion Music #116-41737S. Published by Merion Music (PR.11641737S). ISBN 9781491136133. UPC: 680160688432. Son et lumière (“sound and light,†a kind of show staged for tourists at historic sites or famous buildings) is an orchestral entertainment whose subject is the play of colors, bright surfaces, and shimmery textures. I have tried in this music to recapture the élan and immediacy that regular meters and repetitive rhythms make possible—something forbidden during the modernist regime but recently restored in the post-modern work of composers like John Adams, Steve Reich, and others. Throughout its brief nine-minute span, then, the piece is built almost exclusively of short, busy ostinato figures—my attempt, I suppose, to achieve the rhythmic vitality of minimalism, but without giving in to the over-simple harmonic language that usually comes with it.Surprisingly, the musical materials seemed determined to shape themselves into an approximation of nineteenth-century sonata form. We hear an introduction, a first theme (based on triadic broken chords), a second theme (beginning with the flute solo), and a closing theme (led by two piccolos). In a sort of development section, these materials are recombined in new ways; in a recapitulation, both the first and second themes are recalled more or less intact (part of the second is actually repeated quite literally).Then, in the coda, a second surprise: as if another, different music has been lurking all the while behind the shiny surface, the strings now unexpectedly split off from the rest of the orchestra to assert a new, more passionate, more “serious†voice, transcending the external show of sound and light.Son et lumière, commissioned by the Baltimore Symphony Orchestra, was composed between June and December 1988 in Ithaca (N.Y.), in Los Angeles, and at the artists’ colony Yaddo, in Saratoga Springs (N.Y.). David Zinman conducted the first performance in Baltimore on 18 May 1989; André Previn gave the West Coast premiere with the Los Angeles Philharmonic on 18 January, 1990. Son et lumière (“sound and light,†a kind of show staged for tourists at historic sites or famous buildings) is an orchestral entertainment whose subject is the play of colors, bright surfaces, and shimmery textures. I have tried in this music to recapture the élan and immediacy that regular meters and repetitive rhythms make possible—something forbidden during the modernist regime but recently restored in the post-modern work of composers like John Adams, Steve Reich, and others. Throughout its brief nine-minute span, then, the piece is built almost exclusively of short, busy ostinato figures—my attempt, I suppose, to achieve the rhythmic vitality of minimalism, but without giving in to the over-simple harmonic language that usually comes with it.Surprisingly, the musical materials seemed determined to shape themselves into an approximation of nineteenth-century sonata form. We hear an introduction, a first theme (based on triadic broken chords), a second theme (beginning with the flute solo), and a closing theme (led by two piccolos). In a sort of development section, these materials are recombined in new ways; in a recapitulation, both the first and second themes are recalled more or less intact (part of the second is actually repeated quite literally).Then, in the coda, a second surprise: as if another, different music has been lurking all the while behind the shiny surface, the strings now unexpectedly split off from the rest of the orchestra to assert a new, more passionate, more “serious†voice, transcending the external show of sound and light.Son et lumière, commissioned by the Baltimore Symphony Orchestra, was composed between June and December 1988 in Ithaca (N.Y.), in Los Angeles, and at the artists’ colony Yaddo, in Saratoga Springs (N.Y.). David Zinman conducted the first performance in Baltimore on 18 May 1989; André Previn gave the West Coast premiere with the Los Angeles Philharmonic on 18 January, 1990. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jam on Top [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ride Cymbal, Snare Drum, Tambourine, Timpani, Trombone, Trumpet 1 and more. - Grade 2 SKU: CF.YPS232F Composed by Mark Lortz. Sws. Yps. Full score. 16 pages. Duration 2 minutes, 5 seconds. Carl Fischer Music #YPS232F. Published by Carl Fischer Music (CF.YPS232F). ISBN 9781491158197. UPC: 680160916795. 9 x 12 inches. Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39a50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style. Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39-50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style. Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39–50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Jam on Top - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Euphonium, Euphonium T.C., Flute, Hi-hat Cymbal, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ride Cymbal, Snare Drum, Tambourine, Timpani, Trombone, Trumpet 1 and more. - Grade 2 SKU: CF.YPS232 Composed by Mark Lortz. Folio. Yps. Set of Score and Parts. 8+2+4+4+2+2+5+2+2+4+4+4+6+2+3+1+1+2+3+16 pages. Duration 2 minutes, 5 seconds. Carl Fischer Music #YPS232. Published by Carl Fischer Music (CF.YPS232). ISBN 9781491158180. UPC: 680160916788. 9 x 12 inches. Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39a50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style. Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39-50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style. Jam on Top was commissioned by Thomas Wittig for the Forest Lakes Elementary School fifth grade band, under the direction of Amy Thornsen, in memory of beloved music teacher, Mr. Dominic (Nick) Selvi. Nick had a passion for jazz and loved playing the style with his students. This piece is written in a standard blues chord progression (with courtesy accidentals written to introduce the blues scale) and can be performed in a straight rock or a swing-jazz feel. Special care should be taken to play all articulations to ensure the proper style. Nick was a saxophonist, and m. 39 could feature a solo, duet, trio or a saxophone soli section. In addition, mm. 39–50 could be opened up to have multiple soloists perform the solo in the style of an open jazz vamp. The drum parts are written for multiple players or could feature one player on drum set and the others improvising on accessory instruments such as cowbell, shaker, tambourine, etc. It is my hope that the performers will use this piece learn about blues chord progressions, blues scales in a pop, rock or jazz style. $65.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Serenata [Score] Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Cowbell,...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Cowbell, Euphonium, Euphonium T.C., Flute, Flute 2, Güiro, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Timpani, Trombone and more. SKU: CF.FPS171F Composed by Joseph Compello. Full score. 16 pages. Carl Fischer Music #FPS171F. Published by Carl Fischer Music (CF.FPS171F). ISBN 9781491163979. UPC: 680160922765. Serenata is a first-year band piece with a Latin dance flavor. It is an excellent study in independent part-playing for young bands. Balance is crucial among the following parts:1. Percussion must be steady and not overpowering. The cowbell should be played with a mallet or stick that will prevent its sound from being dominant in the percussion section.2. The bass line will require a delicate staccato articulation.3. Clarinets and horns must play the ostinato beginning at m. 5 in two- or four-measure phrases. This line must always feel unbroken.4. Trumpets must also use a delicate staccato at m. 17. Straight mutes are a nice touch if the section is big enough. Cup mutes are even better. A small trumpet section may play open.5. Flutes and alto saxes should always play legato when carrying the melody.The contrasting middle section, beginning at m. 28, should be articulated smoothly by the whole band. The alternating melodic lines should have tonal contrast, but should be the same dynamically. The bass line should fade into the background at this point.A first-year band can play Serenata for their Spring Concert.Thank you for choosing this selection. I hope you and your students find it instructive and enjoyable. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Serenata - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Cowbell,...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Cowbell, Euphonium, Euphonium T.C., Flute, Flute 2, Güiro, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Timpani, Trombone and more. - Grade 1.5 SKU: CF.FPS171 Composed by Joseph Compello. Set of Score and Parts. Carl Fischer Music #FPS171. Published by Carl Fischer Music (CF.FPS171). ISBN 9781491163573. UPC: 680160922369. Serenata is a first-year band piece with a Latin dance flavor. It is an excellent study in independent part-playing for young bands. Balance is crucial among the following parts:1. Percussion must be steady and not overpowering. The cowbell should be played with a mallet or stick that will prevent its sound from being dominant in the percussion section.2. The bass line will require a delicate staccato articulation.3. Clarinets and horns must play the ostinato beginning at m. 5 in two- or four-measure phrases. This line must always feel unbroken.4. Trumpets must also use a delicate staccato at m. 17. Straight mutes are a nice touch if the section is big enough. Cup mutes are even better. A small trumpet section may play open.5. Flutes and alto saxes should always play legato when carrying the melody.The contrasting middle section, beginning at m. 28, should be articulated smoothly by the whole band. The alternating melodic lines should have tonal contrast, but should be the same dynamically. The bass line should fade into the background at this point.A first-year band can play Serenata for their Spring Concert.Thank you for choosing this selection. I hope you and your students find it instructive and enjoyable. $58.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Secret Mission - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone, Trumpet, Tuba, Wood Block and more. - Grade 1 SKU: CF.BPS132 Composed by Jason Taurins. Folio. Bps. Set of Score and Parts. 8+2+8+2+5+2+2+8+3+3+3+2+3+1+1+2+4+12 pages. Duration 1 minute, 41 seconds. Carl Fischer Music #BPS132. Published by Carl Fischer Music (CF.BPS132). ISBN 9781491158463. UPC: 680160917068. 9 x 12 inches. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! Itas an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It's an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It’s an epic journey sure to spark your imagination.For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music! $53.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Secret Mission [Score] - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphoniu...(+)
Band Bass Clarinet, Bass Drum, Bells, Clarinet, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Suspended Cymbal, Timpani, Trombone, Trumpet, Tuba, Wood Block and more. - Grade 1 SKU: CF.BPS132F Composed by Jason Taurins. Sws. Bps. Full score. 12 pages. Carl Fischer Music #BPS132F. Published by Carl Fischer Music (CF.BPS132F). ISBN 9781491158470. UPC: 680160917075. 9 x 12 inches. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! Itas an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It's an epic journey sure to spark your imagination. For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music!. Secret Mission is a cinematic depiction of a spy on a mission to defeat a nefarious villain. This was inspired by my love for several spies and superheroes from movies and television series, both serious and humorous. With exciting parts for all players, I hope your imagination is sparked by this accessible and melodic piece. In the opening, the spy receives his mission in grand fashion, as the title sequence rolls across the screen. After a dramatic pause (m. 10), the spy is on the chase! The melody at m. 11 depicts the spy doing reconnaissance on his enemy. The villain reveals his evil plan, and soon, the hero and the villain face off in an epic battle! Who do you think wins? Is it a serious thriller or a hilarious cartoon? Decide for your own as you see the end credits scroll! It’s an epic journey sure to spark your imagination.For smaller ensembles, the power chords in the low brass can be divided such that trombones take the top note, and euphonium the bottom, or divide it as is appropriate for your ensemble. At m. 9, and as it recurs, the students should choose a note that is comfortably in their playing range that they can play beautifully. They should, however, strive to choose a different note than their neighbor, and can change the note as this technique recurs. The melody at measure 11 should sound soft, light, and sneaky! Do not let the students get too loud at m. 17. If anything, this section should be slightly softer. The woodblock and cowbell add a touch of urgency (like the ticking of a clock) and humor (I got a fevah!). Make sure the countermelody at m. 25 can be heard clearly. At m. 33, dynamic contrast is very important. If needed, a crash cymbal from a drum set can be used, and both cymbals can be struck by a drumstick. In either case, suspended cymbal should be played with a drumstick (unless rolling: then, use a pair of yarn mallets). I sincerely hope you and your students enjoy the cinematic journey, and thank you for choosing my music! $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Snake Pit Concert band - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarinet 2, Congas, Cowbell, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 1.5 SKU: CF.FPS151 Composed by Tyler Arcari. First Plus Band (FPS). Set of Score and Parts. With Standard notation. 8+2+4+4+2+5+2+2+4+4+4+6+3+1+1+3+6+12+2 pages. Duration 1 minute, 36 seconds. Carl Fischer Music #FPS151. Published by Carl Fischer Music (CF.FPS151). ISBN 9781491152119. UPC: 680160909612. Everyone remembers the first time that they saw a snake. Though fascinating to some and terrifying to others, few animals are as universally mesmerizing. Composer Tyler Arcari has crafted a very fun piece making use of auxiliary percussion instruments to emulate a snake's hiss or ominous rattle. With very strong and interesting melodic material, and scored to make a developing band sound great, this piece is sure to be a favorite among students. Everyone remembers the first time that they saw a snake. The majority of people have a base fear of them, while others have a “heebie-jeebies†experience. We all know how the great explorer Dr. Indiana Jones felt about snakes, especially when he famously fell into a snake pit during Raiders of the Lost Ark. However you feel about snakes, a pit of them certainly sounds like an adventure.About the work:Snake Pit uses a lot of auxiliary percussion instruments. Some of these sounds are intended to subtly mimic the sounds that snakes make. The maraca in m. 4, of course, is a rattler’s call! The Chinese cymbal is intended to sound like the “hiss†of a not-so-friendly serpent. The eighth-note pattern at m. 9 is used throughout as a “creepy†effect using dynamic contrast so take care to emphasize this when present.I enjoy the gong as a “color†instrument in the band. I try to balance it with the low brass. Take care that at m. 42 the gong is not “front-and center†but more of a support for the nice accented chords in the low brass. Also, the trumpets can become spaced too much here. The accents are more for emphasis and less space. $60.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Snake Pit Concert band [Score] - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarin...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Cabasa, China Cymbal, Clarinet 1, Clarinet 2, Congas, Cowbell, Euphonium, Euphonium T.C., Flute, Flute 2, Glockenspiel, Gong, Horn, Mallet Percussion, Maracas, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 1.5 SKU: CF.FPS151F Composed by Tyler Arcari. First Plus Band (FPS). Full score. With Standard notation. 12 pages. Carl Fischer Music #FPS151F. Published by Carl Fischer Music (CF.FPS151F). ISBN 9781491152799. UPC: 680160910298. Everyone remembers the first time that they saw a snake. Though fascinating to some and terrifying to others, few animals are as universally mesmerizing. Composer Tyler Arcari has crafted a very fun piece making use of auxiliary percussion instruments to emulate a snake's hiss or ominous rattle. With very strong and interesting melodic material, and scored to make a developing band sound great, this piece is sure to be a favorite among students. Everyone remembers the first time that they saw a snake. The majority of people have a base fear of them, while others have a “heebie-jeebies†experience. We all know how the great explorer Dr. Indiana Jones felt about snakes, especially when he famously fell into a snake pit during Raiders of the Lost Ark. However you feel about snakes, a pit of them certainly sounds like an adventure.About the work:Snake Pit uses a lot of auxiliary percussion instruments. Some of these sounds are intended to subtly mimic the sounds that snakes make. The maraca in m. 4, of course, is a rattler’s call! The Chinese cymbal is intended to sound like the “hiss†of a not-so-friendly serpent. The eighth-note pattern at m. 9 is used throughout as a “creepy†effect using dynamic contrast so take care to emphasize this when present.I enjoy the gong as a “color†instrument in the band. I try to balance it with the low brass. Take care that at m. 42 the gong is not “front-and center†but more of a support for the nice accented chords in the low brass. Also, the trumpets can become spaced too much here. The accents are more for emphasis and less space. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Good King Salsa [Score] - Easy Carl Fischer
Band Agogo Bells, Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cla...(+)
Band Agogo Bells, Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Congas, Cowbell, Euphonium, Euphonium T.C., Flute, Horn, Jingle Bells, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4 and more. - Grade 2 SKU: CF.YPS246F Composed by Traditional. Arranged by Ed Kiefer. Full score. 22 pages. Carl Fischer Music #YPS246F. Published by Carl Fischer Music (CF.YPS246F). ISBN 9781491159941. UPC: 680160918539. Based on the carol, Good King Wenceslas, Good King Salsa explores some basic Latin rhythms. This setting features your percussion section which can be expanded or limited to fit your group, but the basic Latin groove is very important. Alternating between a driving beat and one that is much more laid back, this piece involves everyone with the melody. Your students and audiences will really love this holiday selection!. Based on the carol, Good King Wenceslas, Good King Salsa explores some basic Latin rhythms. This setting features your percussion section which can be expanded or limited to fit your group, but the basicLatin groove is very important. Alternating between a driving beat and one that is much more laid back, this piece involves everyone with the melody. Your students and audiences will really love this holidayselection! $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Good King Salsa - Easy Carl Fischer
Band Agogo Bells, Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cla...(+)
Band Agogo Bells, Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Congas, Cowbell, Euphonium, Euphonium T.C., Flute, Horn, Jingle Bells, Mallet Percussion, Marimba, Oboe, Percussion 1, Percussion 2, Percussion 3, Percussion 4 and more. - Grade 2 SKU: CF.YPS246 Composed by Traditional. Arranged by Ed Kiefer. Set of Score and Parts. 24+16+4+8+8+4+4+10+4+4+8+8+8+12+6+4+6+4+4+4+6+2 pages. Duration 2:30. Carl Fischer Music #YPS246. Published by Carl Fischer Music (CF.YPS246). ISBN 9781491159934. UPC: 680160918522. Based on the carol, Good King Wenceslas, Good King Salsa explores some basic Latin rhythms. This setting features your percussion section which can be expanded or limited to fit your group, but the basic Latin groove is very important. Alternating between a driving beat and one that is much more laid back, this piece involves everyone with the melody. Your students and audiences will really love this holiday selection!. Based on the carol, Good King Wenceslas, Good King Salsa explores some basic Latin rhythms. This setting features your percussion section which can be expanded or limited to fit your group, but the basicLatin groove is very important. Alternating between a driving beat and one that is much more laid back, this piece involves everyone with the melody. Your students and audiences will really love this holidayselection! $75.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Forging Steel Theodore Presser Co.
Orchestra Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Bassoon 3, Cabasa, Cla...(+)
Orchestra Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Bassoon 3, Cabasa, Clarinet 1, Clarinet 2, Clarinet 3, Clarinet 4, Contrabassoon, Cowbell, Crash Cymbals, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Flute 4, Harp, Horn 1, Horn 2, Horn 3 and more. SKU: PR.11642144S Composed by Stacy Garrop. Study Score. Duration 11 minutes. Theodore Presser Company #116-42144S. Published by Theodore Presser Company (PR.11642144S). UPC: 680160692002. $38.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Forging Steel Theodore Presser Co.
Orchestra Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Bassoon 3, Cabasa, Cla...(+)
Orchestra Bass Drum, Bass Trombone, Bassoon 1, Bassoon 2, Bassoon 3, Cabasa, Clarinet 1, Clarinet 2, Clarinet 3, Clarinet 4, Contrabassoon, Cowbell, Crash Cymbals, Double Bass, English Horn, Flute 1, Flute 2, Flute 3, Flute 4, Harp, Horn 1, Horn 2, Horn 3 and more. SKU: PR.11642144L Composed by Stacy Garrop. Large Score. Duration 11 minutes. Theodore Presser Company #116-42144L. Published by Theodore Presser Company (PR.11642144L). UPC: 680160692019. $68.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Portrait in Rhythm Concert band [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, Clarinet 3, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3 SKU: CF.CPS218F Composed by Gary Fagan. Concert Band (CPS). Full score. With Standard notation. 32 pages. Carl Fischer Music #CPS218F. Published by Carl Fischer Music (CF.CPS218F). ISBN 9781491153123. UPC: 680160910625. Portrait in Rhythm is a study in various rhythmic moods and will challenge your players to “stay on their toes†and concentrate on rhythmic accuracy. But, the piece is so much more than that. Veteran composer Gary Fagan has written a wonderfully tuneful composition that uses ever changing rhythm to give it it's hock but without sacrificing a wonderful melodic sensibility. Among the most important parameters in music is rhythm. It is rhythm that give music its drive and vitality and causes us to tap our foot (many times unconsciously) when we listen to music. Portrait in Rhythm is a study in various rhythmic moods and will challenge your players to “stay on their toes†and concentrate on rhythmic accuracy. It is also an ideal study in changing meters moving through 5/4, ¾, 4/4 and 6/8 meters throughout the piece. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Quirks Concert band [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Bongos, Chimes, Clarinet 1, Clari...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Bongos, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Finger Cymbals, Flute 1, Flute 2, Hi-hat Cymbal, Horn 1, Horn 2, Horn 3, Horn 4, Mallet Percussion and more. - Grade 5 SKU: CF.SPS51F Composed by Brant Karrick. SWS FS. Symphonic Performance Series. Full score. With Standard notation. 36 pages. Duration 6 minutes, 8 seconds. Carl Fischer Music #SPS51F. Published by Carl Fischer Music (CF.SPS51F). ISBN 9780825888526. UPC: 798408088521. 9x12 inches. Quirks—a word defined as a sudden sharp turn or an unpredictable peculiarity of behavior or action—demonstrates the capricious nature of the title in its musical character. The music vacillates between fast and slow, happy and sad, extroverted and introverted, and just never goes where you expect. There is plenty of interplay between winds and percussion as the four and three notes of the main motive are tossed about the many instrumental colors. This is a tour-de-force, destined to become a band standard for more advanced bands. You must give this a careful listen. $18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Portrait in Rhythm Concert band - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, C...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Cabasa, Clarinet 1, Clarinet 2, Clarinet 3, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum and more. - Grade 3 SKU: CF.CPS218 Composed by Gary Fagan. Concert Band (CPS). Set of Score and Parts. With Standard notation. 8+8+4+8+16+16+4+4+4+4+4+4+8+8+8+4+4+6+6+6+12+4+2+4+8+32+4 pages. Duration 3 minutes, 11 seconds. Carl Fischer Music #CPS218. Published by Carl Fischer Music (CF.CPS218). ISBN 9781491152447. UPC: 680160909940. Portrait in Rhythm is a study in various rhythmic moods and will challenge your players to “stay on their toes†and concentrate on rhythmic accuracy. But, the piece is so much more than that. Veteran composer Gary Fagan has written a wonderfully tuneful composition that uses ever changing rhythm to give it it's hock but without sacrificing a wonderful melodic sensibility. Among the most important parameters in music is rhythm. It is rhythm that give music its drive and vitality and causes us to tap our foot (many times unconsciously) when we listen to music. Portrait in Rhythm is a study in various rhythmic moods and will challenge your players to “stay on their toes†and concentrate on rhythmic accuracy. It is also an ideal study in changing meters moving through 5/4, ¾, 4/4 and 6/8 meters throughout the piece. $95.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Farallones - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Congas, ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Congas, Cowbell, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Percussion 3, Piano and more. - Grade 4 SKU: CF.SPS98 Composed by Megan Vinther. Set of Score and Parts. Duration 4 minutes, 31 seconds. Carl Fischer Music #SPS98. Published by Carl Fischer Music (CF.SPS98). ISBN 9781491166673. UPC: 680160925728. Key: C minor. Farallones is inspired by the Greater Farallones National Marine Sanctuary (GFNMS) off the Northern California coast, spanning 3,295 square miles north and west of San Francisco. The Farallones (Spanish for cliffs) are a set of islands that are sometimes referred to as The Devil’s Teeth by mariners, citing the many dangerous underwater shoals and shipwrecks. The first recorded observation of these islands was in 1579 by Sir Frances Drake, with the first reference to the outcroppings as “farallones” written by Spanish Friar Antonio de la Ascension in 1603. The location of the islands and their rugged and ominous appearance likely were responsible for the relatively late discovery by explorers of San Francisco Bay, which didn’t happen until 1769, nearly 200 years after Sir Frances Drake’s expedition. The islands and their natural resources and habitat have been used and exploited in many different ways over the centuries, from the seal fur trade in the early 1800s to a nuclear waste dumping ground in the 1940s–1960s. The islands have been hosts to hunting camps, weather stations, rum runners during prohibition, lighthouse keepers, and even a U.S. Naval station during World War II. The first protections for the area were established in 1981 and expanded over the following decades. Over time, species and habitats have been restored. The Farallones is now home to a beautiful and diverse marine ecosystem that supports many endangered and threatened species. This piece began as a chamber work for a septet that included piano and string bass. When I reworked it for wind ensemble, I left the piano and string bass in the orchestration as a nod to my original (unfinished) chamber piece. The opening section in 7/4 depicts the rugged environment and unpredictability of the swirling currents around the islands. Descending scalar motifs and trills emphasize the fluidity of the seascape. The exploitation of the islands and conflict surrounding the use of natural resources drive the accented passages throughout the piece. The 12/8 section is a development into the resilience and dangerous beauty of the area. Recalled themes and motifs from the first section in an even rather than uneven meter depict the solid future of the ecosystem. $110.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Farallones [Score] - Intermediate Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Congas, ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Claves, Congas, Cowbell, Euphonium, Euphonium T.C., Flute, Horn 1, Horn 2, Mallet Percussion 1, Mallet Percussion 2, Marimba, Oboe, Percussion 1, Percussion 2, Percussion 3, Piano and more. - Grade 4 SKU: CF.SPS98F Composed by Megan Vinther. Full score. Duration 4 minutes, 31 seconds. Carl Fischer Music #SPS98F. Published by Carl Fischer Music (CF.SPS98F). ISBN 9781491166680. UPC: 680160925735. Key: C minor. Farallones is inspired by the Greater Farallones National Marine Sanctuary (GFNMS) off the Northern California coast, spanning 3,295 square miles north and west of San Francisco. The Farallones (Spanish for cliffs) are a set of islands that are sometimes referred to as The Devil’s Teeth by mariners, citing the many dangerous underwater shoals and shipwrecks. The first recorded observation of these islands was in 1579 by Sir Frances Drake, with the first reference to the outcroppings as “farallones” written by Spanish Friar Antonio de la Ascension in 1603. The location of the islands and their rugged and ominous appearance likely were responsible for the relatively late discovery by explorers of San Francisco Bay, which didn’t happen until 1769, nearly 200 years after Sir Frances Drake’s expedition. The islands and their natural resources and habitat have been used and exploited in many different ways over the centuries, from the seal fur trade in the early 1800s to a nuclear waste dumping ground in the 1940s–1960s. The islands have been hosts to hunting camps, weather stations, rum runners during prohibition, lighthouse keepers, and even a U.S. Naval station during World War II. The first protections for the area were established in 1981 and expanded over the following decades. Over time, species and habitats have been restored. The Farallones is now home to a beautiful and diverse marine ecosystem that supports many endangered and threatened species. This piece began as a chamber work for a septet that included piano and string bass. When I reworked it for wind ensemble, I left the piano and string bass in the orchestration as a nod to my original (unfinished) chamber piece. The opening section in 7/4 depicts the rugged environment and unpredictability of the swirling currents around the islands. Descending scalar motifs and trills emphasize the fluidity of the seascape. The exploitation of the islands and conflict surrounding the use of natural resources drive the accented passages throughout the piece. The 12/8 section is a development into the resilience and dangerous beauty of the area. Recalled themes and motifs from the first section in an even rather than uneven meter depict the solid future of the ecosystem. $18.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Blackberry Vines and Winter Fruit Carl Fischer
Orchestra Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Celesta, Cello, Clarin...(+)
Orchestra Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Celesta, Cello, Clarinet 1, Clarinet 2, Contrabass, Cowbell, Flute 1, Flute 2, Flute 3, Gong, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Piccolo, Small Pandeiro, Timpani, Trombone 1 and more. SKU: CF.O5073 Composed by Marga Richter. BOE. Christmas and Holiday. Large Score. With Standard notation. Composed 1976. 48 pages. Duration 13 minutes. Carl Fischer Music #O5073. Published by Carl Fischer Music (CF.O5073). ISBN 9780825800634. UPC: 798408000639. 9 X 12 inches. Boe. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Richard and Renée Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Cabasa, Chimes, Cla...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Cabasa, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Clarinet 4, Contrabass, Contrabassoon, Cowbell, Crash Cymbals, Euphonium, Flute 1, Flute 2, Flute 3, Flute 4, Glockenspiel, Güiro and more. SKU: PR.11540205L For Wind Symphony and Piano. Composed by Carter Pann. Contemporary. Large Score. With Standard notation. Composed 2009. 42 pages. Duration 10 minutes. Theodore Presser Company #115-40205L. Published by Theodore Presser Company (PR.11540205L). UPC: 680160632886. 11 x 14 inches. $45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Richard and Renée Concert band [Score] Theodore Presser Co.
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Cabasa, Chimes, Cla...(+)
Band Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Cabasa, Chimes, Clarinet 1, Clarinet 2, Clarinet 3, Clarinet 4, Contrabass, Contrabassoon, Cowbell, Crash Cymbals, Euphonium, Flute 1, Flute 2, Flute 3, Flute 4, Glockenspiel, Güiro and more. SKU: PR.11540205F For Wind Symphony and Piano. Composed by Carter Pann. Sws. Wind Band Select. Contemporary. Full score. With Standard notation. Composed 2009. 42 pages. Duration 10 minutes. Theodore Presser Company #115-40205F. Published by Theodore Presser Company (PR.11540205F). ISBN 9781598062977. UPC: 680160594276. 9x12 inches. Key: Bb mixolydian. Carter Pann’s Richard and Renée was written as a gift for two musician friends of his, Renée Kershaw and Dick Floyd. The first movement, “Renée’s Reply,†is a musical portrait of the time the composer spent with his friend in Italy. According to Pann, “the music strives for a poignancy inspired by this new event in their relationship accompanied by a backdrop so beautiful it defies words. A writer/composer (anyone, for that matter) cannot live on the Amalfi Coast and remain unchanged, unmarked.†The second movement, “Floyd’s Fantastic Five-Alarm Foxy Frolic,†is in a playful ragtime style, with an ending that the composer describes as “over the top.†Duration: 13’. $35.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Symphony No. 4 Carl Fischer
Orchestra Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Celesta, Cello...(+)
Orchestra Bass Clarinet, Bass Drum, Bassoon 1, Bassoon 2, Bongos, Celesta, Cello, Chimes, Clarinet, Clarinet 1, Clarinet 2, Contrabass, Contrabassoon, Cowbell, Cymbal, English Horn, Flute 1, Flute 2, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Horn 4 and more. SKU: CF.O5049 Composed by Elie Siegmeister. First performance: Cleveland Orchestra - Lorin Maazel, conductor - December 6, 1973 at Severence Hall, Cleveland. Large Score. With Standard notation. Duration 34 minutes, 30 seconds. Carl Fischer Music #O5049. Published by Carl Fischer Music (CF.O5049). ISBN 9780825801884. UPC: 798408001889. 9 X 12 inches. $75.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Amadeus in the Percussion Box - Beginner Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Claves, Cowbell, Crash ...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Claves, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Snare Drum, Timpani, Trombone, Trumpet, Tuba, Wood Block and more. - Grade 1 SKU: CF.BPS141 Adapted from Mozart. Composed by Joseph Compello. Bps. Set of Score and Parts. 8+2+8+2+5+2+2+8+3+6+2+3+1+1+2+4+12 pages. Duration 1 minute, 56 seconds. Carl Fischer Music #BPS141. Published by Carl Fischer Music (CF.BPS141). ISBN 9781491161227. UPC: 680160919819. Amadeus in the Percussion Box is a Grade 1 composition featuring the percussion section of a band in its first year of instruction. The theme is a simplification of Papageno's famous Bird Catcher's aria in Mozart's opera The Magic Flute. Beginning at m. 15, the percussion players begin playing instruments found in most elementary school band percussion boxes. The instruments indicated in the score are merely suggestions and may be varied at the discretion of the director. Depending on the number of percussion players, the director may increase or decrease the number of instruments used in the sections starting at mm. 15 and 39. The music will also provide an opportunity for beginners to learn about first and second endings and how to perform a crescendo. $53.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Galactic Episode [Score] - Easy Carl Fischer
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cowbell, Euphoni...(+)
Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Cowbell, Euphonium, Euphonium T.C., Flute, Flute 2, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Percussion 3, Snare Drum, Suspended Cymbal, Tambourine, Timpani, Trombone and more. - Grade 2 SKU: CF.YPS170F Composed by Jay Coles. Full score. With Standard notation. 20 pages. Duration 3 minutes, 4 seconds. Carl Fischer Music #YPS170F. Published by Carl Fischer Music (CF.YPS170F). ISBN 9781491144039. UPC: 680160901531. 9 x 12 inches. Galactic Episode takes the performer and listener on a musical journey through time and space, both externally and internally. Jay Coles, pours his energy into a piece that will grab the attention of your students and never let it go. $11.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Capriccio Ritmico Concert band [Score and Parts] - Intermediate Carl Fischer
Concert Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet...(+)
Concert Band Bass Clarinet, Bass Drum, Bassoon, Clarinet 1, Clarinet 2, Clarinet 3, Claves, Cowbell, Crash Cymbals, Euphonium, Euphonium T.C., Flute 1, Flute 2, Güiro, Horn 1, Horn 2, Mallet Percussion, Maracas, Marimba, Oboe, Percussion 1, Percussion 2 and more. - Grade 3-3.5 SKU: CF.CPS56 Rhythmic Caprice. Composed by Joseph Compello. This edition: Medium Easy Band. FS-SWS. Carl Fischer Concert Performance Series. Score and Set of Parts. With Standard notation. Composed 2006. Carl Fischer Music #CPS56. Published by Carl Fischer Music (CF.CPS56). ISBN 9780825861536. UPC: 798408061531. 9 X 12 inches. Key: Bb major. Capriccio Ritmico is, as the title suggests, a lighthearted, rhythmic escapade with a Latin flavor. It is full of energy, tuneful melodies and pure fun! $80.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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