| Assessment in Music Education Musical course - Solfege [Classroom Materials] Oxford University Press
By Martin Fautley. For Education handbook. Other Classroom. Oxford Music Educati...(+)
By Martin Fautley. For Education handbook. Other Classroom. Oxford Music Education. Other Book. 240 pages
$42.25 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Fantasy-Sonata and Dream Music No. 1 Piano solo Edward B. Marks Music Company
For Solo Piano. Composed by William Bolcom. E.B. Marks. Classical. Softco...(+)
For Solo Piano. Composed by William Bolcom. E.B. Marks. Classical. Softcover. 48 pages. Published by Edward B. Marks Music (HL.210360).
$16.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Night Pieces: Five Preludes for Piano Piano solo Edward B. Marks Music Company
Composed by William Bolcom. E.B. Marks. Classical, Contemporary. Softcover. 12 p...(+)
Composed by William Bolcom. E.B. Marks. Classical, Contemporary. Softcover. 12 pages. Edward B. Marks Music #EBM210361. Published by Edward B. Marks Music
$9.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ben Hur Chariot Race March Brass Quintet: 2 trumpets, horn, trombone, tuba Imagine Music
Composed by Edward Taylor Paull. Arranged by Judith Katz. Published by Imagine M...(+)
Composed by Edward Taylor Paull. Arranged by Judith Katz. Published by Imagine Music (IG.CMS164).
$12.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Music Play 2 - Bundle (includes parts A and B) GIA Publications
SKU: GI.G-J383 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H....(+)
SKU: GI.G-J383 Composed by Alison Reynolds, Cynthia Taggart, and Wendy H. Valerio. Jump Right In. Music Education. 494 pages. GIA Publications #J383. Published by GIA Publications (GI.G-J383). ISBN 9781622775408. Through engaging children using Music Play 2, adults may build relationships with newborn and young children, additional family members, and other adults as they joyfully make music together, affirm and nurture newborn and young children’s innate capacities for expressive musicking and movement, and honor and extend young children’s expressed musical curiosities, ideas, and audeas (musical thoughts and ideas), helping them realize that their musical identities are worth sharing, developing, and preserving. Music Play 2 materials function in companion with Music Play (GIA, 1998) and Edwin Gordon’s Music Learning Theory for Newborn and Young Children (GIA, 2013). Music Play 2 (494 pages) is bundled into two parts, Part A and Part B. The following are the features of each part:  Part A (264 pages) Part B (229 pages) Tribute to Edwin Gordon Guiding Newborn and Young Children’s Innate Music Capacities Guiding Young Children Through Types and Stages of Preparatory Audiation: The Materials Using Music Play 2 Inclusion: All Children and Their Families (Salvador) 45 Extended Music Engagement Plans, each with a music selection (i.e., song, song/chant combination, or chant) in a wide variety of tonalities and meters, and prototypical examples of social-music and movement play in relation to Gordon’s three types of preparatory audiation. Each song has a chord root or bass-line melody notated, singable as an additional part, as well as chord functions to guide harmonic accompaniment to the melody. Each plan features More Audeas for Music Play, such as tonal pattern and/or rhythm pattern examples for each type of preparatory audiation, supplemental harmonic and rhythm accompaniments to add to the music selection, and More Ideas for Music Play, such as examples of ways to connect Music Play 2 activities to PK–2 2014 Music Standards, and one inclusion strategy in a Domain of Learning. Guidance for teaching chord root or bass line melodies and additional harmony parts, and chordal accompaniments. Complete listing of all PK–2 2014 Music Standards, along with which extended music engagement plans feature each standard. Indices: Comprehensive Index Headings, Music Play (1998) and Music Play 2 Comprehensive Index of Music Selections Alphabetized by Type and Title: Music Play (1998) and Music Play 2 Modified Comprehensive Index, Music Play 2: Parts A and B Music Play 2: Part A Music Selections Alphabetized by Type and Title Music Play 2: Part A Music Selections Alphabetized by Title 71 Music Engagement Plans, each with a music selection (i.e., song, song/chant combination, or chant) in a wide variety of tonalities and meters, and prototypical examples of social-music and movement play in relation to Gordon’s three types of preparatory audiation. Each song has a chord root or bass-line melody notated, singable as an additional part, as well as chord functions to guide harmonic accompaniment to the melody. Apply More Audeas and More Ideas you discover using Part A to music selections and engagement plans in Part B. Part B features tonalites and meters unique to music selections in Part B, and “Hello†and/or “Goodbye†music selections. Guidance for teaching chord root or bass line melodies and additional harmony parts, and chordal accompaniments. Editor and Contributor List (83 total) An 11-page, comprehensive bibliography and resource list to support researchers and practitioners and promote their audiation-based social-music and movement play with others, especially during early childhood. Indices: Comprehensive Index Headings: Music Play (1998) and Music Play 2 Comprehensive Index of Music Selections Alphabetized by Type and Title: Music Play (1998) and Music Play 2 Modified Comprehensive Index, Music Play 2: Parts A and B Music Play 2: Part B Music Selections Alphabetized by Type and Title Music Play 2: Part B Music Selections Alphabetized by Title Download Music Play 2 Extended Indexes (free)  Music Play 2 is a welcomed contribution for all who are concerned with appropriately guiding children’s musical understandings—parents, teachers, and caregivers. The book is extremely well organized with an excellent balance of theory and practice. The theoretical underpinnings of Music Play 2 are presented in a “user friendly†manner, the lessons are easy to follow and adapt for individual children’s needs and level of development, the numerous songs and chants represent a wide variety of tonalities and meters, and an extensive section on inclusion and inclusive practices has been added. Music Play 2 will be the resource I use for my early childhood music classes! —Joanne Rutkowski, Ph.D., Professor Emeritus, Music Education   The Pennsylvania State University This book had me interested from the table of contents onward. The lessons are detailed and ready to use in the classroom. I love that there are tonal and rhythmic patterns to go with each song or chant. This is truly a resource that will delight children and teachers as it is easy to use, appropriate for young children, and pedagogically sound. When I finished, I was ready to jump back into teaching early childhood music. Fantastic! —Alice M. Hammel, Ph.D.   James Madison University Music Play 2 is devoted to the wonder of young children’s musical development. The authors have adeptly woven theory and practice, offering a treasure trove of fresh, accessible lesson plans developed by leading researchers and practitioners in the field of early childhood music. An excellent, indispensable resource with original and high-quality music content, Music Play 2 is essential for all providers of music for young children, and sure to be used time and time again. —Suzanne L. Burton, Ph.D., Professor of Music Education   University of Delaware. $85.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Victory! - Choral Book Word Music
Moderately Easy SKU: WD.080689590177 Composed by Marty Parks. Choral, can...(+)
Moderately Easy SKU: WD.080689590177 Composed by Marty Parks. Choral, cantatas. Eastertide. Book. Word Music #080689590177. Published by Word Music (WD.080689590177). UPC: 080689590177. With the dawning of Easter day comes a promise fulfilled! As Conqueror of the wages of sin, as a mighty Victor over Satan’s dark domain…HE AROSE!
VICTORY! The Proclamation of Easter is the new 4-Song Musical Presentation for Resurrection Sunday from Word Music & Church Resources, created by the inimitable Marty Parks.
Designed to meet the needs of almost every choir—blended, traditional, or contemporary—VICTORY! is the perfect assemblage of songs and narration (especially in a year when Easter comes early on the calendar!) for choirs with limited rehearsal time, or when you need a musical that allows plenty of time for the Pastor to deliver an Easter message following your special musical presentation. Celebrate Easter this year with your Choir and Congregation in your presentation of VICTORY! The Proclamation of Easter!
VICTORY! features four songs, comprised of original compositions by Marty Parks—including a fresh, new re-write of the great Easter hymn, Christ Arose (Up from the Grave He Arose)—plus the popular, new contemporary worship title song by David Crowder, My Victory...an ideal combination of traditional and contemporary melded together in a sensitive, worshipful, yet powerfully triumphant declaration of love, adoration, and praise to our risen Lord!
$9.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stop and Go Peters
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, pia...(+)
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr SKU: PE.EP68488A Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Part(s). 60 pages. Edition Peters #98-EP68488A. Published by Edition Peters (PE.EP68488A). ISBN 9790300758909. English. At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor) As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years? --Martin Litton, for JUST JAZZ (Feb 2011) $39.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Stop and Go Peters
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, pia...(+)
Jazz Ensemble 2 Alto saxophones, 2 Tenor saxophones, 3 trumpet, 2 trombonne, piano, guitar, double bass, Dr SKU: PE.EP68488 Composed by Jelly Roll Morton. Jazz Ensembles. Edition Peters. Score. 36 pages. Edition Peters #98-EP68488. Published by Edition Peters (PE.EP68488). ISBN 9790300758893. English. At the end of 1938, Jelly Roll Morton (1890-1941) returned to New York from his years in Washington, D.C. Recent publicity had made a comeback seem possible, and he hoped to recapture the prominent place in the jazz world that he had held in the 1920s. Still well known, though mainly as a New Orleans music pioneer, he understood that in order to be taken seriously as a contemporary artist, he needed to form a big band like those of his competition, such as Duke Ellington, Count Basie, Benny Goodman, and Tommy and Jimmy Dorsey. In the 1920s Morton's recordings and tours featured a ten-piece band following the first-generation big-band format. But in the late 1930s, larger groups were popular, so Morton assembled a conventional '30s band consisting of four saxophones, six brass, and four rhythm. The band was to open at the Golden Gate Ballroom in Harlem on April 17th, 1939, but on opening night Morton collapsed before going onstage. During his recuperation from the asthma and heart problems that dogged him, the band broke up, never to reassemble. Only six items written for that band's instrumentation are known to exist: Morton's arrangements of his own compositions -- Finger Breaker, GanJam, Good Old New York, Mister Joe, and Stop and Go -- and an arrangement, Mamies' Blues, by another artist. -- James Dapogny (Editor) As an editor, Dapogny shows his customary sound musical scholarship and deep knowledge of Morton's style....The publishers are to be congratulated for bringing this fascinating work into the public domain, which throws a totally new light on 'Mister Jelly Lord.' Who knows what he would have achieved had he lived beyond his alleged 51 years?--Martin Litton, for JUST JAZZ (Feb 2011) $18.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Weill Musik Und Musikalisches Theatre Bk [Sheet music + CD] Schott
(HC) SKU: HL.49032963 Gesammelte Schriften. Mit einer Auswahl von Gesp...(+)
(HC) SKU: HL.49032963 Gesammelte Schriften. Mit einer Auswahl von Gesprachen und Interviews.. Composed by Kurt Weill. Edited by Juergen Schebera and Stephen Hinton. This edition: Hardback/Hard Cover. Book with CD. Edition Schott. Edition with CD. 571 pages. Schott Music #ED 9233. Published by Schott Music (HL.49032963). ISBN 9783795704230. German. Few 20th century composers focussed their creative energies as thoroughly on the renewal of musical theatre as Kurt Weill. Three years before his death he wrote retrospectively: 'Since realising, at the age of 19, that the musical theatre is my proper domain, I have consistently tried to solve the formal problems of musical theatre in my own way.' A perusal of Weill's writings clearly shows the continuity in his artistic endeavours throughout his different creative phases and changes of environment (Germany, France, USA). The companion CD contains several previously unpublished recordings of the composer's voice. $65.00 - See more - Buy online | | |
| Ulterior Overture Concert band - Intermediate/advanced Curnow Music
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-1118-07-140 Composed by Willi...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-1118-07-140 Composed by William Himes. Concert Band. Concert Piece. Score Only. Composed 2007. 44 pages. Curnow Music #CMP 1118-07-140. Published by Curnow Music (BT.CMP-1118-07-140). 9x12 inches. English. And now for something completely different! Who but William Himes would think of deconstructing and the reconstructing the birthday song into this amazingly creative overture? And, who else could do it so well? The cognitive and the affective domains are both in for a treat as you prepare this intriguing new work for performance. Be sure to hear the CD demo and look closely at the score. There are some amazing things going on here.Unexpected!
Dit werk is geschreven in opdracht van de Palatine Concert Band uit Palatine in Illinois (VS), ter gelegenheid van het vijftigjarig bestaan in 2005. Zoals de titel al suggereert, is de muziek gebaseerd op een verborgen thema, datin veel subtiele verschijningen opduikt. Om de mijlpaal voor het orkest kracht bij te zetten creëerde de componist een vrolijke, feestelijke klank, ge nspireerd op een zeer bekende melodie. (De identiteit daarvan mag echter niet wordenprijsgegeven omdat zelfs de titel onder copyright valt. Laten we gewoon zeggen dat het een lied is dat vaak wordt gezongen bij de viering van een verjaardag.)
Das ist wirklich einmal etwas ganz anderes! Wer außer William Himes käme schon auf die verrückte Idee, das bekannte Lied Happy Birthday to You vollkommen auseinander zu nehmen und dann zu einer erstaunlich kreativen Ouvertüre neu zusammenzusetzen? Und das hört sich dann sogar richtig toll an! Schon das Einstudieren dieser überraschenden Ouvertüre macht einen Riesenspaß, der sich dann mit Sicherheit auch aufs Publikum überträgt. $26.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ulterior Overture Marching band - Intermediate/advanced Curnow Music
Fanfare Band - Grade 4 SKU: BT.CMP-1118-07-120 Composed by William Himes....(+)
Fanfare Band - Grade 4 SKU: BT.CMP-1118-07-120 Composed by William Himes. Fanfare Band. Concert Piece. Score Only. Composed 2007. 44 pages. Curnow Music #CMP 1118-07-120. Published by Curnow Music (BT.CMP-1118-07-120). 9x12 inches. English. And now for something completely different! Who but William Himes would think of deconstructing and the reconstructing the birthday song into this amazingly creative overture? And, who else could do it so well? The cognitive and the affective domains are both in for a treat as you prepare this intriguing new work for performance. Be sure to hear the CD demo and look closely at the score. There are some amazing things going on here.Unexpected!
Dit werk is geschreven in opdracht van de Palatine Concert Band uit Palatine in Illinois (VS), ter gelegenheid van het vijftigjarig bestaan in 2005. Zoals de titel al suggereert, is de muziek gebaseerd op een verborgen thema, datin veel subtiele verschijningen opduikt. Om de mijlpaal voor het orkest kracht bij te zetten creëerde de componist een vrolijke, feestelijke klank, ge nspireerd op een zeer bekende melodie. (De identiteit daarvan mag echter niet wordenprijsgegeven omdat zelfs de titel onder copyright valt. Laten we gewoon zeggen dat het een lied is dat vaak wordt gezongen bij de viering van een verjaardag.)
Das ist wirklich einmal etwas ganz anderes! Wer außer William Himes käme schon auf die verrückte Idee, das bekannte Lied Happy Birthday to You vollkommen auseinander zu nehmen und dann zu einer erstaunlich kreativen Ouvertüre neu zusammenzusetzen? Und das hört sich dann sogar richtig toll an! Schon das Einstudieren dieser überraschenden Ouvertüre macht einen Riesenspaß, der sich dann mit Sicherheit auch aufs Publikum überträgt. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ulterior Overture Concert band - Intermediate/advanced Curnow Music
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-1118-07-010 Composed by Willi...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.CMP-1118-07-010 Composed by William Himes. Concert Band. Concert Piece. Set (Score and Parts). Composed 2007. Curnow Music #CMP 1118-07-010. Published by Curnow Music (BT.CMP-1118-07-010). 9x12 inches. English. And now for something completely different! Who but William Himes would think of deconstructing and the reconstructing the birthday song into this amazingly creative overture? And, who else could do it so well? The cognitive and the affective domains are both in for a treat as you prepare this intriguing new work for performance. Be sure to hear the CD demo and look closely at the score. There are some amazing things going on here.Unexpected!
Dit werk is geschreven in opdracht van de Palatine Concert Band uit Palatine in Illinois (VS), ter gelegenheid van het vijftigjarig bestaan in 2005. Zoals de titel al suggereert, is de muziek gebaseerd op een verborgen thema, datin veel subtiele verschijningen opduikt. Om de mijlpaal voor het orkest kracht bij te zetten creëerde de componist een vrolijke, feestelijke klank, ge nspireerd op een zeer bekende melodie. (De identiteit daarvan mag echter niet wordenprijsgegeven omdat zelfs de titel onder copyright valt. Laten we gewoon zeggen dat het een lied is dat vaak wordt gezongen bij de viering van een verjaardag.)
Das ist wirklich einmal etwas ganz anderes! Wer au�er William Himes käme schon auf die verrückte Idee, das bekannte Lied Happy Birthday to You vollkommen auseinander zu nehmen und dann zu einer erstaunlich kreativen Ouvertüre neu zusammenzusetzen? Und das hört sich dann sogar richtig toll an! Schon das Einstudieren dieser überraschenden Ouvertüre macht einen Riesenspa�, der sich dann mit Sicherheit auch aufs Publikum überträgt. $136.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Ulterior Overture Marching band - Intermediate/advanced Curnow Music
Fanfare Band - Grade 4 SKU: BT.CMP-1118-07-020 Composed by William Himes....(+)
Fanfare Band - Grade 4 SKU: BT.CMP-1118-07-020 Composed by William Himes. Fanfare Band. Concert Piece. Set (Score & Parts). Composed 2007. Curnow Music #CMP 1118-07-020. Published by Curnow Music (BT.CMP-1118-07-020). 9x12 inches. English. And now for something completely different! Who but William Himes would think of deconstructing and the reconstructing the birthday song into this amazingly creative overture? And, who else could do it so well? The cognitive and the affective domains are both in for a treat as you prepare this intriguing new work for performance. Be sure to hear the CD demo and look closely at the score. There are some amazing things going on here.Unexpected!
Dit werk is geschreven in opdracht van de Palatine Concert Band uit Palatine in Illinois (VS), ter gelegenheid van het vijftigjarig bestaan in 2005. Zoals de titel al suggereert, is de muziek gebaseerd op een verborgen thema, datin veel subtiele verschijningen opduikt. Om de mijlpaal voor het orkest kracht bij te zetten creëerde de componist een vrolijke, feestelijke klank, ge nspireerd op een zeer bekende melodie. (De identiteit daarvan mag echter niet wordenprijsgegeven omdat zelfs de titel onder copyright valt. Laten we gewoon zeggen dat het een lied is dat vaak wordt gezongen bij de viering van een verjaardag.)
Das ist wirklich einmal etwas ganz anderes! Wer außer William Himes käme schon auf die verrückte Idee, das bekannte Lied Happy Birthday to You vollkommen auseinander zu nehmen und dann zu einer erstaunlich kreativen Ouvertüre neu zusammenzusetzen? Und das hört sich dann sogar richtig toll an! Schon das Einstudieren dieser überraschenden Ouvertüre macht einen Riesenspaß, der sich dann mit Sicherheit auch aufs Publikum überträgt. $134.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Native American Homage Concert band - Intermediate Belwin
Concert Band - Grade 3 SKU: AP.24763S Composed by Kevin Mixon. Concert Ba...(+)
Concert Band - Grade 3 SKU: AP.24763S Composed by Kevin Mixon. Concert Band; Performance Music Ensemble; Single Titles. Belwin Concert Band. Multicultural. Score. 24 pages. Belwin Music #00-24763S. Published by Belwin Music (AP.24763S). UPC: 038081269436. English. To honor Native American cultures, Kevin Mixon has creatively scored Native American Homage. This work represents music typically heard at many modern-day powwows, commingling authentic sounds of nature and intertribal music. Contrasting lyrical and bravura sections authentically and respectfully present a substantive introduction to America's oldest known indigenous music. This compelling new work will move audiences and draw critical acclaim. A real winner!
Free, public domain MP3 recordings of optional night sounds are available for download under the Downloads section on the left. $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Like a Singing Bird. SSAA Stainer and Bell
SSAA choir SKU: ST.CN23P Composed by Rhiannon Randle. SSAA unaccompanied ...(+)
SSAA choir SKU: ST.CN23P Composed by Rhiannon Randle. SSAA unaccompanied (with solos). . This PRINTED version is available to purchase as a regular sheet music title for delivery by post. Octavo. Stainer & Bell Ltd. #CN23P. Published by Stainer & Bell Ltd. (ST.CN23P). ISBN 9790220225147. Commissioned by the BBC as part of the celebrations for International Women's Day, and reflecting its theme of hope, Like a Singing Bird was premiered live on Radio 3 on 8 March 2015 by Sarah Connolly and the St Catharine's Girls' Choir, conducted by Edward Wickham. The distinctive vocal scoring features a small solo group of sopranos or mezzo-sopranos drawn from the upper-voice ensemble. The anthem is the first of three which are collectively entitled Echoes from Willow Wood, the second also being available in Choral Now. The text, Christina Rossetti's poem 'A Birthday', features in Virginia Woolf's classic essay A Room of One's Own, based on lectures delivered at Newnham College and at Randle's own Cambridge alma mater, Girton, an institution at the forefront of women's education for two centuries. Inspired by the clock in Girton's Stanley Library, the 'chiming rhythms' which are a driving force within the piece offer a further level of connection. The music moves from quiet anticipation to bright affirmation, the sense of something life-changing heralded by an Advent plainchant quoted in the second half. The final couplet is set apart in a hushed recitative, reflecting, in the composer's words, 'the hope I and other young female composers can have as we try to make our mark in what has traditionally been a male domain.'. $5.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Norwegian Dances, Op. 35 Flute, Clarinet, Piano (trio) Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417570 For Flute, Bb C...(+)
Chamber Music Clarinet, Flute, Piano SKU: PR.114417570 For Flute, Bb Clarinet, And Piano. Composed by Edvard Grieg. Arranged by Michael Webster. Sws each. See the program notes on pages two and three of the full score. Set of Score and Parts. With Standard notation. Composed 2008. 40 8 8 pages. Duration 18 minutes. Theodore Presser Company #114-41757. Published by Theodore Presser Company (PR.114417570). ISBN 9781491107867. UPC: 680160636013. 9x12 inches. The famous set of dances by Norway's greatest composer were written for piano duet. Grieg later created a piano solo version, but refused to orchestrate the set. After some study of Grieg and his music, Michael Webster has arranged the four dances for Flute, Clarinet, and Piano in a faithful setting, using the piano duet version as a guide. This lively Grieg classic will be a welcome new addition to performance programs. For advanced performers._______________________________________Text from the scanned back cover:Born in 1944, MICHAEL WEBSTER made his New York recital debut at Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. In the same year, he won the Young Concert Artists International Competition and succeeded his teacher, Stanley Hasty, as Principal Clarinet in the Rochester Philharmonic, a position he held for twenty years. Webster has performed with the Chamber Music Society of Lincoln Center, the 92nd Street Y, with the Tokyo, Cleveland, Muir, Ying, Enso, and Dover String Quartets, and with the festivals of Marlboro, Santa Fe, Norfolk, Chamber Music Northwest, Angel Fire, Steamboat Springs, Park City, Sitka, Kapalua, Bowdoin, Orcas Island, Skaneateles, La Musica di Asolo, Stratford, Victoria, and Domaine Forget.As soloist he has appeared with many orchestras, including the Philadelphia Orchestra under Aaron Copland and the Boston Pops under John Williams. His travels have taken him as performer and teacher to most of the 50 states, as well as Canada, Mexico,Puerto Rico, Central and South America, Europe, Japan, China, Australia, and New Zealand. Webster was Acting Principal Clarinet of the San Francisco Symphony, and has served on the clarinet and/or conducting faculties of New England Conservatory, Boston University, University of Michigan, and the Eastman School, from which he earned his three degrees. Currently he is Professor of Music at Rice Universityâ??s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, which has won multiple first prizes in national performance competitions.With his wife, flutist Leone Buyse, and pianist Robert Moeling, he plays in the Webster Trio, which has recorded his arrangements on Tour de France and World Wide Webster for Crystal Records. Otherarrangements were recorded for Nami and Camerata Tokyo in Japan with pianist Chizuko Sawa. Webster has also recorded for Albany, Arabesque, Beaumont, Bridge, Centaur, CRI, and New World. He has played at many ClarinetFests for the International Clarinet Association and written a column entitled â??TeachingClarinetâ? in The Clarinet Magazine since 1998. Michael Webster is a Buffet artist-clinician, performing on Buffet clarinets exclusively. NORWEGIAN DANCES (Grieg)Michael Websterâ??s transcriptions for Flute, Clarinet, and Piano have created the core literature for this instrumental genre. Working directly from Griegâ??s original piano four-hands version of the charmingly familiar Norwegian Dances, Webster has given flutists and clarinetists another addition to the ensembleâ??s repertoire. $31.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata Cho-Cho-San Flute and Piano Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes...(+)
Chamber Music Clarinet, Flute, Piano SKU: PR.114417610 Based on themes from Puccini's Madama Butterfly. Composed by Michael Webster. Sws each. See the notes on Madama Butterfly on page two and the notes on Sonata Cho-Cho-San on page three of the full score. Contemporary. Set of Score and Parts. With Standard notation. Composed 1997. 44+8+12 pages. Duration 24 minutes, 28 seconds. Theodore Presser Company #114-41761. Published by Theodore Presser Company (PR.114417610). ISBN 9781491107904. UPC: 680160636051. 9x12 inches. SONATA CHO-CHO-SAN(Based on themes from Puccini’s Madama Butterfly)In the spirit of the great 19th-century opera fantasies for woodwinds, Michael Webster has created a concert trio on the many great arias from Puccini's Madama Butterfly. However, as its name implies, Sonata Cho-Cho-San is not the typical virtuosic operatic potpourri. Rather, it follows the plot, resembling a sonata mirroring Puccini's use of recurring and developing themes. Webster makes the most of the winds as versatile performers - equally suited to deliver Puccini's beautiful vocal writing, and to ornament and embroider the poignant themes in symphonic style. For advanced performers._______________________________________Text from the scanned back cover:Born in 1944, Michael Webster made his New York recital debutat Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. In the same year, he won the Young Concert Artists International Competition and succeeded his teacher, Stanley Hasty, as Principal Clarinet in the Rochester Philharmonic, a position he held for twenty years. Webster has performed with the Chamber Music Society of Lincoln Center, the 92nd Street Y, with the Tokyo, Cleveland, Muir, Ying, Enso, and Dover String Quartets, and with the festivals of Marlboro, Santa Fe, Norfolk, Chamber Music Northwest, Angel Fire, Steamboat Springs, Park City, Sitka, Kapalua, Bowdoin, Orcas Island, Skaneateles, La Musica di Asolo, Stratford, Victoria, and Domaine Forget.As soloist he has appeared with many orchestras, including the Philadelphia Orchestra under Aaron Copland and the Boston Pops under John Williams. His travels have taken him as performer and teacher to most of the 50 states, as well as Canada, Mexico,Puerto Rico, Central and South America, Europe, Japan, China, Australia, and New Zealand. Webster was Acting Principal Clarinet of the San Francisco Symphony, and has served on the clarinet and/or conducting faculties of New England Conservatory, Boston University, University of Michigan, and the Eastman School, from which he earned his three degrees. Currently he is Professor of Music at Rice University’s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, which has won multiple first prizes in national performance competitions.With his wife, flutist Leone Buyse, and pianist Robert Moeling, he plays in the Webster Trio, which has recorded his arrangements on Tour de France and World Wide Webster for Crystal Records. Otherarrangements were recorded for Nami and Camerata Tokyo in Japan with pianist Chizuko Sawa. Webster has also recorded for Albany, Arabesque, Beaumont, Bridge, Centaur, CRI, and New World. He has played at many ClarinetFests for the International Clarinet Association and written a column entitled “TeachingClarinet†in The Clarinet Magazine since 1998. Michael Webster is a Buffet artist-clinician, performing on Buffet clarinets exclusively. $42.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Pavane
Flute, Clarinet, Piano (trio) [Score and Parts] Theodore Presser Co.
Composed by Gabriel Faure (1845-1924). Arranged by Michael Webster. Classical. S...(+)
Composed by Gabriel Faure (1845-1924). Arranged by Michael Webster. Classical. Score and part(s). With Standard notation. Composed 2005. Opus 50. 28 pages. Duration 5 minutes. Theodore Presser Company #114-41756. Published by Theodore Presser Company (PR.114417560).
$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Acoustic Guitar, French Edition-Pour debutants et avances Voggenreiter
Guitar (all) - Beginning-Intermediate SKU: MB.3802405693 Pour debutant...(+)
Guitar (all) - Beginning-Intermediate SKU: MB.3802405693 Pour debutants et avances. Composed by Helmut Zehe. French Language, CLEARANCE: OTHER, Technique, Theory and Reference, Folk, Perfect binding. Voggenreiter. All styles. Book/CD set. 188 pages. Voggenreiter #3802405693. Published by Voggenreiter (MB.3802405693). ISBN 9783802405693. 8.25 x 11.75 inches. Une nouvelle fa?on dapprendre la guitare pour les cours et les ?tudes personnelles. Cette m?thode garde lesprit de l?tudiant ouvert ? tous les styles de musique et ne les limite pas ? une seule direction musicale. Fournit ? l??l?ve une musique qu?ils connaissent bien, c?est-?-dire de la musique pop. Lentement et doucement, initie l?l?ve ? la musique classique et propose un choix soigneusement s?lectionn? dexemples de chansons dans ce domaine. Pr?sente la notation du personnel et la th?orie musicale de mani?re simplifi?e et facile ? comprendre. Comprend un CD qui non seulement soutient la pratique de l??l?ve, mais est aussi amusant ? ?couter. Le d?butant apprend une technique de jeu utile pour tous les styles de musique du futur. ?dition fran?aise.A New Way to learn the guitar for lessons and self-studies. This method keeps the students mind open for all musical styles and doesnt limit them to only one musical direction. Provides the student with music they are familiar with i.e. pop music. Slowly and gently introduces the student to classical music and offers a carefully selected choice of song examples in this field. Introduces staff notation and music theory in a simplified way that is easy to understand. Includes a CD which does not only support the students practice but is fun to listen to as well. The beginner is taught a playing technique which is useful for any musical style in the future. French edition. $19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| To Create GIA Publications
SKU: GI.G-10054 Imagining the Good Life through Music. Composed by...(+)
SKU: GI.G-10054 Imagining the Good Life through Music. Composed by Clint Randles. Music Education. 328 pages. GIA Publications #10054. Published by GIA Publications (GI.G-10054). ISBN 9781622774548. We all need creativity in our lives. It is key to our happiness. Music, according to author Clint Randles, is one of the best ways to feed our longing for self-growth through engagement in creative processes. And music brings us together for the purpose of making beauty with sound. It provides us with a pathway to the good life. In To Create, Randles answers the critical question: What can I do with my time that will give me the best chance at achieving daily happiness? This amazing book unpacks what it means to engage in creative processes. Since story is the best way of feeding our imagination, the book unfolds by way of life stories that express the author’s unique perspective of the hero’s journey. Along the way, Randles inspires us to think about creativity and music as a pursuit that is not only truly worthy, but accessible. He addresses rules for creative performance, what we can learn from exceptional musicians and teachers, the link between spirituality and creativity, understanding our own stories in light of the meta-story, and the art of trust and starting small. To Create is a book that is unlike anything written on the topic—entertaining, wise, inspiring, and layered. It is for anyone who is interested in pursuing creativity through music but can’t quite figure out how or where to start. States Randles: “It is my hope that you will be able to imagine the good life through music, that you will be inspired To Create!†Clint Randles, PhD, is Associate Professor of Music Education at the University of South Florida, husband, father, multi-instrumentalist, and passionate lover of music.  Full of resonating stories, To Create is a profoundly pedagogical book about potential pathways into life’s learnings through and in music. To Create seeks and embraces the value embodied in the multiple, individual, and sociocultural authoring of diverse creativities. By analogising the good life (‘eidaimonia’), with lived-through experiences by which our desire (and drive) to create, to grow, to navigate, and to achieve extraordinary things in life is inextricably linked, Clint Randles stories his own journey of being awakened ‘To Create,’ by creating and living ‘the good life’ in and through the symbiotic domains of music and music education. —Pamela Burnard, Professor of Arts, Creativities and Educations   University of Cambridge, UK To Create is the rare achievement that seamlessly blends how-to curriculum with why-so philosophy, making the case that creative activity is an essential right that all children deserve from an education in music. Randles’ vivid illustrations prod us to think differently about teaching when well-being—when the good life—is both destination and design. —Randall Everett Allsup, Professor of Music Education   Teachers College Columbia University Randles takes readers on a real and figurative road trip during which he demonstrates how to live life to its fullest by embracing creativity and repeating a mantra of possibility. He shows us how the good life is achievable, walking readers through deeply personal accounts of creativity in everyday situations over a lifetime. This book binds the individual and cultural, imaginative and practical, tangible and intangible, light and dark, yin and yang. It’s all about the power of three, weaving through everything the vital, intangible element of spirituality, energy, chi to achieve eudaimonia. Through the lens of his experiences as a musician and teacher, the author celebrates relentlessness and hard work, providing a window into what it means to engage in the good life. Open that window to hear life’s call to adventure! —Gareth Dylan Smith, Assistant Professor of Music Education   Boston University Professor Randles’ stimulating book prompts memory of the seminal work of Joseph Schumpeter who suggested the importance of creative deconstruction in a democracy. Both authors focus on attaining the good life through a fuller understanding of the logic of the process of change—change that is driven by knowledgeable and innovative entrepreneurs. The immediate application of Randles’ suggested dynamic creativity processes applies to both teacher education and professional development, although both he and Schumpeter advance general ideas in creativity designed to achieve the highest level of human growth. —Richard Colwell, Professor Emeritus of Music Education   University of Illinois at Urbana-Champaign In recent years, Aristotle’s concept of ‘Eudaimonia’—meaning Happiness in the robust sense of full human flourishing (a life of joy, fellowship, self-growth, meaningfulness, ethical ‘good work,’ and more)—has entered and transformed the philosophy and practice of music education. To Create: Imagining the Good Life through Music is a highly original, emotional, practical, and exciting journey through the natures and values of creativity in/for music education and life itself. —David J. Elliott, Professor of Music and Music Education   New York University. $22.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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