Sonata in F major (2 Oboes). By Jan Dismas Zelenka. Edited by Horn, Wolfgang. For Oboe (2), Bassoon, Basso continuo. Hortus Musicus. Playing Score; Set of Parts. ZWV 181/1. Published by Hortus Musicus (German import).

Oboe (Oboe)

SKU: HL.48181326

Composed by Henri Brod. Leduc. Classical. CD. 20 pages. Alphonse Leduc #AL20752. Published by Alphonse Leduc (HL.48181326).

UPC: 888680867447. 9.0x12.0x0.162 inches.

“French oboist, Henri Brod (1799-1839) was a performer, composer and instrument builder during the early Romantic era. Considered a virtuoso, Brod's compilation, Studies and Sonatas for Oboe is very well-informed. Brod introduced his own innovations in Oboe design and playing techniques, both which are still used to this day. The first volume of Studies and Sonatas for Oboe comprises 40 easy studies and 6 progressive sonatas for beginner to intermediate level oboists. These are in a variety of keys and address features, including different rhythms, scales, breath control, phrasing, articulation, ornamentation, accidentals, simple and compound time signatures, range, performance directions, and dynamics, among other aspects. Brod's wealth of experience and expertise which enabled the composition of Studies and Sonatas for Oboe make it an essential purchase for aspiring players of the instrument.”.

Mixed choir (SATB), 2 flutes, 2 oboes, 2 clarinets, 2 bassoons - 2 horns, 2 trumpets, 3 trombones, timpani and strings (P+KRB)

SKU: HL.49042434

Composed by Carl Maria von Weber. Edited by Frank Ziegler and Johannes Kepper. This edition: Full-cloth binding. Sheet music. Edition Schott. Score and critical commentary, complete edition. 306 pages. Schott Music #WGA1021. Published by Schott Music (HL.49042434).

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.

(Volume 1: Sonatas Nos. 1-2). Composed by Johann Christian Schickhardt (1680-1762). For Treble Recorder, 2 Oboes, Viol and Continuo. Chamber Music, Early Music. Score and parts. Op. 5. 104 pages. Published by Ut Orpheus