| The Singer's Musical Theatre Anthology: Tenor - 16-bar Audition - Revised (Replaces 00230041) Tenor voice, Piano Hal Leonard
Composed by Various. Edited by Richard Walters. Vocal Collection. Softcover. 2...(+)
Composed by Various. Edited
by Richard Walters. Vocal
Collection. Softcover. 212
pages. Published by Hal
Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Singer's Musical Theatre Anthology - Volume 6 Baritone voice [Sheet music + Audio access] Hal Leonard
Baritone/Bass Book/Online Audio. Edited by Richard Walters. Vocal Collection. ...(+)
Baritone/Bass Book/Online
Audio. Edited by Richard
Walters. Vocal Collection.
Softcover Audio Online. 248
pages. Published by Hal
Leonard
$42.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Chilly Gonzales: NoteBook Solo Piano III Piano solo EBR Editions Bourges
Composed by Chilly Gonzales. Book Only. Composed 2018. Editions Bourges #EBR53...(+)
Composed by Chilly Gonzales.
Book Only. Composed 2018.
Editions Bourges #EBR532.
Published by Editions Bourges
$25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Love and Longing Theodore Presser Co.
Chamber Music Mezzo-soprano, Piano, baritone voice soprano voice, tenor voice (+)
Chamber Music Mezzo-soprano, Piano, baritone voice soprano voice, tenor voice SKU: PR.411411980 Sung Monologues for Solo Voices and Piano Inspired by Classic Literature. Composed by Nkeiru Okoye. Theodore Presser Company #411-41198. Published by Theodore Presser Company (PR.411411980). UPC: 680160690671. I love classic literature and movies based on the classics. Great plot lines, complex characters, and the power of love across social and economic boundaries displayed in multilayered stories. (And, of course, the corsets and crinoline.) Recent TV series like Netflix’s Bridgerton have succeeded in bringing these kinds of stories back to mainstream audiences, illustrating that their universal themes endure even today.Each sung monologue in LOVE AND LONGING is drawn from a climactic moment in a work of classic literature. “Whatever our souls are made of†contrasts Cathy’s frozen commitments to social expectation and detached feelings toward her fiancé Edgar Linton with her overwhelming love for Heathcliff in Wuthering Heights. In “Mr. Rochester,†Jane Eyre declares her feelings for her employer with uncommon familiarity and boldness. Finally, Mr. Darcy’s proposal to Elizabeth in Pride and Prejudice is reimagined with a Gilbert and Sullivan-like rhyme scheme, as Darcy humorously enumerates the reasons it would be foolish and improper for him to marryElizabeth, while asking for her hand. The first two texts are taken almost verbatim from passages in the novels, while the lyrics for “Darcy Proposes†are original, freely adapted from several passages.LOVE AND LONGING was conceived as a single work in three parts, to be performed in succession by three different singers. However, performances of the set by two singers instead of three, or of monologues as standalone pieces, are also permissible. The parts were originally written for soprano, mezzo-soprano, and baritone respectively, with alternate versions for mezzo-soprano, soprano, and tenor added later.These arias are well within reach for college students and young professionals, and draw on multiple musical traditions. Performer’s interpretations of the monologues will of course be enriched by reading the novels, and by watching the movies they inspired. $31.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Singer's Musical Theatre Anthology - Volume 3 Tenor voice [Sheet music + Audio access] Hal Leonard
Edited by Richard Walters. Vocal Collection. Piece for the NFMC Vocal event with...(+)
Edited by Richard Walters. Vocal Collection. Piece for the NFMC Vocal event with the National Federation of Music Clubs (NFMC) Festivals Bulletin 2008-2009-2010. Instruction, Classical. Softcover Audio Online. 224 pages. Published by Hal Leonard
$44.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Singer's Musical Theatre Anthology - Volume 6 Baritone voice [CD] Hal Leonard
(Baritone Bass Accompaniment CDs). Composed by Various. Edited by Richard Walter...(+)
(Baritone Bass Accompaniment CDs). Composed by Various. Edited by Richard Walters. For Voice, Piano Accompaniment. Vocal Collection. CD only. Published by Hal Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Broadway Presents! Teen Male Vocal Anthology Voice solo [Sheet music + CD] Alfred Publishing
(A Treasury of Songs from Stage and Film, Specially Designed for Teen Singers! I...(+)
(A Treasury of Songs from Stage and Film, Specially Designed for Teen Singers! Includes Story Synopsis, Song Set-up, Audition Tips and 16-Bar Cut Suggestions). Edited by and compiled Lisa DeSpain. For Voice. Book; CD; Vocal Collection. Broadway. 220 pages. Published by Alfred Music Publishing
$29.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Musical Theatre for Classical Singers Tenor voice, Piano [Sheet music + CD] Hal Leonard
(Tenor Book/Accompaniment CDs). By Various. Edited by Richard Walters. Vocal Col...(+)
(Tenor Book/Accompaniment CDs). By Various. Edited by Richard Walters. Vocal Collection. Book with CD. 254 pages. Published by Hal Leonard
$44.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| 18 Contrapuntal Pieces for Guitar Guitar Ut Orpheus
Composed by Paolo Ugoletti Andrea Vezzoli. Edited by Piero Bonaguri and Raffae...(+)
Composed by Paolo Ugoletti
Andrea Vezzoli. Edited by
Piero Bonaguri and Raffaello
Ravasio. Saddle stitching.
Piero Bonaguri Collection.
Classical. Ut Orpheus #CH 254.
Published by Ut Orpheus
$21.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Missa Brevis [Score and Parts] - Easy De Haske Publications
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Co...(+)
Concert Band/Harmonie and Opt. Choir - Grade 2 SKU: BT.DHP-1033337-015 Composed by Jacob De Haan. Musica Sacra. Hymns & Chorals. Set (Score & Parts). Composed 2003. De Haske Publications #DHP 1033337-015. Published by De Haske Publications (BT.DHP-1033337-015). 9x12 inches. Missa Brevis, written for choir and wind band, was commissioned by the Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (France), in celebration of the millennium of Pope Leon IX’sbirth in Éguisheim (France). The composer conducted the first performance on June 23, 2002. It was performed live for the French television channel France 2. The mass movements Kyrie, Gloria, Credo, Sanctus, Benedictus, and Agnus Deiare very suitable for the Catholic as well as the Protestant liturgy. For this mass, various ways for performing in diverse variable strengths are possible. An instrumental performance is possible if the brass represents the choir parts. In thisoption, it is desirable for the brass to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is approached. In a performance with a large choir, the brass can work very well as a support. Inthat case, the dynamics of the brass should be adapted somewhat, since these are actually intended for an instrumental performance. You can also leave out the brass entirely for the benefit of the choir. For the accompaniment of smaller choirs, youcan opt for a small ensemble from the band. This can also be a quartet, put together as desired. For the performance of this mass, the obvious choice is one of the above options. However, as an alternative, a performance with a combination of theseoptions (vocally/instrumentally) is also possible not just from an artistic point of view (variation), but also from a practical starting point for example in the case that the choir has rehearsed only two movements. With a full strength, theconductor can vary the instrumentation to his or her liking. Then the brass can also play a role in the accompaniment (instead of supporting the choir). The following combinations are possible: 1. clarinet choir (from Eb Clarinet to BassClarinet) 2. clarinet choir + saxophones 3. brass (flugelhorns, horns, euphoniums, bass section) 4. brass (2 trumpets / 2 trombones) 5. double reeds (optional + flute, optional + string bass) 6. tutti 7. all winds 8. allbrass In a performance by brass band and choir, it is usually advisable to leave out option 1 (choir + brass + band). The choir sings self-reliantly, accompanied by a full brass band. In an instrumental performance, you can consider a combinedquartet (two cornets and two trombones) + brass band. Choral parts available separately.
Missa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Éguisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk: 1. clarinet choir (van Es-klarinet tot basklarinet) 2. clarinet choir + saxofoons 3. zacht koper (bugels, hoorns, euphoniums, bassen) 4. scherp koper (2 trompetten / 2 trombones) 5. dubbelrieten (eventueel + fluit, eventueel + contrabas) 6. tutti 7. alle hout 8. alle koper In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) + brassband.Koorpartijen apart verkrijgbaar.
Missa Brevis, geschrieben für Chor und Blasorchester entstand im Auftrag des Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir.: Philippe Pfisterer) in Guebwiller (Frankreich), anlässlich des tausendjährigen Jubiläumsder Geburt von Papst Leo IX in Éguisheim. Der Komponist dirigierte die Uraufführung am 23. Juni 2002. Sie wurde live vom französischen Fernsehen France 2 übertragen. Die Messesätze Kyrie, Gloria, Credo, Sanctus, Benedictus und Agnus Deieignen sich ausgezeichnet sowohl für die katholische als auch die protestantische Liturgie. Diese Messe kann in diversen variablen Spielstärken aufgeführt werden. Eine Instrumentalaufführung ist möglich, wenn das Blech die Chorstimme übernimmt.Um der Idee von zwei Chören in dieser Variante möglichst gerecht zu werden, empfiehlt es sich, das Blechregister getrennt vom Rest des Blasorchesters aufzustellen (beispielsweise auf einer Galerie). In einer Aufführung mit einem großen Chor kann dasBlechregister sehr gut als Unterstützung dienen. In diesem Fall sollten die Dynamikangaben der Blechbläser etwas angepasst werden, da sie ja eigentlich für eine Instrumentalaufführung gedacht sind. Man kann zugunsten des Chors auch völlig auf dasBlech verzichten. Zur Begleitung kleinerer Chöre können Sie ein kleines Ensemble aus dem Blasorchester wählen. Dies könnte auch ein Quartett in beliebiger Zusammensetzung sein. Für die Aufführung dieser Messe bietet sich eine der oben genanntenVarianten an. Eine Kombination dieser Wahlmöglichkeiten (vokal/instrumental) ist jedoch auch möglich und das nicht nur vom künstlerischen Standpunkt aus betrachtet (zur Abwechslung), sondern auch aus praktischen Erwägungen beispielsweise, wennder Chor nur zwei Sätze einstudiert hat. In voller Besetzung kann der Dirigent die Instrumentierung nach Belieben variieren. Dann können die Blechbläser auch eine Rolle in der Begleitung übernehmen (anstatt den Chor zu unterstützen). Die folgendenKombinationen sind möglich: 1. Klarinettenchor (von Klarinette in Es bis Bassklarinette) 2. Klarinettenchor + Saxophone 3. Blech (Flügelhorn, Horn, Euphonium, Bassregister) 4. Blech (2 Trompeten / 2 Posaunen) 5. Doppelrohrblattinstrumente (wahlweise + Flöte, wahlweise + Kontrabass) 6. Tutti 7. Alle Holzbläser 8. Alle Blechbläser In einer Aufführung mit Brass Band und Chor ist es gewöhnlich ratsam, nicht die erste Option (Chor + Blech + Blasorchester) zu wählen. Der Chor singt unabhängig, begleitet von einer vollständigen Brass Band. In einer Instrumentalaufführung könnenSie sich für ein kombiniertes Quartett (zwei Kornette und zwei Posaunen) + Brass Band entscheiden. Chorstimmen separat erhältlich.
Missa Brevis est une messe pour Orchestre d’Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, l’occasion des célébrations dumillénaire de la naissance du Pape Léon IX Éguisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique qu’ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres l’écart de la formation (sur une estrade, par exemple) de façon reproduire l’idée dedeux groupes indépendants. Dans le cadre d’une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, l’origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourl’interprétation de cette messe l’un des choix proposés ci-dessus s’impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant d’un point devue artistique (variante) que pratique dans le cas où le Choeur n’a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre d’Harmonie), il peut varier l’instrumentation selon ses préférences. ce moment-l , il peut confier un rôle d’accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées : 1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse) 2. Choeur de Clarinettes + Saxophones 3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses) 4. Cuivres (2 Trompettes / 2 Trombones) 5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles) 6. Tutti 7. Tous les Bois 8. Tous les Cuivres Dans le cadre d’une interprétation par un Brass Band accompagné d’un Choeur, il est préférable de supprimer l’option 1 (Choeur + Cuivres + Orchestre d’Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chœur disponibles séparément.
Parti per coro disponibili a parte. $327.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Musical Theatre for Classical Singers Tenor voice Hal Leonard
(Tenor, 48 Songs). By Various. Edited by Richard Walters. Vocal Collection. 254...(+)
(Tenor, 48 Songs). By Various. Edited by Richard Walters. Vocal Collection. 254 pages. Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Singer's Library of Musical Theatre, Volume 2 Low voice [Sheet music + CD] Alfred Publishing
(Baritone/Bass Voice). Edited by Lisa DeSpain. For Voice (Bass voice). Vocal Col...(+)
(Baritone/Bass Voice). Edited by Lisa DeSpain. For Voice (Bass voice). Vocal Collection. Singer's Library of Musical Theatre. Broadway. Book and CD. 188 pages
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Musical Theatre for Classical Singers (Tenor, Accompaniment CDs) Tenor voice [Accompaniment CD] Hal Leonard
Tenor, Accompaniment CDs. Composed by Various. Edited by Richard Walters. Vocal ...(+)
Tenor, Accompaniment CDs. Composed by Various. Edited by Richard Walters. Vocal Collection. Broadway. CD. 8 pages. Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Colours of the World Violin [Sheet music + Audio access] - Intermediate De Haske Publications
Violin - intermediate SKU: BT.DHP-1033470-404 14 contemporary pieces f...(+)
Violin - intermediate SKU: BT.DHP-1033470-404 14 contemporary pieces from around the world. Composed by Jos Van Den Dungen. Educational Tool. Book with Online Audio. Composed 2021. 32 pages. De Haske Publications #DHP 1033470-404. Published by De Haske Publications (BT.DHP-1033470-404). ISBN 9789043161756. 9x12 inches. International. Colours of the World is a varied, swinging collection of pieces each of which has its own colour. They include not only tango, blues, tex mex and Cuban but also house, Balkan and folk. To be able to play the pieces well youwill need to have some playing experience: sometimes the third position is used and vibrato is also desirable. However, these fourteen pieces are relatively easy to play and you will gain much pleasure from them. Great attentionhas been paid to the accompaniment recordings which are available online in MP3 format - the musicians are specialists in their field, so each piece has its own original atmosphere.
Veertien speelstukken vormen in Colours of the World een prettig en afwisselend geheel. De enigszins handige violist met kennis van drie posities zal zich deze cocktail van stijlen zeker laten smaken. Diverseinspiratiebronnen van over de hele wereld zijn gebruikt, waaronder Hongarije, Cuba, Argentinië, Amerika, Ierland en Marokko, maar ook uit verschillende periodes, bijvoorbeeld de riddertijd. De begeleidingsopnames (online inmp3-formaat beschikbaar) zijn ingespeeld door muzikanten die zijn gespecialiseerd in hun eigen stijl: van stevige rock en tex-mex tot Balkanklanken en housemuziek.
Colours of the World ist eine bunte Mischung von Stücken in Stilen aus aller Welt. Dazu gehören z. B. Tango, Blues, Tex-Mex, kubanische Musik, House u. v. m. Die Stücke erfordern ein gutes Rhythmusgefühl undeinen ausreichenden Tonumfang. Die online im MP3-Format verfügbaren Begleitaufnahmen wurden von professionellen Musikern eingespielt. Dabei wurden für die Stilarten typische Instrumente wie z. B. Becken oder Akkordeonverwendet, sodass die Stücke alle eine eigene, ursprüngliche Atmosphäre ausstrahlen.
Colours of the World (« Couleurs du monde ») est le recueil idéal pour tout violoniste ayant une certaine expérience du jeu en première, deuxième et troisième positions, et qui souhaite partir ladécouverte de styles et dâ??horizons musicaux nouveaux. Jos van den Dungen sâ??est inspiré de musiques en provenance du monde entier (Irlande, Hongrie, Ã?tats-Unis, Cuba, Argentine, Maroc, entre autres) et de différentes époques.Laissez-vous séduire par les superbes pistes d'accompagnement disponibles en ligne au format MP3. Du rock la house en passant par les sonorités chaleureuses de la musique des Balkans et tex-mex, ce recueil vous proposedâ??excellents moments musicaux.
Colours of the World propone musiche in diversi stili musicali quali tango, blues, tex-mex, house, musiche balcaniche e folk. Le registrazioni audio accessibili online come file MP3 permettono di suonare con un accompagnamentofornito da musicisti professionisti. $25.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Singer's Library of Musical Theatre, Vol. 2 Low voice [Sheet music] Alfred Publishing
For Voice. (Baritone/Bass Voice). Vocal Collection. Broadway. Book. 188 pages. ...(+)
For Voice. (Baritone/Bass Voice). Vocal Collection. Broadway. Book. 188 pages. Published by Alfred Publishing.
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Glitter, Doom, Shards, Memory [Score] Theodore Presser Co.
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441...(+)
Chamber Music Viola 1, Viola 2, Violin 1, Violin 2, Violoncello SKU: PR.11441690S String Quartet No. 3. Composed by Shulamit Ran. Sws. Contemporary. Full score. With Standard notation. Composed March 9 2013. 32 pages. Duration 23 minutes. Theodore Presser Company #114-41690S. Published by Theodore Presser Company (PR.11441690S). UPC: 680160626021. 9 x 12 inches. Ran's third string quartet was written for the Pacifica Quartet, who are featuring it in numerous performances from May 2014 through February 2016, across the country and abroad. Their blog page dedicated to the work also features the composer's notes, for more indepth insight. ...impassioned solos emerge from ominous quiet, and high arpeggios in the violins quiver alongside the earthy cello. Ms. Ran skillfully deploys these extremes of color, volume and pitch, yet the overall somewhat chilly impression is one of poise. -- Zachary Woolfe, The New York Times. My third string quartet was composed at the invitation of the Pacifica Quartet, whose music-making I have come to know closely and admire hugely as resident artists at the University of Chicago. Already in our early conversations Pacifica proposed that this quartet might, in some manner, refer to the visual arts as a point of germination. Probing further, I found out that the quartet members had special interest in art created during the earlier part of the 20th century, perhaps between the two world wars. It was my good fortune to have met, a short while later, while in residence at the American Academy in Rome in the fall of 2011, art conservationist Albert Albano who steered me to the work of Felix Nussbaum (1904-1944), a German-Jewish painter who, like so many others, perished in the Holocaust at a young age, and who left some powerful, deeply moving art that spoke to the life that was unraveling around him. The title of my string quartet takes its inspiration from a major exhibit devoted to art by German artists of the period of the Weimar Republic (1919-1933) titled “Glitter and Doom: German Portraits from the 1920sâ€, first shown at New York’s Metropolitan Museum of Art in 2006-07. Nussbaum would have been a bit too young to be included in this exhibit. His most noteworthy art was created in the last very few years of his short life. The exhibit’s evocative title, however, suggested to me the idea of “Glitter, Doom, Shards, Memory†as a way of framing a possible musical composition that would be an homage to his life and art, and to that of so many others like him during that era.  Knowing that their days were numbered, yet intent on leaving a mark, a legacy, a memory, their art is triumph of the human spirit over annihilation. Parallel to my wish to compose a string quartet that, typically for this genre, would exist as “pure musicâ€, independent of a narrative, was my desire to effect an awareness in my listener of matters which are, to me, of great human concern.  To my mind there is no contradiction between the two goals.  As in several other works composed since 1969, this is my way of saying ‘do not forget’, something that, I believe, can be done through music with special power and poignancy.   The individual titles of the quartet’s four movements give an indication of some of the emotional strands this work explores. 1) “That which happened†(das was geschah) – is how the poet Paul Celan referred to the Shoah – the Holocaust.  These simple words served for me, in the first movement, as a metaphor for the way in which an “ordinary†life, with its daily flow and its sense of sweet normalcy, was shockingly, inhumanely, inexplicably shattered. 2) “Menace†is a shorter movement, mimicking a Scherzo.  It is also machine-like, incessant, with an occasional, recurring, waltz-like little tune – perhaps the chilling grimace we recognize from the executioner’s guillotine mask.  Like the death machine it alludes to, it gathers momentum as it goes, and is unstoppable. 3) â€If I must perish - do not let my paintings dieâ€; these words are by Felix Nussbaum who, knowing what was ahead, nonetheless continued painting till his death in Auschwitz in 1944.  If the heart of the first movement is the shuddering interruption of life as we know it, the third movement tries to capture something of what I can only imagine to be the conflicting states of mind that would have made it possible, and essential, to continue to live and practice one’s art – bearing witness to the events.  Creating must have been, for Nussbaum and for so many others, a way of maintaining sanity, both a struggle and a catharsis – an act of defiance and salvation all at the same time. 4) “Shards, Memory†is a direct reference to my quartet’s title.  Only shards are left.  And memory.  The memory is of things large and small, of unspeakable tragedy, but also of the song and the dance, the smile, the hopes. All things human.  As we remember, in the face of death’s silence, we restore dignity to those who are gone.—Shulamit Ran . $29.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| The Best Movie Themes Ever Piano solo Hal Leonard
Composed by Various. Piano Solo Songbook. Softcover. 256 pages. Published by H...(+)
Composed by Various. Piano
Solo Songbook. Softcover.
256 pages. Published by Hal
Leonard
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Movie Themes Piano solo Hal Leonard
Budget Books. Composed by Various. Piano Solo Songbook. Movies. Softcover. 352...(+)
Budget Books. Composed by
Various. Piano Solo Songbook.
Movies. Softcover. 352 pages.
Published by Hal Leonard
$14.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Il etait une fois a la cour d'Eisenach Concert band, Choral [Score] - Intermediate Baton Music
By Jacques Offenbach (1819-1880). Arranged by Andreas van Zoelen. For Tenor Voic...(+)
By Jacques Offenbach (1819-1880). Arranged by Andreas van Zoelen. For Tenor Voice, Male Choir [ad lib.] and Concert Band. From the Opera Les contes d'Hoffman. Grade 3. Full score only. Duration 5 minutes. Published by Baton Music
$29.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Merry Shall We Part and Merry Meet Again from 'Nonsense Songs from Mother Goose', Op. 19 Fredonia Press
Vocal Mixed Choir with Piano SKU: AY.FRD57 Composed by John La Montaine. ...(+)
Vocal Mixed Choir with Piano SKU: AY.FRD57 Composed by John La Montaine. Vocal. Fredonia Press #FRD57. Published by Fredonia Press (AY.FRD57). ISBN 9790302115144. The Nonsense Songs from Mother Goose, Op. 19 for mixed voices and piano consists of seven songs: In Islingen There Was a Man, The Proposal, Rub a Dub, Miniature Biographies, Simple Simon, Peter Piper, and Merry Shall We Part and Merry Meet Again. The first performance took place on May 6, 1973 at the National Gallery of Art, with the Georgetown University Men's Chorus, conducted by Paul Hume. This product only contains the seventh song of the collection, Merry Shall We Part and Merry Meet Again. $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Music Advocacy GIA Publications
SKU: GI.G-9199 Moving from Survival to Vision. Composed by John L....(+)
SKU: GI.G-9199 Moving from Survival to Vision. Composed by John L. Benham. Music Education. 234 pages. GIA Publications #9199. Published by GIA Publications (GI.G-9199). ISBN 9781622772087. English. A summary of the practice of music advocacy, this book compiles research and thirty years’ experience of one of the nation’s most successful advocates for music education. It gives music educators, administrators, school board members, and community advocates step-by-step procedures for saving and building school music programs. John L. Benham has been in music education for over forty years and has worked as an advocacy consultant saving and building music programs for thirty years. His advocacy work and the methods presented in this book have saved $70 million in proposed music cuts, equivalent to approximately 2,000 teaching positions and 500,000 music students. Read what people have to say about Music Advocacy: Moving from Survival to Vision: Finally—a how to book for music education in our own districts! John L. Benham provides us with ‘the right stuff’ as well as rules to ensure that programs stay intact and keep complacency at bay. This must-have resource helps us understand educational processes and how budget decisions are made. It also provides suggestions on how to involve all constituents in the process of advocacy by guaranteeing that the best interest of the students remains the basis for all decision making. Music programs can be saved even when cuts appear to be imminent, and Music Advocacy: Moving from Survival to Vision provides effective, proactive strategies not only to avoid these cuts but also to establish a long-term plan for continued development. —Marcia M. Neel, president, Music Education Consultants, Inc.  John Benham is a rare individual who walks his talk with a sense of mission unknown in common hours, and every person connected with arts education is the beneficiary of his immeasurable commitment and dedication. Once again he has come to the forefront of the profession by sharing his profound knowledge and wisdom. Simply put, this book represents a tried-and-true blueprint of success. It is a priceless gift to the future of our educational landscape and a reflective tribute to the visionary contribution of an author of purpose. —Tim Lautzenheiser, Attitude Concepts for Today, Inc.  Benham’s new book is a must-have for every music department at both the K–12 and collegiate levels. His theory of reverse economics along with his guidance have saved music education experiences for thousands of students as well as many careers. This book provides information on scheduling issues as well as a clear explanation of his reverse economics theory. It gives a step-by-step outline on how to handle threats to music programs. The book is a wealth of information and is highly recommended. —Mary Wagner, chair, Fairfax Arts Coalition for Education, and National ASTA past president  As a music retailer who has worked closely with John L. Benham for over ten years, I appreciate his discovery of reverse economics. It is brilliantly simple and proves the financial efficacy of a healthy music department! Every instrument retailer needs to share this vital resource with all of their school customers. This is the manual that every music department needs to fully support their program. The information needs to be shared with your school board every year. —Doug Schmitt, vice president of music education, Schmitt Music Stores. $23.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Missa Brevis Concert band [Score] - Easy De Haske Publications
Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2 SKU: B...(+)
Concert Band/Harmonie/Fanfare Band/Brass Band and opt. Choir - Grade 2 SKU: BT.DHP-1033337-170 Composed by Jacob De Haan. Musica Sacra. Hymns and Chorals. Score Only. Composed 2003. 28 pages. De Haske Publications #DHP 1033337-170. Published by De Haske Publications (BT.DHP-1033337-170). A4 (210X297) inches. Missa Brevis is a major work for choir and brass band for performance in church or in the concert hall. For this mass, there are many performance possibilities depending on the musicians available. In addition to the standard orchestration ofchoir and band a brass quartet can also play the choral parts. For this it is desirable for the brass quartet to be positioned separately from the rest of the band (on a gallery, for example), so that the idea of two choirs is heard. It is alsopossible to perform the work with brass band and organ. A truly flexible religious masterpiece. Choral parts available separately.
Missa Brevis, geschreven voor koor en blaasorkest, werd gecomponeerd in opdracht van de Conseil Départemental pour la Musique et la Culture de Haute-Alsace (dir. Philippe Pfisterer) in Guebwiller (Frankrijk), ter gelegenheid van het duizendstegeboortejaar van paus Leo IX. In zijn geboorteplaats, Ãâ°guisheim (Elzas, Frankrijk), vond op 23 juni 2002 de première van deze mis plaats onder leiding van de componist. Het betrof een live-registratie voor de Franse televisiezender France 2. Demisdelen Kyrie, Gloria, Credo, Sanctus, Benedictus en Agnus Dei lenen zich uitstekend voor zowel de katholieke als de protestantse liturgie. Er zijn voor deze mis diverse uitvoeringsmogelijkheden mogelijk, aangezien er sprake is van eenvariabele bezetting. Een instrumentale uitvoering behoort uitdrukkelijk tot de mogelijkheden, indien het scherp koper de koorpartijen vertegenwoordigt. In deze optie is het wenselijk dat het scherp koper zich separaat opstelt van de rest van hetorkest (bijvoorbeeld op een galerij), zodat het idee van dubbelkorigheid wordt benaderd. Bij een uitvoering voor groot koor werkt het scherp koper zeer goed als ondersteuning. In dat geval kan de dynamiek van het koper iets worden aangepast,aangezien deze in eerste instantie bedoeld is voor een instrumentale versie. Ook kan men ervoor kiezen het scherp koper helemaal weg te laten ten gunste van het koor. Bij begeleiding van kleinere koren kan men kiezen voor een klein ensemble uit hetorkest. Dit kan ook een naar wens samengesteld kwartet zijn. Voor de uitvoering van deze mis ligt het voor de hand een van deze opties te kiezen. Als alternatief is echter ook een uitvoering mogelijk met een combinatie van deze opties (vocaal/instrumentaal) - niet slechts vanuit een artistiek motief (afwisseling), maar ook vanuit een praktisch motief, voor het geval dat het koor bijvoorbeeld slechts twee delen heeft ingestudeerd. Bij een volledige bezetting kan de dirigent deinstrumentatie naar believen afwisselen. Hierbij kan ook het scherp koper in de begeleiding een rol krijgen (in plaats van ondersteuning van het koor). Zo zijn de volgende combinaties mogelijk: 1. clarinet choir (van Es-klarinet tot basklarinet) 2. clarinet choir saxofoons 3. zacht koper (bugels, hoorns, euphoniums, bassen) 4. scherp koper (2 trompetten / 2 trombones) 5. dubbelrieten (eventueel fluit, eventueel contrabas) 6. tutti 7. alle hout 8. alle koper In een uitvoering voor brassband en koor is het in de meeste gevallen aan te bevelen de optie voor scherp koper weg te laten. Het koor zingt zelfstandig, begeleid door een volledige brassband. In een instrumentale uitvoering kunt u denken aan eencombinatiekwartet (twee cornetten en twee trombones) brassband.Koorpartijen apart verkrijgbaar.
Missa Brevis, eine Messe für Brass Band und Chor ad libitum, kann in diversen variablen Spielstärken aufgeführt werden. Zahlreiche mögliche Instrumentenkombinationen diverse mögliche Kombinationen mit großen oder kleineren Chören, lassen eineVielzahl von verschiedenen Aufführungen dieser Messe zu. So kann z. B. ein Blechbläserquartett, von der Kirchenempore herab spielend, die Chorpartien übernehmen. Darüber hinaus ergeben sich durch die Orgelbegleitung weitere Aufführungsvarianten. EineAufstellung der Wahlmöglichkeiten wird vom Komponisten mitgeliefert. Die wunderschöne Musik aus der Feder von Jacob de Haan garantiert in jedem Fall einen gelungenen Auftritt!Chorstimmen separat erhältlich.
Missa Brevis est une messe pour Orchestre dââ¬â¢Harmonie et Choeur composée la demande du Conseil Départemental pour la Musique et la Culture de Haute-Alsace (Dir. : Philippe Pfisterer) de Guebwiller en France, lââ¬â¢occasion des célébrations dumillénaire de la naissance du Pape Léon IX Ãâ°guisheim. La création mondiale a eu lieu le 23 juin 2002 sous la direction du compositeur, et a été diffusée en direct sur la chaîne de télévision nationale France 2. Les différentes parties de cettemesse (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Dei) conviennent autant la liturgie catholique quââ¬â¢ la liturgie protestante. Missa Brevis peut être interprétée dans différentes combinaisons instrumentales. Ellepeut être jouée dans une version purement instrumentale, où les cuivres prennent en charge la partie vocale. En tel cas, il est conseillé de placer les cuivres lââ¬â¢Ã©cart de la formation (sur une estrade, par exemple) de façon reproduire lââ¬â¢idée dedeux groupes indépendants. Dans le cadre dââ¬â¢une interprétation avec un grand Choeur, les cuivres jouent un rôle de soutien. Leurs nuances doivent alors être adaptées dans la mesure où elles ont été écrites, lââ¬â¢origine, pour une version instrumentale.Il est également possible de ne pas faire intervenir les cuivres et de privilégier le Choeur. Pour accompagner de petits ensembles vocaux, il faut opter pour une formation instrumentale réduite voire même un Quatuor (instrumentation au choix). Pourlââ¬â¢interprétation de cette messe lââ¬â¢un des choix proposés ci-dessus sââ¬â¢impose. Il existe néanmoins une alternative qui consiste interpréter cette oeuvre en combinant ces options (vocales / instrumentales). Cela peut être bénéfique tant dââ¬â¢un point devue artistique (variante) que pratique dans le cas où le Choeur nââ¬â¢a travaillé que deux mouvements de la messe. Si le chef dispose de deux formations complètes (Choeur et Orchestre dââ¬â¢Harmonie), il peut varier lââ¬â¢instrumentation selon ses préférences. ce moment-l , il peut confier un rôle dââ¬â¢accompagnement et non de soutien aux cuivres de sa formation. Les combinaisons suivantes peuvent être formées : 1. Choeur de Clarinettes (de la Clarinette Mib la Clarinette Basse) 2. Choeur de Clarinettes Saxophones 3. Cuivres (Bugles, Cors, Barytons / Euphoniums, Basses) 4. Cuivres (2 Trompettes / 2 Trombones) 5. Instruments anches doubles (Fl te et Contrebasse cordes optionnelles) 6. Tutti 7. Tous les Bois 8. Tous les Cuivres Dans le cadre dââ¬â¢une interprétation par un Brass Band accompagné dââ¬â¢un Choeur, il est préférable de supprimer lââ¬â¢option 1 (Choeur Cuivres Orchestre dââ¬â¢Harmonie) car le Choeur étant autonome. Dans une version instrumentale pour Cuivres, il estpossible de former la combinaison suivante : Quatuor (2 Cornets / 2 Trombones) et Brass Band.Partitions pour chÃ
âur disponibles séparément.
Parti per coro disponibili a parte. $52.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| À vos guitares, prêts, jouez! Vol. 4 2 Guitars (duet) [Score and Parts] - Intermediate Productions OZ
Guitar duet - Intermediate SKU: DZ.DZ-4120 Composed by Various. Score and...(+)
Guitar duet - Intermediate SKU: DZ.DZ-4120 Composed by Various. Score and parts. Les Productions d'OZ #DZ 4120. Published by Les Productions d'OZ (DZ.DZ-4120). ISBN 9782898520372. This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.
You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.
The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions dâÂÂOz website and on YouTube. Search for àvos guitares, prêt, joue! Vol. 4.
Isabelle Héroux, editor, professor, Department of Music, UQAM. Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.
Ce quatrième cahier est consacré au jeu en ensemble grâce àcinq trios et trois quatuors de styles variés (tango, ballade, rockâ¦) appropriés pour la fin du primaire avec quelques années dâÂÂexpérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation àla musique dâÂÂensemble, alors que dâÂÂautres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume sâÂÂadresse donc aux guitaristes qui connaissent déjàles notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive.
Vous trouverez dans les partitions des indications de nuances, de timbre, dâÂÂattaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités àfaire des choix dâÂÂinterprétation différents de ceux qui sont proposés ou àtenter de rendre de manière convaincante ceux déjàécrits.
Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de lâÂÂUQAM dans le cadre dâÂÂun cours qui vise àoutiller les musiciens pour lâÂÂenseignement de la guitare dans le système scolaire. Beaucoup dâÂÂentre eux sont des musiciens provenant dâÂÂhorizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que lâÂÂon retrouve dans les pièces. Toutes les pièces ont fait lâÂÂobjet dâÂÂun enregistrement audio disponible sur le site des Productions dâÂÂOz et sur YouTube. Recherchez àvos guitares, prêts, jouez! Vol. 4.
Isabelle Héroux, éditrice, professeure, Département de musique, UQAM. Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur. $11.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Carnival of Strings [Score and Parts] De Haske Publications
String Quartet or String Orchestra - easy SKU: BT.DHP-1115120-070 Compose...(+)
String Quartet or String Orchestra - easy SKU: BT.DHP-1115120-070 Composed by Rachel Jennings. De Haske String Orchestra Series. Set (Score & Parts). Composed 2011. 20 pages. De Haske Publications #DHP 1115120-070. Published by De Haske Publications (BT.DHP-1115120-070). ISBN 9789043142441. 9x12 inches. English-German-French-Dutch. The De Haske String Orchestra Series offers attractive pieces especially composed and arranged for string orchestras. Students and teachers are treated to a great variety of musical styles. Each part presents a challenge to the player. The Viola part can be replaced by a 3rd Violin part, and the Double bass part can be replaced by a 2nd Cello part. The Piano part is mainly meant for support, but it occasionally adds new motifs as well. Carnival of Strings is a delightful collection of dances for beginner string orchestras.
De De Haske String Orchestra Series biedt u aantrekkelijke, speciaal voor strijkorkest gecomponeerde en gearrangeerde werken. De stukken zijn geschreven in verschillende stijlen: van klassiek en folk tot moderne, populaire muziek. Iedere partij is zo geschreven dat elke speler in het orkest een uitdaging heeft. De partij voor altviool kan door een derde viool worden vervangen. De partij voor contrabas kan ook door een tweede cello worden gespeeld. De pianopartij dient als ondersteuning, maar voegt soms ook nieuwe motieven toe aan de muziek. Carnival of Strings presenteert een leuke verzameling dansmuziek voor beginnende stijkorkesten.
Die De Haske String Orchestra Series bietet attraktive, speziell fu r Streichorchester komponierte und arrangierte Stu cke in einer stilistischen Vielfalt von Klassik u ber Folk bis zu modernen U-Musikstilen. Jede Stimme stellt dabei besondere Herausforderungen an die Spieler. Die Violastimme kann durch eine dritte Violine und der Kontrabass durch ein zweites Cello ersetzt werden. Die Klavierstimme dient zur Unterstu tzung, fu gt aber zuweilen auch neue Motive hinzu. Carnival of Strings präsentiert eine reizvolle Sammlung von Tänzen fu r Anfänger-Streichorchester. Titel wie Coconut Calypso und Waltz Away versprechen Stilvielfalt undSpielspaß!
De Haske String Orchestra Series : Les compositions et les arrangements réunis sous ce label sont en parfait accord avec le niveau ciblé, et proposent des styles très variés. Chaque publication est accompagnée d'un compact disc contenant la version de démonstration des œuvres publiées dans cette collection. L’instrumentation est toujours la même : Violons 1 & 2, Alto (ou Violon 3), Violoncelle, Contrebasse (ou Violoncelle 2) et Piano. Carnival of Strings met en évidence quatre délicieuses danses, dans un charmant arrangement pour Orchestre Cordes.
De Haske String Orchestra Series è una nuova raccolta pensata per i suonatori di archi principianti. Le composizioni e gli arrangiamenti raccolti sotto questa etichetta sono perfetti per chi inizia a suonare e prongono stili variegati. La strumentazione è sempre la stessa: violino 1 & 2, viola (o violino 3), violoncello, contrabbasso (o violoncello 2) e piano. Con CD.Carnival of Strings propone quattro deliziose danze in un piacevole arrangiamento per quartetto d'archi. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| In Islington There Was a Man from 'Nonsense Songs from Mother Goose', Op. 19 Fredonia Press
Vocal Mixed Choir with Piano SKU: AY.FRD51 Composed by John La Montaine. ...(+)
Vocal Mixed Choir with Piano SKU: AY.FRD51 Composed by John La Montaine. Vocal. Fredonia Press #FRD51. Published by Fredonia Press (AY.FRD51). ISBN 9790302115083. The Nonsense Songs from Mother Goose, Op. 19 for mixed voices and piano consists of seven songs: In Islingen There Was a Man, The Proposal, Rub a Dub, Miniature Biographies, Simple Simon, Peter Piper, and Merry Shall We Part and Merry Meet Again. The first performance took place on May 6, 1973 at the National Gallery of Art, with the Georgetown University Men's Chorus, conducted by Paul Hume. This product only contains the second song of the collection, The Proposal. $7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Singer's Musical Theatre Anthology - Volume 6 (Baritone/Bass) Low voice, Piano Hal Leonard
Baritone/Bass. Composed by Various. Edited by Richard Walters. Vocal Collectio...(+)
Baritone/Bass. Composed by
Various. Edited by Richard
Walters. Vocal Collection.
248 pages. Published by Hal
Leonard
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Proposal from 'Nonsense Songs from Mother Goose', Op. 19 Fredonia Press
Vocal Mixed Choir with Piano SKU: AY.FRD52 Composed by John La Montaine. ...(+)
Vocal Mixed Choir with Piano SKU: AY.FRD52 Composed by John La Montaine. Vocal. Fredonia Press #FRD52. Published by Fredonia Press (AY.FRD52). ISBN 9790302115090. The Nonsense Songs from Mother Goose, Op. 19 for mixed voices and piano consists of seven songs: In Islingen There Was a Man, The Proposal, Rub a Dub, Miniature Biographies, Simple Simon, Peter Piper, and Merry Shall We Part and Merry Meet Again. The first performance took place on May 6, 1973 at the National Gallery of Art, with the Georgetown University Men's Chorus, conducted by Paul Hume. This product only contains the first song of the collection, In Islingen There Was a Man. $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
Next page 1 31 61 61 91 |