SKU: BR.EB-9406
ISBN 9790004188804. 9 x 12 inches.
Raff's Cello Sonata op. 183 appeared in print in late 1873; at a time when Raff's success was at its zenith with Symphonies Nos. 3 and 5 as well as many chamber works. Little is known about the circumstances of its genesis and possible performances. Since Raff did not dedicate this sonata to any distinguished artist, unlike most of his other chamber works, it apparently lacked a drawing card for distribution. While Raff composed several well-known works for violin and piano, the present cello sonata is one of his few outstanding works for cello and piano. Incidentally, in the first edition, the score is headed for piano and cello, as was quite often the case in the 19th century, for instance also with Brahms's sonatas. This is also evident in the music: Cello and piano are equal partners that develop the musical material and are challenged both technically and artistically. This current edition contains an Urtext cello part as well as a part with markings by Claus Kanngiesser. In collaboration with the Joachim-Raff-Archiv Lachen (CH)With a preface by Severin Kolb. Contains 2 cello parts.
SKU: BR.DV-31097
ISBN 9790200415704. 9 x 12 inches.
Works by Walter Draeger, Peter Freiheit, Ottmar Gerster, Werner Hubschmann, Gunter Ketzscher, Volkmar Leimert, Werner Richter, Gerhard Rosenfeld, Hermann Steglich and Siegfried Stolte Kaleidoskop based on other collections for accordion. The material of the three previously available Spielbucher fur Akkordeon (DV 31050, DV 31051, DV 31061) was made more didactically concise and newly organized according to technical demands. Volume 2 contains pieces of a medium level of difficulty.
SKU: AP.12-0571542840
ISBN 9781234567891. English.
Behind Bars: General Conventions presents the basic principles, ground rules and conventions of notation in a definitive but concise guide. This book is the first section from the best-selling complete edition Behind Bars. It includes: Ground Rules; Chords, Dotted Notes and Ties; Accidentals and Key Signatures; Grace Notes, Arpeggiated Chords, Trills, Glissandos and Vibrato; Metre, Tuplets and Repeat Signs.Behind Bars is widely regarded as the indispensable reference book for composers, arrangers, teachers and students of composition, editors and music processors. The author's understanding of and passion for her subject has resulted in a book that is not only practical but also compellingly readable.Elaine Gould... has written the equivalent of the Grove Dictionary for Notation.Sir Simon Rattle.
SKU: HL.49029980
ISBN 9790220111730. 8.75x11.5x0.015 inches.
SKU: HL.49008213
ISBN 9790001124324. 9.0x12.0x0.15 inches.
These trios offer all trombonists the opportunity to extend their stylistic range and to practise playing together in a group. The pieces are already effective as duets (first and second parts). The third part extends the duets to trios and contributes to a full-sounding trombone group. An accompanying book is available for the rhythm section with parts for piano/keyboard, guitar, bass and drums.
SKU: BR.EB-9173
World premiere: Cologne, March 18, 2006
ISBN 9790004184820. 16.5 x 11.5 inches.
World premiere: Cologne, March 18, 2006.
SKU: HL.48023979
Tristanesque sounds, on the one hand, and a bossa nova rhythm, on the other hand, constitute, with a strong edge, the cells for this almost 3-minute piece for 3 trumpets, 4 horns, 3 trombones and tuba. It was premiered in Detmold in 2000 and can be used as a fanfare or encore for concerts of many kinds. Don't be afraid of contemporary music! Set of parts - trumpet I (C), trumpet I (Bb), trumpet II (C), trumpet II (Bb), trumpet II (C), trumpet III (Bb), horn I (F), horn II(F), horn III (F), horn IV (F), trombone I, trombone II, trombone III, tuba - 11 brass instruments.
SKU: HL.50601004
11.75x8.25x0.3 inches.
“'Across the skies' is characterized by a feeling of free and unforced imagination. At the beginning of the composition the pipa plays in an irregular rhythm through 'sweeping' overtones. At the same time, several string instruments play long, soft tones that result in an echo effect on the overtone chords of the pipa, whilst the other strings strengthen the overtone effect of the pipa. A pale acoustic segment repeatedly appears throughout the entire composition; it consists of diatonic scales and creates an impression of religiosity. The piece concludes with a retrospect of dreams.” (Wenchen Qin).
SKU: BR.DV-31020
ISBN 9790200415155. 9 x 12 inches. German / English.
SKU: BR.EB-8810
You will find supplementary material online
ISBN 9790004183793. 12.5 x 10 inches.
The now-published volumes 9 and 10 have presented a special challenge, for particularly in the field of the chorale arrangements the transmissions are more complex than in any other group of works. This ties in with the crucial question of Bach's authorship, which has been the subject of much controversy in the past. There were heated discussions about it even just prior to our edition, and editors and publisher are aware that the present selection is a thoroughly debatable snapshot. More on this in the volumes' text sections. The so called ,,Neumeister-Chorale are incorporated in the group of the separately transmitted chorale settings in alphabetical order, because the compilation of the pieces does not follow any collection idea of Bach (such as, for example, his larger late collections). The indication ,,Neumeister-Sammlung should facilitate the attribution. Those works requiring further research, besides of some versions, are presented online, since their profile reveals less evidence of the true author. Breitkopf has given the world a splendid edition of the organ works of Bach. These final two volumes offer a wealth of chorale-based music benefiting from the very latest research. Aside from the edition's obvious scholarly merit, a practicing church organist will love the convenience and variety of these volumes. Recommended without hesitation.(Jonathan B. Hall, The American Organist).
SKU: HL.48184548
A selection of stickers featuring animals, musical instruments and other images, suitable for encouraging and praising young children in their musical studies..
SKU: HL.14040192
ISBN 9789043157568. French.
Antonio Vivaldi (1673-1741) was an Italian composer, violinist and teacher in the Baroque era. His name has become synonymous with the series of Violin concertos known as the Four Seasons , but he also wrote over 500 other concertos for various instruments, as well as dozens of operas and several sacred works. The Concerto No. 23 (RV 425) was written in 1725. Set in the key of C major, it was originally scored for solo Mandolin with String Orchestra and Continuo Bass (Cembalo). It has been arranged for Guitar or Mandolin with Piano accompaniment by the French composer Fernand Oubradous .
SKU: HL.49000324
ISBN 9790001003131.
3 violins (or other melody instruments) and bass.
SKU: HL.3710363
UPC: 697643110564. 16.0x16.0x0.043 inches.
Series Description: PST 8 cymbals are crafted from the legendary 2002 bronze, refined through traditional hand hammering and perfected with the unique handmade Reflector finish. These hallmarks of Swiss workmanship make these cymbals pure Paiste instruments, yet they are as attractively priced as the other successful Paiste Sound Technology series. Alloy: CuSn8 Bronze, also known as “2002 Bronze” Size: 16-inches Weight: medium thin Volume: medium low to medium loud Stick Sound: washy Intensity: lively Sustain: medium long Bell Character: integrated Sound Character: Bright, full. Medium range, fairly clean mix. Responsive feel. Lively, full crash sound for multi-purpose playing in various styles.
SKU: GI.G-M585
English.
This major band method by James O. Frosethhas it all:* Artist performers set musical standards in sound with more than 80 great performanceson CD for every instrument, and one CD lasts for the entire book! Performers include Michael Henoch (Chicago Symphony Orchestra), Randall Hawes, Jeffrey Zook, Sharon Sparrow, Kevin Good (Detroit Symphony Orchestra), Albert Blaser (Cleveland State University), Brian Bowman (Duquesne University), Timothy McAllister (Crane School of Music, SUNY at Potsdam), Steve Houghton (LA percussion recording artist and clinician), Donald Sinta, Richard Beene, Bryan Kennedy, Debra Chodacki, Fritz Kaenzig (University of Michigan), Kristin Beene (Toledo Symphony Orchestra), and Jean Moorehead Libs (Plymouth Symphony Orchestra).* Professional studio backgrounds capture the rich diversity of American music culture with a repertoire of American, Latin American, African, European, and Far Eastern styles.* Music of other times includes 12th-century conductus, 15th-century Dance of the Bouffons, 16th-century French branle, 18th- and 19th-century folk songs and dances, 1940s and '50s jazz, blues, and rock-and-roll.* The repertoire and recorded contexts are motivating, informative, and entirely musical.* Every song includes text, providing information about phrasing, rhythm, style, affect, emotion, history, and culture.* A unique Rhythmic Pattern Dictionary allows students to “look it up” and “listen up.”* An individualized format allows students to progress at different rates with a “themeand-variation” format.* Ear training and improvisation are integral parts of the lesson format.* A 550+ page teacher's resource edition and musical score provides options galore, including a double CD with “listen and play” exercises for group instruction, supplementary exercises for technical development, and resource material for improvisation and composition. All the resources needed for teaching to the National Standards for Music are provided. (Coordinates with rhythm flashcards)* Book 2 features innovative but optional use of world percussion instruments, as developed by percussion educator Steve Houghton.
SKU: BR.DV-32071
ISBN 9790200426120. 8.5 x 11.5 inches.
SKU: ST.H154
ISBN 9790220202551.
Standard: Elementary. Also suitable for B flat Cornet, Flugelhorn or other Treble Clef, B flat brass instruments..
SKU: BT.9780713670462
ISBN 9780713670462.
Ten classical themes by the greatest composers have been arranged for a young Recorder ensemble. A selection of melodies by Mozart, Boccerini, Weber, Beethoven and more are presented here in full score for four descantRecorders with Piano accompaniment. The four parts vary in difficulty to suit a mixed-ability classroom group. An audio CD provides exemplary quality backing tracks and example performances for use in rehearsal or in concert.
Furthermore, a CD-ROM is also provided which is packed with parts for other Recorders, including 3 parts for treble/sopranino, 3 parts for tenor and bass parts for any C instrument.The selectionofworks will give young students vital first-time experience of Classical music-playing, and the pack contains everything you need for even the most unusual combination of instruments and abilities.
SKU: BR.BV-482
ISBN 9783765104824. 6.5 x 9.5 inches. German.
,,Bach spielen auf der Orgel (Playing Bach on the Organ) - the eagerly anticipated and logical addition to the new ten-volume edition of Bach's organ works - addresses organists of various skills and interests. It is not a scientific textbook focusing on a comprehensive presentation of the sources; it rather aims to make the fascinating cosmos of Bach's organ compositions accessible and ignite the passion, which is essential for an inspired interpretation. In his capacity as both a concert organist and a Bach researcher, Jean-Claude Zehnder is, like no other, apt to give the reader an understanding of the diverse aspects of playing Bach in a scientifically founded and yet vivid and exciting way. From Bach's organs and questions with regard to the registration practice of his time, via performance-technical aspects to thoughts on text reference, proportions and symbolism, no important subject has been left out. Questions of interpretation are discussed by reference to selected works and round off the compact presentation. A bibliography allows further own research.
SKU: GI.G-9730
UPC: 785147973003. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass
Over the past few years, as I have experienced the radical cultural transformation of Roman Catholic communities in the United States, I decided that I wanted to create something in response and support. Mass of Creation went through multiple revisions—into a Protestant version, a revised (2010) text version and a bilingual version. At each transition, the music struggled (I believe) to make the text “sing” as it had with the original version. With the Mass of Reconciliation / Misa de Reconciliación, I began with the premise that the text would be created to be sung throughout either in English or Spanish. My hope was that faith communities that had Masses in both languages might learn the mass setting in their own language and, when they came together for major feast days (Christmas Eve/Day, Easter Vigil/Day, and other celebrations) they could each sing with confidence and passion a setting in their own language.
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