| Astor Piazzolla 1 Vol. 1 Accordion - Intermediate Holzschuh Musikverlag
Accordion - intermediate SKU: M7.VHR-1811 Akkordeon Pur. Edited by...(+)
Accordion - intermediate SKU: M7.VHR-1811 Akkordeon Pur. Edited by Hans-Gunther Kolz. Sheet music. 32 pages. Holzschuh Musikverlag #VHR 1811. Published by Holzschuh Musikverlag (M7.VHR-1811). ISBN 9783940069146. AKKORDEONpur bietet Spezialarrangements im mittleren Schwierigkeitsgrad. Libertango, Revirado, Adios Nonino, S.V.P., Oblivion, Tanti anni prima, Francanapa, Close Your Eyes And Listen. $19.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The Real Bebop Book Hal Leonard
Bb Instruments SKU: HL.295068 Bb Edition. By Various. Fake Book. B...(+)
Bb Instruments SKU: HL.295068 Bb Edition. By Various. Fake Book. Bebop, Jazz. Softcover. 248 pages. Published by Hal Leonard (HL.295068). ISBN 9781540055200. UPC: 888680945091. 8.5x11.0x0.592 inches. Your new official bebop bible! Over 200 classics arranged for Bb instruments in Real Book style. Titles include: Anthropology * Au Privave * Be-Bop * Boneology * Boplicity (Be Bop Lives) * Byrd Like * Cherokee (Indian Love Song) * Confirmation * Donna Lee * Doxy * Epistrophy * 52nd Street Theme * Four * Goin' to Minton's * Good Bait * Groovin' High * Hi-Fly * Hot House * In Walked Bud * Jay Bird * Lady Bird * Lennie's Pennies * Moose the Mooche * Move * Oblivion * Oleo * Parisian Thoroughfare * Rosetta * Salt Peanuts * Solar * Teaneck * Tin Tin Deo * Tour De Force * Tricrotism * Wail * Woodyn' You * Yardbird Suite * and more! Comb bound. $34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pieces de Concours Band 1 Viola, Piano Schott
From the Paris Conservatoire repertoire. Composed by Various. Edited by J...(+)
From the Paris Conservatoire repertoire. Composed by Various. Edited by Jutta Puchhammer-Sedillot. This edition: Saddle stitching. Sheet music. String. Recital, Classical. Score and part, Softcover. Composed 1896-1938. 22254. 88 pages. Schott Music #ED22254. Published by Schott Music (HL.49045367).
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Weber Complete Edition 7/1 Piano solo Schott
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von...(+)
Piano (P+KRB) SKU: HL.49042462 No. 1-4. Composed by Carl Maria von Weber. Edited by Markus Bandur. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. Op. 24+39+49+70. 372 pages. Schott Music #WGA1071. Published by Schott Music (HL.49042462). ISBN 9783795794637. German - English. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $354.00 - See more - Buy online | | |
| Concerto for Bassoon and Orchestra in C major Bassoon, Piano (duet) [Reduction] - Intermediate/advanced Barenreiter
Composed by Carl Stamitz (1745-1801). Edited by Ondrej ?indelár. Arranged by ...(+)
Composed by Carl Stamitz
(1745-1801). Edited by Ondrej
?indelár. Arranged by Petr
Koronthály. This edition:
urtext edition. Paperback.
Barenreiter Urtext. Piano
reduction, Part (1).
Baerenreiter Verlag #BA11563-
90. Published by Baerenreiter
Verlag
$32.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tango Collection for Violin and Viola, Vol. 1 Violin, Viola (duet) [Score and Parts] Ut Orpheus
Edited by Christoph Emmanuel Langheim. For violin and viola duet. This edition...(+)
Edited by Christoph Emmanuel
Langheim. For violin and
viola duet. This edition:
saddle stitiching. Hors
Serie. Score and parts. 28
28 pages. Published by Ut
Orpheus
$28.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Oblivion [Reduction] Uetz Music
Another classic by Piazolla. Composed by Astor Piazolla. Arranged by Uwe ...(+)
Another classic by Piazolla. Composed by Astor Piazolla. Arranged by Uwe Rossler. Piano reduction. Duration 1 minute, 30 seconds. Published by Uetz Music (UZ.BU-9056).
$20.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Weber Complete Edition 6/1 Schott
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andr...(+)
(P+KRB) SKU: HL.49042459 Composed by Carl Maria von Weber. Edited by Andreas Fukerider and Claudia Theis. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 274 pages. Schott Music #WGA1061. Published by Schott Music (HL.49042459). ISBN 9783795794682. 8.75x12.25x1.022 inches. Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references. $244.00 - See more - Buy online | | |
| Souvenirs Cello, Piano - Intermediate Salabert
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musi...(+)
Cello and Piano - intermediate SKU: BT.SLB-00595900 Extrait de la musique de scène pour « Le Voyageur sans bagages ». Composed by Francis Poulenc. Classical. Book and Part(s). Composed 2016. 5 pages. Editions Salabert #SLB 00595900. Published by Editions Salabert (BT.SLB-00595900). INSSTR inches. French. A previously unreleased piece by Francis Poulenc, published with permission from the Bibliothèque Historique de la Ville de Paris and Benoît Seringe, secretary of the Association des amis de Francis Poulenc [Association of the Friends ofFrancis Poulenc]. Le Voyageur sans bagage [The Traveller Without Luggage], which had been premiered in 1937 with music by Darius Milhaud, was reprised on 1 April 1944 at the Thé tre de la Michodière; Francis Poulenc was asked to compose new stage music. Theentire unpublished score lay undiscovered until Bérengère de l’Épine, a librarian at the Bibliothèque Historique de la Ville de Paris, announced the existence of a manuscript in the Association de la Régie Thé trale collection.Poulenc finalised the score between 19 and 21 March 1944. It contains nine songs, all written for a small instrumental ensemble including oboe, clarinet, cello and piano. However, at the end of the manuscript, the composer echoes the second song Lent [Slow] and creates another version for cello and piano; curiously, the original version of the song has not been erased in the manuscript. Poulenc seems to suggest that we consider the piece for cello and piano, that we have publishedhere, as a different piece of music. It was premiered on Wednesday 23 January 2013 by Marc Coppey, accompanied by Jean-François Heisser, in the organ auditorium of the Conservatoire National Supérieur de Musique et Danse de Paris (CNSMDP), during thesymposium for the fiftieth anniversary of Poulenc’s death.Given in a dramatic context, some elements allow us to get an idea of the character of the piece, which Benoît Seringe, Poulenc’s beneficiary, judiciously chose to name Souvenirs.The main character of Anouilh’s play, Gaston, is suffering from amnesia at the end of World War One. Several families try to claim him; they want him to be their missing relative. The Renaud family prove to be particularly stubborn, but Gaston doesnot recognize himself in the child and young man they depict: a ruthless and violent person. In Act 1 Scene 3, left alone for a moment, overwhelmed by the story of the “old Gaston†that is gradually coming to light, and outraged by the desire ofthose around him to appropriate him (to the detriment of the person he would like to be from now on), he whispers these words: “You all have proof, photographs that look like me, memories as clear as day… I’ve listened to you all and it’s slowlycausing a hybrid person to rise up in me; a person in which there is a piece of each of your sons and nothing of me.†Poulenc chose to place the second piece from his stage music score as these words are spoken.He borrowed part of the material, as he often did, from an earlier composition. In this particular case, the beginning is a recycled version of the “slow and melancholic†section from L’Histoire de Babar , composed between 1940 and 1945, andpremiered in 1946 (unless it is Babar that reuses the musical idea from Voyageur ).The eponymous elephant decides to leave in search of the great forest. He embraces the old lady, promises her he will return and reassures her that he will never forget her. Left alone, the old lady, feeling sad and pensive, wonders when she’ll seeher friend Babar again. The situation is similar to that in Voyageur sans bagage: solitude, sadness, a distressing and introspective time, fear of oblivion, the presence of memories…
Pièce inédite de Francis Poulenc, publiée avec l’autorisation de la Bibliothèque historique de la ville de Paris et de Benoît Seringe, secrétaire de l’Association des Amis de Francis Poulenc.Le 1er avril 1944, Le Voyageur sans bagage d’Anouilh, qui avait été créé en 1937 avec de la musique de Darius Milhaud, est repris au Thé tre de la Michodière. Francis Poulenc a été sollicité afin d’écrire une nouvelle musique de scène. On ignoraittout de cette partition inédite, jusqu’au jour où Bérengère de l’Épine, conservateur la Bibliothèque historique de la ville de Paris, nous signala l’existence d’un manuscrit dans le fonds de l’Association de la Régie thé trale.Poulenc mit au point sa partition entre le 19 et le 21 mars 1944. Elle comprend neuf numéros, tous écrits pour un petit effectif instrumental réunissant un hautbois, une clarinette, un violoncelle et un piano.Cependant, la fin de son manuscrit, le compositeur reprend le no 2 Lent et en donne une seconde version, pour violoncelle et piano. Curieusement, la version originale de ce numéro n’est pas biffée dans le manuscrit.Poulenc semble nous inviter considérer comme un morceau distinct cette pièce pour violoncelle et piano dont nous proposons ici l’édition. Elle a été créée par Marc Coppey, accompagné de Jean-François Heisser, lors du concert donné durant lecolloque organisé pour le cinquantenaire du décès de Poulenc, le mercredi 23 janvier 2013, salle d’orgue du Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP).Quelques éléments sur le contexte dramatique permettront de se faire une idée du caractère du morceau, que Benoît Seringe, ayant droit Poulenc, a judicieusement choisi d’intituler Souvenirs.Le personnage principal de la pièce d’Anouilh, Gaston, a été retrouvé amnésique la fin de la Première Guerre Mondiale. Plusieurs familles le réclament. On veut voir en lui un parent disparu. Les Renaud se montrent particulièrement tenaces ; maisGaston ne parvient se reconnaître dans l’enfant et le jeune homme dont on lui trace le portrait : un être violent et sans scrupule. Au tableau 3 de l’acte I, resté seul un moment, écrasé par l’histoire de cet autre lui-même qu’il découvre peu peu, indigné par le désir des personnes qui l’entourent de le ramener elles au détriment de celui qu’il voudrait être désormais, il se murmure ces paroles : « Vous avez tous des preuves, des photographies ressemblantes, des souvenirs précis commedes crimes… je vous écoute tous et je sens surgir peu peu derrière moi un être hybride où il y a un peu de chacun de vos fils et rien de moi »…C’est sur ces mots que Poulenc a choisi de placer le no 2 de sa partition de musique de scène.Comme il le fait souvent, il emprunte une composition antérieure une part de son matériau. Dans ce cas précis, il réutilise pour le début du morceau la section « Lent et mélancolique » de l’Histoire de Babar, composée entre 1940 et 1945, créée en1946 ( moins que ce ne soit Babar qui réutilise l’idée musicale du Voyageur). Le héros-éléphant s’est décidé partir pour retrouver la grande forêt. Il a embrassé la vieille dame, lui a promis de revenir, l’a rassurée : jamais il ne l’oubliera.Restée seule, la vieille dame, triste et pensive, se demande quand elle reverra son ami Babar. La situation est similaire celle du Voyageur sans bagage : solitude, tristesse, instantde trouble et de retour sur soi, crainte de l’oubli, présence des souvenirs…. $11.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 25 Piazzolla Tangos for Trumpet and Piano Trumpet, Piano Boosey and Hawkes
Composed by Astor Piazzolla (1921-1992). Boosey and Hawkes Chamber Music. Soft...(+)
Composed by Astor Piazzolla
(1921-1992). Boosey and Hawkes
Chamber Music. Softcover.
120 pages. Published by
Boosey and Hawkes
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Pastoral Mass in F major - Easy Carus Verlag
Orchestra Soli SSATB, Coro SATB, Fl, 2 Clt (2 Ob), 2 Fg, 2 Tr, [2 Cor, Trb basso...(+)
Orchestra Soli SSATB, Coro SATB, Fl, 2 Clt (2 Ob), 2 Fg, 2 Tr, [2 Cor, Trb basso], Timp, 2 Vl, Va, Vc, Cb, Org - Level 2 SKU: CA.2708611 Composed by Anton Diabelli. Edited by Frank Hondgen. Violin 1. Sacred vocal music, Masses, Latin. Part. Op. 147. Duration 30 minutes. Carus Verlag #CV 27.086/11. Published by Carus Verlag (CA.2708611). ISBN M-007-25355-4. Key: F major. Latin. Diabelli's church music has unjustly largely fallen into oblivion. In his Pastoral Mass in F, the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes, the work is of easy to medium difficulty, and is therefore extremely suitable for amateur choirs with orchestra. The Pastoral Mass is suitable for performance both at Christmas time and beyond. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Real Bebop Book Eb Instruments Hal Leonard
Eb Edition. By Various. Fake Book. Bebop, Jazz. Softcover. 248 pages. Publishe...(+)
Eb Edition. By Various. Fake
Book. Bebop, Jazz. Softcover.
248 pages. Published by Hal
Leonard
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Piano Concerto Op. 57 Breitkopf & Härtel
Piano duets (solo: pno - 2(picc).2.2.2 - 2.2.1.0 - timp - str) SKU: BR.EB-890...(+)
Piano duets (solo: pno - 2(picc).2.2.2 - 2.2.1.0 - timp - str) SKU: BR.EB-8901 Composed by Hans Gal. Solo instruments; Softbound. Edition Breitkopf. Solo concerto; Early modern; Music post-1945. Piano reduction. 100 pages. Duration 34'. Breitkopf and Haertel #EB 8901. Published by Breitkopf and Haertel (BR.EB-8901). ISBN 9790004185292. 9 x 12 inches. The composition of works for solo piano runs through Hans Gal's entire oeuvre. Like all of the piano reductions for his operas, cantatas and solo concertos, the piano reduction of the Piano Concerto Op. 57 was written by the composer himself. First performed in Bournemouth in 1949, the Piano Concerto fell into oblivion after 1959, only to be performed again in 2009 by Hartmut Hudezeck for the first time in 50 years. The chamber-musical texture of the Piano Concerto - each part literally plays a role and has an independent contrapuntal function makes rehearsing with the aid of the piano reduction virtually indispensable. The present critical new edition was prepared by Anthony Fox with the essential support of Hartmut Hudezeck, who, thanks to his practical performance experience and his expertise in the field, was able to address not only questions of content but also of performance practice. Moreover, the edition benefits from Sarah Beth Briggs's annotations, who first recorded the work with the Royal Northern Sinfonia under the baton of Kenneth Woods on CD. The Concerto is notable for its tightly organized musical material shared equally between soloist and orchestra: ...attractive and accessible... (Erik Levi, BBC Music Magazine). $47.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| The Golden Age Concert band [CD] De Haske Publications
The Royal Netherlands Army Band. By The Royal Netherlands Army Band. Composed by...(+)
The Royal Netherlands Army Band. By The Royal Netherlands Army Band. Composed by Various. De Haske Concert Band CD. CD only. Published by De Haske Publications.
$18.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Songs with a Classical Touch Piano solo Hal Leonard
Composed by Various. For Piano/Keyboard. Piano Solo Songbook. Softcover. 178 ...(+)
Composed by Various. For
Piano/Keyboard. Piano Solo
Songbook. Softcover. 178
pages. Published by Hal
Leonard
$17.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 25 Piazzolla Tangos for Violin and Piano Violin and Piano [Sheet music] Boosey and Hawkes
Composed by Astor Piazzolla (1921-1992). For Violin, Piano Accompaniment. Boosey...(+)
Composed by Astor Piazzolla (1921-1992). For Violin, Piano Accompaniment. Boosey and Hawkes Chamber Music. Softcover. 120 pages. Published by Boosey and Hawkes
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 40 Piazzolla Tangos for Piano Piano solo - Intermediate/advanced Boosey and Hawkes
Composed by Astor Piazzolla (1921-1992). For Piano. BH Piano. Softcover. 132 p...(+)
Composed by Astor Piazzolla
(1921-1992). For Piano. BH
Piano. Softcover. 132 pages.
Boosey and Hawkes #M051246786.
Published by Boosey and Hawkes
$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 25 Piazzolla Tangos for Alto Saxophone and Piano Alto Saxophone and Piano Boosey and Hawkes
Composed by Astor Piazzolla (1921-1992). Boosey and Hawkes Chamber Music. Soft...(+)
Composed by Astor Piazzolla
(1921-1992). Boosey and Hawkes
Chamber Music. Softcover.
122 pages. Published by
Boosey and Hawkes
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 25 Piazzolla Tangos for Clarinet and Piano Clarinet and Piano Boosey and Hawkes
Composed by Astor Piazzolla (1921-1992). Boosey and Hawkes Chamber Music. Soft...(+)
Composed by Astor Piazzolla
(1921-1992). Boosey and Hawkes
Chamber Music. Softcover.
122 pages. Published by
Boosey and Hawke
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 4 Sonatas [Score] Breitkopf & Härtel
Violin and 1 other inst. SKU: BR.EB-9344 Composed by Michael Haydn. Edite...(+)
Violin and 1 other inst. SKU: BR.EB-9344 Composed by Michael Haydn. Edited by Wilhelm Altmann. Solo instruments; stapled. Edition Breitkopf. Testimony of the friendship between M. Haydn und W. A. Mozart. Sonata; Classical. Score. 60 pages. Breitkopf and Haertel #EB 9344. Published by Breitkopf and Haertel (BR.EB-9344). ISBN 9790004188088. 9 x 12 inches. Michael Haydn composed his four Sonatas for Violin and Viola in 1783, commissioned by the Salzburg archbishop. In fact, the archbishop ordered six sonatas, but Haydn fell ill and was not able to write the last two sonatas himself. As helper in need, Wolfgang Amadeus Mozart aided his friend. He composed the two missing sonatas and agreed that they would be presented to the archbishop under the name of Haydn. While both sonatas by Mozart have found a wide distribution, the four compositions by Haydn nearly fell into oblivion and are made available again with this edition.
Testimony of the friendship between M. Haydn und W. A. Mozart. $42.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Pastoral Mass in F major - Easy Carus Verlag
Orchestra Soli SSATB, Coro SATB, Fl, 2 Clt (2 Ob), 2 Fg, 2 Tr, [2 Cor, Trb basso...(+)
Orchestra Soli SSATB, Coro SATB, Fl, 2 Clt (2 Ob), 2 Fg, 2 Tr, [2 Cor, Trb basso], Timp, 2 Vl, Va, Vc, Cb, Org - Level 2 SKU: CA.2708612 Composed by Anton Diabelli. Edited by Frank Hondgen. Violin 2. Sacred vocal music, Masses, Latin. Part. Op. 147. Duration 30 minutes. Carus Verlag #CV 27.086/12. Published by Carus Verlag (CA.2708612). ISBN M-007-25356-1. Key: F major. Latin. Diabelli's church music has unjustly largely fallen into oblivion. In his Pastoral Mass in F, the Austrian composer of the Biedermeier period succeeded in achieving a balance between artistic aspirations and a form suitable for practical performance. With a duration of about 30 minutes, the work is of easy to medium difficulty, and is therefore extremely suitable for amateur choirs with orchestra. The Pastoral Mass is suitable for performance both at Christmas time and beyond. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Real Bebop Book C Instruments [Fake Book] Hal Leonard
C Edition. By Various. Fake Book. Softcover. 248 pages. Published by Hal ...(+)
C Edition. By Various. Fake Book. Softcover. 248 pages. Published by Hal Leonard (HL.154230).
$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
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