SKU: BT.VOLMB102
ISBN 9788863881004. Italian.
Boasting a massive range of 24 hit songs, these Pop Standards are all arranged for Piano, Vocal and Guitar. Featuring some of the greatest pop tunes of all time, this collection is indispensable for any pianists,guitarists or singers looking to enhance their repertoire.
SKU: HL.49046455
ISBN 9781540095749. UPC: 840126927757.
The most beautiful pop songs, well-known film melodies and timeless evergreens: Volume 3 of the Pop for Clarinet series contains 12 easy-to-play arrangements for 1-2 clarinets with matching playbacks for every song. Current chart hits such as Shallow or High Hopesstand alongside the pop classics Every Breath You Take, Africa, You Cant Hurry Love and many more. Musical fans get their money's worth with I Could Have Danced All Night from My Fair Lady.
SKU: AP.43104
UPC: 038081504513. English.
In the final days of November, as the nights grew longer and the vicious North winds began to pound the embattled city, the kingdom was rapidly nearing its darkest hour. As enemy forces threatened from every side, the exhausted council gathered in the great hall for one final desperate meeting. With all hope waning, with all other options exhausted, and with one last chance to save his people, the king summoned all remaining forces and invoked The Seventh Resolution. A contemporary bold work! (4:30).
SKU: HL.49002642
ISBN 9790220107672. UPC: 073999347685. 8.25x11.75x0.832 inches. English.
A house, too, can be a battlefield, and a garden a wilderness. The house here belongs to Faber and Thea: middle-class, middle-aged, probably more than middle-income and in a mid-matrimonial rut of mutual laissez-faire. Also in the house is their young ward Flora, to whom Faber has been making sexual advances. And there are visitors. Thea's sister Denise is taking a break from other distant battlefields, where she is engaged in the struggle against oppression. A black writer, Mel, is here as well with his white lover Dov, a musician: the first homosexual couple to be 'out' on the operatic stage.These people's entanglementswith each other but also, and more importantly, within themselveshave to be addressed, as in Tippett's first opera. But this time the Mozart model is Cosi fan tutte, and the lessons of myth are clothed in the language of psychiatry, as practised by Mangus, the Don Alfonso who may not be as much in control as he would hope. In the last act he stages a performance of The Tempest, which comes adrift. Perhaps more has been achieved in the middle act, a swirl of short scenes ending in an exchange of songs between Flora and Dovan exchange, too, of homages to Schubert and the blues, both held in the magic of this lustrous score.(Paul Griffiths)2 (2pic).1.ca.Ebcl.2 (2: bcl).1.cbn-4.4.2.1-timp.3perc (s.d., t.d., b.d., jazz kit, cym., sus.cym., w.bl., t.bl., tamb., casts., wh., metal bar or heavy triangle, tam-tam, xyl., vib., glock., claves, small rattle)-hp.cel.pno.egtr/ehpd-str Reduced version: 1 (pic).1 (ca).1 (Ebcl, bcl).1 (cbn)-3.2.2.0-2perc (timp., t.d., jazz kit, cym., t.bl., tamb., casts., metal bar or heavy tri., tam-tam, vib., glock., tub.bells, cl., rattle)-hp.pno (cel).egtr-str: 3 vns (3: va).va.vc.db.
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