| Rise Up Singing
Lyrics and Chords [Sheet music] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Up Singing Lyrics and Chords [Sheet music] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Phillips Collection of Traditional American Fiddle Tunes Vol 1 Violin [Sheet music] Mel Bay
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels....(+)
by Stacy Phillips. For fiddle. All styles, fiddle tunes. Level: Multiple Levels. Book. Solos. Size 8.75x11.75. 268 pages. Published by Mel Bay Pub., Inc.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Classical Fake Book - 2nd Edition
Fake Book [Fake Book] - Easy Hal Leonard
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. ...(+)
(Over 850 Classical Themes and Melodies in the Original Keys) For C instrument. Format: fakebook (spiral bound). With vocal melody (excerpts) and chord names. Lassical. Series: Hal Leonard Fake Books. 646 pages. 9x12 inches. Published by Hal Leonard.
(8)$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Granger's Fiddle Tunes for Guitarß Guitar notes and tablatures [Sheet music + Audio access] - Beginner Mel Bay
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire b...(+)
Guitar - Beginning SKU: MB.31103M Third Edition. Bluegrass, Wire bound. World. Book and online audio. 236 pages. Mel Bay Publications, Inc #31103M. Published by Mel Bay Publications, Inc (MB.31103M). ISBN 9781513468792. 8.75x11.75 inches. Adam Granger self-published the first edition of Grangerâ??s Fiddle Tunes for Guitar in 1979. A second edition was published in 1994. Now Mel Bay Publications presents the third edition of the book. This 236-page book is the most extensive and best-documented collection of fiddle tunes for the flatpicking guitar player in existence, and includes reels, hoedowns, hornpipes, rags, breakdowns, jigs and slip-jigs, presented in Southern, Northern, Irish, Canadian, Texas and Old-time styles. There are 508 fiddle tunes referenced under 2500 titles and alternate titles. The titles are fully indexed, making the book doubly valuable as a reference book and a source book. In this new edition, all tunes are typeset, instead of being handwritten as they were in the previous editions, making the tabs easier to read. The tunes in Grangerâ??s Fiddle Tunes for Guitar are presented in Easytab, a streamlined tablature notation system designed by Adam specifically for fiddle tunes. The book comes with a link which gives access to mp3 recordings by Adam of all 508 tunes, each played once at a moderate tempo, with rhythm on one channel and lead on the other. Also included in Grangerâ??s Fiddle Tunes for Guitar are instructions for reading Easytab, descriptions of tune types presented in the book, and primers on traditional flatpicking and rhythm guitar. Additionally, there are sections on timing, ornamentation, technique, and fingering, as well as information on tune sources and a history of the collection. Mel Bay also offers The Granger Collection, by Bill Nicholson, the same 508 tunes in standard music notation.
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Granger Collection Guitar [Sheet music + Audio access] - Intermediate Mel Bay
Old Time, Wire bound. Vocal. Book and online audio. 248 pages. Mel Bay Publica...(+)
Old Time, Wire bound. Vocal.
Book and online audio. 248
pages. Mel Bay Publications,
Inc #31104M. Published by Mel
Bay Publications, Inc
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Appalachian Fiddle Music Violin Mel Bay
Fiddle - Beginning; Intermediate; Advanced SKU: MB.30091 Featuring 43 ...(+)
Fiddle - Beginning; Intermediate; Advanced SKU: MB.30091 Featuring 43 Fiddlers and 188 of Their Tunes. Perfect binding. Folk. Book. 212 pages. Mel Bay Publications, Inc #30091. Published by Mel Bay Publications, Inc (MB.30091). ISBN 9781513466378. 8.75 x 11.75 inches. Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin? John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together. $24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The William Bay Collection - Plectrum Guitar Solo Anthology Guitar [Sheet music + Audio access] - Intermediate Mel Bay
Guitar - Intermediate SKU: MB.WBM58M Traditional, Wire bound, Celtic. Fol...(+)
Guitar - Intermediate SKU: MB.WBM58M Traditional, Wire bound, Celtic. Folk. Book and online audio. 216 pages. Mel Bay Publications, Inc #WBM58M. Published by Mel Bay Publications, Inc (MB.WBM58M). ISBN 9781736363058. 8.75x11.75 inches. A comprehensive collection of 172 guitar solos for the flatpick or plectrum guitarist. All solos are written in standard notation with accompanying online recordings by the author. The solos include beautiful American, British and Celtic airs and ballads, Celtic dance tunes, lute and early music, popular classical repertoire and contemporary etudes. Includes access to online audio. $34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Fiddler's Fakebook
Violin [Fake Book] Oak Publications
Edited by David Brody. For violin. Format: fake book. With lead melody, chord na...(+)
Edited by David Brody. For violin. Format: fake book. With lead melody, chord names, instructional text and performance notes. Folk, americana and british. 302 pages. 9x12 inches. Published by Oak Publications.
(7)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Look, Listen and Learn - My First Opera French Horn and Piano De Haske Publications
Horn and Piano - very easy, easy SKU: BT.DHP-1185895-404 F Horn. A...(+)
Horn and Piano - very easy, easy SKU: BT.DHP-1185895-404 F Horn. Arranged by Markus Schenk. Look, Listen and Learn. Opera or Operetta. Book with Part and Audio-Online. Composed 2018. 28 pages. De Haske Publications #DHP 1185895-404. Published by De Haske Publications (BT.DHP-1185895-404). ISBN 9789043154550. English. Look, Listen and Learn sets the bar for brass and woodwind teaching nowadays. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupilsâ?? understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method. In My First Opera, famous arias, choruses, and overtures have been arranged in increasing order of difficulty so that they can be used in conjunction with all three volumes of the Look, Listenand Learn method series. Some of the loveliest melodies ever written for opera have been collected together with accompanying historical commentary. Pupils can accompany themselves using the piano recordings, which are available online to stream or download. The edition also includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Piano Treasury of Easy Classical Music
Piano solo [Sheet music + CD] - Easy Music Sales
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 ...(+)
Edited by Amy Appleby. Collection and examples CD for easy solo piano. Over 200 great masterpieces from the baroque, classical, romantic and modern eras. Series: Piano Treasury Series. 399 pages. Published by Music Sales.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The First Book of Tenor Solos (Accompaniment CDs) [Book + CD] Schirmer
Compiled by Joan Frey Boytim. 2 accompaniment CDs for tenor voice solo. CDs Only...(+)
Compiled by Joan Frey Boytim. 2 accompaniment CDs for tenor voice solo. CDs Only- no sheet music. Text language German, Italian, Spanish, French. Published by G. Schirmer, Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The First Book of Tenor Solos (Book Only)
Tenor voice, Piano [Sheet music] - Intermediate Schirmer
Compiled by Joan Frey Boytim. Collection for tenor voice solo and piano accompan...(+)
Compiled by Joan Frey Boytim. Collection for tenor voice solo and piano accompaniment. Text language German, Italian, Spanish, French. 128 pages. Published by G. Schirmer, Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello [Score] Theodore Presser Co.
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed ...(+)
String quartet String Quartet SKU: PR.16400272S Cassatt. Composed by Dan Welcher. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Full score. With Standard notation. Composed 2007. WRT11142. 52 pages. Duration 24 minutes. Theodore Presser Company #164-00272S. Published by Theodore Presser Company (PR.16400272S). UPC: 680160588442. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $38.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| String Quartet No. 3 String Quartet: 2 violins, viola, cello Theodore Presser Co.
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed b...(+)
Chamber Music String Quartet SKU: PR.164002720 Cassatt. Composed by Dan Welcher. Spiral and Saddle. Premiere: Cassatt Quartet, Northeastern Illinois University, Chicago, IL. Contemporary. Set of Score and Parts. With Standard notation. Composed 2007. WRT11142. 52+16+16+16+16 pages. Duration 24 minutes. Theodore Presser Company #164-00272. Published by Theodore Presser Company (PR.164002720). UPC: 680160573042. 8.5 x 11 inches. My third quartet is laid out in a three-movement structure, with each movement based on an early, middle, and late work of the great American impressionist painter Mary Cassatt. Although the movements are separate, with full-stop endings, the music is connected by a common scale-form, derived from the name MARY CASSATT, and by a recurring theme that introduces all three movements. I see this theme as Mary's Theme, a personality that stays intact while undergoing gradual change. I The Bacchante (1876) [Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania] The painting shows a young girl of Italian or Spanish origin, playing a small pair of cymbals. Since Cassatt was trying very hard to fit in at the French Academy at the time, she painted a lot of these subjects, which were considered typical and universal. The style of the painting doesn't yet show Cassatt's originality, except perhaps for certain details in the face. Accordingly the music for this movement is Spanish/Italian, in a similar period-style but using the musical signature described above. The music begins with Mary's Theme, ruminative and slow, then abruptly changes to an alla Spagnola-type fast 3/4 - 6/8 meter. It evokes the Spanish-influenced music of Ravel and Falla. Midway through, there's an accompanied recitative for the viola, which figures large in this particular movement, then back to a truncated recapitulation of the fast music. The overall feeling is of a well-made, rather conventional movement in a contemporary Spanish/Italian style. Cassatt's painting, too, is rather conventional. II At the Opera (1880) [Museum of Fine Arts, Boston, Massachusetts] This painting is one of Cassatt's most well known works, and it hangs in the Museum of Fine Arts in Boston. The painting shows a woman alone in a box at the opera house, completely dressed (including gloves) and looking through opera glasses at someone or something that is NOT on the stage. Across the auditorium from her, but exactly at eye level, is a gentleman with opera glasses intently watching her - though it is not him that she's looking at. It's an intriguing picture. This movement is far less conventional than the first movement, as the painting is far less conventional. The music begins with a rapid, Shostakovich-type mini-overture lasting less than a minute, based on Mary's Theme. My conjecture is that the woman in the painting has arrived late to the opera, busily stumbling into her box. What happens next is a kind of collage, a kind of surrealistic overlaying of two different elements: the foreground music, at first is a direct quotation of Soldier's Chorus from Gounod's FAUST (an opera Cassatt would certainly have heard in the brand-new Paris Opera House at that time), played by Violin II, Viola, and Cello. This music is played sul ponticello in the melody and col legno in the marching accompaniment. On top of this, the first violin hovers at first on a high harmonic, then descends into a slow melody, completely separate from the Gounod. It's as if the woman in the painting is hearing the opera onstage but is not really interested in it. Then the cello joins the first violin in a kind of love-duet (just the two of them, at first). This music isn't at all Gounod-derived; it's entirely from the same scale patterns as the first movement and derives from Mary's Theme and its scale. The music stays in a kind of dichotomy feeling, usually three-against-one, until the end of the movement, when another Gounod melody, Valentin's aria Avant de quitter ce lieux reappears in a kind of coda for all four players. It ends atmospherically and emotionally disconnected, however. The overall feeling is a kind of schizophrenic, opera-inspired dream. III Young Woman in Green, Outdoors in the Sun (1909) [Worcester Art Museum, Massachusetts] The painting, one of Cassatt's last, is very simple: just a figure, looking sideways out of the picture. The colors are pastel and yet bold - and the woman is likewise very self-assured and not in the least demure. It is eight minutes long, and is all about melody - three melodies, to be exact (Young Woman, Green, and Sunlight). No angst, no choppy rhythms, just ever-unfolding melody and lush harmonies. I quote one other French composer here, too: Debussy's song Green, from Ariettes Oubliees. 1909 would have been Debussy's heyday in Paris, and it makes perfect sense musically as well as visually to do this. Mary Cassatt lived her last several years in near-total blindness, and as she lost visual acuity, her work became less sharply defined - something akin to late water lilies of Monet, who suffered similar vision loss. My idea of making this movement entirely melodic was compounded by having each of the three melodies appear twice, once in a pure form, and the second time in a more diffuse setting. This makes an interesting two ways form: A-B-C-A1-B1-C1. String Quartet No.3 (Cassatt) is dedicated, with great affection and respect, to the Cassatt String Quartet, whose members have dedicated themselves in large measure to the furthering of the contemporary repertoire for quartet. $53.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Viola Position 1 Viola [Sheet music + CD] - Easy De Haske Publications
Viola - easy SKU: BT.DHP-1145555-400 Fingerings, scales and triads...(+)
Viola - easy SKU: BT.DHP-1145555-400 Fingerings, scales and triads. Composed by Nico Dezaire. Tuition. Book with CD. Composed 2014. 92 pages. De Haske Publications #DHP 1145555-400. Published by De Haske Publications (BT.DHP-1145555-400). ISBN 9789043135979. English-German-French-Dutch. Position 1 covers the four fingerings of the first position. The connection between these fingerings and the different keys - up to three sharps or flats - is also dealt with. The book features 38 exercises for the various fingerings, sevenscale and triad exercises, and 68 attractive performance pieces in a range of musical styles. The performance pieces can be played with CD accompaniment (demo and play-along tracks are featured on CDs 1 and 2) or with piano accompaniment. The pianoaccompaniments can be found on CD 2 in PDF form.
In Position 1 worden alle vingerstellingen binnen de 1e positie geleerd aan de hand van grepenschema?s, oefeningen en speelstukken. Verder wordt het verband gelegd tussen de verschillende vingerstellingen in toonladders en drieklanken inde 1e positie over 2 oktaven. De 68 speelstukken kunnen met cd-begeleiding worden gespeeld, of met live-pianobegeleidingen. Deze worden als pdf geleverd op de 2 bijbehorende cd?s. De vertrouwde afwisseling van nieuwe stukken, arrangementen vanklassieke thema?s en volksliedjes ontbreekt uiteraard niet! Lees hier de boekbespreking uit Arco.
In Position 1 geht es um die vier Griffarten der ersten Lage. Diese Griffarten werden auch mit den verschiedenen Tonarten - mit bis zu drei Kreuzen oder Bs - verknüpft. Das Buch umfasst 38 �bungen für die verschiedenen Griffarten, siebenTonleiter- und Dreiklangsübungen sowie 68 reizvolle Vortragsstücke in einer ganzen Palette an Musikstilen. Die Vortragsstücke können zu den Begleitungen auf den beiden CDs (die Demo- und Mitspielversionen enthalten), aber auch mit einem Pianistengespielt werden. Die Klavierstimmen sind im PDF-Format zum Ausdrucken auf der CD 2 enthalten.
Position 1 couvre les quatre doigtés de la première position et examine le rapport entre ces doigtés et les différentes tonalités - jusquà trois dièses ou bémols. Cet ouvrage contient 38 exercices pour les divers doigtés, 7exercices de gammes et de triades, et 68 morceaux de concert dans une diversité de styles. Ces morceaux peuvent être exécutés avec l´accompagnement du CD, mais aussi accompagnés au piano. Des versions intégrales et de démonstration figurent surles CD 1 et 2, ce dernier comprenant aussi les partitions du piano sous forme de fichiers PDF.
Position 1 affronta le quattro diteggiature della prima posizione. La pubblicazione contiene 38 esercizi per le varie posizioni, sette scale e terze, come anche 68 accattivanti brani in vari stili musicali da suonare in pubblico. Questipossono essere eseguiti sia con lausilio dei 2 CD inclusi (traccia demo e traccia play-along), sia con l´accompagnamento di un pianista. Le parti del piano, contenute sul secondo CD, sono scaricabili in formato PDF. $29.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Joy Of First-Year Piano
Piano solo [Sheet music] - Beginner Music Sales
By Denes Agay. Book. Published by Music Sales. (YK21053) Designed for use as a...(+)
By Denes Agay. Book. Published by Music Sales. (YK21053)
Designed for use as a method book, this book allows the teacher to vary the approach according to the needs of the student. The book can also be used as a source of carefully graded pieces, for use with any first-year method.
(5)$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The First Book of Mezzo-Soprano/Alto Solos (Book Only)
Mezzo-Soprano voice, Piano [Sheet music] - Intermediate Schirmer
Compiled by Joan Frey Boytim. Collection for mezzo soprano voice solo, alto voic...(+)
Compiled by Joan Frey Boytim. Collection for mezzo soprano voice solo, alto voice solo and piano accompaniment. Text language English, German, French, Italian, Spanish. 128 pages. Published by G. Schirmer, Inc.
(2)$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The First Book of Mezzo-Soprano/Alto Solos (Accompaniment CDs) [Book + CD] Schirmer
Compiled by Joan Frey Boytim. 2 accompaniment CDs for mezzo soprano voice solo a...(+)
Compiled by Joan Frey Boytim. 2 accompaniment CDs for mezzo soprano voice solo and alto voice solo. CDs Only- no sheet music. Text language English, German, French, Italian, Spanish. Published by G. Schirmer, Inc.
$19.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Do Not Go My Love Choral 3-part SSA, Piano Carl Fischer
Choral SSA Choir and Piano SKU: CF.CM9704 Composed by Richard Hageman. Ar...(+)
Choral SSA Choir and Piano SKU: CF.CM9704 Composed by Richard Hageman. Arranged by Stephen Rotz. Jbc. 12 pages. Duration 2 minutes, 49 seconds. Carl Fischer Music #CM9704. Published by Carl Fischer Music (CF.CM9704). ISBN 9781491160114. UPC: 680160918713. Key: F# minor. English. Sir Rabindranath Tagore. Richard Hageman (1881-1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman's later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal classic to younger singers who might not yet possess the dexterity to perform the original solo. Rabindranath Tagore (1861-1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore's expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name. Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker.  . Richard Hageman (1881–1966) was a born into a family of musicians. As a pianist, he performed concerts from the age of six, and his mastery of this instrument is evident in the intricate accompaniment of this piece. After coming to America, (originally as accompanist to touring French singer Yvette Guilbert), he worked for a period of years as a conductor and pianist for the Metropolitan Opera in New York. It was during this period of time that he composed Do Not Go, My Love for solo voice, originally dedicating it to the operatic tenor, George Hamlin. Hageman’s later career included work in Hollywood, first as a conductor, but later as a film-score composer and actor. Do Not Go, My Love is well-known among classical soloists, and many recordings exist. The SSA version of this American standard brings a vocal “classic†to younger singers who might not yet possess the dexterity to perform the original solo.Rabindranath Tagore (1861–1941) was an Indian polymath; someone who possesses deep knowledge and understanding of many disparate subjects. Tagore’s expertise included the visual arts, music, and poetry. Tagore won the Nobel Prize in Literature in 1913, contributing to his receiving knighthood from King George V in 1915, but Tagore renounced his knighthood after the 1919 Jallianwala Bagh massacre. There are five Tagore museums in Bangladesh and three in India; at least three universities bear his name.Do Not Go, My Love is taken from The Gardener, a collection of poems translated from Bengali by Tagore and published in 1915. Number 34 in the collection, and taken by itself, the poem might be interpreted as someone watching over the deathbed of a lover or child; however, the larger narrative woven through The Gardener suggests a romantic relationship being clung to by the speaker. . $2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Trois Chansons de la Renaissance Baritone voice, Piano - Intermediate Forsyth Publications
Baritone Voice and Piano - Intermediate SKU: FP.FMJ02 Composed by John Ma...(+)
Baritone Voice and Piano - Intermediate SKU: FP.FMJ02 Composed by John Manduell. Sheet Music and Books. Songs for baritone voice and piano, inspired by Sir John Manduell’s long-standing love of French renaissance verse. Classical. Vocal Score. Forsyths Publications #FMJ02. Published by Forsyths Publications (FP.FMJ02). ISBN 9790570503896. A wonderfully balanced and yet contrasting set of songs for baritone voice and piano, inspired by Sir John Manduell’s long-standing love of French renaissance verse.
In the first, perhaps the most often quoted of Ronsard's poems, the poet invites young Mignonne to come and look at the purple rose and to realise that her beauty like the rose's will fade all too soon. Du Bellary's poem is redolent of late summer heat and haze as the thresher of the title calmly pursues his work. The Marot is a brief exercise in courteous mockery as the poet chides his ailing lady upon her gastronomic self-indulgence and warns her of the inevitable consequences upon her figure.
Finally published in 2013, Trois Chansons is one of the of the composer’s earliest surviving works, written while he was studying with the late Sir Lennox Berkely as a postgraduate student at the Royal Academy of Music. The first performance was given by Beverley Humphreys at the Royal Academy of Music in 1956. $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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