| Marcel Tournier: Intermediate Pieces for Solo Harp, Volume II Carl Fischer
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Car...(+)
Chamber Music harp SKU: CF.H84 Composed by Marcel Tournier. Edited by Carl Swanson. Collection - Score. Carl Fischer Music #H84. Published by Carl Fischer Music (CF.H84). ISBN 9781491165539. UPC: 680160924530. Marcel Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. Over his long career, he added a significant catalogue of very beautiful works to the harp repertoire. Many of his solo works, almost one hundred, have been consistently in print since they were first published. But in recent years harpist Carl Swanson has discovered a treasure trove of pieces by Tournier heretofore unknown and unpublished. These include the Déchiffrages in this edition, as well as songs set for voice, harp, and string quartet, and ensemble arrangements of some of his most beloved works.All of the works that Carl Swanson found were in manuscript only. With the help of the great harpist Catherine Michel, he has put these pieces into playable form, and they are being published for the very first time. He and Catherine often had to re-notate passages to show clearly how they could be played, adding fingerings and musical nuances, tempos, pedals, and pedal diagrams.Tournier wrote these pieces when he was in his 20s, and before he became the impressionistic composer those familiar with his work know so well. They are written in the late nineteenth-century romantic style that was being taught at that time at the Paris Conservatory. They are beautiful short, intermediate level pieces by a first rate composer, and add much needed repertoire to that level of playing. Marcel Tournier (1879–1951) was one of the most important harpist/composers in the history of the harp. He graduated from the Paris Conservatory with a first prize in harp in 1899. He also studied composition there and won a second prize in the prestigious Prix de Rome competition, as well as a first prize in the Rossini competition, another major composition competition of the day. From 1912 to 1948 he taught the harp class at the Paris Conservatory. But composition, and almost entirely, composition for the harp, was the main focus of his life. His published works, including many works for solo harp, a few for harp and other instruments, and several songs, number around one hundred pieces.In 2019, while researching Tournier for my edition MARCEL TOURNIER: 10 Pieces for Solo Harp, I discovered that there was a significant list of pieces by this composer that had never been published and were not included on any inventory of his music. Principal on this list were his déchiffrages (pronounced day-she-frahge, like the second syllable in the word garage).The word déchiffrage means sight-reading exercise, and that was their original purpose. Tournier numbered and dated these pieces, with dates ranging from 1900 to 1910, indicating that they were in all likelihood written for Alphonse Hasselmans’ class at the Paris Conservatory. Tournier was probably told how long to make each one, and how difficult. They range in length from two to four pages, with only one in the whole series extending to five, and from thirty to fifty-five measures, with only one extending to eight-five. The level of difficulty for the whole series is intermediate, with some at the easier end, and others at the middle or upper end.We don’t know if they were intended to test students trying to enter the harp class, or if they were used to test students in the class as they played their exams. The fact that they were never published means that students had to not only sight read them, but sight read them in manuscript form!I worked from digital images of the original manuscripts, which are in the private music library of a harpist in France. She had twenty-seven of these pieces, and this edition is the second in a series of three that will publish, for the first time, all of the ones that I have found thus far. The manuscripts themselves consist of little more than notes on the page: no pedals written in, no fingerings, few if any musical nuances and tempo markings, and no clear indication as to which hand plays which notes. These would have been difficult to sight read indeed! My collaborator Catherine Michel and I added musical nuances, fingerings, pedals and pedal diagrams, and tempo indications to put them into their current condition.At the time these were written, Tournier would have been in his twenties, having just graduated from the harp class himself (1899), and might still have been in the composition class. These are the earliest known pieces that he wrote, and they were written at the very beginning of a cultural revolution and upheaval in Paris that was to completely and profoundly alter musical composition. Tournier himself would eventually be caught up in this new way of composing. But not yet.All of the déchiffrages are written in the late romantic style that was being taught at that time at the Paris Conservatory. Each one is built on a clear musical idea, and the variety over the whole series makes them wonderful to listen to as well as to learn. They are also great technical lessons for intermediate level players.The obvious question is: Why didn’t Tournier publish these pieces, and why didn’t he list them on his own inventory of his music? Actually, four of them were published, with small changes, as his collection Four Preludes, Op. 16. These came from the ones that will be in volume three of this series from Carl Fischer. His first large piece, Theme and Variations, was published in 1908, and his two best known and frequently played pieces, Féerie and Au Matin, followed in 1912 and 1913 respectively. We can only speculate because there is so much still unknown about Tournier and about these unpublished pieces. He may have looked at them, fresh out of school as he was, as simply a way to make some quick money. The first several pieces that he did publish are much longer than any of the déchiffrages. So it could be that, because of their shorter length, as well as the earlier musical style that he was moving away from, he chose not to publish any more of them. We may never know the full story. But all these years later, more than a century after they were composed, we can listen to them for their own merits, and not measured against whatever else was going on at the time. The numbers on these pieces are the ones that Tournier assigned to them, and the gaps between some of the numbers suggest that there are perhaps thirty or more of these pieces still to be found, if they still exist. They will, in all likelihood, be found, as these were, in private collections of harp music, not in institutional libraries. We can only hope that more of them will be located in years to come.—Carl SwansonGlossary of French Musical TermsTournier was very precise about how he wanted his pieces played, and carefully communicated this with many musical indications. He used standard Italian words, but also used French words and phrases, and occasionally mixed both together. It is extremely important to observe and understand everything that he put on the page.Here is a list of the French words and phrases found in the pieces in this edition, with their translation.bien chanté well sung, melodiousdécidé firm, resolutediminu peu à peu becoming softer little by littleen diminuant becoming softeren riten. slowing downen se perdant dying awayGaiement gayly, lightlygracieusement gracefully, elegantlyLéger light, quickLent slowmarquez le chant emphasize the melodyModéré at a moderate tempopeu à peu animé more lively, little by littleplus lent slowerRetenu held backsans lenteur without slownesssans retinir without slowing downsec drily, abruptlysoutenu sustained, heldtrès arpegé very arpeggiatedTrès Modéré Very moderate tempoTrès peu retenu slightly held backTrès soutenu very sustainedun peu retenu slightly held back. $19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pieces II Op. 3, Op. 10, Op. 16 (Sr 25, Sr 33, Sr 40) Piano solo Russian Music Publishing
Urtext of the Rachmaninoff Complete Works - Volume 2. Composed by Sergei R...(+)
Urtext of the Rachmaninoff
Complete Works - Volume 2.
Composed by Sergei
Rachmaninoff (1873-1943).
Edited by Valentin Antipov.
Sheet music. For the first
time, Rachmaninoff's
complete works for piano
solo are published in eight
volumes. The practical
urtext editions with
unreduced musical text from
the Rachmaninoff Critical
Edition contain detailed
information on the history
of the compositio.
Classical. Softcover. 240
pages. Russian Music
Publishing #RMP3402.
Published by Russian Music
Publishing
$42.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jatekok - Games - Spiele 10 Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ15150 Tagebucheintragungen, persönliche Botschaft...(+)
Piano SKU: BT.EMBZ15150 Tagebucheintragungen, persönliche Botschaften. Composed by Gyorgy Kurtag. Contemporary Music. Book Only. Composed 2021. 72 pages. Editio Musica Budapest #EMBZ15150. Published by Editio Musica Budapest (BT.EMBZ15150). English-German-Hungarian. The piano series entitled Games, written from 1973 onwards, was conceived as a piano method. As the years went by, the series lost its didactic character, at it came to be seen as a document from Kurtág's workshop, offering a key to his grander symphonic, chamber and vocal works as well.Tenth volume is divided into two parts: In the first half, earlier, hitherto unpublished pieces line up from Suite, written in 1943, to the 1980s, providing insight into the development of Kurtág's musical language. The second half includes pieces composed between 2002 and 2011. The movements, often aphorismic in their briefness, hide associations with various aspects of European music history.Many of them are hommage or in memoriam pieces, or subjective personal messages to friends, colleagues, and beloved family members - and thereby to all music-loving people. This publication is printed on high quality, durable paper made from renewable raw materials in an environmentally friendly way. $23.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Move It! 2 Musical Awakening [DVD] GIA Publications
By John Feierabend and Peggy Lyman. Music Education. DVD. Published by GIA Publi...(+)
By John Feierabend and Peggy Lyman. Music Education. DVD. Published by GIA Publications
$44.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Golden Age of American Bands GIA Publications
SKU: GI.G-10368 A Document History (1835-1935). Composed by Bryan ...(+)
SKU: GI.G-10368 A Document History (1835-1935). Composed by Bryan J. Proksch. Music Education. 346 pages. GIA Publications #10368. Published by GIA Publications (GI.G-10368). ISBN 9781622776276. This is a fascinating and important book for everybody even remotely interested in the history of American bands. Bryan Proksch has done some painstakingly thorough research in putting together an amazing assemblage of documents… This is a must-have book! —Jon Ceander Mitchell   The Wind Music Research Quarterly: Mitteilungsblatt der IGEB   (March 2022), 14–15 For the scholar, each entry presents an opportunity for expansion. For the teacher, this work provides source readings for courses on wind band history or for complementing Strunk or Weiss-Taruskin in university music history courses. That said, these documents stand as an enriching and entertaining read in their own right for anyone interested in the subject. —Michael O’Connor   Historic Brass Today 1/2 (Spring 2022), 32 The Golden Age of American Bands is ideally suited for courses on the history and literature of bands in America. Indeed, this volume could suffice as a textbook for adventuresome teachers in that it touches on the major musicians, instruments, ensembles, and functions expected of such a course. . . . Both private and classroom band instructors will find compelling glimpses into the history of their craft. [It is] bursting with opportunities to inspire curiosity in their students while effectively supporting their own curricular goals. —Benjamin D. Lawson and James A. Davis   The Journal of Music History Pedagogy Proksch’s new collection of documents is a most welcome step in the direction of getting [the story of bands] under control. The juxtaposition of documents from so many levels and types of ensembles proves to have a cumulative effect: one begins to see the subtle and long-lasting connections among them despite the big differences. It is easy to envision it as a supplemental text in a course on band history and literature, but the book is also just an absorbing read. There is much to learn here, and much to enjoy. —Ken Kreitner   Notes 79/2 (December 2022): 217-218 This is the story of the American wind band, told chronologically by those who experienced it in real time from 1835 to 1935. How did bands become bands? How did they rise in popularity? Which figures had insights and specific impacts on the development of the genre? Through source documents and articles, Bryan Proksch takes us on an extraordinary journey from the time of the first brass bands in the 1830s, through the Civil War and the golden ages of Gilmore and Sousa, to the cusp of the wind ensemble just before World War II. Hear from a young Frederick Fennell about his efforts to create the first band at Eastman. Read the outline of Allessandro Liberati’s unpublished trumpet method book. Eavesdrop on Karl L. King as he muses on the fate of bands after the death of Sousa. See Patrick Conway’s first undergraduate music education curriculum. Gawk as trombonist Fredrick Neil Innes embarrasses “world’s greatest cornetist†Jules Levy at Coney Island. Explore as Alan Dodworth revolutionizes bands. Retreat with a military band in the middle of a Civil War battle. Find out what it felt like to sit in a Sousa Band rehearsal. Ask Herbert L. Clarke why he thinks you should be playing a cornet instead of a trumpet. Find out how P. S. Gilmore managed to pull off the biggest concert events in American history. The book includes numerous rare and unknown illustrations to show you the places where band history happened. The documents include rare periodical excerpts, handwritten letters, and other writings taken from archives throughout the United States. These first-person accounts are certain to further refine and deepen our understanding and appreciation of American band history on a grand scale. Contents: Beginnings (1835–1859) The Civil War (1860–1865) The Jubilees (1866–1879) The Gilded Age (1880–1896) The Band Age (1897–1914) World War I (1915–1919) Transition and Decline (1920–1935)  Click here to download a FREE addenda. Bryan Proksch is a distinguished faculty lecturer and associate professor of music history and literature at Lamar University in Beaumont, Texas. This is his third book. His A Sousa Reader: Essays, Interviews, and Clippings (GIA Publications, 2016) explores the documents relating to the life and career of John Philip Sousa. $39.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Volume 123 - Now's the Time - Standards with the Joey DeFrancesco Trio B Flat, E Flat, C and Bass clef Instruments [Sheet music + CD] Jamey Aebersold Jazz
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Alo...(+)
Edited by Jamey Aebersold. For any C, Eb, Bb, bass instrument or voice. Play-Along series with accompaniment CD. Jazz Play-A-Long For All Musicians. Book with CD. Published by Jamey Aebersold Jazz.
$17.90 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| 24 Melodious Warm-Ups Flute Theodore Presser Co.
Daily tone and articulation studies from the flutistas repertoire. Arranged by...(+)
Daily tone and articulation
studies from the flutistas
repertoire. Arranged by
Daniel Dorff. Sws. Theodore
Presser Company #114-41983.
Published by Theodore
Presser Company
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Gitarrenschule II Guitar EMB (Editio Musica Budapest)
Guitar SKU: BT.EMBZ12280 Composed by Erzsebet Nagy and Miklos Mosoczi. EM...(+)
Guitar SKU: BT.EMBZ12280 Composed by Erzsebet Nagy and Miklos Mosoczi. EMB Music Lesson - Methods. Method. Book Only. Composed 1983. 64 pages. Editio Musica Budapest #EMBZ12280. Published by Editio Musica Budapest (BT.EMBZ12280). This publication is a completely revised edition of our five-volume guitar tutor. In the decades since the first edition, the musical interests of our students and their practice possibilities have changed. To adapt to this, we have partly expanded and partly reduced the musical and technical material of the tutor.We have increased the number of recital pieces at all levels of difficulty, so that our students can spend longer on a varied repertoire at their respective level. We have first of all selected works from the Viennese classics for this purpose but have also enriched the repertoire of the tutor with numerous pieces from the Renaissance and Baroque periods. In volumes Iand II of the tutor we have given Hungarian folk songs and children's songs a significant amount of space. In the course of revision, we have expanded the material of these two volumes with simple arrangements of folk songs, nursery rhymes and flower songs, and we have provided very easy, but valuable material for instrumental study in particular for children aged between 6 and 10. We have also expanded the chamber music material to be found at the end of the volumes, because we believe that playing music together is the best way to make instrumental study a lasting experience for our students. The parts are relatively simple, so the works provide a musical experience almost immediately. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Songs of Godlove, Volume II: S-Z Transcontinental Music
51 Solos and Duets. By Jack Gottlieb. Transcontinental Music Folios. Jewish. 126...(+)
51 Solos and Duets. By Jack Gottlieb. Transcontinental Music Folios. Jewish. 126 pages. Published by Transcontinental Music Publications.
$24.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Libi B'mizrach Volume 2 C Instruments [Sheet music + Audio access] Transcontinental Music
Music of Progressive Israeli T'filah Book with Audio Demos. Transcontinental M...(+)
Music of Progressive Israeli
T'filah Book with Audio
Demos. Transcontinental Music
Folios. Jewish. Softcover
Audio Online. 76 pages.
Transcontinental Music
Publications #994035.
Published by Transcontinental
Music Publications
$34.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Flamenco Improvisation: Volume 2 Guitar notes and tablatures Sher Music Company
Modal Improvisation and Melodic Construction in the Flamenco Environment. Com...(+)
Modal Improvisation and
Melodic Construction in the
Flamenco Environment.
Composed by Enrique Vargas.
321 pages. Published by Sher
Music Company
$46.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| tellement froid que Carus Verlag
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bas...(+)
Bass Flute, Electronics, Scene SKU: CA.1631000 (georgiques I), fur bass flute and live electronics. Composed by Walter Feldmann. This edition: Paperbound. (r)TELLEMENT FROID QUE- (GEORGIQUES I). Full score. Composed 1995-96. 66 pages. Duration 20 minutes. Carus Verlag #CV 16.310/00. Published by Carus Verlag (CA.1631000). ISBN 9790007242800. Language: all languages. 1989. Stay in Aix-en-Provence, France, doing a language course. Reading, discussing and analyzing Les Georgiques; this pursuit is going to be the foundation of the multiple intellectual and literary levels of my composing. 2. THE WOODEN PLATFORM IS COVERED WITH FINE WHITE SAND (OR SALT), THE TWO SHELVES WITH BLACK CLOTH ... At the time I work on my first serious piece, still a far cry from the under-standing of writing music I have today. << tellement froid que >> (georgiques I) for bass flute, electronics and scene (1995-96), sections 1-7. << comme si le froid >> (georgiques II) for baritone saxophone, timpani and piano (1998), sections 18-24. << n'etait le froid >> (georgiques III) for orchestra (2000-2002), sections not yet decided. 3. THE INTERPRETER WILL BE DRESSED IN BLACK AND WHITE, MAINLY WHITE IF BLUISH LIGHT IS AT HAND ... The enormously rich vocabulary and the accuracy of expression - in temporal, spatial and material terms - is particularly impressive. To comprehend all of it, a reading on three different levels is called for: a first reading of one passage, then the acquisition of unknown vocabulary; thirdly a repeated - knowing - reading, which points out the utopia of precise expression: The text is treated in a rather problematic (cold: le froid?) manner: it's not the semantic content that is primarily dominant, but rather the outward appearance, the mise en page and the syntactic structure. 4. THE INTERPRETER ENTERS THE STAGE WITH ALL THE FLUTES (S)HE WILL PLAY DURING THE CONCERT AND DEPOSITS THEM - EXCEPT FOR THE BASS FLUTE - ON SHELF B; IF (S)HE ONLY PLAYS THIS PIECE, (S)HE SHOULD PUT THE PROGRAMME OF THE CONCERT THERE; IN ANY CASE THE INSTRUCTIONS IN BAR 195 MUST BE FOLLOWED ... In concrete terms the 10 centimetres of a line in the minuit edition correspond to 10 seconds of musical structure (which is three times as slow as the average reading speed). Only seven years later is the term / expression casse ferique changed into casse ferrique, and thus its secret is revealed, which almost becomes - due to its unreadability - the key to the planned musical cycle. The text is measured from section to section (big format: each section is marked with a continuous, ,,cold chord by the bass flute, played on tape recorder), from full stop to full stop (new entry of keynote material), from comma to comma (tripling of continuous resonances) etc. 5. DURING THE PERFORMANCE UP TO BAR 195, THE INTERPRETER WILL TRY - IN A KIND OF THEATRICAL ADAPTATION - TO EXPRESS HIS/HER OWN FEELING OF IRREPRESSIBLY GROWING FRUSTRATION; FROM BAR 195 ONWARDS (S)HE WILL DEFINITELY HAVE PUT UP WITH THE BASS FLUTE ... Brackets in the text bring about a reduction of sound (the differentiating micro tones are no longer used), the syntactical progression to subordinate clauses of the remotest degree has its immediate effect on dynamics (degree of volume). Then: the perception of a logical and yet erratic syntax, vastly progressive layers of subordinate clauses and brackets (lowering tone of voice?), a polyphony of ,,memoire, which leads to a maelstrom of attention, a tonally centric / concentrated (main material?) and progressive (subordinate and brackets-material?) reading, listening and proceeding. The different levels are constantly in touch - transferring the sensuous moment of scenes of bodily encounter (Tryptique) that are evoked again and again - in perpetual excitement of text and imagination, memory and remembering sensitivity. 6. THE BODY MOVEMENTS AND FIXATION (FIGE) , BOTH CLEARLY PERCEPTIBLE, WILL EVOKE AND SUPPORT THE SAME EMOTIONS ... The basic moods of the text will be reflected in the relationship (which is very important here) of the interpreter to the music; (s)he is somehow at the mercy of given (and not always transparent) structures on the one hand and the complexity of musical sensations on the other, which has to be defeated inspite of exhaustion. It's not only here that semantic agreement (besides the materialistic structure) of music and text can be felt: On top of that there's the existential helplessness in view of the mercilessly flowing polyphony of levels and events -- as a mirror of this there are the remembered scenes of the Flemish cold in the second chapter (Les Georgiques). The interpreters are confronted with unusual directions which correspond to the adjectives in the respective passages of the text: anachronique, engourdi, glace et acre, monotone et desert etc. The possibilities of interpretation are amplified, the ability to perceive and personal reaction is opened. The impression of this inexorability is multiplied in the extremest way by the fact that the particular layers can be found in Simon's complete works. It's a continuous work of art in which each novel turns into a chapter of a complex, cyclic whole; its title denoting only one main strand, as it were. A personal comment is made also as regards the clearly defined stage; the mise en scene points out the extra-musical elements and the correlation between text, human being and music. 7. THE INTERPRETER IS ASKED TO MOVE FREELY WITHIN A DEFINED SPOT WITHOUT LOOKING ARTIFICIAL; SOUNDS CAUSED BY THE FEET MOVING ON THE SAND ARE WELCOME DURING THE WHOLE PIECE ... And here the idea of a cycle is born, an attempt to transfer these nuances of memorized structures, this clarity and coldness, to transform the text into musical material. Walter Feldmann. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Choral Works For Mixed Voices EMB (Editio Musica Budapest)
Mixed Voices a cappella SKU: BT.EMBZ6725 Extended and revised paperbac...(+)
Mixed Voices a cappella SKU: BT.EMBZ6725 Extended and revised paperback edition. Composed by Zoltan Kodaly. Hymns & Chorals. Book Only. Composed 1972. 404 pages. Editio Musica Budapest #EMBZ6725. Published by Editio Musica Budapest (BT.EMBZ6725). Hungarian. Zoltán Kodály s unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author s edition, being expanded with eight new compositions, but without Els áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a commemorative extended edition of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with themanuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 we emended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály s collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek eristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), ejesztend t köszönt (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known under the title of Naphimnusz (Canticle of the Sun), due to earlier editions the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szed s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály s mixed choruses to date it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue.
Diese Ausgabe entstand unter der Mitwirkung von Lajos Bárdos. $30.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Choral Works For Mixed Voices EMB (Editio Musica Budapest)
Mixed Voices SKU: BT.EMBZ6725A Extended and Revised Cloth Bound Editio...(+)
Mixed Voices SKU: BT.EMBZ6725A Extended and Revised Cloth Bound Edition. By Péter Erdei. By Zoltan Kodaly. Hymns & Chorals. Book Hardcover. Composed 2018. 404 pages. Editio Musica Budapest #EMBZ6725A. Published by Editio Musica Budapest (BT.EMBZ6725A). Hungarian. Zoltán Kodály s unaccompanied mixed choruses first appeared in print in 1943 as a collected volume published by the association Magyar Kórus. This collection contained twenty-five works. In 1951, the volume was released again in the author s edition, being expanded with eight new compositions, but without Els áldozás (First Communion). Reprint editions of this collection had been distributed by Editio Musica Budapest until 1972, when a commemorative extended edition of the mixed choruses was issued, edited by Lajos Bárdos. Until now, reprints of this collection with forty-five compositions have been circulated. Péter Erdei carefully compared the printed edition with themanuscripts of the works preserved at the Kodály Archives. As a result of his work, in 2011 we emended a number of misprints, including those that had been inherited since the earliest print. Seventy-five years after the first release, the time has come for Kodály s collected choral works for mixed voices to appear in a completely new, expanded edition. Our collection contains six compositions that were not included in earlier editions: Jövel, Szentlélek eristen (Come, Holy Spirit), Miatyánk (The Lord s Prayer), Miserere, Salló Pista, Semmit ne bánkódjál (Do Not Grieve), ejesztend t köszönt (A Christmas Carol). In addition, two versions - both equally authentic - are published of the work known under the title of Naphimnusz (Canticle of the Sun), due to earlier editions the new release comes with lyrics in Hebrew and English (Adoration), as well as Dénes Szed s Hungarian translation (Napének [Hymn of the Sun]). This is the most complete and most authentic edition of Kodály s mixed choruses to date it is printed in a slightly larger format than previous editions, and it contains new easily-legible music scores and an informative epilogue. $38.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Weihnachtsbaum and other Works (NLE Vol. 14B) Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14763 Années de Pelerinage, Troisieme Année (p...(+)
Piano SKU: BT.EMBZ14763 Années de Pelerinage, Troisieme Année (paperback). By Adrienne Kaczmarczyk_Ãgnes Sas. By Franz Liszt. EMB Liszt Works. Book Only. Composed 2018. 216 pages. Editio Musica Budapest #EMBZ14763. Published by Editio Musica Budapest (BT.EMBZ14763). English-German-Hungarian. Supplement Volume 14 of the New Liszt Edition contains mostly unpublished early versions of piano works from the last two decades of the composer s life. The bulk of the volume comprises pieces from Volume 3 of Années de pelerinage and the Weihnachtsbaum cycle. Of the latter, two complete early versions are extant. One of these consists of pieces which are shorter and more condensed than the final version. For performer and listener alike, it is an exciting experience to become familiar with this set of pieces in its early form.Among the individual pieces in this volume, the autograph version of the beautifully evocative Schlummerlied im Grabe is also published here forthe first time. Finally, Liszt s characteristically economical attitude to composing can be studied in the original form of what can be considered as the common starting point for La lugubre gondola I and II. The latest volume of the New Liszt Edition also contains a detailed preface in German, English, and Hungarian, including new results of research, five manuscript facsimiles, and critical notes. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition s contents are identical to those of the hardcover edition, except for the omission of the critical notes.
Dieser neue praktischen Zielen gerecht werdende Band basiert auf der neuen Liszt Ausgabe, erscheint allerdings ohne den Kritischen Bericht. Der neueste Band der Neuen Liszt-Gesamtausgabe umfasst ein detailliertes, neue Forschungsergebnisse enthaltendes Vorwort in deutscher, englischer und ungarischer Sprache. Der vorliegende Band enthält die größtenteils unveröffentlichten Fru hfassungen von in den letzten zwei Jahrzehnten des Lebens des Komponisten entstandenen Klavierwerken. Das Ru ckgrat des Bandes bilden die Stu cke des III. Bandes der Pilgerjahre und aus Weihnachtsbaum. Von Letzterem sind zwei vollständige Fru hfassungen erhalten geblieben. Eine von ihnen besteht aus ku rzeren, kompakteren Stu cken als die endgu ltige Form. Fu r die Vortragenden und die ZuhörerInnen ist es ebenfalls ein spannendes Erlebnis, die Reihe in dieser fru heren Form kennenzulernen. $48.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Preludi: Secondo Quaderno Piano solo Schott
Piano - intermediate to difficult SKU: HL.49045232 For Piano. Comp...(+)
Piano - intermediate to difficult SKU: HL.49045232 For Piano. Composed by Renato de Grandis. This edition: Saddle stitching. Sheet music. Piano. The 48 Preludi are either short sketches or expansive concert pieces which also allude to types of setting or themes from the piano music since Scarlatti. Suitable for music lessons and competitions, either individually, in freely formed groups or as a cy. Classical. Softcover. Composed 1999-2000. 46 pages. Duration 32'. Schott Music #ED22099. Published by Schott Music (HL.49045232). ISBN 9790001201667. UPC: 841886029330. 9.0x12.0x0.166 inches. The 48 Preludes by the Venetian composer Renato de Grandis (1927-2008) were composed, largely, between 1998-2002. It was only subsequently that he arranged them into 4 cycles of 12 preludes, drawing also from earlier compositions. Written in a traditional pianistic style, they are short sketches which are sometimes characterized by musical thoughts, sometimes by moods or by natural phenomena. The fourth volume presented here is once again divided into two cycles of 6 preludes each, with the first cycle paying tribute to the landscapes and towns of Friuli north of Venice. $35.00 - See more - Buy online | | |
| Honey from the Rock - Volume 1 Choral SATB GIA Publications
Entrance and Communion Antiphons for the Church Year. Composed by M. Roge...(+)
Entrance and Communion Antiphons for the Church Year. Composed by M. Roger Holland, II. Sacred. 64 pages. Published by GIA Publications (GI.G-9233).
$7.45 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Concerto for Piano (Harpsichord) and Orchestra F Major Hob.XVIII:3 G. Henle
Violin 2 (Violin 2) SKU: HL.51480734 Violin II. Composed by Franz ...(+)
Violin 2 (Violin 2) SKU: HL.51480734 Violin II. Composed by Franz Joseph Haydn. Edited by Horst Walter. Sheet Music. Paperbound. Henle Music Folios. Pages: Vl II Part = 7. Classical. Individual instrument part. 8 pages. G. Henle #HN734. Published by G. Henle (HL.51480734). ISBN 9790201807348. UPC: 884088178482. 9.25x12.25x0.023 inches. This volume completes Henle's urtext series of Joseph Haydn's three piano concertos. Written in or around 1765, the delightful first concerto is ideally suited for playing at home, for the relatively undemanding part for piano (or harpsichord) is accompanied merely by a string quartet. This edition draws on the musical text in our complete edition of Haydn's works, guaranteeing an urtext of the finest quality. About Henle Urtext What I can expect from Henle Urtext editions: - error-free, reliable musical texts based on meticulous musicological research - fingerings and bowings by famous artists and pedagogues
- preface in 3 languages with information on the genesis and history of the work
- Critical Commentary in 1 – 3 languages with a description and evaluation of the sources and explaining all source discrepancies and editorial decisions
- most beautiful music engraving
- page-turns, fold-out pages, and cues where you need them
- excellent print quality and binding
- largest Urtext catalogue world-wide
- longest Urtext experience (founded 1948 exclusively for Urtext editions)
$6.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Weihnachtsbaum and other Works (NLE Vol. 14A) Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ14763A Années de Pelerinage, Troisieme Année(+)
Piano SKU: BT.EMBZ14763A Années de Pelerinage, Troisieme Année. By Adrienne Kaczmarczyk_Ãgnes Sas. By Franz Liszt. EMB New Listz Edition. Book Hardcover. Composed 2018. 232 pages. Editio Musica Budapest #EMBZ14763A. Published by Editio Musica Budapest (BT.EMBZ14763A). English-German-Hungarian. Supplement Volume 14 of the New Liszt Edition contains mostly unpublished early versions of piano works from the last two decades of the composer s life. The bulk of the volume comprises pieces from Volume 3 of Années de pelerinage and the Weihnachtsbaum cycle. Of the latter, two complete early versions are extant. One of these consists of pieces which are shorter and more condensed than the final version. For performer and listener alike, it is an exciting experience to become familiar with this set of pieces in its early form.Among the individual pieces in this volume, the autograph version of the beautifully evocative Schlummerlied im Grabe is also published here forthe first time. Finally, Liszt s characteristically economical attitude to composing can be studied in the original form of what can be considered as the common starting point for La lugubre gondola I and II.The latest volume of the New Liszt Edition also contains a detailed preface in German, English, and Hungarian, including new results of research, five manuscript facsimiles, and critical notes. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition s contents are identical to those of the hardcover edition, except for the omission of the critical notes. $117.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Femiel (from One Loss Plus) Violin Subito Music
Violin & Keyboard SKU: SU.17150330 For Violin & Keyboard. Composed...(+)
Violin & Keyboard SKU: SU.17150330 For Violin & Keyboard. Composed by Daniel Bernard Roumain. Strings, Violin. Score & Parts. Composed 2007. Duration 7'. Subito Music Corporation #17150330. Published by Subito Music Corporation (SU.17150330). This CD Sheet Music™ collection brings together over 600 songs and song cycles (in alternate keys for low voice) by composers from the Classical and Romantic eras: Wolfgang Amadeus Mozart, Ludwig van Beethoven, Felix Mendelssohn, Johannes Brahms, and Hugo Wolf. Beethoven: over 70 songs including: Ah! Perfido, An die ferne Geliebte, Songs, Op. 75; 2 Songs from Egmont, Op. 84; plus 29 songs without opus Brahms: over 200 songs including: An den Mond, Mädchenlied, Mondscheinen, Nachtigall, Sommerabend, Ständchen, Four Serious Songs Mendelssohn: over 70 songs including Frühlingslied, Morgenslied, Der Mond, Geistlisches Lied, Der Blumenkranz Mozart: over 20 individual songs including: Lied zur Gesellenreise, K. 468; Lied der Freiheit, K. 506; Das Kinderspiel, K. 598 Wolf: over 100 songs including: from Mörike Songs, Eichendorff Songs, Goethe Songs, Michelangelo Songs, Spanish Songbook (Spiritual Songs & Wordly Songs) The Italian Songbook (Volumes I & II) Added features: alphabetical indexes for searching by title, first line or poet Also includes: composer biographies and relevant articles from the 1911 edition of Grove's Dictionary of Music and Musicians 1800+ pages Please note, customers using Macintosh computers running macOS Catalina (version 10.5) have reported hardware compatibility issues with this product. If you encounter these issues, we recommend copying the entire contents of the disk to a contained folder on a thumb drive or other storage device for use on your Mac. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Guitar Tutor 1 Guitar EMB (Editio Musica Budapest)
Guitar (GUITAR SOLO) SKU: HL.50489495 Gitariskola - Guitar Tutor. ...(+)
Guitar (GUITAR SOLO) SKU: HL.50489495 Gitariskola - Guitar Tutor. Composed by Erzsé, Mikló, bet Nagy, czi, and s Mosó. EMB. Volume 1. Children, Classical, Hungarian. Book [Softcover]. 68 pages. Editio Musica Budapest #Z8418. Published by Editio Musica Budapest (HL.50489495). ISBN 9790080084182. Bach (23 x 30,2 cm) inches. Hungarian, English, German. This publication is a completely revised edition of our five-volume guitar tutor. In the decades since the first edition, the musical interests of our students and their practice possibilities have changed. To adapt to this, we have partly expanded and partly reduced the musical and technical material of the tutor. We have increased the number of recital pieces at all levels of difficulty, so that our students can spend longer on a varied repertoire at their respective level. We have first of all selected works from the Viennese classics for this purpose but have also enriched the repertoire of the tutor with numerous pieces from the Renaissance and Baroque periods. In volumes I and II of the tutor we have given Hungarian folk songs and children's songs a significant amount of space. In the course of revision, we have expanded the material of these two volumes with simple arrangements of folk songs, nursery rhymes and flower songs, and we have provided very easy, but valuable material for instrumental study in particular for children aged between 6 and 10. We have also expanded the chamber music material to be found at the end of the volumes, because we believe that playing music together is the best way to make instrumental study a lasting experience for our students. The parts are relatively simple, sothe works provide a musical experience almost immediately. $24.95 - See more - Buy online | | |
| Guitar Tutor 2 Guitar EMB (Editio Musica Budapest)
Guitar (GUITAR SOLO) SKU: HL.50487106 Expanded, revised edition. C...(+)
Guitar (GUITAR SOLO) SKU: HL.50487106 Expanded, revised edition. Composed by Erzsé, Mikló, bet Nagy, czi, and s Mosó. EMB. Volume 2. Children, Classical, Hungarian. Softcover. 64 pages. Editio Musica Budapest #Z12280. Published by Editio Musica Budapest (HL.50487106). ISBN 9790080122808. Bach (23 x 30,2 cm) inches. Erzsebet Nagy; Miklos Mosoczi. This publication is a completely revised edition of our five-volume guitar tutor. In the decades since the first edition, the musical interests of our students and their practice possibilities have changed. To adapt to this, we have partly expanded and partly reduced the musical and technical material of the tutor. We have increased the number of recital pieces at all levels of difficulty, so that our students can spend longer on a varied repertoire at their respective level. We have first of all selected works from the Viennese classics for this purpose but have also enriched the repertoire of the tutor with numerous pieces from the Renaissance and Baroque periods. In volumes I and II of the tutor we have given Hungarian folk songs and children's songs a significant amount of space. In the course of revision, we have expanded the material of these two volumes with simple arrangements of folk songs, nursery rhymes and flower songs, and we have provided very easy, but valuable material for instrumental study in particular for children aged between 6 and 10. We have also expanded the chamber music material to be found at the end of the volumes, because we believe that playing music together is the best way to make instrumental study a lasting experience for our students. The parts are relatively simple, sothe works provide a musical experience almost immediately. $24.95 - See more - Buy online | | |
| Annees De Pelerinage Book 2 Italy Piano solo G. Henle
Piano SKU: HU.HN174 Composed by Franz Liszt. Edited by Ernst Herttrich. Piano S...(+)
Piano
SKU: HU.HN174
Composed by Franz Liszt. Edited by Ernst Herttrich. Piano Solo, Piano and Keyboard, Repertoire, Collections. Annees de Pelerinage, Book 2 - Italy. Classical, Romantic. Softcover Book. 64 pages. G. Henle #HN174. Published by G. Henle
$37.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Œuvres pour piano Piano solo - Intermediate Salabert
Piano - late intermediate SKU: BT.SLB-00595000 Édition Originale(+)
Piano - late intermediate SKU: BT.SLB-00595000 Édition Originale. Composed by Frederic Mompou. Durand-Salabert-Eschig-Les Éditions Originales. Book Only. Composed 2015. 236 pages. Editions Salabert #SLB 00595000. Published by Editions Salabert (BT.SLB-00595000). English-German-French-Italian. This volume in the series “Les éditions originales Durand • Salabert • Eschig†contains Frederic Mompou’s works for piano taken from the editions in Salabert catalogue. The original engravings are reproduced, giving musicians a valuable record of howthese major works were first published, whether in the composer’s lifetime or posthumously.
Der vorliegende Band aus der Reihe Les éditions originales Durand • Salabert • Eschig enthält die Werke für Klavier von Frederic Mompou aus dem Salabert-Katalog. Abgedruckt ist der ursprüngliche Notensatz, der den Interpreten ein lebendiges Bildvon den Erstausgaben vermittelt, wie sie zu Lebzeiten des Komponisten und nach seinem Tod veröffentlicht wurden.
Ce volume dans la série «Les éditions originales Durand • Salabert • Eschig» présente le répertoire pour piano de Frederic Mompou repris des éditions qui figurent au catalogue Salabert. Ces gravures originales, publiées du vivant du compositeur ou titre posthume, fournissent aux interprètes un cliché de l’apparence initiale de ces œuvres devenues incontournables.
In questo volume della collana “Les éditions originales Durand • Salabert • Eschig†è presentata l’opera per pianoforte di Frederic Mompou tratta dalle edizioni del catalogo Salabert. Le incisioni originali qui riprodotte forniscono agli interpretil’immagine di come tali opere siano state pubblicate per la prima volta, vivente il compositore o postume. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Piano Works Supplement Volume 15 Piano solo EMB (Editio Musica Budapest)
Piano SKU: HL.50601464 Weihnachtsbaum, Années de Pelerinage, Troisi...(+)
Piano SKU: HL.50601464 Weihnachtsbaum, Années de Pelerinage, Troisieme Année and other works. Composed by Franz Liszt. EMB. Classical. Softcover. 216 pages. Editio Musica Budapest #Z14763. Published by Editio Musica Budapest (HL.50601464). 9.0x12.0 inches. Supplement Volume 14 of the New Liszt Edition contains mostly unpublished early versions of piano works from the last two decades of the composer's life. The bulk of the volume comprises pieces from Volume 3 of Années de pelerinage and the Weihnachtsbaum cycle. Of the latter, two complete early versions are extant. One of these consists of pieces which are shorter and more condensed than the final version. For performer and listener alike, it is an exciting experience to become familiar with this set of pieces in its early form. Among the individual pieces in this volume, the autograph version of the beautifully evocative Schlummerlied im Grabe is also published here for the first time. Finally, Liszt's characteristically economical attitude to composing can be studied in the original form of what can be considered as the common starting point for La lugubre gondola I and II. The latest volume of the New Liszt Edition also contains a detailed preface in German, English, and Hungarian, including new results of research, five manuscript facsimiles, and critical notes. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition, except for the omission of the critical notes. $59.00 - See more - Buy online | | |
| Compatible Duets for Strings Vol. II Carl Fischer
Chamber Music Cello SKU: CF.BF120 29 Duets That Can Be Played by Any C...(+)
Chamber Music Cello SKU: CF.BF120 29 Duets That Can Be Played by Any Combination of String Instruments. Composed by Adolphe-Charles Adam, Chauncey Olcott, Claude Rouget de Lisle, George Frideric Handel, Giuseppe Concone, Giuseppe Gariboldi, Henri Kling, Hughie Cannon, Larry Clark, Richard Shuebruk, Scottish Folk Song, Traditional, Wilhelm Wurm, Wolfgang Amadeus Mozart, and etc. Arranged by Doris Gazda Larry Clark. SWS. Collection. With Standard notation. 48 pages. Carl Fischer Music #BF120. Published by Carl Fischer Music (CF.BF120). ISBN 9781491149836. UPC: 680160907335. 9 x 12 inches. Continuing on the success of the popular Compatible series,Compatible Duets for Strings, Volume II contains 29 duets in avariety of styles (classical, folk music, new original pieces) thatcan be played with any combination of two string instruments.Students can develop their chamber ensemble skills whileplaying with their friends, no matter what string instrumentthey play. Ranging from grade levels 2–3, Compatible Duetsfor Strings, Volume II is perfect for orchestra directors to buyfor use in the classroom, and its flexibility makes it a musthavefor any string player. Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options since all ofthe books in this series are compatible. As former long time music educators we alwayshad student that wanted to come to the music room during lunch or after school and theyjust wanted to play with their friends. That was not possible since there is very little duetmaterial available that is compatible with all of the string instruments. This book and thefirst volume in the series takes care of that. A student can now grab their friend no matterwhat instrument they play and have hours of fun playing duets together. Most importantthey will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems and the point size of the music wasconsidered for ease of reading.It is our hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.We hope it is a useful tool for you for years to come. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Compatible Duets for Strings Vol. II Carl Fischer
Chamber Music Double Bass SKU: CF.BF121 29 Duets That Can Be Played by...(+)
Chamber Music Double Bass SKU: CF.BF121 29 Duets That Can Be Played by Any Combination of String Instruments. Composed by Adolphe-Charles Adam, Chauncey Olcott, Claude Rouget de Lisle, George Frideric Handel, Giuseppe Concone, Giuseppe Gariboldi, Henri Kling, Hughie Cannon, Larry Clark, Richard Shuebruk, Scottish Folk Song, Traditional, Wilhelm Wurm, Wolfgang Amadeus Mozart, and etc. Arranged by Doris Gazda Larry Clark. SWS. Collection. With Standard notation. 48 pages. Carl Fischer Music #BF121. Published by Carl Fischer Music (CF.BF121). ISBN 9781491149843. UPC: 680160907342. 9 x 12 inches. Continuing on the success of the popular Compatible series,Compatible Duets for Strings, Volume II contains 29 duets in avariety of styles (classical, folk music, new original pieces) thatcan be played with any combination of two string instruments.Students can develop their chamber ensemble skills whileplaying with their friends, no matter what string instrumentthey play. Ranging from grade levels 2–3, Compatible Duetsfor Strings, Volume II is perfect for orchestra directors to buyfor use in the classroom, and its flexibility makes it a musthavefor any string player. Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options since all ofthe books in this series are compatible. As former long time music educators we alwayshad student that wanted to come to the music room during lunch or after school and theyjust wanted to play with their friends. That was not possible since there is very little duetmaterial available that is compatible with all of the string instruments. This book and thefirst volume in the series takes care of that. A student can now grab their friend no matterwhat instrument they play and have hours of fun playing duets together. Most importantthey will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems and the point size of the music wasconsidered for ease of reading.It is our hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.We hope it is a useful tool for you for years to come. $14.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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