((All of Us)). Composed by Andy Beck. Choir Secular. 3-Part Mixed Choir (SAB). Choral Octavo. Choral Designs. Secular. 12 pages. Published by Alfred Music

By Various. Brass Band. Swiss import. Light Music; Pop. Level: Grade 2 . Score. Published by Editions Marc Reift. (EMR 1430-02)

((All of Us)). Composed by Andy Beck. Choir Secular. Women's Choir. Choral Octavo. Choral Designs. Secular. 12 pages. Published by Alfred Music

Orchestra - Grade 3

SKU: AP.48092S

Composed by Richard Meyer. Masterworks; Performance Music Ensemble; Single Titles; String Orchestra. Highland/Etling String Orchestra. Score. 24 pages. Duration 7:30. Highland/Etling #00-48092S. Published by Highland/Etling (AP.48092S).

UPC: 038081553955. English.

This emotional and heartfelt piece, From Darkness, Joyful Sounds Are Born, by Richard Meyer, is all about facing and overcoming the hardships we all encounter during our lifetime. It begins with a brief depiction of happy times and then descends into sounds of sadness and sorrow. Before long, joy emerges in the form of cheerful melodies, clapping, stomping, and singing, performed by the orchestra and the audience in a rousing call-and-response celebration. An amazing way to bring together everyone in the concert hall, this selection is sure to provide an unforgettable experience for your students and their audience! (7:30).

Concert Band and Mixed Choir - Grade 3

SKU: BT.DHP-1145564-140

Composed by Jacob De Haan. Musica Sacra. Score Only. Composed 2014. De Haske Publications #DHP 1145564-140. Published by De Haske Publications (BT.DHP-1145564-140).

English-German-French-Dutch.

The Gospel Mass -a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including the characteristic clapping and swingrhythms), but also freer gospel styles that have developed over the course of time. As far as we know, The Gospel Mass is the only true gospel mass. Choral parts available separately.

The Gospel Mass een mis voor gemengd koor, combo en blaasorkest is gebaseerd op de gospelmuziek zoals die zich sinds haar ontstaan in Amerika overal in de wereld heeft verspreid en ontwikkeld. De ordinariumdelen zoals we die kennen van een mis,zijn hier gecomponeerd in diverse popstijlen die hun oorsprong vinden in de gospelmuziek. Zo horen we niet alleen de klassieke Amerikaanse gospelstijl (inclusief hand-clapping en swing), maar ook de vrijere gospelstijlen die zich in de loop der tijdhebben ontwikkeld. Voor zover bekend is The Gospel Mass de enige echte gospelmis.Koorpartijen apart verkrijgbaar.

The Gospel Mass (Die Gospel-Messe“) eine Messe für gemischten Chor, Combo und Concert Band basiert auf der Gospelmusik, die sich seit ihren Anfängen in Amerika über die ganze Welt verbreitet hat.Die Sätze der Messe, die wir normalerweise kennen, wurden hier in verschiedenen Popmusik-Richtungen komponiert, die ihre Wurzeln in der Gospelmusik haben.So hören wir nicht nur den klassischen amerikanischen Gospelstil (mit seinem typischen Händeklatschen und den Swing-Rhythmen), sondern auch freiere Gospelrichtungen, die sich im Laufe der Zeit entwickelt haben. The Gospel Mass ist unseresWissens die einzig wahre Gospel-Messe.Chorstimmen separat erhältlich.

The Gospel Mass messe pour chœur mixte, combo et orchestre d’harmonie, fut composée partir du style gospel, qui, depuis ses origines en Amérique, s’est peu peu étendu dans le monde entier. Les différents mouvements de la composition de Jacob de Haan s’articulent selon le déroulement d’une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors, non seulement le style classique américain des chants gospels (y compris les applaudissements caractéristiques et rythmes swinguant), mais aussi une plus grande liberté d’usage des styles de gospel qui se sont développés au fil dutemps. Pourautant que nous sachions, The Gospel Mass est la seule véritable messe gospel existante pour orchestre d’harmonie. Partitions pour chœur disponibles séparément.

The Gospel Mass, una messa per coro misto, combo e banda da concerto, è basata sulla musica gospel che si è diffusa in tutto il mondo sin dalla sua nascita. I movimenti dell’ordinario della Messa, come li conosciamo, sono stati composti in vari stilipop che hanno origine nella musica gospel. Ascoltiamo quindi non solo il classico stile gospel americano (incluso il caratteristico battito di mani e ritmi swing), ma anche uno stile gospel piu libero che si è sviluppato nel corso del tempo. Perquanto ne sappiamo The Gospel Mass è l’unica autentica messa gospel. Parti per coro disponibili a parte.

Fanfare Band, Mixed Choir and Combo - Grade 3

SKU: BT.DHP-1145564-020

Composed by Jacob De Haan. Musica Sacra. Set (Score & Parts). Composed 2014. De Haske Publications #DHP 1145564-020. Published by De Haske Publications (BT.DHP-1145564-020).

The Gospel Mass-a mass for mixed choir, combo and concert band-is based on the gospel music that has spread throughout the world since its creation in America. After Missa Brevis and Missa Katharina this is the third mass fromthe pen of Jacob de Haan.
The movements of the mass ordinary as we know it have now been composed in various pop styles that have their origin in the gospel music. We hear, then, not only the classic American gospel style (including thecharacteristic clapping and swing rhythms), but also freer gospel styles that have developed over the course of time. The Credo, for example, is a ballad with rock and funk influences. The Agnus Dei is heard as a slow blues-a genreclosely linked to gospel music. The unique feature of this work, of course, is in the combination of all these pop and gospel elements with the Latin liturgy of the Kyrie, Gloria, Sanctus, Benedictus and Agnus Dei, which results in abeautiful, cohesive whole. As far as we know, The Gospel Mass is the only true gospel mass.

The Gospel Mass – een mis voor gemengd koor, combo en blaasorkest – is gebaseerd op de gospelmuziek zoals die zich sinds haar ontstaan in Amerika overal in de wereld heeft verspreid en ontwikkeld. Het werk is na Missa Brevisen Missa Katharina de derde mis van componist Jacob de Haan.
De ordinariumdelenzoals we die kennen van een mis, zijn hier gecomponeerd in diverse popstijlen die hun oorsprong vinden in de gospelmuziek. Zo horen we niet alleen deklassiekeAmerikaanse gospelstijl (inclusief hand-clapping en swing), maar ook de vrijere gospelstijlen die zich in de loop der tijd hebben ontwikkeld. Het Credo is bijvoorbeeld gecomponeerd als een ballad, terwijl in andere delen rock- en funkinvloeden zijnverwerkt. Het Agnus Dei klinkt in een slow blues, een genre dat nauw verbonden is met de gospelmuziek. De unieke factor is de combinatie van al deze pop- en gospelelementen met de Latijnse misteksten van het Kyrie, Gloria, Credo, Sanctus, Benedictusen Agnus Dei – daarmee ontstaat een fraai, samenhangend geheel. Voor zover bekend is The Gospel Mass de enige echte gospelmis.

The Gospel Mass eine Messe für gemischten Chor, Combo und Blasorchester basiert auf der Gospelmusik, wie sie sich seit ihrer Entstehung in Amerika überall auf der Welt verbreitet hat. Das Werk ist nach Missa Brevis und MissaKatharina die dritte Messe aus der Feder von Jacob de Haan.
Die Ordinariumsteile, wie man sie aus einer Messe kennt, sind hier in diversen Popstilen komponiert, die ihren Ursprung in der Gospelmusik haben. So hören wir nicht nur den klassischen amerikanischen Gospelstil (inklusive Händeklatschen und Swing),sondern auch freiere Gospelstile, die sich im Laufe der Zeit entwickelt haben. Das Credo ist beispielsweise eine Ballade, in der Rock- und Funk-Einflüsse verarbeitet wurden. Das Agnus Dei erklingt als langsamer Blues ein Genre, daseng mit der Gospelmusik verknüpft ist. Der einzigartige Faktor dieses Werkes besteht natürlich in der Kombination all dieser Pop- und Gospelelemente mit den lateinischen Messetexten der Ordinariumsteile Kyrie, Gloria, Sanctus, Benedictusund Agnus Dei, die ein schönes, zusammenhängendes Ganzes ergibt. Soweit bekannt, ist The Gospel Mass die einzige echte Gospelmesse.

The Gospel Mass messe pour chœur mixte, combo et orchestre d’harmonie, fut composée partir du style gospel, qui, depuis ses origines en Amérique, s’est peu peu étendu dans le monde entier. Après Missa Brevis et MissaKatharina, voici la troisième messe signée par le compositeur Jacob de Haan.
Les différents mouvements de la composition de Jacob de Haan s’articulent selon le déroulement d’une célébration liturgique ordinaire. La Gospel Mass comporte divers styles pop qui trouvent leur origine dans la musique gospel. Nous entendonsalors, non seulement le style classique américain des gospels songs (y compris les applaudissements caractéristiques et rythmes swinguant), mais aussi une plus grande liberté d’usage des styles de gospel qui se sont développés au fil du temps. LeCredo, par exemple, est une ballade aux influences rock et funk. LAgnus Dei résonne comme un slow blues - un genre lent étroitement lié la musique gospel. La particularité de cette œuvre réside dans une belle et cohérente combinaisonde tous ces éléments pop et gospel avec le Kyrie, Gloria, Sanctus, Benedictus et Agnus Dei de la liturgie latine. Pour autant que nous sachions, The Gospel Mass est la seule véritable messe gospel.

B-flat Edition. Composed by Various. Fake Book. Softcover. 504 pages. Published by Hal Leonard

Choral Hand Clap, Hand Drum, Violin, alto 1, alto 2, soprano 1, soprano 2

SKU: CF.CM9563

Great and Fiery Force. Composed by Michael John Trotta. Hidegard Von Bingen transcribed by Michael John Trotta. Mjts. With Standard notation. 24 pages. Duration 4 minutes, 41 seconds. Carl Fischer Music #CM9563. Published by Carl Fischer Music (CF.CM9563).

ISBN 9781491153635. UPC: 680160911134. 6.75 x 10.5 inches. Key: G minor. Latin, English. Hidegard Von Bingen transcribed by Michael John Trotta.

Trotta's composition is an energetic reimagining of timeless text and tune from the 12th century poet, composer, and philosopher Hildegard of Bingen. The marriage of the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works) creates an entirely new work that expresses themes of empowerment. There is a reflective sense of the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.
This commissioned work for womens choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for womenas choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women's choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself. This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment. An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish. I am the great and fiery force, That breathes life into all things: I am what awakens and supports life And enkindles all living things I am the great and fiery force, That breathes life into all things: Everything in the cosmos Is encircled with my wisdom. I am the beauty in the fields, The force, that moves like a graceful wind I shine in the waters, and burn in the sun, Glimmering in the stars. Caritas abundat in omnia (Grace abounds for everyone) [Liber Divinorum Operum (The Book of Divine Works), I.I.2].
This commissioned work for women’s choir is an energetic reimagining of a timeless text and tune from the twelfth-century poet, composer and philosopher Hildegard of Bingen. The text was selected as a reflection of the students' desire to express the empowerment that comes from singing in a choir, especially the power of belonging to a group united for a purpose greater than oneself.This piece marries the chant Caritas Abundat with a text taken from Liber Divinorum Operum (The Book of Divine Works), creating an entirely new work that expresses themes of empowerment.An adapted quotation of the tune is introduced in the violin, then taken up by the choir, treated to a five-part canon in the more reflective middle section, and finally changes meter for an energetic finish.I am the great and fiery force,That breathes life into all things:I am what awakens and supports lifeAnd enkindles all living thingsI am the great and fiery force,That breathes life into all things:Everything in the cosmosIs encircled with my wisdom.I am the beauty in the fields,The force, that moves like a graceful windI shine in the waters, and burn in the sun,Glimmering in the stars.Caritas abundat in omnia (Grace abounds for everyone)[Liber Divinorum Operum (The Book of Divine Works), I.I.2].

Orchestra String Orchestra - Grade 3

SKU: FJ.ST6449

Composed by Chris Thomas. Series; String Orchestra. FJH String Orchestra. Inspired by the composer's hike through Ireland, this music paints the vivid scene of a centuries-old building packed with locals who were clapping, stomping and singing along with a popular traditional band. This energetic original work evokes a sense of. Folk; Multicultural. Score and Part(s). Duration 3:00. The FJH Music Company Inc #98-ST6449. Published by The FJH Music Company Inc (FJ.ST6449).

UPC: 241444387726. English.

Inspired by the composer's hike through Ireland, this music paints the vivid scene of a centuries-old building packed with locals who were clapping, stomping and singing along with a popular traditional band. This energetic original work evokes a sense of what it was like to be at Sheehan's Pub that very evening, and will transport your audience to one of the most inviting countries in the world.

About FJH String Orchestra

More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up

Concert Band Concert Band - Grade 2.5

SKU: FJ.B1559S

Score Only. Composed by Travis J. Weller. Concert Band. FJH Concert Band. Score. Duration 2:15. The FJH Music Company Inc #98-B1559S. Published by The FJH Music Company Inc (FJ.B1559S).

English.

Celebrate the collaborative energy of young musicians with this exciting concert opener that features numerous sections throughout the ensemble. The lively opening continues to build throughout the work utilizing basic meter changes, ensemble clapping, and uplifting melodies. An ideal way to showcase the enthusiasm of your students!

About FJH Concert Band

Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5

Concert Band - Grade 2

SKU: AP.44917S

As Performed by Bruno Mars. Composed by Bruno Mars, Charles Wilson, Devon Gallaspy, Jeff Bhasker, Lonnie Simmons, Mark Ronson, Nicholaus Williams, Philip Lawrence, Robert Wilson, Ronnie Wilson, and Rudolph Taylor. Arranged by Michael Story. Concert Band; Performance Music Ensemble; Single Titles. Pop Young Band. Pop. Score. 16 pages. Duration 2:00. Alfred Music #00-44917S. Published by Alfred Music (AP.44917S).

ISBN 9781470654252. UPC: 038081515786. English.

Enjoying a #1Billboard ranking for an astounding 14 weeks, Bruno Mars brings Mark Ronson's funky hit to life for your developing band. Right in the pocket, the energy and drive is built on the funk beat foundation introduced initially by the low reeds and low brass. That beat is embellished with the charismatic melody and builds to a powerful conclusion. This chart will have your audience clapping on 2 and 4 from the very beginning. Be careful or they'll be dancing in the aisles! (2:00).

Band Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet, Crash Cymbals, Euphonium, Euphonium T.C., Flute, Horn, Mallet Percussion, Oboe, Percussion 1, Percussion 2, Ratchet, Snare Drum, Tambourine, Timpani, Triangle, Trombone, Trumpet, Tuba and more.

SKU: CF.BPS153F

Composed by LeAndre Benton. Full score. 24 pages. Carl Fischer Music #BPS153F. Published by Carl Fischer Music (CF.BPS153F).

ISBN 9781491163887. UPC: 680160922673.

Valley of Shadows is a concert-band work for young band that depicts the adventure of walking through an eerie forest. The piece calls for musicians to scream and clap as moments leading to the thrilling end depict an encounter with a snake in the valley (represented by a ratchet).A hard-acrylic mallet is preferred for the glockenspiel in this work. Additionally, the sleighbells or tambourine may be used interchangeably.