| Music for Two, Volume 2 - Wedding and Classical Favorites - Cello/Bassoon and Cello/Bassoon |bassoon|cello| [Score and Parts] - Intermediate/advanced Last Resort Music Publishing
Arranged by Daniel Kelley. For Cello (or Bassoon) and Cello (or Bassoon). Duets....(+)
Arranged by Daniel Kelley. For Cello (or Bassoon) and Cello (or Bassoon). Duets. Music for Two. Wedding, Classical. Level: Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing.
$22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music for Two, Volume 2 - Flute/Oboe/Violin and Cello/Bassoon |violin|flute|bassoon|cello|oboe| [Score and Parts] - Intermediate/advanced Last Resort Music Publishing
Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Cello (or Bassoon)....(+)
Arranged by Daniel Kelley. For Flute (or Oboe or Violin) and Cello (or Bassoon). Duets. Music for Two. Wedding, Classical. Level: Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing.
$22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music for Two, Volume 2 - Clarinet and Cello/Bassoon |bassoon|cello|clarinet| [Score and Parts] - Intermediate/advanced Last Resort Music Publishing
Arranged by Daniel Kelley. Duets. Music for Two. Wedding, Classical. Level: Inte...(+)
Arranged by Daniel Kelley. Duets. Music for Two. Wedding, Classical. Level: Intermediate/Advanced. Score with 2 parts. Published by Last Resort Music Publishing.
$22.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Mr Sheen’s Miscellany for Bassoon. Grade 2 Bassoon, Piano (duet) Clifton Edition
Bassoon and Piano SKU: ST.C182 Composed by Graham Sheen. Wind & brass mus...(+)
Bassoon and Piano SKU: ST.C182 Composed by Graham Sheen. Wind & brass music. Clifton Edition #C182. Published by Clifton Edition (ST.C182). ISBN 9790570811823. Bodhán The melody here is very broken up, so breathe and be ready for the next entry in good time. Don’t drag behind the drum in the piano part. Notice that only some of the notes are marked staccato.
À la Modal Modes are scales based on the white notes of the piano, say, so you won’t find a single accidental in this piece. It shows that expression in music depends on more than just the dynamics, that is, how loudly and softly you play. We also need to observe the articulation markings such as staccato, tenuto and the accents on both long and short notes.
Schubert’s Ghost Schubert is one of my favourite composers. I hope you enjoy the swing of the dotted rhythms and accents in this little Viennese impression. There are three musical quotations: one from Schubert himself, one from a later Viennese composer, Gustav Mahler and, near the end, the Dies Irae tune which has been used by many composers. Three Pieces for Bassoon and Piano
Grade 2 Former Spartan Press Cat. No.: SP1162. $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| 20 Traditional Wedding Solos for Cello or Bassoon
Cello, Piano [Reduction] - Intermediate/advanced Last Resort Music Publishing
Edited by Jan Kelley. Arranged by Daniel Kelley. For Cello and Piano. Solos. Rec...(+)
Edited by Jan Kelley. Arranged by Daniel Kelley. For Cello and Piano. Solos. Recital, Wedding. Level: Intermediate/Advanced. Piano Score and Solo Part. Published by Last Resort Music Publishing.
$24.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sounds Classical Oboe, Piano (duet) [Sheet music + CD] - Easy Anglo Music
Oboe and Piano - early intermediate SKU: BT.AMP-361-400 17 Graded Solo...(+)
Oboe and Piano - early intermediate SKU: BT.AMP-361-400 17 Graded Solos for Oboe and Piano. Arranged by Philip Sparke. Classical. Book with CD. Composed 2013. 32 pages. Anglo Music Press #AMP 361-400. Published by Anglo Music Press (BT.AMP-361-400). ISBN 9789043136679. 9x12 inches. English-German-French-Dutch. Sounds Classical for Oboe is a collection of graded solos selected specifically for the developing oboe player. Designed to correlate with grades 1-4 of the exam syllabus of the Associated Board of the royal Schools of Music, the pieces are drawn from four centuries of classical repertoire ranging from Susato to Sullivan, and will provide ideal material forpractice or recital. Also available: Sounds Classical for Bassoon, AMP 362-400
Sounds Classical for Oboe is een verzameling van solos die speciaal voor hoboleerlingen zijn geselecteerd - in oplopend niveau. De stukken komen qua moeilijkheidsgraad overeen met niveau 1-4 van de examenbundel van de Britse Associated Board of the Royal Schools of Music. Ze bestrijken een periode van vier eeuwen klassiek repertoire - van Susato tot Sullivan - en ze vormenideaal materiaal voor zowel lessen als optredens. Ook verkrijgbaar: Sounds Classical for Bassoon, AMP 362-400
SOUNDS CLASSICAL ist eine Sammlung von im Schwierigkeitsgrad fortschreitenden Soli, die speziell für werdende Oboisten ausgewählt wurden. Philip Sparke wählte für dieses Buch Stücke aus dem klassischen Repertoire aus vier Jahrhunderten aus - vonSusato über Telemann, Händel, Grieg, Purcell, Mozart bis Sullivan - das ideale Material zum Üben oder Vorspielen!
Sounds Classical for Oboe est une collection de solos de difficulté croissante, sélectionnés spécifiquement pour les hautbo stes débutants. Ces pièces couvrent quatre siècles du répertoire classique, de Susato Sullivan, et se prêtentparfaitement l’étude comme une interprétation en concert. $24.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Melodies for Beginners Volume 1 Bassoon, Piano (duet) [Score and Parts] - Beginner Editions Marc Reift (Swiss import)
Bassoon & Piano or CD Play Back / Play Along - Grade 1 SKU: MA.EMR-44949 ...(+)
Bassoon & Piano or CD Play Back / Play Along - Grade 1 SKU: MA.EMR-44949 Melodies pour Debutants / Melodien fur Anfanger. Composed by Bertrand Moren. Bassoon & CD Playback (Play Along). Score and parts. Duration 21'08. Editions Marc Reift #EMR 44949. Published by Editions Marc Reift (MA.EMR-44949). The Partridge / Merrily We Roll Along / Little Mozart / Le Bon Roi Dagobert / Jingle Bells / How To Slur / How To Play Staccato / J'ai du Bon Tabac / Serenade / Slurring Is Fun / Flea Jumps / Ode To Joy / Ah vous dirais-je Maman / Old Mac Donald ... $22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Duos Vol. 1 2 Bassoons (duet) [Sheet music + CD] - Easy Editions Marc Reift (Swiss import)
By John G. Mortimer. For 2 bassoons and piano (organ). Swiss import. Play Along....(+)
By John G. Mortimer. For 2 bassoons and piano (organ). Swiss import. Play Along. Level: 2-2 . Sheet music and accompaniment CD. Published by Editions Marc Reift. (EMR 2240)
$32.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Album Volume 5 Oboe, Bassoon (duet) - Intermediate Editions Marc Reift (Swiss import)
Arranged by Jerome Naulais. For Oboe and Bassoon. Swiss import. Level: Grade 3. ...(+)
Arranged by Jerome Naulais. For Oboe and Bassoon. Swiss import. Level: Grade 3. Published by Editions Marc Reift. (EMR 8315)
$22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Album Volume 5 2 Bassoons (duet) - Intermediate Editions Marc Reift (Swiss import)
Arranged by Jerome Naulais. For 2 Bassoons. Swiss import. Level: Grade 3. Publis...(+)
Arranged by Jerome Naulais. For 2 Bassoons. Swiss import. Level: Grade 3. Published by Editions Marc Reift. (EMR 2425)
$22.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Flex-Ability Classics -- Solo-Duet-Trio-Quartet with Optional Accompaniment Flexible Instrumentation [Sheet music] Alfred Publishing
(Trombone/Baritone/Bassoo n/Tuba). Arranged by Victor López. For Trombone/Bar...(+)
(Trombone/Baritone/Bassoon/Tuba). Arranged by Victor López. For Trombone/Baritone/Bassoon/Tuba. Mixed Instruments - Flexible Instrumentation. Flex-Ability Series. Book. 24 pages
$7.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Solo Pieces Volume 2 Bassoon, Piano (duet) - Easy Editions Marc Reift (Swiss import)
By John G. Mortimer. For Bassoon and Piano. Swiss import. Level: Grade 2-2+. Pub...(+)
By John G. Mortimer. For Bassoon and Piano. Swiss import. Level: Grade 2-2+. Published by Editions Marc Reift. (EMR 13187)
$32.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Concerto For Flute And Orchestra Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flu...(+)
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flute, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Trumpet 3 and more. SKU: PR.41641515L Composed by Behzad Ranjbaran. Premiered by the Philadelphia Orchestra, Yannick Nezet-Seguin, Music Director, Jeffrey Khaner, flute; Verizon Hall, Philadelphia. Contemporary. Large Score. With Standard notation. Composed 2013. Duration 28 minutes. Theodore Presser Company #416-41515L. Published by Theodore Presser Company (PR.41641515L). UPC: 680160621750. The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice. In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions. In writing my flute concerto, I aimed not only to highlight the modern flautist's ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages. Two prominent characters permeate the first movement of my concerto. They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively. The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra. Apart from these two characters there are moments of mystery, comedy and the grotesque, among others. In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors. The solo flute is left out in an agitated middle section that references the first movement. In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp. The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute. Some of the materials from the earlier movements are presented again with joyous character. The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy. The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice.  In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions.In writing my flute concerto, I aimed not only to highlight the modern flautist’s ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages.Two prominent characters permeate the first movement of my concerto.  They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively.  The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra.  Apart from these two characters there are moments of mystery, comedy and the grotesque, among others.In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors.  The solo flute is left out in an agitated middle section that references the first movement.  In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp.The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute.  Some of the materials from the earlier movements are presented again with joyous character.  The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy. $160.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto For Flute And Orchestra Theodore Presser Co.
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flu...(+)
Orchestra Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, Flute, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone 1, Trombone 2, Trombone 3, Trumpet 1, Trumpet 2, Trumpet 3 and more. SKU: PR.416415150 Composed by Behzad Ranjbaran. Spiral. Premiered by the Philadelphia Orchestra, Yannick Nezet-Seguin, Music Director, Jeffrey Khaner, flute; Verizon Hall, Philadelphia. Contemporary. Study Score. With Standard notation. Composed 2013. 126+126 pages. Duration 28 minutes. Theodore Presser Company #416-41515. Published by Theodore Presser Company (PR.416415150). ISBN 9781598069020. UPC: 680160621743. 9 x 12 inches. Inspired by the alluring, human-like sound of the Ney (a Persian bamboo flute), Ranjbaran aims not only to highlight the modern flutist’s ability to play agile and brilliant passages, but also to emulate the delicate sound of the Ney, particularly in extended solo passages. The three-movement 27-minute concerto was commissioned by the Philadelphia Orchestra for its principal flutist Jeffrey Khaner. The piano reduction (published separately) was designed by the composer to be practical in recital performances. CONCERTO for Flute and Orchestra has been recorded for Naxos by Érik Gratton with the Nashville Symphony conducted by Giancarlo Guerrero. The melancholic tone of the Ney (the Persian bamboo flute) is known for its alluring sound, emulating the human voice.  In Persian literature, the Ney is considered a mystic instrument capable of expressing deep human emotions.In writing my flute concerto, I aimed not only to highlight the modern flautist’s ability to play agile and brilliant passages but also to emulate the delicate sound of the Ney, particularly in extended solo flute passages.Two prominent characters permeate the first movement of my concerto.  They are marked in the score as lamentoso, and con spirito, expressing grief and loss, and joy of living respectively.  The lament is mostly expressed in several extended cadenzas for solo flute while the con spirito consists of robust and energetic fast sections played by all forces of the orchestra.  Apart from these two characters there are moments of mystery, comedy and the grotesque, among others.In the second movement, the lyrical and poetic character of the flute is prominently presented in dream-like passages surrounded by shimmering and tender orchestral colors.  The solo flute is left out in an agitated middle section that references the first movement.  In the third section of the movement the solo flute returns in meditative fashion culminating in a duet with the harp.The third movement is written as one continuous quasi scherzo, challenging the limits of agility and brilliance of the flute.  Some of the materials from the earlier movements are presented again with joyous character.  The coda elevates the concerto into its brightest and most festive character, driving to the end with relentless energy. $65.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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