| Southland in Springtime String Orchestra [Score and Parts] - Easy Carl Fischer
By Alan Lee Silva. For string orchestra. Carl Fischer Young String Orchestra Ser...(+)
By Alan Lee Silva. For string orchestra. Carl Fischer Young String Orchestra Series. Grade 2-2.5. Score and parts. Published by Carl Fischer
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| Music for Two Cellos, Volume 1 2 Cellos (duet) [Score and Parts] - Intermediate/advanced Last Resort Music Publishing
Edited by Pansy Chang. Arranged by Daniel Kelley. For Cello Duet. Duets. Music f...(+)
Edited by Pansy Chang. Arranged by Daniel Kelley. For Cello Duet. Duets. Music for Two. Classical. Level: Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing.
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| Triangle of the Tempest - Intermediate Carl Fischer
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade ...(+)
Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 3.5 SKU: CF.CAS107 Composed by Alan Lee Silva. SWS FS. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. With Standard notation. 24+24+6+15+15+15+6+20 pages. Duration 4 minutes, 17 seconds. Carl Fischer Music #CAS107. Published by Carl Fischer Music (CF.CAS107). ISBN 9781491146675. UPC: 680160904174. 9 x 12 inches. Key: E minor. Triangle of the Tempest is a fast-moving composition with interesting rhythmic challenges and dynamic color shifts. Starting with syncopated figures over a repeated eight-measure progression, the piece builds in intensity as more sections and layers are added. The second part changes tone and is led by a heroic violin melody with a soaring cello obligato. The themes intertwine and the material develops into a dramatic conclusion with a final explosive ensemble hit. Action-packed and full of rhythmic drive, this piece is a good choice for contest or festival performance. An up-tempo 3â„4 piece in E minor, Triangle of the Tempest features inviting rhythmic challenges, provocative melodic variations and dynamic color shifts .The A-section is based on a repeating eight-measure harmonic progression with punctuated open voicings and syncopated figures . Each section builds in intensity as new elements are added in subsequent eight-measure increments . Rhythmically, the pattern in the A-section (mm . 1–36) follows a two-measure form: the first of the two measures has a dotted quarter-eighth syncopated figure, and the rhythms in the second measure fall primarily on the beats . After the main eight-measure pattern is established, the A-melody and its variations are introduced on top of it .A two-measure build (mm . 35–36), highlighted by fast moving ensemble triplet figures, propels the piece as it crescendos into the jubilant B-section (mm . 37–52), changing tone and moving to the relative G major . The violins carry the soaring melody atop sonorous major chords in the mid and low strings . Rhythmically, the alternating syncopated measure/non-syncopated measure form continues through this section .Returning to the dramatic E minor A-section phrases in mm . 53–86, the piece shifts to the original eight-measure harmonic progression with melodic variations in the violins over the top . After reprising the B-section (mm . 87–102), intertwining motifs at m . 103 offer a variation on the A-theme where the melodic entrances happen at one-measure intervals .The tempo slows slightly and the tone changes again in the flowing and magical C-section at m . 123 as the piece moves again to the relative G major . Repeating lyrical legato violin lines create the musical background for a majestic viola melody, featured in mm . 126–146 . A brief fanfare statement with motifs spread throughout the orchestra at m . 153, prepares the return to E minor and the A-theme in mm . 160–193 .Measure 194 introduces an E-pedal point and tension builds, ramping up emotionally to the ending . The ensemble thunders at m . 202 as the violins and violas begin a four-measure syncopated question/answer section with the cellos and basses . The phrases crescendo and build for another four measures at m . 206, setting up the driving unison, tutti figures at m . 211 and a final explosive hit on the downbeat of m . 212 . About Carl Fischer Concert String Orchestra Series This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by: - Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
- More comprehensive bowing techniques
- Viola T.C. included
- Careful selection of keys and degree of difficulty for advancing musicians
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| Finale and Variation V from Don Quixote, Opus 35, for Two Cellos 2 Cellos (duet) International Music Co.
Two Cellos SKU: IM.3930 Composed by Richard Strauss. Arranged by Daniel M...(+)
Two Cellos SKU: IM.3930 Composed by Richard Strauss. Arranged by Daniel Morganstern and Elaine Fine. Score and Parts. International Music Co. #3930. Published by International Music Co. (IM.3930). Two serene excerpts on the vigil and the death of Don Quixote from the Romantic composer's tone poem. Two parts. $13.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Chamber Music for/ Kammermusik für Violoncelli 11 - Intermediate EMB (Editio Musica Budapest)
2 or more Violoncelli - late intermediate SKU: BT.EMBZ14727 For 3 viol...(+)
2 or more Violoncelli - late intermediate SKU: BT.EMBZ14727 For 3 violoncellos. Composed by Arpad Peijtsik. EMB Chamber Music for Violoncellos. Educational Tool. Set (Score & Parts). Composed 2010. 46 pages. Editio Musica Budapest #EMBZ14727. Published by Editio Musica Budapest (BT.EMBZ14727). Volume 11 of this popular series contains seven trios for cellos, from various periods of music history: two 18th-century Hungarian dances, D. Gabrielli's Balleto and Sarabande, a set of variations by Joseph Haydn, two famous minuets by L. van Beethoven, an Andante by Dotzauer and one of Schubert's Ländler. Most of the works are playable by music school pupils, but the effective pieces by outstanding composers will be of interest to more experienced musicians as well.
Inhoud: 1. Chorea Hungarica from the Lcse tablature 2. Saltus Hungaricus (Mártonfi manuscript, Cs ksomlyó, 1813) 3. Gabrielli, Domenico: Balletto alla Francese 4. Haydn, Joseph: Adagio con variazioni 5. Beethoven, Ludwig van: 2 Menuette 6. Dotzauer, Justus Johann Friedrich: Andante 7. Schubert, Franz: Ländler
Der elfte Band der populären Serie beinhaltet sieben Trios, ausgewählt aus der Musik dreier Jahrhunderte. Das in den 1660er Jahren in L cse aufgezeichnete Chorea Hungarica und das Saltus Hungaricus aus dem Mártonfi-Manuskript (Cs ksomlyó, 1813) verkörpern die alte ungarische Musik, ebenso wie das Balletto und Sarabande von Domenico Gabrielli, die 1684 herausgegeben wurden, das Barock. Haydns Werk in Variationsform, die zwei bekannten Menuettos von Beethoven und das Andante von Dotzauer repräsentieren die Wiener Klassik, Schuberts Ländler in diesem Band steht für die Romantik. Die Mehrheit der Werke lässt sich auch schon im Musikschulalter spielen, die frappanten Stücke derherausragenden Komponisten können aber auch mit dem Interesse versierterer Musiker rechnen.
Sommaire: 1. Chorea Hungarica from the Lcse tablature 2. Saltus Hungaricus (Mártonfi manuscript, Cs ksomlyó, 1813) 3. Gabrielli, Domenico: Balletto alla Francese 4. Haydn, Joseph: Adagio con variazioni 5. Beethoven, Ludwig van: 2 Menuette 6. Dotzauer, Justus Johann Friedrich: Andante 7. Schubert, Franz: Ländler
Contents: 1. Chorea Hungarica from the Lcse tablature 2. Saltus Hungaricus (Mártonfi manuscript, Cs ksomlyó, 1813) 3. Gabrielli, Domenico: Balletto alla Francese 4. Haydn, Joseph: Adagio con variazioni 5. Beethoven, Ludwig van: 2 Menuette 6. Dotzauer, Justus Johann Friedrich: Andante 7. Schubert, Franz: Ländler $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Kaija Saariaho: Neiges For Eight Cellos (Score and Parts) Cello Chester
Cello - Intermediate-Advanced SKU: HL.14017469 Composed by Kaija Saariaho...(+)
Cello - Intermediate-Advanced SKU: HL.14017469 Composed by Kaija Saariaho. Music Sales America. Post-1900. Sheet Music, Score. With Text language: English. Chester Music #CH61806. Published by Chester Music (HL.14017469). UPC: 884088812041. 8.5x11.0x0.419 inches. Composer's Note When I considered the ensemble of eight cellos, I first thought of matt and dark textures. I also wanted to go back to some ideas on symmetry. While I was pondering all that, I saw snow flakes falling from the dark sky of the Finnish autumn. Focusing on the snow, the idea of writing variations on it and its various forms became clearer in my mind.Nuages de neige is a uniform and linear texture in which I realise my first impressions of that ensemble. The two Etoiles de neige are based on the idea of symmetry and repetition: the first one develops up to a certain point where it doubles back as in a mirror image, the second one consists of eight sections in which the harmonic structure is repeated, as well as a linear gesture that becomes ever more present. Aguilles de glace focuses on different pizzicati and superimposed ostinati. With Fleurs de neige I sought to recall the texture of those harmonic trills at the end of the first section, although more airy and diversified here. Kaija Saariaho. $56.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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